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This is a list of pages in the scope of Wikipedia:WikiProject Color along with pageviews.
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Period: 2025-04-01 to 2025-04-30
Total views: 4,383,166
Updated: 09:36, 6 May 2025 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Pantone
|
79,734
|
2,657
|
Start
|
High
|
2
|
Johann Wolfgang von Goethe
|
71,225
|
2,374
|
B
|
Mid
|
3
|
List of colors: A–F
|
67,317
|
2,243
|
List
|
High
|
4
|
Eye color
|
63,400
|
2,113
|
C
|
Mid
|
5
|
Rainbow
|
45,110
|
1,503
|
C
|
Unknown
|
6
|
Color blindness
|
41,278
|
1,375
|
B
|
Top
|
7
|
Light
|
39,773
|
1,325
|
B
|
Unknown
|
8
|
Camera
|
37,706
|
1,256
|
C
|
Unknown
|
9
|
Red hair
|
37,196
|
1,239
|
C
|
Low
|
10
|
Web colors
|
35,673
|
1,189
|
C
|
Mid
|
11
|
Photon
|
35,304
|
1,176
|
B
|
Unknown
|
12
|
Purple
|
33,191
|
1,106
|
C
|
High
|
13
|
Impossible color
|
32,920
|
1,097
|
Start
|
Mid
|
14
|
Blue
|
31,947
|
1,064
|
B
|
Top
|
15
|
Shades of green
|
31,900
|
1,063
|
List
|
Mid
|
16
|
Shades of blue
|
31,537
|
1,051
|
List
|
Mid
|
17
|
Black-body radiation
|
31,079
|
1,035
|
B
|
Unknown
|
18
|
Red
|
31,075
|
1,035
|
B
|
Top
|
19
|
Technicolor
|
29,019
|
967
|
C
|
Low
|
20
|
PAL
|
28,901
|
963
|
C
|
Low
|
21
|
Color
|
28,428
|
947
|
B
|
Top
|
22
|
List of Crayola crayon colors
|
28,297
|
943
|
List
|
Mid
|
23
|
OLED
|
27,892
|
929
|
B
|
Unknown
|
24
|
Liquid-crystal display
|
26,534
|
884
|
B
|
Unknown
|
25
|
RGB color model
|
26,370
|
879
|
B
|
High
|
26
|
Human skin color
|
25,813
|
860
|
B
|
High
|
27
|
Black
|
25,694
|
856
|
C
|
Top
|
28
|
Indigo
|
24,859
|
828
|
Start
|
Mid
|
29
|
White
|
24,793
|
826
|
C
|
Top
|
30
|
Blond
|
24,635
|
821
|
C
|
Low
|
31
|
Shades of red
|
24,365
|
812
|
List
|
Mid
|
32
|
Visible spectrum
|
24,241
|
808
|
B
|
Top
|
33
|
Prussian blue
|
24,001
|
800
|
B
|
Mid
|
34
|
Magenta
|
23,968
|
798
|
Start
|
High
|
35
|
CMYK color model
|
23,759
|
791
|
Start
|
High
|
36
|
Tyrian purple
|
23,703
|
790
|
B
|
Mid
|
37
|
Lists of colors
|
23,694
|
789
|
List
|
Mid
|
38
|
Green
|
23,276
|
775
|
B
|
Top
|
39
|
Vantablack
|
22,850
|
761
|
C
|
Low
|
40
|
Shades of pink
|
22,724
|
757
|
List
|
Mid
|
41
|
Paint
|
22,543
|
751
|
C
|
High
|
42
|
HSL and HSV
|
22,437
|
747
|
B
|
High
|
43
|
Planck's law
|
22,213
|
740
|
B
|
Unknown
|
44
|
Beer–Lambert law
|
21,995
|
733
|
Start
|
Unknown
|
45
|
Shades of purple
|
21,957
|
731
|
List
|
Mid
|
46
|
Qualia
|
21,874
|
729
|
B
|
Unknown
|
47
|
Tetrachromacy
|
21,397
|
713
|
C
|
High
|
48
|
Redshift
|
21,292
|
709
|
FA
|
Unknown
|
49
|
Primary color
|
21,114
|
703
|
B
|
Top
|
50
|
Violet (color)
|
20,879
|
695
|
B
|
High
|
51
|
Vermilion
|
20,776
|
692
|
C
|
Mid
|
52
|
Eye
|
20,029
|
667
|
B
|
Unknown
|
53
|
Human eye
|
19,952
|
665
|
B
|
Unknown
|
54
|
Fitzpatrick scale
|
19,827
|
660
|
Start
|
Low
|
55
|
Ochre
|
19,522
|
650
|
C
|
Mid
|
56
|
Cyan
|
19,479
|
649
|
C
|
High
|
57
|
Thomas Young (scientist)
|
19,438
|
647
|
C
|
Mid
|
58
|
Rayleigh scattering
|
19,129
|
637
|
B
|
Unknown
|
59
|
Human hair color
|
18,926
|
630
|
Start
|
Mid
|
60
|
Shades of brown
|
18,483
|
616
|
List
|
Mid
|
61
|
CIE 1931 color space
|
18,271
|
609
|
B
|
High
|
62
|
Color wheel
|
18,148
|
604
|
C
|
High
|
63
|
ROYGBIV
|
18,054
|
601
|
Start
|
Mid
|
64
|
Eigengrau
|
16,668
|
555
|
Start
|
Low
|
65
|
Terracotta
|
16,484
|
549
|
Start
|
Low
|
66
|
Color theory
|
16,472
|
549
|
C
|
Top
|
67
|
Shades of gray
|
16,398
|
546
|
List
|
Mid
|
68
|
CIELAB color space
|
16,289
|
542
|
C
|
High
|
69
|
Yellow
|
16,287
|
542
|
C
|
Top
|
70
|
Chartreuse (color)
|
16,142
|
538
|
Start
|
Mid
|
71
|
Light skin
|
16,099
|
536
|
B
|
High
|
72
|
Periwinkle (color)
|
16,008
|
533
|
Stub
|
Mid
|
73
|
Political colour
|
15,862
|
528
|
B
|
Low
|
74
|
Fuchsia (color)
|
15,707
|
523
|
Start
|
Mid
|
75
|
Ultramarine
|
15,603
|
520
|
C
|
Mid
|
76
|
Spectroscopy
|
15,558
|
518
|
C
|
Unknown
|
77
|
Black body
|
15,554
|
518
|
B
|
Mid
|
78
|
Color television
|
15,513
|
517
|
B
|
Mid
|
79
|
Teal
|
15,266
|
508
|
C
|
High
|
80
|
Pink
|
15,240
|
508
|
C
|
High
|
81
|
Fluorescence
|
15,225
|
507
|
B
|
Unknown
|
82
|
Shades of yellow
|
15,132
|
504
|
List
|
Mid
|
83
|
NTSC
|
14,954
|
498
|
C
|
Low
|
84
|
International Klein Blue
|
14,512
|
483
|
C
|
Low
|
85
|
Orange (colour)
|
14,429
|
480
|
C
|
High
|
86
|
List of colors (alphabetical)
|
14,223
|
474
|
List
|
Low
|
87
|
Equine coat color
|
14,215
|
473
|
Start
|
Low
|
88
|
Brilliant blue FCF
|
14,157
|
471
|
C
|
Mid
|
89
|
Scarlet (color)
|
13,616
|
453
|
C
|
Mid
|
90
|
Quantum dot
|
13,438
|
447
|
C
|
Unknown
|
91
|
Cerulean
|
13,232
|
441
|
Start
|
Low
|
92
|
Dark skin
|
13,100
|
436
|
B
|
High
|
93
|
Blue raspberry flavor
|
12,991
|
433
|
Start
|
Low
|
94
|
Optics
|
12,952
|
431
|
B
|
Unknown
|
95
|
Khaki
|
12,914
|
430
|
Start
|
Mid
|
96
|
Pantone 448 C
|
12,852
|
428
|
Stub
|
Low
|
97
|
Complementary colors
|
12,822
|
427
|
Start
|
High
|
98
|
List of colors: N–Z
|
12,721
|
424
|
List
|
High
|
99
|
SRGB
|
12,116
|
403
|
C
|
High
|
100
|
List of colors by shade
|
11,930
|
397
|
List
|
Low
|
101
|
Grey
|
11,859
|
395
|
C
|
Top
|
102
|
Color temperature
|
11,841
|
394
|
B
|
High
|
103
|
Iridescence
|
11,644
|
388
|
Start
|
Mid
|
104
|
Lavender (color)
|
11,643
|
388
|
C
|
Low
|
105
|
Shades of white
|
11,642
|
388
|
List
|
Mid
|
106
|
Shades of orange
|
11,609
|
386
|
List
|
Mid
|
107
|
Diffraction grating
|
11,580
|
386
|
C
|
Unknown
|
108
|
Brown hair
|
11,576
|
385
|
C
|
Low
|
109
|
Crimson
|
11,562
|
385
|
Start
|
Mid
|
110
|
Haint blue
|
11,503
|
383
|
Start
|
Low
|
111
|
Food coloring
|
11,469
|
382
|
C
|
Mid
|
112
|
Candela
|
11,450
|
381
|
B
|
Unknown
|
113
|
Beige
|
11,400
|
380
|
C
|
Mid
|
114
|
Brown
|
11,226
|
374
|
Start
|
High
|
115
|
Turquoise (color)
|
11,189
|
372
|
C
|
Mid
|
116
|
Skin whitening
|
11,058
|
368
|
B
|
Low
|
117
|
List of colors: G–M
|
11,044
|
368
|
List
|
High
|
118
|
Retina
|
10,974
|
365
|
B
|
Unknown
|
119
|
Sky blue
|
10,902
|
363
|
Start
|
High
|
120
|
Burgundy (color)
|
10,870
|
362
|
Start
|
Low
|
121
|
AMOLED
|
10,848
|
361
|
C
|
Unknown
|
122
|
Freckle
|
10,666
|
355
|
Start
|
Low
|
123
|
Plasma display
|
10,637
|
354
|
C
|
Unknown
|
124
|
Ultra-high-definition television
|
10,614
|
353
|
C
|
Low
|
125
|
Color depth
|
10,569
|
352
|
C
|
Mid
|
126
|
Color photography
|
10,367
|
345
|
C
|
Low
|
127
|
Maroon
|
10,259
|
341
|
C
|
Mid
|
128
|
Cone cell
|
10,256
|
341
|
C
|
Mid
|
129
|
Shades of cyan
|
10,104
|
336
|
List
|
Mid
|
130
|
Ishihara test
|
10,053
|
335
|
C
|
Mid
|
131
|
Pigment
|
9,947
|
331
|
B
|
Top
|
132
|
Chromesthesia
|
9,890
|
329
|
B
|
Low
|
133
|
Chromatic aberration
|
9,755
|
325
|
B
|
Mid
|
134
|
Color space
|
9,729
|
324
|
C
|
High
|
135
|
Pastel (color)
|
9,658
|
321
|
Stub
|
Mid
|
136
|
Cobalt blue
|
9,642
|
321
|
Start
|
Mid
|
137
|
Stroop effect
|
9,557
|
318
|
B
|
Mid
|
138
|
Gamma correction
|
9,378
|
312
|
C
|
Unknown
|
139
|
Black-and-white
|
9,378
|
312
|
Start
|
Mid
|
140
|
Navy blue
|
9,331
|
311
|
C
|
Mid
|
141
|
Ink
|
9,298
|
309
|
C
|
Unknown
|
142
|
Visual perception
|
9,294
|
309
|
C
|
Mid
|
143
|
Blue–green distinction in language
|
9,273
|
309
|
Start
|
Mid
|
144
|
Printer (computing)
|
9,045
|
301
|
C
|
Unknown
|
145
|
Azure (color)
|
9,031
|
301
|
Start
|
Mid
|
146
|
Auburn hair
|
8,825
|
294
|
Start
|
Low
|
147
|
Mauve
|
8,681
|
289
|
Start
|
Mid
|
148
|
Color psychology
|
8,676
|
289
|
C
|
High
|
149
|
Color vision
|
8,657
|
288
|
C
|
Top
|
150
|
Phosphorescence
|
8,512
|
283
|
Start
|
Unknown
|
151
|
YCbCr
|
8,471
|
282
|
Start
|
High
|
152
|
Visual cortex
|
8,469
|
282
|
C
|
Unknown
|
153
|
Dye
|
8,402
|
280
|
C
|
High
|
154
|
Afterimage
|
8,393
|
279
|
C
|
High
|
155
|
Night vision
|
8,197
|
273
|
C
|
Unknown
|
156
|
Tincture (heraldry)
|
8,066
|
268
|
B
|
Mid
|
157
|
Grayscale
|
8,065
|
268
|
Start
|
High
|
158
|
Verdigris
|
7,998
|
266
|
Start
|
Low
|
159
|
Hue
|
7,992
|
266
|
Start
|
High
|
160
|
Black hair
|
7,979
|
265
|
Start
|
Low
|
161
|
Monochrome
|
7,773
|
259
|
C
|
High
|
162
|
Reflection (physics)
|
7,743
|
258
|
C
|
Unknown
|
163
|
Gold (color)
|
7,729
|
257
|
Start
|
Mid
|
164
|
Pan-Arab colors
|
7,683
|
256
|
Start
|
Low
|
165
|
Lighting
|
7,671
|
255
|
C
|
Unknown
|
166
|
Munsell color system
|
7,650
|
255
|
B
|
High
|
167
|
Royal blue
|
7,601
|
253
|
Start
|
Mid
|
168
|
Quantum dot display
|
7,580
|
252
|
C
|
Unknown
|
169
|
Visual system
|
7,501
|
250
|
C
|
Unknown
|
170
|
Spectrophotometry
|
7,416
|
247
|
C
|
High
|
171
|
Knowledge argument
|
7,380
|
246
|
C
|
Low
|
172
|
Hermann von Helmholtz
|
7,372
|
245
|
C
|
Mid
|
173
|
Chroma subsampling
|
7,369
|
245
|
C
|
Low
|
174
|
Saffron (color)
|
7,338
|
244
|
Start
|
High
|
175
|
Bayer filter
|
7,283
|
242
|
C
|
Mid
|
176
|
RAL colour standard
|
7,263
|
242
|
Start
|
Mid
|
177
|
Olive (color)
|
7,260
|
242
|
Start
|
High
|
178
|
British racing green
|
7,209
|
240
|
Start
|
Low
|
179
|
Taupe
|
7,201
|
240
|
Start
|
Low
|
180
|
Color term
|
7,190
|
239
|
Start
|
High
|
181
|
Shades of black
|
7,189
|
239
|
List
|
Top
|
182
|
Shades of violet
|
7,135
|
237
|
List
|
Mid
|
183
|
Y′UV
|
7,107
|
236
|
C
|
Low
|
184
|
Hair coloring
|
7,069
|
235
|
Start
|
Low
|
185
|
DCI-P3
|
7,026
|
234
|
C
|
Low
|
186
|
Rec. 709
|
6,964
|
232
|
C
|
Low
|
187
|
Sepia (color)
|
6,923
|
230
|
Start
|
Mid
|
188
|
Autochrome Lumière
|
6,913
|
230
|
C
|
Low
|
189
|
Inkjet printing
|
6,904
|
230
|
C
|
Unknown
|
190
|
Color difference
|
6,855
|
228
|
B
|
High
|
191
|
Color in Chinese culture
|
6,814
|
227
|
Start
|
Mid
|
192
|
Anaglyph 3D
|
6,788
|
226
|
C
|
Low
|
193
|
Color symbolism
|
6,718
|
223
|
Start
|
Mid
|
194
|
Emission spectrum
|
6,608
|
220
|
C
|
Unknown
|
195
|
Color of water
|
6,589
|
219
|
C
|
Low
|
196
|
High-dynamic-range television
|
6,569
|
218
|
C
|
Mid
|
197
|
Gamut
|
6,535
|
217
|
C
|
High
|
198
|
Amber (color)
|
6,464
|
215
|
C
|
Mid
|
199
|
X11 color names
|
6,450
|
215
|
Start
|
Mid
|
200
|
Secondary color
|
6,364
|
212
|
C
|
High
|
201
|
Shades of magenta
|
6,304
|
210
|
List
|
Mid
|
202
|
Tiffany Blue
|
6,233
|
207
|
Start
|
Low
|
203
|
Lilac (color)
|
6,229
|
207
|
Stub
|
Low
|
204
|
Phosphor
|
6,199
|
206
|
Start
|
Unknown
|
205
|
Spectrometer
|
6,072
|
202
|
Start
|
Unknown
|
206
|
Go Away Green
|
6,039
|
201
|
Start
|
Low
|
207
|
Halftone
|
6,016
|
200
|
C
|
Mid
|
208
|
Standard illuminant
|
6,013
|
200
|
B
|
High
|
209
|
SECAM
|
6,007
|
200
|
C
|
Mid
|
210
|
Color grading
|
5,891
|
196
|
Start
|
Mid
|
211
|
Flame test
|
5,849
|
194
|
Start
|
Low
|
212
|
List of monochrome and RGB color formats
|
5,846
|
194
|
List
|
Mid
|
213
|
Photoreceptor cell
|
5,833
|
194
|
C
|
Mid
|
214
|
Rec. 2020
|
5,821
|
194
|
C
|
Low
|
215
|
YInMn Blue
|
5,813
|
193
|
B
|
Low
|
216
|
Prism (optics)
|
5,812
|
193
|
Start
|
Mid
|
217
|
Alpha compositing
|
5,697
|
189
|
Start
|
Unknown
|
218
|
Spectral color
|
5,658
|
188
|
Start
|
High
|
219
|
Whitewash
|
5,657
|
188
|
Start
|
High
|
220
|
Darkness
|
5,655
|
188
|
C
|
Unknown
|
221
|
Colorfulness
|
5,607
|
186
|
Start
|
High
|
222
|
List of flags containing the color purple
|
5,581
|
186
|
List
|
Low
|
223
|
Blue-green
|
5,565
|
185
|
Start
|
Mid
|
224
|
Grapheme–color synesthesia
|
5,499
|
183
|
C
|
Low
|
225
|
Laser printing
|
5,491
|
183
|
C
|
Unknown
|
226
|
Ermine (heraldry)
|
5,466
|
182
|
Stub
|
Low
|
227
|
Robin egg blue
|
5,465
|
182
|
Stub
|
Low
|
228
|
Spring green
|
5,430
|
181
|
C
|
Low
|
229
|
Congenital red–green color blindness
|
5,415
|
180
|
C
|
Mid
|
230
|
Color motion picture film
|
5,406
|
180
|
B
|
Low
|
231
|
Luminance
|
5,351
|
178
|
Start
|
Unknown
|
232
|
Cosmic latte
|
5,336
|
177
|
Start
|
Low
|
233
|
CIELUV
|
5,288
|
176
|
Start
|
Mid
|
234
|
Sienna
|
5,280
|
176
|
Start
|
Mid
|
235
|
List of video game console palettes
|
5,266
|
175
|
List
|
Low
|
236
|
Optic nerve
|
5,233
|
174
|
C
|
Unknown
|
237
|
Egyptian blue
|
5,228
|
174
|
C
|
Mid
|
238
|
Marker pen
|
5,133
|
171
|
Start
|
Low
|
239
|
False color
|
5,085
|
169
|
B
|
Mid
|
240
|
Specular reflection
|
5,007
|
166
|
C
|
Unknown
|
241
|
Baker–Miller pink
|
4,975
|
165
|
Start
|
Low
|
242
|
Tint, shade and tone
|
4,930
|
164
|
Start
|
High
|
243
|
Natural dye
|
4,911
|
163
|
C
|
Mid
|
244
|
LED display
|
4,894
|
163
|
Start
|
Unknown
|
245
|
Absorption spectroscopy
|
4,880
|
162
|
C
|
Unknown
|
246
|
Carmine (color)
|
4,847
|
161
|
Stub
|
Low
|
247
|
Buff (colour)
|
4,844
|
161
|
Start
|
Low
|
248
|
Electronic color code
|
4,838
|
161
|
C
|
Low
|
249
|
Color rendering index
|
4,766
|
158
|
C
|
Mid
|
250
|
List of people with red hair
|
4,744
|
158
|
List
|
Low
|
251
|
Theory of Colours
|
4,733
|
157
|
B
|
High
|
252
|
Oklab color space
|
4,730
|
157
|
Start
|
Low
|
253
|
Pan-African colours
|
4,722
|
157
|
Start
|
Low
|
254
|
X-Rite
|
4,644
|
154
|
Start
|
Low
|
255
|
Amaranth (color)
|
4,625
|
154
|
Start
|
Low
|
256
|
Mountbatten pink
|
4,582
|
152
|
GA
|
Low
|
257
|
Photonics
|
4,565
|
152
|
C
|
Low
|
258
|
List of international auto racing colours
|
4,559
|
151
|
List
|
Low
|
259
|
Light-on-dark color scheme
|
4,555
|
151
|
Start
|
Low
|
260
|
RGBA color model
|
4,520
|
150
|
Start
|
Mid
|
261
|
Tan (color)
|
4,425
|
147
|
Start
|
Mid
|
262
|
List of color palettes
|
4,410
|
147
|
List
|
Mid
|
263
|
Subtractive color
|
4,385
|
146
|
Start
|
High
|
264
|
Contrast (vision)
|
4,370
|
145
|
Start
|
High
|
265
|
Chromophore
|
4,364
|
145
|
Start
|
Mid
|
266
|
Traditional colors of Japan
|
4,306
|
143
|
Start
|
Mid
|
267
|
Cambridge Blue (colour)
|
4,296
|
143
|
Start
|
Low
|
268
|
YPbPr
|
4,293
|
143
|
Start
|
Mid
|
269
|
Puce
|
4,287
|
142
|
Stub
|
Mid
|
270
|
RYB color model
|
4,262
|
142
|
C
|
Mid
|
271
|
Polychrome
|
4,245
|
141
|
C
|
Mid
|
272
|
List of colors
|
4,180
|
139
|
NA
|
High
|
273
|
Purple Earth hypothesis
|
4,154
|
138
|
Start
|
Unknown
|
274
|
Trichromacy
|
4,114
|
137
|
C
|
High
|
275
|
Brightness
|
4,103
|
136
|
Start
|
Mid
|
276
|
Color scheme
|
4,067
|
135
|
Start
|
Mid
|
277
|
Mummy brown
|
4,066
|
135
|
Start
|
Mid
|
278
|
Umber
|
4,063
|
135
|
Start
|
Low
|
279
|
Chromostereopsis
|
4,032
|
134
|
C
|
Mid
|
280
|
Viridian
|
4,021
|
134
|
Start
|
Low
|
281
|
Dichromacy
|
4,013
|
133
|
Start
|
Mid
|
282
|
Lake pigment
|
3,966
|
132
|
Start
|
Low
|
283
|
Argent
|
3,919
|
130
|
Start
|
Low
|
284
|
Diffuse reflection
|
3,904
|
130
|
Start
|
Unknown
|
285
|
Photoluminescence
|
3,873
|
129
|
C
|
Unknown
|
286
|
Structural coloration
|
3,859
|
128
|
GA
|
Mid
|
287
|
Cornflower blue
|
3,819
|
127
|
Stub
|
Low
|
288
|
Gules
|
3,796
|
126
|
Start
|
Low
|
289
|
Feldgrau
|
3,751
|
125
|
Start
|
Low
|
290
|
Rose (color)
|
3,745
|
124
|
C
|
Low
|
291
|
School colors
|
3,727
|
124
|
Start
|
Mid
|
292
|
Electric blue (color)
|
3,713
|
123
|
Start
|
Low
|
293
|
Silver (color)
|
3,703
|
123
|
Start
|
Mid
|
294
|
Luminescence
|
3,692
|
123
|
C
|
Unknown
|
295
|
Ecru
|
3,632
|
121
|
Stub
|
Mid
|
296
|
Lime (color)
|
3,585
|
119
|
Start
|
Mid
|
297
|
Coral (color)
|
3,565
|
118
|
Stub
|
Low
|
298
|
Rod cell
|
3,563
|
118
|
Start
|
Unknown
|
299
|
Absorption (electromagnetic radiation)
|
3,540
|
118
|
Start
|
Unknown
|
300
|
Shades of rose
|
3,534
|
117
|
List
|
Mid
|
301
|
International orange
|
3,526
|
117
|
Stub
|
Low
|
302
|
Mach bands
|
3,500
|
116
|
Start
|
Unknown
|
303
|
Phthalocyanine Green G
|
3,495
|
116
|
Start
|
Low
|
304
|
Color mixing
|
3,489
|
116
|
C
|
High
|
305
|
Shades of chartreuse
|
3,462
|
115
|
List
|
Mid
|
306
|
Wine (color)
|
3,449
|
114
|
Stub
|
Low
|
307
|
Color model
|
3,446
|
114
|
B
|
High
|
308
|
Lincoln green
|
3,429
|
114
|
C
|
Low
|
309
|
Dye-sublimation printing
|
3,381
|
112
|
Unknown
|
Unknown
|
310
|
Gendered associations of pink and blue
|
3,342
|
111
|
C
|
Mid
|
311
|
8-bit color
|
3,308
|
110
|
Start
|
Low
|
312
|
RGB color spaces
|
3,290
|
109
|
Start
|
Mid
|
313
|
Chromaticity
|
3,274
|
109
|
Start
|
High
|
314
|
Opsin
|
3,234
|
107
|
C
|
Unknown
|
315
|
Color analysis
|
3,230
|
107
|
Start
|
Mid
|
316
|
Pan-Slavic colors
|
3,184
|
106
|
Start
|
Low
|
317
|
Film colorization
|
3,154
|
105
|
C
|
Low
|
318
|
SIGGRAPH
|
3,149
|
104
|
Start
|
Unknown
|
319
|
Thermochromism
|
3,144
|
104
|
Start
|
Low
|
320
|
National colours
|
3,139
|
104
|
Start
|
Mid
|
321
|
Rose madder
|
3,063
|
102
|
Start
|
Low
|
322
|
Anti-flash white
|
3,041
|
101
|
Start
|
Mid
|
323
|
Opponent process
|
3,013
|
100
|
Start
|
High
|
324
|
Additive color
|
2,995
|
99
|
Start
|
High
|
325
|
Chromotherapy
|
2,985
|
99
|
C
|
Low
|
326
|
Monochromacy
|
2,984
|
99
|
C
|
Mid
|
327
|
Aqua (color)
|
2,977
|
99
|
Stub
|
Mid
|
328
|
Cerise (color)
|
2,966
|
98
|
Stub
|
Low
|
329
|
Light blue
|
2,965
|
98
|
Stub
|
Low
|
330
|
ICC profile
|
2,962
|
98
|
C
|
Low
|
331
|
Colour trade mark
|
2,958
|
98
|
Start
|
High
|
332
|
Von Luschan's chromatic scale
|
2,957
|
98
|
Start
|
Low
|
333
|
Peach (color)
|
2,956
|
98
|
Stub
|
Low
|
334
|
Midnight blue
|
2,929
|
97
|
Start
|
Low
|
335
|
Blue-gray
|
2,909
|
96
|
C
|
Low
|
336
|
Earth tone
|
2,908
|
96
|
Stub
|
Low
|
337
|
Ivory (color)
|
2,876
|
95
|
Stub
|
Low
|
338
|
Linguistic relativity and the color naming debate
|
2,869
|
95
|
Start
|
Mid
|
339
|
Mustard (color)
|
2,859
|
95
|
Stub
|
Low
|
340
|
Sable (heraldry)
|
2,844
|
94
|
Stub
|
Low
|
341
|
Color balance
|
2,838
|
94
|
Start
|
High
|
342
|
Dodger blue
|
2,836
|
94
|
Start
|
Low
|
343
|
Photographic print toning
|
2,830
|
94
|
Start
|
Mid
|
344
|
Colored pencil
|
2,819
|
93
|
C
|
High
|
345
|
Purkinje effect
|
2,799
|
93
|
C
|
Unknown
|
346
|
Metamerism (color)
|
2,741
|
91
|
Start
|
High
|
347
|
25-pair color code
|
2,738
|
91
|
Start
|
Low
|
348
|
List of color spaces and their uses
|
2,738
|
91
|
Start
|
High
|
349
|
Copper (color)
|
2,733
|
91
|
Stub
|
Low
|
350
|
Demosaicing
|
2,716
|
90
|
Start
|
Low
|
351
|
Natural Color System
|
2,689
|
89
|
Start
|
High
|
352
|
Hypercolor
|
2,684
|
89
|
C
|
Low
|
353
|
Alvy Ray Smith
|
2,679
|
89
|
C
|
Low
|
354
|
Sage (color)
|
2,665
|
88
|
Stub
|
Low
|
355
|
Basic Color Terms
|
2,659
|
88
|
Start
|
Mid
|
356
|
History of Crayola crayons
|
2,646
|
88
|
C
|
Low
|
357
|
Color chart
|
2,629
|
87
|
Start
|
Mid
|
358
|
Kumkuma
|
2,607
|
86
|
Start
|
Mid
|
359
|
Scotopic vision
|
2,598
|
86
|
Start
|
Low
|
360
|
Color of chemicals
|
2,595
|
86
|
C
|
High
|
361
|
Tawny (color)
|
2,527
|
84
|
Start
|
Low
|
362
|
Aquamarine (color)
|
2,478
|
82
|
Stub
|
Low
|
363
|
Colorimetry
|
2,462
|
82
|
Start
|
High
|
364
|
Rosso corsa
|
2,434
|
81
|
Start
|
Low
|
365
|
Salmon (color)
|
2,412
|
80
|
Start
|
Low
|
366
|
Or (heraldry)
|
2,403
|
80
|
Stub
|
Low
|
367
|
Chromophobia
|
2,395
|
79
|
Start
|
Mid
|
368
|
Wilhelm Ostwald
|
2,378
|
79
|
C
|
Mid
|
369
|
List of inorganic pigments
|
2,366
|
78
|
List
|
Low
|
370
|
Rec. 601
|
2,360
|
78
|
Start
|
Unknown
|
371
|
Blood red
|
2,355
|
78
|
Stub
|
Low
|
372
|
Colors of the day in Thailand
|
2,346
|
78
|
Stub
|
Low
|
373
|
Animal coloration
|
2,343
|
78
|
GA
|
Mid
|
374
|
Photometry (optics)
|
2,341
|
78
|
Start
|
Unknown
|
375
|
Diffuse sky radiation
|
2,337
|
77
|
C
|
Mid
|
376
|
Color management
|
2,336
|
77
|
Start
|
Mid
|
377
|
Azure (heraldry)
|
2,330
|
77
|
Start
|
Low
|
378
|
ColorChecker
|
2,329
|
77
|
Start
|
Mid
|
379
|
New riddle of induction
|
2,317
|
77
|
Start
|
Low
|
380
|
Green in Islam
|
2,264
|
75
|
Stub
|
Low
|
381
|
Autumn leaf color
|
2,254
|
75
|
C
|
Mid
|
382
|
LMS color space
|
2,253
|
75
|
Start
|
Mid
|
383
|
Rec. 2100
|
2,253
|
75
|
Start
|
Low
|
384
|
Dandelion (crayon color)
|
2,253
|
75
|
Start
|
Low
|
385
|
Glare (vision)
|
2,245
|
74
|
Start
|
Low
|
386
|
Air Force blue
|
2,226
|
74
|
Start
|
Low
|
387
|
Red-violet
|
2,223
|
74
|
Stub
|
Low
|
388
|
Planckian locus
|
2,222
|
74
|
C
|
Mid
|
389
|
Fawn (colour)
|
2,219
|
73
|
Stub
|
Low
|
390
|
Cream (colour)
|
2,214
|
73
|
Stub
|
Low
|
391
|
Bronze (color)
|
2,213
|
73
|
Start
|
Mid
|
392
|
Champagne (color)
|
2,212
|
73
|
Stub
|
Low
|
393
|
Alice blue
|
2,200
|
73
|
Stub
|
Low
|
394
|
School bus yellow
|
2,196
|
73
|
Start
|
Low
|
395
|
Johannes Itten
|
2,194
|
73
|
Start
|
Mid
|
396
|
Jonquil (color)
|
2,183
|
72
|
Stub
|
Low
|
397
|
Luma (video)
|
2,169
|
72
|
Start
|
Unknown
|
398
|
Hand-colouring of photographs
|
2,166
|
72
|
C
|
Mid
|
399
|
Chestnut (color)
|
2,158
|
71
|
Stub
|
Low
|
400
|
Dinosaur coloration
|
2,156
|
71
|
C
|
Mid
|
401
|
Powder blue
|
2,153
|
71
|
Stub
|
Low
|
402
|
Colour banding
|
2,152
|
71
|
Stub
|
Low
|
403
|
Johann Heinrich Lambert
|
2,141
|
71
|
Start
|
Unknown
|
404
|
Falu red
|
2,140
|
71
|
Start
|
Low
|
405
|
Solarized
|
2,124
|
70
|
Start
|
Low
|
406
|
Adaptation (eye)
|
2,105
|
70
|
B
|
Unknown
|
407
|
Lightness
|
2,076
|
69
|
Start
|
High
|
408
|
List of dyes
|
2,068
|
68
|
List
|
Mid
|
409
|
Inverted spectrum
|
2,052
|
68
|
B
|
Low
|
410
|
Sapphire (color)
|
2,039
|
67
|
Stub
|
Low
|
411
|
Glaucous
|
2,037
|
67
|
Stub
|
Low
|
412
|
Color constancy
|
2,028
|
67
|
Start
|
Mid
|
413
|
Safety orange
|
2,024
|
67
|
Start
|
Low
|
414
|
Color gradient
|
2,023
|
67
|
Start
|
Low
|
415
|
Russet (color)
|
2,022
|
67
|
Stub
|
Low
|
416
|
Adobe RGB color space
|
2,019
|
67
|
Start
|
Mid
|
417
|
Bleu de France (colour)
|
2,010
|
67
|
Start
|
Low
|
418
|
Heliotrope (color)
|
1,985
|
66
|
Stub
|
Low
|
419
|
Michel Eugène Chevreul
|
1,982
|
66
|
Start
|
Unknown
|
420
|
Savoy blue
|
1,972
|
65
|
B
|
Low
|
421
|
Newton disc
|
1,937
|
64
|
C
|
Mid
|
422
|
Color vision test
|
1,930
|
64
|
B
|
High
|
423
|
Baby blue
|
1,901
|
63
|
Stub
|
Low
|
424
|
Palette (computing)
|
1,897
|
63
|
C
|
Mid
|
425
|
Han purple and Han blue
|
1,897
|
63
|
B
|
Mid
|
426
|
Color appearance model
|
1,879
|
62
|
Start
|
Mid
|
427
|
Persian blue
|
1,869
|
62
|
Stub
|
Low
|
428
|
Relative luminance
|
1,865
|
62
|
Start
|
Mid
|
429
|
Cardinal (color)
|
1,855
|
61
|
Stub
|
Low
|
430
|
Spectral power distribution
|
1,855
|
61
|
Start
|
High
|
431
|
Color printing
|
1,812
|
60
|
C
|
High
|
432
|
Maya blue
|
1,802
|
60
|
C
|
Low
|
433
|
Black-and-white dualism
|
1,786
|
59
|
Start
|
Low
|
434
|
Ruby (color)
|
1,766
|
58
|
Start
|
Mid
|
435
|
National colours of Australia
|
1,760
|
58
|
Start
|
Low
|
436
|
Shades of azure
|
1,759
|
58
|
NA
|
NA
|
437
|
Color science
|
1,744
|
58
|
Stub
|
Top
|
438
|
Red pigments
|
1,741
|
58
|
C
|
Low
|
439
|
Gamboge
|
1,735
|
57
|
Start
|
Low
|
440
|
Majorelle Blue
|
1,734
|
57
|
Stub
|
Low
|
441
|
Columbia blue
|
1,732
|
57
|
Stub
|
Low
|
442
|
Gray card
|
1,728
|
57
|
Start
|
Low
|
443
|
Carolina blue
|
1,719
|
57
|
Start
|
Mid
|
444
|
Slate gray
|
1,700
|
56
|
Stub
|
Low
|
445
|
Coquelicot
|
1,699
|
56
|
Start
|
Low
|
446
|
Intrinsically photosensitive retinal ganglion cell
|
1,694
|
56
|
C
|
Unknown
|
447
|
Super black
|
1,692
|
56
|
Start
|
Mid
|
448
|
Optical brightener
|
1,683
|
56
|
Start
|
Mid
|
449
|
Complexion
|
1,666
|
55
|
Start
|
Low
|
450
|
Lightfastness
|
1,666
|
55
|
Start
|
Mid
|
451
|
Color filter array
|
1,664
|
55
|
C
|
Low
|
452
|
Lemon (color)
|
1,661
|
55
|
Stub
|
Low
|
453
|
International Commission on Illumination
|
1,652
|
55
|
Start
|
High
|
454
|
Color correction
|
1,651
|
55
|
Start
|
Mid
|
455
|
Plum (color)
|
1,648
|
54
|
Start
|
Mid
|
456
|
Colorist
|
1,624
|
54
|
C
|
Low
|
457
|
Philipp Otto Runge
|
1,621
|
54
|
Start
|
Unknown
|
458
|
Analogous colors
|
1,618
|
53
|
Stub
|
Mid
|
459
|
Mahogany (color)
|
1,590
|
53
|
Stub
|
Low
|
460
|
Rufous
|
1,589
|
52
|
Start
|
Low
|
461
|
Cadet grey
|
1,589
|
52
|
Start
|
Low
|
462
|
Chrominance
|
1,586
|
52
|
Start
|
Mid
|
463
|
Color-blocking
|
1,579
|
52
|
Start
|
Low
|
464
|
Academy Color Encoding System
|
1,573
|
52
|
C
|
Unknown
|
465
|
Blue in culture
|
1,573
|
52
|
B
|
High
|
466
|
Mars surface color
|
1,561
|
52
|
B
|
Low
|
467
|
Old gold
|
1,553
|
51
|
Start
|
Low
|
468
|
List of people with color blindness
|
1,547
|
51
|
List
|
Low
|
469
|
Domain coloring
|
1,538
|
51
|
C
|
Low
|
470
|
Oxblood
|
1,536
|
51
|
Start
|
Low
|
471
|
Byzantium (color)
|
1,536
|
51
|
Start
|
Low
|
472
|
Photopic vision
|
1,527
|
50
|
Start
|
Unknown
|
473
|
Dracula (color scheme)
|
1,527
|
50
|
C
|
Low
|
474
|
Color code
|
1,522
|
50
|
Start
|
Mid
|
475
|
Chrome yellow
|
1,518
|
50
|
Start
|
Mid
|
476
|
High color
|
1,508
|
50
|
Start
|
Low
|
477
|
List of 16-bit computer color palettes
|
1,498
|
49
|
List
|
Low
|
478
|
Color quantization
|
1,496
|
49
|
C
|
High
|
479
|
EnChroma
|
1,494
|
49
|
Start
|
Mid
|
480
|
LED strip light
|
1,489
|
49
|
C
|
Low
|
481
|
Spectral sensitivity
|
1,488
|
49
|
Start
|
Mid
|
482
|
ISCC–NBS system
|
1,488
|
49
|
Start
|
High
|
483
|
HCL color space
|
1,485
|
49
|
Start
|
Mid
|
484
|
ProPhoto RGB color space
|
1,482
|
49
|
Start
|
Low
|
485
|
Image gradient
|
1,473
|
49
|
Stub
|
Mid
|
486
|
Color picker
|
1,466
|
48
|
Start
|
Low
|
487
|
History of red
|
1,465
|
48
|
C
|
Mid
|
488
|
Vair
|
1,462
|
48
|
Stub
|
Low
|
489
|
Color blind glasses
|
1,462
|
48
|
B
|
Mid
|
490
|
YIQ
|
1,456
|
48
|
Start
|
Low
|
491
|
Xanthochromism
|
1,453
|
48
|
Stub
|
Low
|
492
|
St. Patrick's blue
|
1,433
|
47
|
Start
|
Low
|
493
|
Apricot (color)
|
1,431
|
47
|
Stub
|
Low
|
494
|
Alizarin crimson (color)
|
1,410
|
47
|
Stub
|
Mid
|
495
|
Iron oxide red
|
1,409
|
46
|
Stub
|
Low
|
496
|
HWB color model
|
1,406
|
46
|
Stub
|
Low
|
497
|
Rust (color)
|
1,397
|
46
|
Stub
|
Low
|
498
|
Iris (color)
|
1,394
|
46
|
Stub
|
Low
|
499
|
List of chicken colours
|
1,384
|
46
|
List
|
Low
|
500
|
Tertiary color
|
1,382
|
46
|
NA
|
High
|
501
|
Xanthochromia
|
1,381
|
46
|
Start
|
Low
|
502
|
Eton blue
|
1,376
|
45
|
Stub
|
Low
|
503
|
Day-Glo Color Corp.
|
1,365
|
45
|
Start
|
Mid
|
504
|
Illuminant D65
|
1,358
|
45
|
NA
|
Mid
|
505
|
Photochromism
|
1,352
|
45
|
C
|
Low
|
506
|
Wine color
|
1,339
|
44
|
Start
|
Low
|
507
|
Cordovan (color)
|
1,334
|
44
|
Stub
|
Low
|
508
|
List of animals that can change color
|
1,330
|
44
|
List
|
Low
|
509
|
Hyaline
|
1,327
|
44
|
Stub
|
Low
|
510
|
Line of purples
|
1,327
|
44
|
Start
|
Mid
|
511
|
Metallic color
|
1,323
|
44
|
Start
|
Mid
|
512
|
Tooth discoloration
|
1,323
|
44
|
C
|
Low
|
513
|
Colour Index International
|
1,318
|
43
|
Start
|
Mid
|
514
|
Indexed color
|
1,317
|
43
|
C
|
High
|
515
|
Young–Helmholtz theory
|
1,309
|
43
|
Stub
|
High
|
516
|
Forest green
|
1,305
|
43
|
Stub
|
Low
|
517
|
Sepia tone
|
1,289
|
42
|
NA
|
Mid
|
518
|
Duotone
|
1,287
|
42
|
Start
|
Low
|
519
|
Alcian blue stain
|
1,285
|
42
|
C
|
Low
|
520
|
CIECAM02
|
1,278
|
42
|
B
|
High
|
521
|
Steel blue
|
1,276
|
42
|
Stub
|
Low
|
522
|
Sunset (color)
|
1,276
|
42
|
Start
|
Low
|
523
|
Mesopic vision
|
1,274
|
42
|
C
|
Unknown
|
524
|
Correlated color temperature
|
1,267
|
42
|
C
|
Low
|
525
|
Federal Standard 595
|
1,263
|
42
|
Stub
|
Low
|
526
|
Gray
|
1,256
|
41
|
NA
|
NA
|
527
|
Color gel
|
1,251
|
41
|
Start
|
Low
|
528
|
Diffuser (optics)
|
1,239
|
41
|
Stub
|
Unknown
|
529
|
History of spectroscopy
|
1,235
|
41
|
B
|
Mid
|
530
|
Non-photo blue
|
1,234
|
41
|
Start
|
Low
|
531
|
Middle gray
|
1,227
|
40
|
Stub
|
Unknown
|
532
|
Payne's grey
|
1,226
|
40
|
Stub
|
Mid
|
533
|
Soil color
|
1,223
|
40
|
Start
|
Low
|
534
|
Desert sand (color)
|
1,217
|
40
|
Start
|
Low
|
535
|
Opponent-process theory
|
1,215
|
40
|
Start
|
Unknown
|
536
|
List of historical sources for pink and blue as gender signifiers
|
1,207
|
40
|
List
|
Low
|
537
|
Bistre
|
1,204
|
40
|
Start
|
Mid
|
538
|
Orchid (color)
|
1,187
|
39
|
Stub
|
Low
|
539
|
MacAdam ellipse
|
1,185
|
39
|
C
|
High
|
540
|
Cyanometer
|
1,185
|
39
|
Stub
|
Low
|
541
|
White point
|
1,182
|
39
|
Start
|
High
|
542
|
Spot color
|
1,181
|
39
|
Start
|
High
|
543
|
Ink cartridge
|
1,178
|
39
|
Start
|
Unknown
|
544
|
Channel (digital image)
|
1,173
|
39
|
C
|
Mid
|
545
|
Aureolin
|
1,171
|
39
|
Stub
|
Low
|
546
|
Chocolate (color)
|
1,169
|
38
|
Start
|
Low
|
547
|
Liver (color)
|
1,164
|
38
|
Stub
|
Low
|
548
|
Contrast effect
|
1,156
|
38
|
C
|
Mid
|
549
|
Coyote brown
|
1,152
|
38
|
Stub
|
Mid
|
550
|
Fulvous
|
1,151
|
38
|
Start
|
Low
|
551
|
Purpure
|
1,149
|
38
|
Start
|
Low
|
552
|
Eggplant (color)
|
1,143
|
38
|
Stub
|
Low
|
553
|
Rifle green
|
1,143
|
38
|
NA
|
Low
|
554
|
Farnsworth–Munsell 100 hue test
|
1,142
|
38
|
C
|
Low
|
555
|
Colour fastness
|
1,131
|
37
|
Start
|
Low
|
556
|
Raspberry (color)
|
1,127
|
37
|
Start
|
Low
|
557
|
APHA color
|
1,127
|
37
|
Start
|
Low
|
558
|
Orcein
|
1,117
|
37
|
Start
|
Mid
|
559
|
CMY color model
|
1,108
|
36
|
NA
|
High
|
560
|
Color preferences
|
1,103
|
36
|
Stub
|
Mid
|
561
|
Palatinate (colour)
|
1,099
|
36
|
Start
|
Low
|
562
|
Goldenrod (color)
|
1,084
|
36
|
Start
|
Low
|
563
|
Mulberry (color)
|
1,083
|
36
|
Stub
|
Low
|
564
|
Evolution of color vision in primates
|
1,082
|
36
|
C
|
Mid
|
565
|
Abnormal urine color
|
1,076
|
35
|
Start
|
Low
|
566
|
High Capacity Color Barcode
|
1,074
|
35
|
C
|
Low
|
567
|
Color solid
|
1,073
|
35
|
Start
|
High
|
568
|
Hexachrome
|
1,064
|
35
|
Start
|
Low
|
569
|
Caput mortuum (pigment)
|
1,061
|
35
|
Start
|
Low
|
570
|
Rich black
|
1,060
|
35
|
C
|
Mid
|
571
|
Harmony (color)
|
1,058
|
35
|
C
|
High
|
572
|
Oren–Nayar reflectance model
|
1,058
|
35
|
C
|
Low
|
573
|
Platinum (color)
|
1,048
|
34
|
Stub
|
Low
|
574
|
Solvatochromism
|
1,043
|
34
|
Start
|
Low
|
575
|
Blue light spectrum
|
1,040
|
34
|
C
|
Unknown
|
576
|
Chromatic adaptation
|
1,038
|
34
|
Start
|
Mid
|
577
|
Vert (heraldry)
|
1,029
|
34
|
Start
|
Low
|
578
|
Wide-gamut RGB color space
|
1,026
|
34
|
Start
|
Mid
|
579
|
Visual processing
|
1,026
|
34
|
Start
|
Low
|
580
|
Fire engine red
|
1,026
|
34
|
Stub
|
Low
|
581
|
Electrochromism
|
1,025
|
34
|
C
|
Low
|
582
|
Bleu celeste
|
1,016
|
33
|
Start
|
Low
|
583
|
Venetian red
|
1,011
|
33
|
Stub
|
Low
|
584
|
Standard-dynamic-range video
|
1,008
|
33
|
C
|
Mid
|
585
|
Budgerigar colour genetics
|
993
|
33
|
Start
|
Low
|
586
|
Color triangle
|
993
|
33
|
Start
|
High
|
587
|
Drab (color)
|
984
|
32
|
Stub
|
Low
|
588
|
Mexican pink
|
974
|
32
|
Start
|
Low
|
589
|
Optica (society)
|
972
|
32
|
C
|
Low
|
590
|
Marian blue
|
961
|
32
|
Start
|
Low
|
591
|
Yale Blue
|
956
|
31
|
Start
|
Low
|
592
|
Printing registration
|
946
|
31
|
C
|
Low
|
593
|
Van Dyke brown
|
945
|
31
|
Stub
|
Low
|
594
|
Selective yellow
|
937
|
31
|
C
|
Low
|
595
|
List of color film systems
|
934
|
31
|
List
|
Low
|
596
|
Calcein
|
933
|
31
|
Start
|
Low
|
597
|
Light reflectance value
|
931
|
31
|
Start
|
Unknown
|
598
|
PAL-M
|
926
|
30
|
Start
|
Low
|
599
|
Coffee (color)
|
925
|
30
|
Start
|
Low
|
600
|
Lüscher color test
|
923
|
30
|
Start
|
Low
|
601
|
Tenné
|
914
|
30
|
B
|
Low
|
602
|
Eggshell (color)
|
902
|
30
|
Stub
|
Low
|
603
|
Flax (color)
|
901
|
30
|
Stub
|
Low
|
604
|
Color of the day (police)
|
900
|
30
|
Start
|
Low
|
605
|
Utility location
|
899
|
29
|
Start
|
Mid
|
606
|
Cerebral achromatopsia
|
894
|
29
|
C
|
Low
|
607
|
RG color models
|
878
|
29
|
C
|
Mid
|
608
|
Quattron
|
867
|
28
|
Stub
|
Low
|
609
|
Architectural lighting design
|
859
|
28
|
C
|
Unknown
|
610
|
Sakura Color Products Corporation
|
857
|
28
|
Stub
|
Low
|
611
|
Colourant
|
856
|
28
|
Stub
|
High
|
612
|
Philosophy of color
|
851
|
28
|
Start
|
High
|
613
|
Dominant wavelength
|
846
|
28
|
Start
|
High
|
614
|
ICtCp
|
845
|
28
|
C
|
Mid
|
615
|
Magnolia (color)
|
841
|
28
|
Stub
|
Low
|
616
|
ScRGB
|
840
|
28
|
Start
|
Mid
|
617
|
Candy apple red
|
838
|
27
|
Start
|
Low
|
618
|
Unique hues
|
835
|
27
|
C
|
Mid
|
619
|
Evolution of color vision
|
827
|
27
|
Start
|
Mid
|
620
|
Abney effect
|
824
|
27
|
B
|
Mid
|
621
|
Pearl (color)
|
819
|
27
|
Stub
|
Low
|
622
|
Sinopia
|
813
|
27
|
Start
|
Low
|
623
|
Citrine (colour)
|
811
|
27
|
Stub
|
Low
|
624
|
Marigold (color)
|
796
|
26
|
Stub
|
Low
|
625
|
Citron (color)
|
788
|
26
|
Stub
|
Low
|
626
|
Color histogram
|
785
|
26
|
Start
|
Mid
|
627
|
Vision science
|
777
|
25
|
Start
|
Mid
|
628
|
Colorburst
|
773
|
25
|
Start
|
Low
|
629
|
Blue Wool Scale
|
761
|
25
|
Stub
|
Low
|
630
|
Color organ
|
760
|
25
|
C
|
Low
|
631
|
Fechner color effect
|
749
|
24
|
Start
|
Low
|
632
|
Bastard color
|
747
|
24
|
Stub
|
Low
|
633
|
Synthetic colorant
|
743
|
24
|
C
|
Low
|
634
|
Android green
|
740
|
24
|
Stub
|
Low
|
635
|
Maize (color)
|
735
|
24
|
Stub
|
Low
|
636
|
YCoCg
|
734
|
24
|
C
|
Mid
|
637
|
Olive drab
|
720
|
24
|
NA
|
NA
|
638
|
Composite artifact colors
|
719
|
23
|
C
|
Low
|
639
|
Index of color-related articles
|
717
|
23
|
Start
|
Mid
|
640
|
Image color transfer
|
717
|
23
|
Start
|
Low
|
641
|
Kruithof curve
|
709
|
23
|
C
|
Mid
|
642
|
Arylide yellow
|
709
|
23
|
Stub
|
Low
|
643
|
Colored smoke
|
708
|
23
|
Stub
|
Mid
|
644
|
Murrey
|
705
|
23
|
Stub
|
Low
|
645
|
Vanilla (color)
|
702
|
23
|
Start
|
Mid
|
646
|
Albert Henry Munsell
|
701
|
23
|
Start
|
Mid
|
647
|
Camel (color)
|
700
|
23
|
Start
|
Low
|
648
|
Duke blue
|
699
|
23
|
Stub
|
Low
|
649
|
Gene therapy for color blindness
|
697
|
23
|
C
|
Low
|
650
|
Marengo (color)
|
694
|
23
|
Start
|
Low
|
651
|
On Vision and Colours
|
692
|
23
|
Start
|
Low
|
652
|
Beta movement
|
683
|
22
|
C
|
Low
|
653
|
Erin (color)
|
681
|
22
|
Stub
|
Low
|
654
|
HKS (colour system)
|
677
|
22
|
Stub
|
Low
|
655
|
Cinereous
|
673
|
22
|
Stub
|
Low
|
656
|
Red in culture
|
666
|
22
|
C
|
High
|
657
|
Jungle green
|
659
|
21
|
C
|
Low
|
658
|
The Secret Lives of Colour
|
656
|
21
|
C
|
Low
|
659
|
PALplus
|
649
|
21
|
C
|
Low
|
660
|
Dichroic filter
|
644
|
21
|
NA
|
NA
|
661
|
Floral color change
|
639
|
21
|
C
|
Low
|
662
|
Capri (color)
|
632
|
21
|
Stub
|
Low
|
663
|
CcMmYK color model
|
629
|
20
|
Stub
|
Low
|
664
|
ACM SIGGRAPH
|
625
|
20
|
Start
|
Low
|
665
|
Standard Reference Method
|
624
|
20
|
C
|
Low
|
666
|
Bezold–Brücke shift
|
614
|
20
|
Stub
|
Low
|
667
|
Color calibration
|
608
|
20
|
Start
|
Mid
|
668
|
Color print film
|
598
|
19
|
Start
|
Low
|
669
|
Grassmann's laws (color science)
|
598
|
19
|
Start
|
Mid
|
670
|
Persian red
|
594
|
19
|
Stub
|
Low
|
671
|
Zinc white
|
592
|
19
|
C
|
Mid
|
672
|
Navajo white
|
589
|
19
|
Stub
|
Low
|
673
|
Tangerine (color)
|
584
|
19
|
Stub
|
Low
|
674
|
Tricolour
|
580
|
19
|
NA
|
NA
|
675
|
Bice
|
574
|
19
|
Stub
|
Low
|
676
|
Mired
|
573
|
19
|
Start
|
Mid
|
677
|
XvYCC
|
573
|
19
|
Start
|
Low
|
678
|
Carnelian (color)
|
573
|
19
|
Stub
|
Low
|
679
|
Zaffre
|
571
|
19
|
Stub
|
Mid
|
680
|
Straw (colour)
|
563
|
18
|
Stub
|
Low
|
681
|
Tuscan red
|
559
|
18
|
Start
|
Low
|
682
|
Tristimulus colorimeter
|
559
|
18
|
Stub
|
Low
|
683
|
Blush (color)
|
550
|
18
|
Stub
|
Low
|
684
|
Solid ink
|
547
|
18
|
Start
|
Unknown
|
685
|
Eyeborg
|
540
|
18
|
Start
|
Low
|
686
|
Pompeian red
|
539
|
17
|
B
|
Low
|
687
|
HSV color space
|
536
|
17
|
NA
|
High
|
688
|
MERDC camouflage
|
534
|
17
|
Stub
|
Low
|
689
|
On Colors
|
532
|
17
|
Start
|
Low
|
690
|
Map coloring
|
531
|
17
|
Start
|
Low
|
691
|
Field-sequential color system
|
528
|
17
|
C
|
Low
|
692
|
Color war
|
506
|
16
|
Stub
|
Low
|
693
|
Color cycling
|
502
|
16
|
Start
|
Low
|
694
|
Rose pink
|
499
|
16
|
Stub
|
Low
|
695
|
Colour cast
|
496
|
16
|
Start
|
Mid
|
696
|
Lava (color)
|
492
|
16
|
Stub
|
Low
|
697
|
Ostwald color system
|
490
|
16
|
C
|
High
|
698
|
Jasmine (color)
|
488
|
16
|
Stub
|
Low
|
699
|
Marrs green
|
487
|
16
|
Stub
|
Low
|
700
|
International Color Consortium
|
485
|
16
|
Start
|
Mid
|
701
|
Lion (color)
|
484
|
16
|
Stub
|
Low
|
702
|
Illuminating Engineering Society
|
465
|
15
|
Start
|
Unknown
|
703
|
Werner's Nomenclature of Colours
|
460
|
15
|
Stub
|
Low
|
704
|
Orange (heraldry)
|
456
|
15
|
Stub
|
Low
|
705
|
Mars Black (pigment)
|
449
|
14
|
Stub
|
Low
|
706
|
Coventry blue
|
446
|
14
|
Stub
|
Low
|
707
|
CIE 1960 color space
|
445
|
14
|
Start
|
Low
|
708
|
Journal of the Optical Society of America
|
445
|
14
|
Start
|
Unknown
|
709
|
Ewald Hering
|
439
|
14
|
Start
|
Mid
|
710
|
Reseda green
|
436
|
14
|
Stub
|
Low
|
711
|
Colour recovery
|
432
|
14
|
C
|
Low
|
712
|
Gardner color scale
|
428
|
14
|
Stub
|
Mid
|
713
|
Azure spar
|
424
|
14
|
List
|
Low
|
714
|
Bole (color)
|
422
|
14
|
Start
|
Low
|
715
|
CIE 1964 color space
|
422
|
14
|
Stub
|
Low
|
716
|
Dichromatism
|
420
|
14
|
Start
|
Unknown
|
717
|
Seal brown
|
418
|
13
|
Stub
|
Low
|
718
|
ColorADD
|
416
|
13
|
Start
|
Low
|
719
|
Rg chromaticity
|
415
|
13
|
Stub
|
Low
|
720
|
Double cone (biology)
|
414
|
13
|
Start
|
Low
|
721
|
Color Association of the United States
|
410
|
13
|
Start
|
Mid
|
722
|
Colorpuncture
|
405
|
13
|
C
|
Low
|
723
|
Azurite (pigment)
|
405
|
13
|
Stub
|
Low
|
724
|
Harvest gold
|
403
|
13
|
Stub
|
Low
|
725
|
Sanguine (heraldry)
|
401
|
13
|
Stub
|
Low
|
726
|
Carnation (heraldry)
|
387
|
12
|
Stub
|
Low
|
727
|
Continuous tone image
|
381
|
12
|
Start
|
Low
|
728
|
Wheat (color)
|
380
|
12
|
Stub
|
Low
|
729
|
Cynthia Brewer
|
378
|
12
|
Start
|
Low
|
730
|
Chromism
|
372
|
12
|
C
|
Low
|
731
|
Color phi phenomenon
|
371
|
12
|
Start
|
Low
|
732
|
Brunswick green
|
370
|
12
|
NA
|
Low
|
733
|
Bipack color
|
368
|
12
|
C
|
Low
|
734
|
International Colour Day
|
366
|
12
|
Start
|
Mid
|
735
|
Cream (color)
|
361
|
12
|
NA
|
Low
|
736
|
Fallow (color)
|
360
|
12
|
Stub
|
Low
|
737
|
Burnt sienna
|
358
|
11
|
NA
|
Mid
|
738
|
Margaret Hayden Rorke
|
357
|
11
|
C
|
Low
|
739
|
Lemon chiffon
|
349
|
11
|
Unknown
|
Low
|
740
|
American Association of Textile Chemists and Colorists
|
348
|
11
|
Stub
|
Mid
|
741
|
Local color (visual art)
|
344
|
11
|
Stub
|
Low
|
742
|
Multiplexed Analogue Components
|
342
|
11
|
Unknown
|
Unknown
|
743
|
Mysore Paints and Varnish
|
342
|
11
|
Start
|
Low
|
744
|
Display contrast
|
335
|
11
|
Unknown
|
Unknown
|
745
|
Color reproduction
|
332
|
11
|
Stub
|
High
|
746
|
Spring bud
|
330
|
11
|
C
|
Low
|
747
|
Hunter Lab
|
327
|
10
|
Start
|
Low
|
748
|
Seashell (color)
|
326
|
10
|
Stub
|
Low
|
749
|
Acid green
|
325
|
10
|
NA
|
Low
|
750
|
Cyclamen (color)
|
322
|
10
|
NA
|
Low
|
751
|
Color of clothing
|
321
|
10
|
Start
|
Mid
|
752
|
Hunt effect (color)
|
320
|
10
|
Stub
|
Low
|
753
|
Tobias Mayer
|
315
|
10
|
Start
|
Unknown
|
754
|
Ao (color)
|
307
|
10
|
NA
|
Low
|
755
|
Memory color effect
|
307
|
10
|
C
|
Mid
|
756
|
TSL color space
|
306
|
10
|
Stub
|
Low
|
757
|
Munsell Color Company
|
306
|
10
|
Stub
|
Mid
|
758
|
French gray
|
305
|
10
|
Stub
|
Low
|
759
|
Lusty gallant
|
298
|
9
|
Stub
|
Low
|
760
|
Titanium yellow
|
296
|
9
|
Stub
|
Low
|
761
|
Specifications for Web Offset Publications
|
296
|
9
|
Start
|
Low
|
762
|
Jacob Christoph Le Blon
|
295
|
9
|
Start
|
Low
|
763
|
ASC CDL
|
295
|
9
|
Start
|
Low
|
764
|
Stanford Cardinal Red
|
294
|
9
|
NA
|
Low
|
765
|
Cerulean blue
|
293
|
9
|
NA
|
NA
|
766
|
Halochromism
|
291
|
9
|
Stub
|
Low
|
767
|
National colours of Portugal
|
290
|
9
|
Start
|
Low
|
768
|
Color rendering
|
289
|
9
|
Start
|
Mid
|
769
|
IT8
|
284
|
9
|
Start
|
Low
|
770
|
Le Corbusier's Architectural Polychromy
|
282
|
9
|
Unknown
|
Unknown
|
771
|
ColorCode 3-D
|
280
|
9
|
Start
|
Low
|
772
|
Color suite
|
276
|
9
|
Start
|
Low
|
773
|
Oil droplet
|
275
|
9
|
Start
|
Low
|
774
|
Rose (heraldic tincture)
|
266
|
8
|
Start
|
Low
|
775
|
Visual weight
|
266
|
8
|
Stub
|
Low
|
776
|
Cendrée
|
258
|
8
|
Stub
|
Low
|
777
|
OSA-UCS
|
255
|
8
|
Stub
|
Low
|
778
|
Colors (Ken Nordine album)
|
255
|
8
|
Start
|
Low
|
779
|
YDbDr
|
253
|
8
|
Start
|
Low
|
780
|
Dark blue (color)
|
252
|
8
|
NA
|
Low
|
781
|
Coloured Book protocols
|
252
|
8
|
C
|
Low
|
782
|
Pterobilin
|
250
|
8
|
Start
|
Low
|
783
|
Ruddy
|
248
|
8
|
NA
|
NA
|
784
|
Polka-dot paint
|
247
|
8
|
Start
|
Low
|
785
|
Coloroid
|
245
|
8
|
Stub
|
Low
|
786
|
Icterine
|
241
|
8
|
Stub
|
Low
|
787
|
YJK
|
235
|
7
|
Unknown
|
Unknown
|
788
|
Color Naming System
|
229
|
7
|
Start
|
Low
|
789
|
Bondi blue
|
227
|
7
|
NA
|
NA
|
790
|
Applied Optics
|
226
|
7
|
Start
|
Low
|
791
|
Spring green (color)
|
226
|
7
|
NA
|
NA
|
792
|
Color Marketing Group
|
225
|
7
|
Stub
|
Low
|
793
|
Mikado yellow
|
224
|
7
|
Stub
|
Low
|
794
|
Moses Harris
|
219
|
7
|
Start
|
Mid
|
795
|
Color coding in data visualization
|
219
|
7
|
NA
|
High
|
796
|
Tyros (nymph)
|
217
|
7
|
C
|
Low
|
797
|
Grey component replacement
|
216
|
7
|
Stub
|
Low
|
798
|
Amethyst (color)
|
216
|
7
|
NA
|
NA
|
799
|
Multi-primary color display
|
210
|
7
|
Stub
|
Low
|
800
|
Coloured hat
|
209
|
6
|
Start
|
Low
|
801
|
Whiteness (colorimetry)
|
208
|
6
|
Start
|
Low
|
802
|
HSLuv
|
207
|
6
|
Start
|
Low
|
803
|
Iron ochre
|
207
|
6
|
List
|
Low
|
804
|
International Colour Association
|
202
|
6
|
C
|
Mid
|
805
|
Color normalization
|
202
|
6
|
Start
|
Mid
|
806
|
Standard Color Reference of America
|
201
|
6
|
Start
|
Low
|
807
|
Practical Color Coordinate System
|
201
|
6
|
Stub
|
Low
|
808
|
Comparison of color models in computer graphics
|
201
|
6
|
Unknown
|
Unknown
|
809
|
Association for Research in Vision and Ophthalmology
|
201
|
6
|
Stub
|
Low
|
810
|
Andrew J. Elliot
|
200
|
6
|
Stub
|
Unknown
|
811
|
Burned (image)
|
198
|
6
|
Start
|
Mid
|
812
|
Burnt umber
|
192
|
6
|
NA
|
Mid
|
813
|
Teal (color)
|
192
|
6
|
NA
|
NA
|
814
|
ColorZilla
|
191
|
6
|
Stub
|
Low
|
815
|
Golden ochre
|
189
|
6
|
C
|
Low
|
816
|
David MacAdam
|
187
|
6
|
Start
|
Mid
|
817
|
International Colour Authority
|
184
|
6
|
Stub
|
Low
|
818
|
Jade (color)
|
183
|
6
|
NA
|
Low
|
819
|
Tone reproduction
|
182
|
6
|
Unknown
|
Unknown
|
820
|
Color reaction
|
180
|
6
|
Stub
|
Mid
|
821
|
Bernice Kentner
|
179
|
5
|
Start
|
Low
|
822
|
Color task
|
178
|
5
|
B
|
Mid
|
823
|
Historic paint analysis
|
175
|
5
|
C
|
Low
|
824
|
Society of Dyers and Colourists
|
169
|
5
|
Stub
|
Mid
|
825
|
Holmgren's wool test
|
169
|
5
|
Start
|
Low
|
826
|
Journal of Vision
|
168
|
5
|
Stub
|
Low
|
827
|
Alumina effect pigment
|
168
|
5
|
Start
|
Low
|
828
|
Raisin black
|
168
|
5
|
Stub
|
Low
|
829
|
Windows Color System
|
164
|
5
|
Start
|
Mid
|
830
|
Sonochromatism
|
157
|
5
|
Start
|
Unknown
|
831
|
True Blue (color)
|
153
|
5
|
NA
|
Low
|
832
|
Principle of univariance
|
153
|
5
|
Stub
|
Low
|
833
|
Deane B. Judd
|
151
|
5
|
Start
|
Low
|
834
|
Von Kries coefficient law
|
150
|
5
|
C
|
Low
|
835
|
Rail Blue
|
149
|
4
|
NA
|
NA
|
836
|
Portland Orange
|
147
|
4
|
Stub
|
Unknown
|
837
|
Cycolor
|
147
|
4
|
Stub
|
Low
|
838
|
Zinzolin
|
146
|
4
|
B
|
Low
|
839
|
British Colour Council
|
142
|
4
|
Start
|
Mid
|
840
|
Society for Imaging Science and Technology
|
141
|
4
|
Stub
|
Unknown
|
841
|
Skyscope
|
141
|
4
|
Stub
|
Unknown
|
842
|
Postage stamp color
|
137
|
4
|
C
|
Low
|
843
|
Color wheel (optics)
|
126
|
4
|
Stub
|
Low
|
844
|
Harlequin (color)
|
122
|
4
|
NA
|
NA
|
845
|
Leaf Color Chart
|
121
|
4
|
Stub
|
Low
|
846
|
Splash of color
|
119
|
3
|
Stub
|
Low
|
847
|
ICAM (color appearance model)
|
118
|
3
|
Start
|
Low
|
848
|
Emerald (color)
|
116
|
3
|
NA
|
Low
|
849
|
Adams chromatic valence color space
|
116
|
3
|
Start
|
Mid
|
850
|
Battleship grey
|
114
|
3
|
NA
|
NA
|
851
|
Colorway
|
114
|
3
|
NA
|
Low
|
852
|
Hermann Alfred Tanner
|
112
|
3
|
GA
|
Low
|
853
|
Color Light Output
|
108
|
3
|
Start
|
Low
|
854
|
Absolute color space
|
106
|
3
|
NA
|
Mid
|
855
|
Monochromatic colors
|
105
|
3
|
NA
|
Mid
|
856
|
Hansa yellow
|
104
|
3
|
NA
|
Low
|
857
|
Moss green
|
103
|
3
|
NA
|
Low
|
858
|
Color quality scale
|
103
|
3
|
Stub
|
Mid
|
859
|
Colorimeter
|
102
|
3
|
NA
|
NA
|
860
|
UCLA Blue
|
102
|
3
|
NA
|
Low
|
861
|
PAL-S
|
98
|
3
|
Start
|
Low
|
862
|
Colour look-up table
|
97
|
3
|
NA
|
Low
|
863
|
Sea green
|
96
|
3
|
NA
|
Low
|
864
|
Differential phase
|
96
|
3
|
Start
|
Low
|
865
|
Army green
|
95
|
3
|
NA
|
NA
|
866
|
Neugebauer equations
|
94
|
3
|
Stub
|
Mid
|
867
|
Attic ochre
|
94
|
3
|
C
|
Low
|
868
|
Registration black
|
93
|
3
|
NA
|
Mid
|
869
|
Sinople
|
91
|
3
|
NA
|
NA
|
870
|
Günter Wyszecki
|
91
|
3
|
Start
|
Unknown
|
871
|
Inter-Society Color Council
|
91
|
3
|
Start
|
Low
|
872
|
EciRGB
|
90
|
3
|
Stub
|
Low
|
873
|
Tristimulus value
|
85
|
2
|
NA
|
Mid
|
874
|
Charcoal (color)
|
85
|
2
|
NA
|
NA
|
875
|
Vantage theory
|
84
|
2
|
Start
|
Low
|
876
|
Pinchin Johnson & Associates
|
83
|
2
|
Start
|
Low
|
877
|
Upsdell red
|
83
|
2
|
Stub
|
Low
|
878
|
Forensic colorimetry
|
83
|
2
|
Start
|
Low
|
879
|
The Color Association of the United States
|
81
|
2
|
NA
|
Mid
|
880
|
Klaer Lightende Spiegel der Verfkonst
|
80
|
2
|
Stub
|
Low
|
881
|
Liquid color
|
76
|
2
|
C
|
Low
|
882
|
European Color Initiative
|
76
|
2
|
Start
|
Low
|
883
|
Robert Birmelin
|
76
|
2
|
C
|
Low
|
884
|
Corn (color)
|
75
|
2
|
NA
|
Low
|
885
|
Lead ochre
|
75
|
2
|
List
|
Low
|
886
|
Charles Albert Keeley
|
69
|
2
|
Start
|
Low
|
887
|
Salmon pink
|
68
|
2
|
NA
|
Low
|
888
|
Descriptive Color Names Dictionary
|
65
|
2
|
Stub
|
Low
|
889
|
Brandeis blue
|
63
|
2
|
NA
|
NA
|
890
|
Peach black
|
63
|
2
|
Stub
|
Low
|
891
|
The Colour Group
|
60
|
2
|
Stub
|
Low
|
892
|
Ada Aline Urban
|
60
|
2
|
C
|
Low
|
893
|
Flame (color)
|
59
|
1
|
NA
|
NA
|
894
|
Under color addition
|
58
|
1
|
Stub
|
Low
|
895
|
Pine green
|
57
|
1
|
NA
|
Low
|
896
|
Two-color system
|
55
|
1
|
Stub
|
Low
|
897
|
Dark purple
|
55
|
1
|
NA
|
Low
|
898
|
Augusto Garau
|
55
|
1
|
Start
|
Low
|
899
|
Myrtle (color)
|
53
|
1
|
NA
|
Low
|
900
|
Tufts Blue
|
51
|
1
|
NA
|
Low
|
901
|
Antimony ochre
|
51
|
1
|
List
|
Low
|
902
|
Carnation pink
|
50
|
1
|
NA
|
Low
|
903
|
Papaya whip
|
48
|
1
|
NA
|
Low
|
904
|
Color engraving
|
47
|
1
|
Stub
|
Low
|
905
|
Magic Pink
|
44
|
1
|
NA
|
Low
|
906
|
Hal Glicksman
|
44
|
1
|
Start
|
Low
|
907
|
Saffron in Hinduism
|
44
|
1
|
NA
|
Low
|
908
|
Sophie Wuerger
|
44
|
1
|
Start
|
Unknown
|
909
|
Rendering intent
|
43
|
1
|
NA
|
Mid
|
910
|
Davy's grey
|
43
|
1
|
NA
|
Low
|
911
|
Henry Hemmendinger
|
42
|
1
|
Start
|
Mid
|
912
|
Dark-on-light color scheme
|
41
|
1
|
NA
|
Low
|
913
|
Deep sky blue
|
41
|
1
|
NA
|
Low
|
914
|
Tekhelet in Judaism
|
40
|
1
|
NA
|
Low
|
915
|
Purplish
|
40
|
1
|
NA
|
NA
|
916
|
Spray booth
|
40
|
1
|
NA
|
NA
|
917
|
Old lace (color)
|
39
|
1
|
NA
|
Low
|
918
|
George Palmer (colour theorist)
|
39
|
1
|
C
|
Low
|
919
|
Fluorescence intensity decay shape microscopy
|
39
|
1
|
Start
|
Low
|
920
|
Nardo gray
|
39
|
1
|
NA
|
Low
|
921
|
Cobalt ochre
|
39
|
1
|
List
|
Low
|
922
|
Lavender pink
|
38
|
1
|
NA
|
NA
|
923
|
Theostein
|
37
|
1
|
NA
|
NA
|
924
|
Olo (color)
|
37
|
1
|
Stub
|
Low
|
925
|
Bright green
|
36
|
1
|
NA
|
NA
|
926
|
Peach-yellow
|
36
|
1
|
NA
|
Low
|
927
|
Hooker's green
|
35
|
1
|
NA
|
NA
|
928
|
Autotype (printing)
|
33
|
1
|
NA
|
NA
|
929
|
Brown spar
|
33
|
1
|
List
|
Low
|
930
|
Ghost white
|
32
|
1
|
NA
|
NA
|
931
|
Jorrit Tornquist
|
32
|
1
|
Stub
|
Low
|
932
|
Amber shift
|
31
|
1
|
Stub
|
Low
|
933
|
Truecolor
|
30
|
1
|
NA
|
Mid
|
934
|
Pinkish
|
29
|
0
|
NA
|
NA
|
935
|
Pumpkin (color)
|
28
|
0
|
NA
|
NA
|
936
|
Redwood (color)
|
28
|
0
|
NA
|
NA
|
937
|
Lavender blush
|
27
|
0
|
NA
|
NA
|
938
|
Color in Informatics and Media Technology
|
27
|
0
|
Start
|
Low
|
939
|
Asparagus (color)
|
25
|
0
|
NA
|
NA
|
940
|
Variations of gray
|
25
|
0
|
NA
|
NA
|
941
|
Sap green
|
24
|
0
|
NA
|
Low
|
942
|
Pastel green
|
23
|
0
|
NA
|
Low
|
943
|
Color volume
|
23
|
0
|
NA
|
NA
|
944
|
Green-yellow
|
22
|
0
|
NA
|
Mid
|
945
|
Cool grey
|
20
|
0
|
NA
|
NA
|
946
|
Fern green
|
19
|
0
|
NA
|
Low
|
947
|
Blue Violet
|
19
|
0
|
NA
|
NA
|
948
|
Tea green
|
18
|
0
|
NA
|
Low
|
949
|
Pear (color)
|
18
|
0
|
NA
|
Low
|
950
|
Value (colorimetry)
|
18
|
0
|
NA
|
Mid
|
951
|
Wenge (colour)
|
18
|
0
|
NA
|
Low
|
952
|
Pale brown
|
17
|
0
|
NA
|
Low
|
953
|
Sandy brown
|
16
|
0
|
NA
|
NA
|
954
|
Process blue
|
15
|
0
|
NA
|
NA
|
955
|
Visible frequency
|
14
|
0
|
NA
|
NA
|
956
|
Alexis Spectral Data
|
12
|
0
|
Stub
|
Low
|
957
|
Ash grey
|
10
|
0
|
NA
|
Low
|
958
|
Gray-asparagus
|
9
|
0
|
NA
|
Low
|
959
|
Camouflage green
|
9
|
0
|
NA
|
NA
|
960
|
CG Red
|
9
|
0
|
NA
|
NA
|
961
|
Wisteria (colour)
|
9
|
0
|
NA
|
NA
|
962
|
Ford Blue
|
9
|
0
|
NA
|
NA
|
963
|
Persian orange
|
8
|
0
|
NA
|
NA
|
964
|
Non-spectral color
|
8
|
0
|
NA
|
NA
|
965
|
Blaze Orange
|
7
|
0
|
NA
|
Mid
|
966
|
Raw umber (color)
|
7
|
0
|
NA
|
Low
|
967
|
Boysenberry (color)
|
6
|
0
|
NA
|
NA
|
968
|
LED ribbon
|
6
|
0
|
NA
|
Low
|
969
|
Peach-orange
|
5
|
0
|
NA
|
Low
|
970
|
Geru
|
5
|
0
|
NA
|
Low
|
971
|
(255, 0, 0)
|
5
|
0
|
NA
|
NA
|
972
|
Mint cream
|
5
|
0
|
NA
|
NA
|
973
|
Aramanth purple
|
4
|
0
|
NA
|
NA
|
974
|
Color Matching Method
|
2
|
0
|
NA
|
Low
|
975
|
Blue bell (color)
|
1
|
0
|
NA
|
NA
|
976
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|