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View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

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  • Image 1 View of the bridge looking north Monnow Bridge (Welsh: Pont Trefynwy Welsh pronunciation: [pɔnt tre:vənʊɨ]), in Monmouth, Wales, is the only remaining fortified river bridge in Great Britain with its gate tower standing on the bridge. Such bridge towers were common across Europe from medieval times, but many were destroyed due to urban expansion, diminishing defensive requirements and the increasing demands of traffic and trade. The historical and architectural importance of the bridge and its rarity are reflected in its status as a scheduled monument and a Grade I listed building. The bridge crosses the River Monnow (Afon Mynwy) 500 metres (1,600 ft) above its confluence with the River Wye. Monmouth had been a significant border settlement since the Roman occupation of Britain, when it was the site of the fort of Blestium. The River Wye may have been bridged at this time but the Monnow, being easily fordable, appears not to have had a crossing until after the Norman Conquest. According to the local tradition, construction of Monnow Bridge began in 1272 to replace a 12th-century Norman timber bridge. Through the medieval era, the English Civil War, and the Chartist uprising, the bridge played a significant, if ineffectual, role in defending Monmouth. It also served as a gaol, a munitions store, a lodge, an advertising hoarding, a focus for celebrations and, most significantly, as a toll gate. Much of the medieval development of Monmouth was funded by the taxes and tolls the borough was entitled to raise through royal charter. The tolls were collected through control of the points of entry to the town, including the gatehouse on Monnow Bridge. (Full article...)

    View of the bridge looking north

    Monnow Bridge (Welsh: Pont Trefynwy Welsh pronunciation: [pɔnt tre:vənʊɨ]), in Monmouth, Wales, is the only remaining fortified river bridge in Great Britain with its gate tower standing on the bridge. Such bridge towers were common across Europe from medieval times, but many were destroyed due to urban expansion, diminishing defensive requirements and the increasing demands of traffic and trade. The historical and architectural importance of the bridge and its rarity are reflected in its status as a scheduled monument and a Grade I listed building. The bridge crosses the River Monnow (Afon Mynwy) 500 metres (1,600 ft) above its confluence with the River Wye.

    Monmouth had been a significant border settlement since the Roman occupation of Britain, when it was the site of the fort of Blestium. The River Wye may have been bridged at this time but the Monnow, being easily fordable, appears not to have had a crossing until after the Norman Conquest. According to the local tradition, construction of Monnow Bridge began in 1272 to replace a 12th-century Norman timber bridge. Through the medieval era, the English Civil War, and the Chartist uprising, the bridge played a significant, if ineffectual, role in defending Monmouth. It also served as a gaol, a munitions store, a lodge, an advertising hoarding, a focus for celebrations and, most significantly, as a toll gate. Much of the medieval development of Monmouth was funded by the taxes and tolls the borough was entitled to raise through royal charter. The tolls were collected through control of the points of entry to the town, including the gatehouse on Monnow Bridge. (Full article...)
  • Image 2 John Douglas, photograph published in 1890 John Douglas (11 April 1830 – 23 May 1911) was an English architect who designed over 500 buildings in Cheshire, North Wales, and northwest England, in particular in the estate of Eaton Hall. He was trained in Lancaster and practised throughout his career from an office in Chester. Initially he ran the practice on his own, but from 1884 until two years before his death he worked in partnerships with two of his former assistants. Douglas's output included new churches, restoring and renovating existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic. Douglas worked during the period of the Gothic Revival, and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Dutch architecture. However he is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, influenced by the black-and-white revival in Chester. Other vernacular elements he incorporated include tile-hanging, pargeting and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas's use of joinery and highly detailed wood carving. (Full article...)

    John Douglas, photograph published in 1890

    John Douglas (11 April 1830 – 23 May 1911) was an English architect who designed over 500 buildings in Cheshire, North Wales, and northwest England, in particular in the estate of Eaton Hall. He was trained in Lancaster and practised throughout his career from an office in Chester. Initially he ran the practice on his own, but from 1884 until two years before his death he worked in partnerships with two of his former assistants.

    Douglas's output included new churches, restoring and renovating existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic. Douglas worked during the period of the Gothic Revival, and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Dutch architecture. However he is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, influenced by the black-and-white revival in Chester. Other vernacular elements he incorporated include tile-hanging, pargeting and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas's use of joinery and highly detailed wood carving. (Full article...)
  • Image 3 View from south east St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest. Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building. The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)

    View from south east

    St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest.

    Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building.
    The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)
  • Image 4 7 World Trade Center nearing completion, January 2006 7 World Trade Center (7 WTC, WTC-7, or Tower 7) is an office building constructed as part of the new World Trade Center in Lower Manhattan, New York City. The tower is located on a city block bounded by Greenwich, Vesey, Washington, and Barclay Streets on the east, south, west, and north, respectively. 7 World Trade Center was developed by Larry Silverstein, who holds a ground lease for the site from the Port Authority of New York and New Jersey, and designed by Skidmore, Owings & Merrill. The building was constructed to replace the original structure on the site, part of the original World Trade Center. The previous structure, completed in 1987, was destroyed in the September 11 attacks in 2001. Construction of the new 7 World Trade Center began in 2002 and was completed on May 23, 2006. The building is 52 stories tall (plus one underground floor), making it the 64th-tallest in New York. It is built on a smaller footprint than the original; a small park across Greenwich Street occupies space that was part of the original building's footprint. (Full article...)

    7 World Trade Center nearing completion, January 2006

    7 World Trade Center (7 WTC, WTC-7, or Tower 7) is an office building constructed as part of the new World Trade Center in Lower Manhattan, New York City. The tower is located on a city block bounded by Greenwich, Vesey, Washington, and Barclay Streets on the east, south, west, and north, respectively. 7 World Trade Center was developed by Larry Silverstein, who holds a ground lease for the site from the Port Authority of New York and New Jersey, and designed by Skidmore, Owings & Merrill.

    The building was constructed to replace the original structure on the site, part of the original World Trade Center. The previous structure, completed in 1987, was destroyed in the September 11 attacks in 2001. Construction of the new 7 World Trade Center began in 2002 and was completed on May 23, 2006. The building is 52 stories tall (plus one underground floor), making it the 64th-tallest in New York. It is built on a smaller footprint than the original; a small park across Greenwich Street occupies space that was part of the original building's footprint. (Full article...)
  • Image 5 Nuffield College, facing New Road, with the library tower topped by a flèche. The main entrance to the college is in the middle of the building to the left of the tower. The buildings of Nuffield College, one of the colleges of the University of Oxford, are to the west of the city centre of Oxford, England, and stand on the site of the basin of the Oxford Canal. Nuffield College was founded in 1937 after a donation to the University by the car manufacturer Lord Nuffield; he gave land for the college, as well as £900,000 (approximately £246 million in present-day terms) to build and endow it. The architect Austen Harrison, who had worked in Greece and Palestine, was appointed by the University to design the buildings. His initial design, heavily influenced by Mediterranean architecture, was rejected by Nuffield, who called it "un-English" and refused to allow his name to be associated with it. Harrison reworked the plans, aiming for "something on the lines of Cotswold domestic architecture", as Nuffield wanted. Construction of the second design began in 1949 and was finished in 1960. Progress was hampered by post-war building restrictions, and the effects of inflation on Nuffield's donation led to various cost-saving changes to the plans. In one change, the tower, which had been planned to be ornamental, was redesigned to hold the college's library. It was the first tower built in Oxford for 200 years and is about 150 feet (46 m) tall, including the flèche on top. The buildings are arranged around two quadrangles, with residential accommodation for students and fellows in one, and the hall, library and administrative offices in the other. The chapel has stained glass windows designed by John Piper. (Full article...)
    A tall light-coloured stone square tower with a small metal spire; to the left, a smaller building in the same stone with a dark tiled roof
    Nuffield College, facing New Road, with the library tower topped by a flèche. The main entrance to the college is in the middle of the building to the left of the tower.

    The buildings of Nuffield College, one of the colleges of the University of Oxford, are to the west of the city centre of Oxford, England, and stand on the site of the basin of the Oxford Canal. Nuffield College was founded in 1937 after a donation to the University by the car manufacturer Lord Nuffield; he gave land for the college, as well as £900,000 (approximately £246 million in present-day terms) to build and endow it. The architect Austen Harrison, who had worked in Greece and Palestine, was appointed by the University to design the buildings. His initial design, heavily influenced by Mediterranean architecture, was rejected by Nuffield, who called it "un-English" and refused to allow his name to be associated with it. Harrison reworked the plans, aiming for "something on the lines of Cotswold domestic architecture", as Nuffield wanted.

    Construction of the second design began in 1949 and was finished in 1960. Progress was hampered by post-war building restrictions, and the effects of inflation on Nuffield's donation led to various cost-saving changes to the plans. In one change, the tower, which had been planned to be ornamental, was redesigned to hold the college's library. It was the first tower built in Oxford for 200 years and is about 150 feet (46 m) tall, including the flèche on top. The buildings are arranged around two quadrangles, with residential accommodation for students and fellows in one, and the hall, library and administrative offices in the other. The chapel has stained glass windows designed by John Piper. (Full article...)
  • Image 6 The Seagram Building as viewed from across Park Avenue The Seagram Building is a skyscraper at 375 Park Avenue, between 52nd and 53rd Streets, in the Midtown Manhattan neighborhood of New York City. Designed by Ludwig Mies van der Rohe along with Philip Johnson, Ely Jacques Kahn, and Robert Allan Jacobs, the high-rise tower is 515 feet (157 m) tall with 38 stories. The International Style building, completed in 1958, initially served as the headquarters of the Seagram Company, a Canadian distiller. Phyllis Lambert, daughter of Seagram CEO Samuel Bronfman, heavily influenced the Seagram Building's design, an example of the functionalist aesthetic and a prominent instance of corporate modern architecture. A glass curtain wall with vertical mullions of bronze and horizontal spandrels made of Muntz metal form the building's exterior. On Park Avenue is a pink-granite public plaza with two fountains. Behind the plaza is a tall elevator lobby with a similar design to the plaza. The lowest stories originally contained the Four Seasons Restaurant, which was replaced in 2017 with the Grill and Pool restaurants, and the Brasserie restaurant, which was superseded in 1995 by the Lobster Club. On the upper stories are modular office spaces. (Full article...)

    The Seagram Building as viewed from across Park Avenue

    The Seagram Building is a skyscraper at 375 Park Avenue, between 52nd and 53rd Streets, in the Midtown Manhattan neighborhood of New York City. Designed by Ludwig Mies van der Rohe along with Philip Johnson, Ely Jacques Kahn, and Robert Allan Jacobs, the high-rise tower is 515 feet (157 m) tall with 38 stories. The International Style building, completed in 1958, initially served as the headquarters of the Seagram Company, a Canadian distiller.

    Phyllis Lambert, daughter of Seagram CEO Samuel Bronfman, heavily influenced the Seagram Building's design, an example of the functionalist aesthetic and a prominent instance of corporate modern architecture. A glass curtain wall with vertical mullions of bronze and horizontal spandrels made of Muntz metal form the building's exterior. On Park Avenue is a pink-granite public plaza with two fountains. Behind the plaza is a tall elevator lobby with a similar design to the plaza. The lowest stories originally contained the Four Seasons Restaurant, which was replaced in 2017 with the Grill and Pool restaurants, and the Brasserie restaurant, which was superseded in 1995 by the Lobster Club. On the upper stories are modular office spaces. (Full article...)
  • Image 7 The Prophet's Mosque (al-Masjid an-Nabawi) in Medina, one of the holiest mosques in Islam A mosque (/mɒsk/ MOSK), also called a masjid (/ˈmæsdʒɪd, ˈmʌs-/ MASS-jid, MUSS-), is a place of worship for Muslims. The term usually refers to a covered building, but can be any place where Islamic prayers are performed; such as an outdoor courtyard. Originally, mosques were simple places of prayer for the early Muslims, and may have been open spaces rather than elaborate buildings. In the first stage of Islamic architecture (650–750 CE), early mosques comprised open and closed covered spaces enclosed by walls, often with minarets, from which the Islamic call to prayer was issued on a daily basis. It is typical of mosque buildings to have a special ornamental niche (a mihrab) set into the wall in the direction of the city of Mecca (the qibla), which Muslims must face during prayer, as well as a facility for ritual cleansing (wudu). The pulpit (minbar), from which public sermons (khutbah) are delivered on the event of Friday prayer, was, in earlier times, characteristic of the central city mosque, but has since become common in smaller mosques. To varying degrees, mosque buildings are designed so that there are segregated spaces for men and women. This basic pattern of organization has assumed different forms depending on the region, period, and Islamic denomination. (Full article...)
    The Prophet's Mosque (al-Masjid an-Nabawi) in Medina, one of the holiest mosques in Islam

    A mosque (/mɒsk/ MOSK), also called a masjid (/ˈmæsdʒɪd, ˈmʌs-/ MASS-jid, MUSS-), is a place of worship for Muslims. The term usually refers to a covered building, but can be any place where Islamic prayers are performed; such as an outdoor courtyard.

    Originally, mosques were simple places of prayer for the early Muslims, and may have been open spaces rather than elaborate buildings. In the first stage of Islamic architecture (650–750 CE), early mosques comprised open and closed covered spaces enclosed by walls, often with minarets, from which the Islamic call to prayer was issued on a daily basis. It is typical of mosque buildings to have a special ornamental niche (a mihrab) set into the wall in the direction of the city of Mecca (the qibla), which Muslims must face during prayer, as well as a facility for ritual cleansing (wudu). The pulpit (minbar), from which public sermons (khutbah) are delivered on the event of Friday prayer, was, in earlier times, characteristic of the central city mosque, but has since become common in smaller mosques. To varying degrees, mosque buildings are designed so that there are segregated spaces for men and women. This basic pattern of organization has assumed different forms depending on the region, period, and Islamic denomination. (Full article...)
  • Image 8 Belton House, south front Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes. For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
    The southern facade of Belton House
    Belton House, south front


    Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes.

    For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
  • Image 9 Nazi era ID photo Rudolf Wolters (3 August 1903 – 7 January 1983) was a German architect and government official, known for his longtime association with fellow architect and Third Reich official Albert Speer. A friend and subordinate of Speer, Wolters received the many papers which were smuggled out of Spandau Prison for Speer while he was imprisoned there, and kept them for him until Speer was released in 1966. After Speer's release, the friendship slowly collapsed, Wolters objecting strongly to Speer's blaming of Hitler and other Nazis for the Holocaust and World War II, and they saw nothing of each other in the decade before Speer's death in 1981. Wolters, who was born to a Catholic middle-class family in the northern German town of Coesfeld, obtained his degree and doctorate in architecture from the Technische Hochschule in Charlottenburg (now Technische Universität Berlin), forging a close friendship with Speer while a student. After receiving his doctorate, he had difficulty finding employment prior to the Nazi rise to power. From 1933 to 1937, he worked for the Reichsbahn. In 1937, Speer hired him as a department head, and Wolters soon took major responsibility for Hitler's plan for the large scale reconstruction of Berlin. When Speer became Minister of Armaments and War Production in 1942, Wolters moved to his department, remaining his close associate. (Full article...)

    Nazi era ID photo

    Rudolf Wolters (3 August 1903 – 7 January 1983) was a German architect and government official, known for his longtime association with fellow architect and Third Reich official Albert Speer. A friend and subordinate of Speer, Wolters received the many papers which were smuggled out of Spandau Prison for Speer while he was imprisoned there, and kept them for him until Speer was released in 1966. After Speer's release, the friendship slowly collapsed, Wolters objecting strongly to Speer's blaming of Hitler and other Nazis for the Holocaust and World War II, and they saw nothing of each other in the decade before Speer's death in 1981.

    Wolters, who was born to a Catholic middle-class family in the northern German town of Coesfeld, obtained his degree and doctorate in architecture from the Technische Hochschule in Charlottenburg (now Technische Universität Berlin), forging a close friendship with Speer while a student. After receiving his doctorate, he had difficulty finding employment prior to the Nazi rise to power. From 1933 to 1937, he worked for the Reichsbahn. In 1937, Speer hired him as a department head, and Wolters soon took major responsibility for Hitler's plan for the large scale reconstruction of Berlin. When Speer became Minister of Armaments and War Production in 1942, Wolters moved to his department, remaining his close associate. (Full article...)
  • Image 10 Burges in 1881 William Burges ARA (/ˈbɜːdʒɛs/; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement. Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. (Full article...)

    Burges in 1881

    William Burges ARA (/ˈbɜːdʒɛs/; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement.

    Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. (Full article...)
  • Image 11 Location in the Royal Borough of Kensington and Chelsea, London The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949. Burges bought the lease on the plot of land in 1875. The house was built by the Ashby Brothers, with interior decoration by members of Burges's long-standing team of craftsmen such as Thomas Nicholls and Henry Stacy Marks. By 1878 the house was largely complete, although interior decoration and the designing of numerous items of furniture and metalwork continued until Burges's death in 1881. The house was inherited by his brother-in-law, Richard Popplewell Pullan. It was later sold to Colonel T. H. Minshall and then, in 1933, to Colonel E. R. B. Graham. The poet John Betjeman inherited the remaining lease in 1962 but did not extend it. Following a period when the house stood empty and suffered vandalism, it was purchased and restored, first by Lady Jane Turnbull, later by the actor Richard Harris and then by the musician Jimmy Page. (Full article...)

    Location in the Royal Borough of Kensington and Chelsea, London

    The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949.

    Burges bought the lease on the plot of land in 1875. The house was built by the Ashby Brothers, with interior decoration by members of Burges's long-standing team of craftsmen such as Thomas Nicholls and Henry Stacy Marks. By 1878 the house was largely complete, although interior decoration and the designing of numerous items of furniture and metalwork continued until Burges's death in 1881. The house was inherited by his brother-in-law, Richard Popplewell Pullan. It was later sold to Colonel T. H. Minshall and then, in 1933, to Colonel E. R. B. Graham. The poet John Betjeman inherited the remaining lease in 1962 but did not extend it. Following a period when the house stood empty and suffered vandalism, it was purchased and restored, first by Lady Jane Turnbull, later by the actor Richard Harris and then by the musician Jimmy Page. (Full article...)
  • Image 12 The City of Manchester Stadium, currently known as Etihad Stadium for sponsorship reasons, is the home of Premier League club Manchester City, with a domestic football capacity of 53,600, making it the 7th-largest football stadium in England and 11th-largest in the United Kingdom. Built to host the 2002 Commonwealth Games, the stadium has since staged the 2008 UEFA Cup final, England football internationals, rugby league matches, a boxing world title fight, the England rugby union team's final group match of the 2015 Rugby World Cup and summer music concerts during the football off-season. (Full article...)

    The City of Manchester Stadium, currently known as Etihad Stadium for sponsorship reasons, is the home of Premier League club Manchester City, with a domestic football capacity of 53,600, making it the 7th-largest football stadium in England and 11th-largest in the United Kingdom.

    Built to host the 2002 Commonwealth Games, the stadium has since staged the 2008 UEFA Cup final, England football internationals, rugby league matches, a boxing world title fight, the England rugby union team's final group match of the 2015 Rugby World Cup and summer music concerts during the football off-season. (Full article...)
  • Image 13 Mountfort around 1875 Benjamin Woolfield Mountfort (13 March 1825 – 15 March 1898) was an English emigrant to New Zealand, where he became one of the country's most prominent 19th-century architects. He was instrumental in shaping the city of Christchurch's unique architectural identity and culture, and was appointed the first official Provincial Architect of the developing province of Canterbury. Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture, he is credited with importing the Gothic revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered unique to New Zealand. Today, he is considered the founding architect of the province of Canterbury. (Full article...)

    Mountfort around 1875

    Benjamin Woolfield Mountfort (13 March 1825 – 15 March 1898) was an English emigrant to New Zealand, where he became one of the country's most prominent 19th-century architects. He was instrumental in shaping the city of Christchurch's unique architectural identity and culture, and was appointed the first official Provincial Architect of the developing province of Canterbury. Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture, he is credited with importing the Gothic revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered unique to New Zealand. Today, he is considered the founding architect of the province of Canterbury. (Full article...)
  • Image 14 View overlooking western facade St. Michael's Golden-Domed Monastery is a monastery in Kyiv, the capital of Ukraine, dedicated to Saint Michael the Archangel. It is located on the edge of the bank of the Dnipro river, to the northeast of the St Sophia Cathedral. The site is in the historical administrative neighbourhood of Uppertown and overlooks Podil, the city's historical commercial and merchant quarter. The monastery has been the headquarters of the Orthodox Church of Ukraine since December 2018. Built in the Middle Ages by the Kievan Rus' ruler Sviatopolk II Iziaslavych, the monastery comprises the cathedral church, the Refectory Church of the Holy Apostle and Evangelist John the Theologian, constructed in 1713, the Economic Gate, constructed in 1760, and the bell tower, which was added in the 1710s. The exterior of the structure was remodelled in the Ukrainian Baroque style during the 18th century; the interior retained its original Byzantine architecture. (Full article...)

    View overlooking western facade

    St. Michael's Golden-Domed Monastery is a monastery in Kyiv, the capital of Ukraine, dedicated to Saint Michael the Archangel. It is located on the edge of the bank of the Dnipro river, to the northeast of the St Sophia Cathedral. The site is in the historical administrative neighbourhood of Uppertown and overlooks Podil, the city's historical commercial and merchant quarter. The monastery has been the headquarters of the Orthodox Church of Ukraine since December 2018.

    Built in the Middle Ages by the Kievan Rus' ruler Sviatopolk II Iziaslavych, the monastery comprises the cathedral church, the Refectory Church of the Holy Apostle and Evangelist John the Theologian, constructed in 1713, the Economic Gate, constructed in 1760, and the bell tower, which was added in the 1710s. The exterior of the structure was remodelled in the Ukrainian Baroque style during the 18th century; the interior retained its original Byzantine architecture. (Full article...)
  • Image 15 Profile of a Hoysala temple at Somanathapura Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible North Indian influence while the impact of Southern Indian style is more distinct. Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
    Profile of a Hoysala temple at Somanathapura

    Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible North Indian influence while the impact of Southern Indian style is more distinct.

    Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
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Leaning Tower of Pisa in 2022

The Leaning Tower of Pisa (Italian: torre pendente di Pisa [ˈtorre penˈdɛnte di ˈpiːza, - ˈpiːsa]), or simply the Tower of Pisa (torre di Pisa), is the campanile, or freestanding bell tower, of Pisa Cathedral. It is known for its nearly four-degree lean, the result of an unstable foundation. The tower is one of three structures in Pisa's Cathedral Square (Piazza del Duomo), which includes the cathedral and Pisa Baptistry. Over time, the tower has become one of the most visited tourist attractions in the world as well an architectural icon of Italy, receiving over 5 million visitors each year.

The height of the tower is 55.86 metres (183 feet 3 inches) from the ground on the low side and 56.67 m (185 ft 11 in) on the high side. The width of the walls at the base is 2.44 m (8 ft 0 in). Its weight is estimated at 14,500 tonnes (16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase. (Full article...)

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  • Image 1 The Philadelphia skyline as seen from Boathouse Row in June 2019 (annotated version) Philadelphia, the largest city in the U.S. state of Pennsylvania, is home to more than 300 completed high-rise buildings and skyscrapers up to 330 feet (101 m), and 58 completed skyscrapers of 330 feet (101 m) or taller, of which 34 are 400 feet (122 m) or taller and are listed below. As of 2018[update], the tallest building in the city is the 60-story Comcast Technology Center, which topped out at 1,150 feet (351 m) in Center City on November 27, 2017, and was opened in 2018. (Full article...)
    The Philadelphia skyline as seen from Boathouse Row in June 2019 (annotated version)

    Philadelphia, the largest city in the U.S. state of Pennsylvania, is home to more than 300 completed high-rise buildings and skyscrapers up to 330 feet (101 m), and 58 completed skyscrapers of 330 feet (101 m) or taller, of which 34 are 400 feet (122 m) or taller and are listed below.
    As of 2018, the tallest building in the city is the 60-story Comcast Technology Center, which topped out at 1,150 feet (351 m) in Center City on November 27, 2017, and was opened in 2018. (Full article...)
  • Image 2 Tower Building, originally the office of Hutchinson & Co, now part of the Catalyst Science Discovery Centre Widnes is an industrial town in the Borough of Halton, Cheshire, England, on the north bank of the River Mersey where it narrows at Runcorn Gap. The town contains 24 buildings that are recorded in the National Heritage List for England as designated listed buildings. Of these, 5 are classified at Grade II*, and the rest are at Grade II; Widnes has no Grade I listed buildings. In the United Kingdom, the term "listed building" refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance. Listed buildings are categorised in three grades: Grade I consists of buildings of outstanding architectural or historical interest; Grade II* includes particularly significant buildings of more than local interest; Grade II consists of buildings of special architectural or historical interest. Buildings in England are listed by the Secretary of State for Culture, Media and Sport on recommendations provided by English Heritage, which also determines the grading. Before 1847, the area now occupied by the town of Widnes consisted of the hamlets of Farnworth, Cronton, Appleton, and Upton; a few scattered houses; and areas of mostly marshy farmland. In 1833 a canal and a railway reached the area; the Sankey Canal was extended to a point on the River Mersey to the east of Runcorn Gap and the St Helens and Runcorn Gap Railway established a terminus adjacent to the canal. Widnes Dock, the world's first railway dock, was established at the new terminal, and in 1847 John Hutchinson established the first chemical factory nearby. During the second half of the 19th century, more chemical factories were built and the town grew, absorbing the previously separated hamlets. The town became overcrowded and highly polluted with smoke, chemical fumes, and waste. (Full article...)
    A four-storey building with four bays painted pale grey, with an extra glass storey on the roof and a glass lift on the right side; in front is a small tree and a row of parked cars
    Tower Building, originally the office of Hutchinson & Co, now part of the Catalyst Science Discovery Centre

    Widnes is an industrial town in the Borough of Halton, Cheshire, England, on the north bank of the River Mersey where it narrows at Runcorn Gap. The town contains 24 buildings that are recorded in the National Heritage List for England as designated listed buildings. Of these, 5 are classified at Grade II*, and the rest are at Grade II; Widnes has no Grade I listed buildings. In the United Kingdom, the term "listed building" refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance. Listed buildings are categorised in three grades: Grade I consists of buildings of outstanding architectural or historical interest; Grade II* includes particularly significant buildings of more than local interest; Grade II consists of buildings of special architectural or historical interest. Buildings in England are listed by the Secretary of State for Culture, Media and Sport on recommendations provided by English Heritage, which also determines the grading.

    Before 1847, the area now occupied by the town of Widnes consisted of the hamlets of Farnworth, Cronton, Appleton, and Upton; a few scattered houses; and areas of mostly marshy farmland. In 1833 a canal and a railway reached the area; the Sankey Canal was extended to a point on the River Mersey to the east of Runcorn Gap and the St Helens and Runcorn Gap Railway established a terminus adjacent to the canal. Widnes Dock, the world's first railway dock, was established at the new terminal, and in 1847 John Hutchinson established the first chemical factory nearby. During the second half of the 19th century, more chemical factories were built and the town grew, absorbing the previously separated hamlets. The town became overcrowded and highly polluted with smoke, chemical fumes, and waste. (Full article...)
  • Image 3 Skyline of Cleveland in 2024 from Lakewood Park Cleveland, the second most populous city in the U.S. state of Ohio, has 51 completed high-rises taller than 200 feet (61 m). The tallest building in Cleveland is the 57-story Key Tower, which rises 947 feet (289 m) on Public Square. The tower has been the tallest building in Ohio since its completion, in 1991; it also was the tallest building in the United States between Chicago and New York City before the completion, in 2007, of the Comcast Center in Philadelphia. The Terminal Tower, 771 feet (235 m), is the second tallest building in Cleveland and Ohio; at the time of its completion, in 1927, the building was the tallest in the world outside New York City. The history of skyscrapers in Cleveland began in 1889, with the construction of the Society for Savings Building, often called the first skyscraper in the city. Cleveland went through an early building boom in the late 1920s and the early 1930s, during which several high-rise buildings, including the Terminal Tower, were constructed. The city experienced a second, much larger building boom from the early 1970s to the early 1990s, during which it saw the construction of over 15 skyscrapers, including the Key Tower and 200 Public Square. Overall, the city is home to five out of the ten tallest buildings in Ohio. In 2020, the skyline of Cleveland was 27th in the United States and 96th in the world, ranked by buildings at least 330 feet (100 m) tall, with 18. (Full article...)
    Skyline of Cleveland in 2024 from Lakewood Park

    Cleveland, the second most populous city in the U.S. state of Ohio, has 51 completed high-rises taller than 200 feet (61 m). The tallest building in Cleveland is the 57-story Key Tower, which rises 947 feet (289 m) on Public Square. The tower has been the tallest building in Ohio since its completion, in 1991; it also was the tallest building in the United States between Chicago and New York City before the completion, in 2007, of the Comcast Center in Philadelphia. The Terminal Tower, 771 feet (235 m), is the second tallest building in Cleveland and Ohio; at the time of its completion, in 1927, the building was the tallest in the world outside New York City.

    The history of skyscrapers in Cleveland began in 1889, with the construction of the Society for Savings Building, often called the first skyscraper in the city. Cleveland went through an early building boom in the late 1920s and the early 1930s, during which several high-rise buildings, including the Terminal Tower, were constructed. The city experienced a second, much larger building boom from the early 1970s to the early 1990s, during which it saw the construction of over 15 skyscrapers, including the Key Tower and 200 Public Square. Overall, the city is home to five out of the ten tallest buildings in Ohio. In 2020, the skyline of Cleveland was 27th in the United States and 96th in the world, ranked by buildings at least 330 feet (100 m) tall, with 18. (Full article...)
  • Image 4 Tokyo is the most populated of Japan's 47 prefectures. Mainland Tokyo is divided into two sections: Western Tokyo and the special wards of Tokyo. The prefecture's tallest structures are within the 23 special wards, which comprise the area formerly incorporated as Tokyo City. As of March 2025, there are over 200 structures in Tokyo that stand at least 150 metres (490 ft) tall, of which 49 are at least 200 metres (660 ft) tall, including those that are still under construction but have been topped out. Most of these structures are buildings; however, there are other types of structures among the tallest in the prefecture, such as freestanding towers and incineration smokestacks. The tallest structure in the prefecture is Tokyo Skytree, a megatall lattice tower that rises 634 metres (2,080 feet), which was completed in 2012. It also stands as the tallest structure in Japan, the tallest tower in the world, and the third-tallest freestanding structure in the world. The second-tallest structure in Tokyo is the 333-metre-tall (1,093-foot) Tokyo Tower, a lattice tower completed in 1958. The tallest building and third-tallest overall structure is the 325-metre-tall (1,066-foot) Azabudai Hills Mori JP Tower, completed in 2023 and being Tokyo's only supertall skyscraper. It is also the tallest building in Japan and the world's largest skyscraper by floor area. The second-tallest building and fourth-tallest structure is the 284-metre-tall (932-foot) Nihonbashi 1-Chōme Central District Redevelopment (tentative name), which is topped out and scheduled for completion in 2026. Including topped-out buildings, Tokyo is home to 17 of the 25 tallest freestanding structures and 18 of the 25 tallest buildings in Japan. (Full article...)

    Tokyo is the most populated of Japan's 47 prefectures. Mainland Tokyo is divided into two sections: Western Tokyo and the special wards of Tokyo. The prefecture's tallest structures are within the 23 special wards, which comprise the area formerly incorporated as Tokyo City. As of March 2025, there are over 200 structures in Tokyo that stand at least 150 metres (490 ft) tall, of which 49 are at least 200 metres (660 ft) tall, including those that are still under construction but have been topped out. Most of these structures are buildings; however, there are other types of structures among the tallest in the prefecture, such as freestanding towers and incineration smokestacks.

    The tallest structure in the prefecture is Tokyo Skytree, a megatall lattice tower that rises 634 metres (2,080 feet), which was completed in 2012. It also stands as the tallest structure in Japan, the tallest tower in the world, and the third-tallest freestanding structure in the world. The second-tallest structure in Tokyo is the 333-metre-tall (1,093-foot) Tokyo Tower, a lattice tower completed in 1958. The tallest building and third-tallest overall structure is the 325-metre-tall (1,066-foot) Azabudai Hills Mori JP Tower, completed in 2023 and being Tokyo's only supertall skyscraper. It is also the tallest building in Japan and the world's largest skyscraper by floor area. The second-tallest building and fourth-tallest structure is the 284-metre-tall (932-foot) Nihonbashi 1-Chōme Central District Redevelopment (tentative name), which is topped out and scheduled for completion in 2026. Including topped-out buildings, Tokyo is home to 17 of the 25 tallest freestanding structures and 18 of the 25 tallest buildings in Japan. (Full article...)
  • Image 5 Skyline of Boston's Back Bay Boston, the capital of the U.S. state of Massachusetts and the largest city in New England, is home to 585 completed high-rises, 37 of which stand taller than 400 feet (122 m). The city's skyscrapers and high-rises are concentrated along the roughly 2.5 mile High Spine, which runs from the Back Bay to the Financial District and West End, while bypassing the surrounding low-rise residential neighborhoods. The tallest structure in Boston is the 60-story 200 Clarendon, better known to locals as the John Hancock Tower, which rises 790 feet (241 m) in the Back Bay district. It is also the tallest building in New England and the 80th-tallest building in the United States. The second-tallest building in Boston is the Prudential Tower, which rises 52 floors and 749 feet (228 m). At the time of the Prudential Tower's completion in 1964, it stood as the tallest building in North America outside of New York City. Boston's history of skyscrapers began with the completion in 1893 of the 13-story Ames Building, which is considered the city's first high-rise. Boston went through a major building boom in the 1960s and 1970s, resulting in the construction of over 20 skyscrapers, including 200 Clarendon and the Prudential Tower. The city is the site of 25 skyscrapers that rise at least 492 feet (150 m) in height, more than any other city in New England. As of 2018[update], the skyline of Boston is ranked 10th in the United States and 79th in the world with 57 buildings rising at least 330 feet (100 m) in height. (Full article...)
    Skyline of a city on a river. Two buildings are much taller and more prominent than the rest; one of the large buildings is a skyscraper with a blue-tinted, all-glass facade, and the second is a large rectangular tower with a steel latticework facade and a tall antenna mast on its roof.
    Skyline of Boston's Back Bay

    Boston, the capital of the U.S. state of Massachusetts and the largest city in New England, is home to 585 completed high-rises, 37 of which stand taller than 400 feet (122 m). The city's skyscrapers and high-rises are concentrated along the roughly 2.5 mile High Spine, which runs from the Back Bay to the Financial District and West End, while bypassing the surrounding low-rise residential neighborhoods. The tallest structure in Boston is the 60-story 200 Clarendon, better known to locals as the John Hancock Tower, which rises 790 feet (241 m) in the Back Bay district. It is also the tallest building in New England and the 80th-tallest building in the United States. The second-tallest building in Boston is the Prudential Tower, which rises 52 floors and 749 feet (228 m). At the time of the Prudential Tower's completion in 1964, it stood as the tallest building in North America outside of New York City.

    Boston's history of skyscrapers began with the completion in 1893 of the 13-story Ames Building, which is considered the city's first high-rise. Boston went through a major building boom in the 1960s and 1970s, resulting in the construction of over 20 skyscrapers, including 200 Clarendon and the Prudential Tower. The city is the site of 25 skyscrapers that rise at least 492 feet (150 m) in height, more than any other city in New England. As of 2018, the skyline of Boston is ranked 10th in the United States and 79th in the world with 57 buildings rising at least 330 feet (100 m) in height. (Full article...)
  • Image 6 The Salesforce Tower (right) has been San Francisco's tallest building since its construction in 2017. Prior to that, the Transamerica Pyramid (left) was the tallest building from its construction in 1972 until 2017. (Photographed on March 1, 2018) San Francisco, California, in the United States, has at least 482 high-rises, 58 of which are at least 400 feet (122 m) tall. The tallest building is Salesforce Tower, which rises 1,070 ft (330 m) and as of April 2023[update] is the 17th-tallest building in the United States. The city's second-tallest building is the Transamerica Pyramid, which rises 853 ft (260 m), and was previously the city's tallest for 45 years, from 1972 to 2017. The city's third-tallest building is 181 Fremont, rising to 802 ft (244 m). San Francisco has 27 skyscrapers that rise at least 492 feet (150 m). Six more skyscrapers of over 492 feet (150 m) are under construction, have been approved for construction, or have been proposed. Its skyline is currently ranked second in the Western United States (after Los Angeles) and sixth in the United States, after New York City, Chicago, Miami, Houston, and Los Angeles. (Full article...)
    The Salesforce Tower (right) has been San Francisco's tallest building since its construction in 2017. Prior to that, the Transamerica Pyramid (left) was the tallest building from its construction in 1972 until 2017. (Photographed on March 1, 2018)

    San Francisco, California, in the United States, has at least 482 high-rises, 58 of which are at least 400 feet (122 m) tall. The tallest building is Salesforce Tower, which rises 1,070 ft (330 m) and as of April 2023 is the 17th-tallest building in the United States. The city's second-tallest building is the Transamerica Pyramid, which rises 853 ft (260 m), and was previously the city's tallest for 45 years, from 1972 to 2017. The city's third-tallest building is 181 Fremont, rising to 802 ft (244 m).

    San Francisco has 27 skyscrapers that rise at least 492 feet (150 m). Six more skyscrapers of over 492 feet (150 m) are under construction, have been approved for construction, or have been proposed. Its skyline is currently ranked second in the Western United States (after Los Angeles) and sixth in the United States, after New York City, Chicago, Miami, Houston, and Los Angeles. (Full article...)
  • Image 7 Skyline of Dallas (use cursor to identify buildings) Dallas, the third-largest city in the U.S. state of Texas, is the site of 42 completed high-rise buildings over 350 feet (107 m), 20 of which stand taller than 492 feet (150 m). The tallest building in the city is the Bank of America Plaza, which rises 921 feet (281 m) in Downtown Dallas and was completed in 1985. It also stands as the 3rd-tallest building in Texas and the 40th-tallest building in the United States. The second-tallest skyscraper in the city is the Renaissance Tower, which rises 886 feet (270 m) and was completed in 1974. The Comerica Bank Tower, completed in 1987 and rising 787 feet (240 m), is the third-tallest building in Dallas. Three of the ten tallest buildings in Texas are located in Dallas. (Full article...)
    Skyline of Dallas (use cursor to identify buildings)

    Dallas, the third-largest city in the U.S. state of Texas, is the site of 42 completed high-rise buildings over 350 feet (107 m), 20 of which stand taller than 492 feet (150 m). The tallest building in the city is the Bank of America Plaza, which rises 921 feet (281 m) in Downtown Dallas and was completed in 1985. It also stands as the 3rd-tallest building in Texas and the 40th-tallest building in the United States. The second-tallest skyscraper in the city is the Renaissance Tower, which rises 886 feet (270 m) and was completed in 1974. The Comerica Bank Tower, completed in 1987 and rising 787 feet (240 m), is the third-tallest building in Dallas. Three of the ten tallest buildings in Texas are located in Dallas. (Full article...)
  • Image 8 The BT Tower, completed in 1964 at 177 metres tall At 111 metres (364 ft), St Paul's Cathedral was the tallest building in London from 1710 until it was eventually surpassed by the 118 metre (387 ft) Millbank Tower in 1963. This in turn was overtaken by the BT Tower at 177 metres (581 ft) tall in 1964. Throughout the 1960s and 1970s several high-rise buildings were built, mostly in the western side of Central London and the City of London. In 1980, the 183 metre (600 ft) NatWest Tower (now Tower 42) was completed in the City of London. In 1991, One Canada Square was topped-out at 235 metres (771 ft), becoming the centrepiece of the Canary Wharf development. The 2000s saw the beginnings of a boom in skyscraper building, mostly in the City of London and Canary Wharf. Since 2012, the tallest building in London has been The Shard at London Bridge, which was topped out at 309.6 metres (1,016 ft). There are several tall buildings planned for the City and Canary Wharf, with further clusters emerging in other districts of London including: Stratford, the South Bank, Elephant and Castle, Vauxhall, Nine Elms, Islington, Lewisham as well as in places in Outer London such as Croydon. (Full article...)

    The BT Tower, completed in 1964 at 177 metres tall

    At 111 metres (364 ft), St Paul's Cathedral was the tallest building in London from 1710 until it was eventually surpassed by the 118 metre (387 ft) Millbank Tower in 1963. This in turn was overtaken by the BT Tower at 177 metres (581 ft) tall in 1964. Throughout the 1960s and 1970s several high-rise buildings were built, mostly in the western side of Central London and the City of London. In 1980, the 183 metre (600 ft) NatWest Tower (now Tower 42) was completed in the City of London. In 1991, One Canada Square was topped-out at 235 metres (771 ft), becoming the centrepiece of the Canary Wharf development.

    The 2000s saw the beginnings of a boom in skyscraper building, mostly in the City of London and Canary Wharf. Since 2012, the tallest building in London has been The Shard at London Bridge, which was topped out at 309.6 metres (1,016 ft). There are several tall buildings planned for the City and Canary Wharf, with further clusters emerging in other districts of London including: Stratford, the South Bank, Elephant and Castle, Vauxhall, Nine Elms, Islington, Lewisham as well as in places in Outer London such as Croydon. (Full article...)
  • Image 9 All Saints' Church, Daresbury, listed at Grade II Runcorn is an industrial town in the borough of Halton, Cheshire, England. This list contains the 27 buildings that are recorded in the National Heritage List for England as designated listed buildings in the part of the borough lying to the south of the River Mersey outside the urban area of Runcorn. The area covered includes the villages of Clifton, Daresbury, Preston Brook, Preston on the Hill, and Moore. Three of the buildings in the area are classified as Grade II*, and the others are at Grade II; there are no buildings in Grade I. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance. These buildings are in three grades: Grade I consists of buildings of outstanding architectural or historical interest; Grade II* includes particularly significant buildings of more than local interest; Grade II consists of buildings of special architectural or historical interest. Buildings in England are listed by the Secretary of State for Culture, Media and Sport on recommendations provided by English Heritage, which also determines the grading. Although the urban area of Runcorn grew rapidly during the Industrial Revolution, and again with the growth of the New Town during the 1960s and 1970s, the surrounding area, mainly to the west of the town, has experienced only a small growth in population. The villages are small and discrete, and are separated by farmland and woodland. The area covered by the list is crossed by roads, railways, and canals, with which some of the listed buildings are associated. The oldest of these are the canals: the Bridgewater Canal, the Trent and Mersey Canal, the Weaver Navigation and the Manchester Ship Canal. The railways consist of the West Coast Main Line – the section between Crewe and Warrington, and the branch to Liverpool – and the Chester-Manchester Line. The major roads are the M56 motorway and the A6 road, together with sections of the A533, the A557 and the A558 roads. (Full article...)
    A square castellated tower viewed from one corner, with its front, incorporating a clock and an arched entrance, in shadow. The main church building, about half the height of the tower, is to the right and is connected to the tower.
    All Saints' Church, Daresbury,
    listed at Grade II

    Runcorn is an industrial town in the borough of Halton, Cheshire, England. This list contains the 27 buildings that are recorded in the National Heritage List for England as designated listed buildings in the part of the borough lying to the south of the River Mersey outside the urban area of Runcorn. The area covered includes the villages of Clifton, Daresbury, Preston Brook, Preston on the Hill, and Moore. Three of the buildings in the area are classified as Grade II*, and the others are at Grade II; there are no buildings in Grade I. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance. These buildings are in three grades: Grade I consists of buildings of outstanding architectural or historical interest; Grade II* includes particularly significant buildings of more than local interest; Grade II consists of buildings of special architectural or historical interest. Buildings in England are listed by the Secretary of State for Culture, Media and Sport on recommendations provided by English Heritage, which also determines the grading.

    Although the urban area of Runcorn grew rapidly during the Industrial Revolution, and again with the growth of the New Town during the 1960s and 1970s, the surrounding area, mainly to the west of the town, has experienced only a small growth in population. The villages are small and discrete, and are separated by farmland and woodland. The area covered by the list is crossed by roads, railways, and canals, with which some of the listed buildings are associated. The oldest of these are the canals: the Bridgewater Canal, the Trent and Mersey Canal, the Weaver Navigation and the Manchester Ship Canal. The railways consist of the West Coast Main Line – the section between Crewe and Warrington, and the branch to Liverpool – and the Chester-Manchester Line. The major roads are the M56 motorway and the A6 road, together with sections of the A533, the A557 and the A558 roads. (Full article...)
  • Image 10 Los Angeles skyline in 2024, with Downtown Los Angeles in the background and Westwood in the foreground The Wilshire Grand Center is the tallest building in Los Angeles, California, measuring 1,100 feet (335.3 m) in height. The Wilshire Grand became the city's tallest building upon its completion 2017, and is also currently the tallest building in the state, the tallest building in the U.S. west of the Mississippi River, as well as the 15th-tallest building in the U.S. overall. The 73-story U.S. Bank Tower, which rises 1,018 feet (310 m) in Downtown Los Angeles and was completed in 1989, is now the second-tallest building in Los Angeles. (Full article...)
    Los Angeles skyline in 2024, with Downtown Los Angeles in the background and Westwood in the foreground

    The Wilshire Grand Center is the tallest building in Los Angeles, California, measuring 1,100 feet (335.3 m) in height. The Wilshire Grand became the city's tallest building upon its completion 2017, and is also currently the tallest building in the state, the tallest building in the U.S. west of the Mississippi River, as well as the 15th-tallest building in the U.S. overall.

    The 73-story U.S. Bank Tower, which rises 1,018 feet (310 m) in Downtown Los Angeles and was completed in 1989, is now the second-tallest building in Los Angeles. (Full article...)
  • Image 11 Taunton Deane is a local government district with borough status in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. The district of Taunton Deane Area covers a population of approximately 100,000 in an area of 462 square kilometres (178 sq mi). It is centred on the town of Taunton, where around 60,000 of the population live and the council are based, and includes surrounding suburbs and villages. (Full article...)
    Taunton Deane is a local government district with borough status in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations.

    The district of Taunton Deane Area covers a population of approximately 100,000 in an area of 462 square kilometres (178 sq mi). It is centred on the town of Taunton, where around 60,000 of the population live and the council are based, and includes surrounding suburbs and villages. (Full article...)
  • Image 12 Charles Holden by Benjamin Nelson, 1910 Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928. Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
    Charles Holden by Benjamin Nelson, 1910

    Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928.

    Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
  • Image 13 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving. Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work on houses was in Cheshire and North Wales, although some was further afield, in Lancashire, Merseyside, Greater Manchester, Warwickshire, Herefordshire, Worcestershire, Derbyshire, Surrey, and Scotland. (Full article...)
    The head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work on houses was in Cheshire and North Wales, although some was further afield, in Lancashire, Merseyside, Greater Manchester, Warwickshire, Herefordshire, Worcestershire, Derbyshire, Surrey, and Scotland. (Full article...)
  • Image 14 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving. John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
    Old grainy photograph of the head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age


    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
  • Image 15 General layout of a Shinto shrine: 1. Torii, 2. Stone stairs, 3. Sandō, 4. Chōzuya or Temizuya, 5. Tōrō, 6. Kagura-den (building dedicated to Noh or the sacred Kagura dance), 7. Shamusho (administration office), 8. Ema, 9. Sessha/massha, 10. Komainu, 11. Haiden, 12. Tamagaki, 13. Honden The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories (in front of main sanctuary), purification halls, offering halls called heiden (between honden and haiden), dance halls, stone or metal lanterns, fences or walls, torii and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897. The definition and the criteria have changed since the inception of the term. The shrine structures in this list were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such they are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list presents 43 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 43, because in some cases groups of related structures are combined to form a single entry. The structures include main halls (honden), oratories (haiden), gates, offering halls (heiden), purification halls (haraedono) and other structures associated with shrines. (Full article...)
    A path leads through a torii gate up a flight of stairs, towards two buildings positioned along the axis of the path. To the sides of the path there are minor buildings and structures.
    General layout of a Shinto shrine: 1. Torii, 2. Stone stairs, 3. Sandō, 4. Chōzuya or Temizuya, 5. Tōrō, 6. Kagura-den (building dedicated to Noh or the sacred Kagura dance), 7. Shamusho (administration office), 8. Ema, 9. Sessha/massha, 10. Komainu, 11. Haiden, 12. Tamagaki, 13. Honden

    The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories (in front of main sanctuary), purification halls, offering halls called heiden (between honden and haiden), dance halls, stone or metal lanterns, fences or walls, torii and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897.
    The definition and the criteria have changed since the inception of the term. The shrine structures in this list were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such they are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list presents 43 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 43, because in some cases groups of related structures are combined to form a single entry. The structures include main halls (honden), oratories (haiden), gates, offering halls (heiden), purification halls (haraedono) and other structures associated with shrines. (Full article...)
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Architects: Matthew Brettingham, William Bruce, William Burges, John Douglas, Charles Holden, El Lissitzky, Benjamin Mountfort, I. M. Pei, Albert Speer, Rudolf Wolters. Buildings: 7 World Trade Center, Angkor Wat, Baden-Powell House, Belton House, Borobudur, BP Pedestrian Bridge, Bramall Hall, Buckingham Palace, Buildings and architecture of Bristol, Buildings of Jesus College, Oxford, Buildings of Nuffield College, Oxford, Building of the World Trade Center, Castell Coch, Catherine de' Medici's building projects, Chartwell, Chicago Board of Trade Building, Cragside, Heian Palace, Holkham Hall, IG Farben Building, House with Chimaeras, Hoysala architecture, City of Manchester Stadium, Monnow Bridge, Mosque, Michigan State Capitol, New Orleans Mint, Oregon State Capitol, Oriel College, Oxford, Palazzo Pitti, Palladian architecture, Pennsylvania State Capitol, Round Church, Preslav, Sandringham House, Sanssouci, Santa Maria de Ovila, Scottish Parliament building, Sicilian Baroque, St Donat's Castle, St. Michael's Cathedral, Qingdao, St. Michael's Golden-Domed Monastery, St Nicholas, Blakeney, Vkhutemas, The Tower House, West Wycombe Park

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Chicago Landmarks, National Treasures of Japan (castles), National Treasures of Japan (shrines), Pritzker Prize, New churches by John Douglas, Church restorations, amendments and furniture by John Douglas, Houses and associated buildings by John Douglas, Non-ecclesiastical and non-residential works by John Douglas, Scheduled monuments in Maidstone, Works by Charles Holden, Grade I listed buildings in: Bath and North East Somerset, Maidstone, Mendip, North Somerset, Sedgemoor, South Somerset, Taunton Deane, West Somerset, List of tallest buildings in: Boston, Chicago, Cleveland, Dallas, Detroit, Dubai, Hong Kong, Las Vegas, London, Los Angeles, Manchester, Miami, Minneapolis, Philadelphia, Providence, San Francisco, Shanghai, Singapore, Tokyo, Toronto, Tulsa, Vancouver, Listed buildings in: Runcorn (urban area), Runcorn (rural area), Widnes

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Architects: William Adam, Eustace Balfour, Antoni Gaudí, Thomas Harrison, Zvi Hecker, Bjarke Ingels, E. G. Paley, Timothy L. Pflueger, Antonin Raymond, Kenzo Tange. Buildings: 108 North State Street, 5th Avenue Theatre, Algonquin Hotel, Andriyivskyy Descent, AT&T Corporate Center, Ballard Carnegie Library, Baths of Zeuxippus, Beaumont House, Benjaminville Friends Meeting House and Burial Ground, Blackstone Library, Boughton Monchelsea Place, The Casbah Coffee Club, Central Troy Historic District, Chana School, Chester Rows, Chicago Spire, Chicago Theatre, Chrysler Building, Churche's Mansion, Clinton Presidential Center, Crown Fountain, Dolphinarium, Eaton Hall, Cheshire, Édifice Price, Edinburgh Place Ferry Pier, Ellwood House, The Exchange, Bristol, Forbidden City, Harold Washington Cultural Center, Heller House, Historic Michigan Boulevard District, Hull House, Imbrex and tegula, Imperial War Museum North, Jay Pritzker Pavilion, Joffrey Tower, Joseph F. Glidden House, Linton Park, Liverpool Town Hall, Louvre, Manila Hotel, Marquette Building (Chicago), Millennium Stadium, National Gallery, London, National Police Memorial, New Bedford Historic District, Old Louisville, One Bayfront Plaza, One Times Square, Onion dome, Oregon Public Library, Pavillon de Flore, Presidio of Santa Barbara, Queen's Pier, Rancho Camulos, Robot Building, Rock N Roll McDonald's, Roman Baths (Bath), Rookery Building, Senate House (University of London), Shamrock Hotel, Sycamore Historic District, Taipei 101, TCF Bank Stadium, United States Institute of Peace Headquarters, University Mall (Little Rock, Arkansas), University of Illinois Observatory, University of Virginia, Upper Brook Street Chapel, Manchester, Valley of the Kings, Via della Conciliazione, Victoria Rooms (Bristol), Waller Hall, Wales Millennium Centre, World Trade Center. Castles and fortifications: Beaumaris Castle, Berkhamsted Castle, Bowes Castle, Buckton Castle, Caernarfon Castle, Caludon Castle, Château Gaillard, Château de Chinon, Conwy Castle, Dolbadarn Castle, Dunstaffnage Castle, Fort Greble, Fort Pasir Panjang, Fortress of Klis, Golubac fortress, Goodrich Castle, Haapsalu Castle, Hadleigh Castle, Halton Castle, Himeji Castle, Hylton Castle, Kaunas Fortress, Kenilworth Castle, Loch Leven Castle, Longtown Castle, Okehampton Castle, Oxford Castle, Peckforton Castle, Castle Rising, Roslin Castle, Smederevo Fortress, St Briavels Castle, Vilnius Castle Complex, Walls of Constantinople, Walls of Dubrovnik, York Castle. Religious buildings: Akhtala monastery, Akshardham Temple, Al-Aqsa Mosque, Al-Masjid an-Nabawi, Bath Abbey, Cathedral of the Immaculate Conception (Hong Kong), Chester Cathedral, College of All Saints, Maidstone, Elgin Cathedral, Etchmiadzin Cathedral, Ganting Grand Mosque, Hurva Synagogue, Jesuit Missions of Chiquitos, Liverpool Metropolitan Cathedral, Mexico City Metropolitan Cathedral, Mezhyhirskyi Monastery, Old St Paul's Cathedral, St Mary's Church, Acton, St Mary's Church, Nantwich, St Mary's Church, Nether Alderley, St Thomas the Martyr's Church, Oxford, Sunol Water Temple, Uppsala Cathedral, Wells Cathedral, Zagreb Synagogue, Zhenguo Temple. Cities, countries and regions: Architecture of Denmark, Architecture of Leeds, Architecture of Madagascar, Architecture of Norway, Architecture of Scotland, Architecture of the medieval cathedrals of England, Buildings and architecture of Bath, Castles in Great Britain and Ireland, Grade I listed buildings in Somerset, Architecture of the Song Dynasty, Fatimid architecture.

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