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Vertigo Haze is a rock band formed in 1997 in Richmond, VA by Lead Vocalist/ has opened for rock/pop band Badfinger Lead Guitarist, Shawn Mitchell. The band, now based in Red Lion, PA has opened for rock/pop band Badfinger, achieved world wide internet radio airplay with their first release, “Naked Eyes”, has been featured on the Stardust Radio Network and in 2006 signed a recording agreement with MDM Records.
Fly Magazine article by Jeff Royer
The Roving Reporter - Steve Morrow - Pennsylvania Musician
Masondixonmedia 02:13, 30 January 2007 (UTC)[reply]
- Comment - this article was deleted after an afd discussion. Someone mentioned a conflict of interest for Masondixonmedia (so it was good that you put it here rather than recreating it, Masondixonmedia). However, I don't see how this meets WP:BAND, but there's little enough info here that it still may. Feel free to add more info more clearly asserting notability and resubmit. Additional sources are also needed. If the band has not been the subject of more articles than just this one, it is not notable enough for inclusion. delldot | talk 08:17, 5 February 2007 (UTC)[reply]
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You should be able to bring up the stub by searching for "Peegs" as well.
- done. Part Deux 07:37, 30 January 2007 (UTC)[reply]
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Ton Carfi, born in São Paulo countryside- SP, he is a brazilian singer, songwriter, producer and musician ( keyboards and acoustic guitar ), performing mostly in R&B and Gospel genres.
thumb|No camarim
Son of a couple of pastors from a Independent Baptist Church, Ton Carfi has started his musical learning at the age of 9 in a local ministry, outstanding himself some years later as a soloist among the tenors from the so called Raiz Coral Choir, one of the current surpassing brazilian groups in the Black Gospel Music genre.
He printed his unique inimitable personal style while performing songs such as Te louvo and Tocou-me in the "Pra louvar" Album from Raiz Coral Choir, O amor de Cristo and Há um lugar especial in the "Obrigado" Album from the Link4 quartet, a derivation from the Raiz Coral Choir and Tu és fiel in the Black So Dream Album, a seminal work. In 2005, he leaves the Raiz Coral Choir and the Link4 quartet to engage thoroughly in his personal career.
His timbre uniqueness, his versatile interpretation for songs plus his unsurpassed vocal technique has provide him with the phonograph industry respect and appreciation, given rise to invitations from some celebrities within the "Gospel" realm for propiciaram-no o devido respeito do mercado fonográfico, motivando convites por parte de figuras conhecidas no meio Gospel para participações - como "backing vocal" ou como "solista" - em gravações de diversos artistas, tais como Comunhão e Adoração, APC 16, Marquinhos Gomes, PG, Ministério de Louvor Toque no Altar, Vanessa Jackson, Coral Kemuel, Luciano Claw, Daniel Ribeiro, Sérgio Saas, Iamara Alst, entre outros.
thumb|left|A lágrima na voz.
O estudante universitário de Fonoaudiologia, músico e cantor Ton Carfi também é Instrutor de Canto e palestrante, tendo lecionado profissionalmente para cantores de todos os níveis, inclusive do grupo Toque no Altar. Além disso, Ton tem apresentado Workshops sobre técnica vocal em diversas regiões do país.
Em Novembro de 2006 lançou seu primeiro CD solo, "Eu tenho que estar preparado", contando com participações brilhantes, como Danilo, Marquinhos Gomes e Leonardo Gonçalves. Além de seguir com seu ministério próprio, Ton Carfi também é integrante do grupo APC 16.
A comoção que causa no público leigo em questões musicais com sua interpretação sui generis já é uma grande qualidade per se, uma expressão naturalmente temperada pelo choro na voz.
Sua técnica vocal apuradíssima é caracterizada por um riquíssimo cabedal de ornamentos vocais, que inclui o domínio sobre o Vibrato em diferentes freqüências, quebras intencionais entre modos vocais (Voz de Peito e Falsete / Yodel ), Appoggiaturas, Melismas, Improvisações e compressão com Laringe Alta, aliado ao belíssimo timbre que distingüe sua voz de tenor, também privilegiada por uma ampla extensão.
thumb|right
Apesar de possuir alto quociente de inteligência musical, fato comprovado por sua facilidade em rapidamente assimilar novos conceitos e técnicas, desconstruí-los e recombiná-los em novas criações, Ton Carfi é deveras consciencioso com seu corpo discente, demonstrando atenção, respeito e paciência no trato com seus alunos.
Os menos habilidosos são altamente beneficiados pelo senso de ordem e didática que caracterizam o sistema de orientação vocal desenvolvido por ele, um curso forjado no decorrer de alguns anos de pesquisa, compilando o conhecimento vocal acumulado nas experiências vividas no laboratório propiciado pelo ambiente do Raiz Coral, na troca de informações com cantores de alto gabarito, como Leonardo Gonçalves, e na investigação autônoma que o levou à construção de um sistema de educação musical para cantores.
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- CD solo
- Algumas Participações
en:Ton Carfi
 Declined. This is the English-language Wikipedia; we can only accept articles written in the English language. Please provide an English-language translation for your article, or visit the Wikipedia home page to find the version of Wikipedia for your desired language. --Hdt83 Chat 18:25, 16 July 2007 (UTC)[reply]
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Slobodan Pajic is an artist using new media in original ways. Inspired by the formal beauty of abstract, natural phenomena, Slobodan Pajic employs chance techniques at the limits of technology and translates the forms he thus creates into videos, photos, films, objects and installations. Pajic follows progress in physics and adopts the latest technology in a quest for new forms, new materials and new techniques.
BIOGRAPHY
Born August 16, 1943, Slobodan Pajic arrived in Paris in 1966 to study art history at the Sorbonne, but was soon prompted to reorient himself to his own painting. He lives and works in Paris and has become a French citizen.
During the 70s, his abstract, geometrical art brought him success, but his passion for new media, as “new supports” for creation, soon won out. One of his first solo shows was the organization of space with laser light at the American Center in Paris. As soon as 1/2 inch video equipment was available, Pajic began to work on a series of short videos unlike anything which has ever been done : Exploiting the incapacity of the video scanning pattern to register isolated instants in their entirety, Pajic introduced abrupt changes by breaking reflective surfaces before the camera.
The new Pompidou Center in Paris lent their post-production facilities for a compilation of these short films and provided one of the first showings. The positive reaction of critics prompted the Musée national d’Art moderne to commission Pajic to produce the first artist’s video in their new, two-inch video studios. Untitled 77 : Passage From Closed To Open Space, an abstract film in saturated color, continues to occupy a unique position in the history of video art.
In 1980, Pajic settled into a new studio in Paris and began a series of installation pieces employing video screens and projections.
An Image Reflector consists of a mirrored video screen on the wall, before which is placed a video monitor with an abstract, repetitive film, accompanied by an electronic signal. As the spectator approaches the screen to see the film, his or her own reflection becomes part of the experience.
The Image Captors are typically composed of a large video screen on a wall, before which is placed a projector on a plexiglas pedestal. The screen is prepared with a mixture of phosphorescent materials which capture the projection and restitute it in the dark, only to be replaced by another. The image fades slowly, in the same way as an impression in short-term memory.
In 1996, the French National Museum of Modern Art commissioned an installation from this series. The result, a large multi-screen installation Mémoires the was presented in the exhibition Made In France. To the sound of a rocket-launcher called “Stalin’s Organ”, images of war on 16 mm film in decomposed motion imprinted a prepared video screen, then abruptly disappeared, leaving the after image to slowly fade in silence. On the other side of the room, 4 projections of fixed images of combats and refugees appeared in violent bursts and disappeared into darkness. The piece was an altogether moving indictment of war and aggression.
In the early 80s Pajic began a series of pictorial works based on the inability of laser light to pass through certain distortions of material. Creating his own filters, he produced abstract, chance patterns, which he then transformed into arresting pictorial works. A series of installations, in which laser patterns slowly evolve in space, followed.
At the end of the 90s, he started work on a series of Electrophotograms of vegetable matter. Based on the Tesla effect, popularly known as “Kirlian photography”, the images are composed of minute points of light. The use of computer technology restores to the image all its brilliance and complexity.
Pierre EMMANUEL, et al. French Art Vidéo (Paris, Center for Media Art, 1980)
Dany BLOCH. L’Art Vidéo 1960/80-82 (Locarno, Flaviana, 1983).
Kathy Rae HUFFMAN, et al.Vidéo: A Rétrospective 1974-1984 (Long Beach Museum of Art, 1984),
Jose COIRA-NIETO et Nancy WILSON-PAJIC. Slobodan PAJIC (La Coruna, CGAI, 1994).
Stéphanie MOISDON, "Slobodan Pajic", dans Germain Viatte, et al.Vidéo et Après: La Collection vidéo du Musée national d'Art moderne (Paris, Centre Georges Pompidou / Carré, 1992).
http://www.photo.rmn.fr (recherche PAJIC)
http://collection.cnac-gp.fr/inter/ (search PAJIC)
Mylulu 18:01, 30 January 2007 (UTC)[reply]
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On January 29, 2007, on Stephen Colbert's Comedy Central show, "The Colbert Report" he encouraged his fans to change the Wikipedia article on reality to say "Reality has become a commodity", saying that the first person to do so would receive five dollars from him.
Immediately following this statement, a torrent of viewers flooded the article, changing it to say nothing but "Reality is a Commodity" for 5 minutes. The entry has since been blocked to avoid further tampering.
This isn't the first time that Stephen Colbert has urged his fans to change a Wikipedia article. In an earlier episode, he asked that the article on elephants be changed to state that the number of African Elphants had tripled in the last six months, therefore insinuating that they are not in fact, going extinct.
He explained his gesture by saying this:
You see, any user can change any entry, and if enough other users agree with them, it becomes true. ... If only the entire body of human knowledge worked this way. And it can, thanks to tonight's word: Wikiality. Now, folks, I'm no fan of reality, and I'm no fan of encyclopedias. I've said it before. Who is Britannica to tell me that George Washington had slaves? If I want to say he didn't, that's my right. And now, thanks to Wikipedia, it's also a fact.
We should apply these principles to all information. All we need to do is convince a majority of people that some factoid is true. ... What we're doing is bringing democracy to knowledge
[4] List of Stephen Colbert's episodes by year
[5] Wikipedia in popular culture
[6] Stephen Colbert Quotes on Wikiquote
External Links
[7] The Colbert Nation, Stephen's official fansite
[8] The Colbert Nation's Blog about the occurance
[9] Comedy Central's official site for "The Colbert Report"
[10] Can Wikipedia Handle Stephen Colbert's Truthiness? An MtV News article about the occurance
[11] Wikiality.com, Stephen Colbert's satirical take on Wikipedia and online encyclopedias
MachSchnell88 21:57, 30 January 2007 (UTC)[reply]
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