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Sameh Zakout (Arabic: سامح زقوت), ("SAZ") is a Palestinian rapper from Ramla, Israel. His music features themes of Palestinian and Arab identity and calls for peaceful resolution of Arab–Israeli conflict. He was the subject of the documentary Saz: The Palestinian Rapper for Change.[1]
Zakout gained attention and popularity as a contestant on the Israeli reality singing competition, "Chai be La La Land" in 2012.[2][3]
Acting work
[edit]Zakout's first acting role was as Amir in the 2016 film Junction 48, directed by Udi Aloni. In 2018, Zakout played Hummus Guy #1 in Sameh Zoabi's Tel Aviv on Fire.
DUGRI and "Let's talk straight"
[edit]In 2021, Zakout collaborated with Israeli rapper Uriya Rosenman to create the video "Let's talk straight | בוא נדבר דוגרי | تعال نحكي دغري".[4] The video went viral during Israel's 2021 bombardment of Gaza. Zakout and Rosenman now tour as the duo DUGRI.[5] Translated into English, the word DUGRI means 'straight', connoting 'straight-talking'.[6] After their first single went viral, the duo were featured by news outlets including CNN, the BBC and The New York Times.[7][8][9] The duo posted a second single, 'Munfas', to YouTube in November 2021.[10]
Rosemary Sayigh (née: Boxer; born 1927) is a British-born anthropologist and scholar of Middle Eastern history. She is known for her works on the Palestinian people, particularly those forcibly displaced to Lebanon as a result of the Nakba.
Personal life
[edit]Sayigh was born on 15 March 1927 in the United Kingdom as Rosemary Boxer. She is the elder sister of Mark Boxer, a British journalist.
Sayigh met Yusif Sayigh while she was working as a teacher in Baghdad, Iraq.[11] They married at the National Evangelical Church in Beirut on 7 October 1953. The couple had four children, including scholar Yezid Sayigh.[12][11]
During the 2006 Lebanon War, Sayigh evacuated from her home in Beirut to stay with her daughter in Cyprus.[13]
Education
[edit]Sayigh graduated from the University of Oxford with a BA degree in English Language and Literature in 1948.[14][11]
She earned her MA in sociology and anthropology from the American University of Beirut in 1970.[15] Sayigh's masters' thesis was about the experience of Palestinians displaced to live in Lebanon, based on research and interviews undertaken at refugee camps in Lebanon, including Dbeyeh and Shatila.[11] The thesis was accepted in 1976 despite resistance from her thesis advisor, thanks to intervention from a Palestinian history professor at the University.[11]
Sayigh gained her PhD from University of Hull in 1994.[15]
Career
[edit]Early Career, 1948-1952
[edit]After graduating from the University of Oxford in 1948, Sayigh moved to Italy, first working as an au pair and then as an assistant at a British Institute Library. On her return to London a year later, she struggled to find employment, eventually getting a position at the advertising agency J. Walter Thompson.[11]
Baghdad, 1952-1953
[edit]In 1952, Sayigh's friend Desmond Stewart found her a teaching job at Queen Aliya College in Baghdad, Iraq.[15][11] Stewart was a classical scholar teaching in Baghdad at the College of Arts and Sciences at the same time. Sayigh taught at Queen Aliya College for two years, overlapping on the faculty with Palestinian novelist and painter Jabra Ibrahim Jabra. It was while teaching in Iraq that Sayigh first learned of the events of the Nakba, from her Iraqi nationalist friends. In her words, this was 'the beginning of her education in Palestinian history'.
It was while teaching in Iraq that Sayigh first learned of the events of the Nakba, from her Iraqi nationalist friends. After her contract at Queen Aliya College ended, having developed a relationship with her future husband Yusif, Sayigh moved to Beirut, Lebanon to marry and live with him.[16]
Beirut, 1953 - Present
[edit]Sayigh moved to Beirut to marry her husband, Yusif.[11][15] In Beirut, Sayigh began working as a journalist. Through visits with her mother-in-law's cousin, Sayigh began interviewing the residents of Dbeyeh camp and sharing the interviews in articles for Kayhan Weekly, the Journal of Palestine Studies and later The Economist.[11] Sayigh stopped writing for the Economist in 1970, when she left due to disgust with the magazine's 'uncritical, pro-American position on the Vietnam War'.[15]
1967: Fifth of June Society
MA research: expanded research out of Dbeyeh to Shatila and 1973-1975 at Burj al-Barajneh camp[15]
In 1979, her first book Palestinians: From Peasants to Revolutionaries; A People’s History was published by Zed Books.[17] The original cover photo was one taken by Don McCullin.[11]
Between 1983 and 1993, Sayigh worked with Palestinian women in camps in Lebanon, including Shatila camp, on an oral history project.[18] In 1993, her second book, Too Many Enemies: The Palestinian Experience in Lebanon was published, also by Zed Books.[19] In 1999, she won an award from the Diana Tamari Sabbagh Foundation to travel through Palestine and record women's accounts of displacement. This work forms the basis of ‘Palestinian Women Narrate Displacement: A Web-based Oral Archive’, recorded in Arabic. Sayigh presented a lecture version of the archive to the 15th International Oral History Association Conference in Prague in July 2010.[11]
She has been an unofficial supervisor to several PhD candidates researching Palestinian social and political history. Her areas of interest include gender and politics; the political responsibility of the researcher; memory and identity and culture and resistance.[20] From 2007, she was a visiting lecturer in oral history and anthropology at the Center for Arab and Middle Eastern Studies (CAMES) at the American University of Beirut.[14][21]
Research Interests and Methodologies
[edit]Recognition
[edit]In 2009, The Journal of Palestine Studies published a special issue in honour of Sayigh's work, including an article entitled 'A Tribute Long Overdue'. [22][20]
https://ciaotest.cc.columbia.edu/journals/jps/v38i4/index.html
In 2017, Sherna Berger-Gluck's introduction to the November issue of the Journal of Holy Land and Palestine Studies was titled 'Rosemary Sayigh, A Tribute'.[23]
Writing
[edit]Palestinians: From Peasants to Revolutionaries; A People's History (1976)
[edit]https://www.palestine-studies.org/en/node/38613
Too Many Enemies: The Palestinian Experience in Lebanon (1993)
[edit]https://journals.sagepub.com/doi/10.1177/030639689603700313
Yusif Sayigh: Arab Economist and Palestinian Patriot: A Fractured Life Story (2015)
[edit]In 1989, Sayigh collected recordings of her husband Yusif Sayigh's accounts of his life and edited them to form a autobiography/biography, published after his death.[12]
https://www.middleeasteye.net/features/book-review-yusif-sayigh-arab-economist-palestinian-patriot
https://muse.jhu.edu/article/607737
Summary of Works
[edit]Author
[edit]- Palestinians: From Peasants to Revolutionaries; A People’s History (Zed Books, 1979)
- Too Many Enemies: The Palestinian Experience in Lebanon (Zed Books, 1993)
- Voices: Palestinian Women Narrate Displacement (self-published, 2007)
Editor
[edit]- Yusif Sayigh: Arab Economist and Palestinian Patriot: A Fractured Life Story (The American University in Cairo Press, 2015)
- Becoming Pro-Palestinian: Testimonies from the Global Solidarity Movement (Bloomsbury Publishing, 2024)
Contributor
[edit]- 'Afterword', Voices of the Nakba: A Living History of Palestine, ed. Diana Allan (Pluto Books, 2021)
See also
[edit]Ibrahim Abd al-Fattah Tuqan (Arabic: إبراهيم عبدالفتاح طوقان, romanized: Ibrāhīm ʿAbd al-Fattāḥ Ṭūqān; 1905 – 2 May 1941) was a Palestinian nationalist poet whose work rallied Arabs during their revolt against the British mandate. Tuqan was the brother of fellow poet Fadwa Tuqan, whom he tutored and influenced; the two belonged to the prominent Tuqan family that governed Nablus during the 18th and 19th centuries.[24][25]
Personal Life
[edit]Tuqan was born in Nablus in 1905.[26] He attended the al-Rashadiyya al-Gharbiyya School in western Nablus for his primary education, then St. George's School in Jerusalem for his secondary education.[25] He continued his studies at the American University in Beirut (AUB) from 1923 to 1929, gaining a bachelor's degree in literature.[25]
Tuqan was one of eight siblings, including fellow poet Fadwa Tuqan.[27] [ Stuff on Tuqan family ]
In 1937, he married Sāmia ʿAbd al-Hādī, and they had one son, Jaʿfar, and one daughter, Ureib.[28] Tuqān suffered from stomach problems throughout his life and in 1941 he died at the age of 36 from a peptic ulcer in the French Hospital in Jerusalem.[28][25]
Work
[edit]After graduating from AUB, Tuqan began work as a teacher. His first post was teaching Arabic literature at the An-Najah National University in Nablus.[28][27] From 1930-1932, Tuqan returned to AUB to teach in the Arabic department.[27] After this post, Tuqan worked briefly at the Rashidiyya School in Jerusalem.
In 1933, Tuqan left teaching to take a job at the Nablus Municipality. In 1936, he began working in the Arabic Section of Jerusalem Radio in its first year.[27]
In 1941, Tuqan returned to teaching briefly with a job in Baghdad, Iraq before his health problems prompted him to return to Jerusalem where he died.[27]
Poetry
[edit]Influences
[edit]Tuqan's career as a poet began during his adolescence. He was greatly influenced by his grandfather who wrote zajal, as well as his mother, who was fond of "heroic" Arabic literature. As he was encouraged by his father, Tuqan was highly interested Qur'an and used to read it every Ramadan. Tuqan's brother Ahmad also shared a range of ancient and modern poetry with him while the latter was a student at Bishop Gobat's School (Zion College) in Jerusalem.[27]
One of Tuqan's teachers at St George's School was Palestinian nationalist and scholar, Nakhla Zurayq.[27]
After witnessing the August 1929 uprising while he was teaching in Nablus, Tuqan began writing nationalist poetry.[27]
Works
[edit]Tuqan published his first poem in 1923 while in Beirut. There, he found that the Lebanese press encouraged him greatly to publish his work.[25] In 1923, Tuqan also published his first ode in Lebanon under the title al-Mumarridat or Mala’ikat al-rahma.[29] The poem was published in the Beirut daily, al-Ma'rad.[27]
In 1930, Tuqan recited his poem al-Thulatha' al-hamra' [The Red Tuesday], following the execution of three activists who had participated in the 1929 uprisings: Fouad Hijazi, Muhammad Jamjoum and Atta al-Zeer.
Themes
[edit]Most of his poems dealt with the Arab struggle against the British Mandate that controlled Palestine since 1922.[24][25] His poems gained fame in the Arab world during the 1936–39 Arab revolt in Palestine.[26] According to author Salma Khadra Jayyusi, Tuqan's poetry is marked by "sincerity and emotional veracity. His verse clear and direct, the diction simple and well-chosen, and the phrases powerful and often terse."[25]
Mawtini
[edit]In 1934, two years into the 1936-1939 Arab revolt in Palestine, Tuqan wrote one of his most famous odes, Mawtini.[27] The poem became popular throughout the Arab world and was put to music by composer Muhammed Flayfel.[27] The poem served as the de facto national anthem of Palestine until the country adopted an official one in 1996. In 2004, Iraq adopted the poem as its official national anthem.[30][31][32] Many Palestinians still identify with Mawtini along with "Fida'i" and consider the former a sort of unofficial second national anthem of their country.[33]
Below is an excerpt from the poem:
The sword and the pen
Not talking nor quarrelling
Are our symbols
Our glory and covenant
And a duty to fulfil it
Shake us
Our honour
Is an honourable cause
A raised flag
O, your beauty
In your eminence
Victorious over your enemies
My homeland
My homeland[26]
Legacy
[edit]In 1990, the Palestine Liberation Organisation (PLO) posthumously award Tuqan the Jerusalem Medal for Culture, Arts and Literature.[27]
- ^ "About - biography - Sameh Zakout, official website". www.alsaz.net. Archived from the original on 2018-08-27. Retrieved 2017-01-15.
- ^ "Sameh Zakout Archives". The Forward. Retrieved 2024-01-25.
- ^ Kessler, Dana (18 December 2012). "Stuck in La La Land". The Tablet.
- ^ Let's talk straight | בוא נדבר דוגרי | تعال نحكي دغري - UR & SAZ, retrieved 2024-01-25
- ^ "Israel Palestine Conflict | Dugri Project". Dugri US Tour 2023. Retrieved 2024-01-25.
- ^ Hendler, Micah. "The Israeli-Palestinian Rap Duo Fighting Against Extremism". Forbes. Retrieved 2024-01-25.
- ^ Palestinian and Israeli rappers use rhyme to fight hate | CNN, 2022-01-18, retrieved 2024-01-25
- ^ "Straight-talking rappers tackle Middle East conflict". BBC News. Retrieved 2024-01-25.
- ^ "A Rap Song Lays Bare Israel's Jewish-Arab Fracture — And Goes Viral". The New York Times. 21 July 2021.
- ^ DUGRI (UR & SAZ) - Munfas - Let's Talk Straight #2, retrieved 2024-01-25
- ^ a b c d e f g h i j k Sayigh, Rosemary (October 2023). "Becoming Pro-Palestinian: A 'Self-History'". Journal of Holy Land and Palestine Studies. 22 (2): 141–162. doi:10.3366/hlps.2023.0312. ISSN 2054-1988.
- ^ a b "Yusif Sayigh — economist and political activist". Jordan Times. 2015-07-09. Retrieved 2023-12-12.
- ^ "Safe in Cyprus, worried about home". 2006-07-21. Retrieved 2023-12-12.
- ^ a b The Arabic Hour Interviews Dr. Rosemary Sayigh, retrieved 2023-12-05
- ^ a b c d e f Soukarieh, Mayssun (2009-07-01). "Speaking Palestinian: An Interview with Rosemary Sayigh". Journal of Palestine Studies. 38 (4): 12–28. doi:10.1525/jps.2009.38.4.12. ISSN 0377-919X.
- ^ Sayigh, Rosemary (October 2023). "Becoming Pro-Palestinian: A 'Self-History'". Journal of Holy Land and Palestine Studies. 22 (2): 141–162. doi:10.3366/hlps.2023.0312. ISSN 2054-1988. S2CID 263616609.
- ^ Sayigh, Rosemary (1979). Palestinians: From Peasants to Revolutionaries : a People's History. Zed Press. ISBN 978-0-905762-24-1.
- ^ Sayigh, Rosemary (1998-01-01). "Palestinian Camp Women as Tellers of History". Journal of Palestine Studies. 27 (2): 42–58. doi:10.2307/2538283. ISSN 0377-919X.
- ^ Sayigh, Rosemary (1994). Too many enemies: the Palestinian experience in Lebanon. London: Zed Books. ISBN 978-1-85649-056-6.
- ^ a b Doumani, Beshara; Soukarieh, Mayssun (2009-07-01). "A Tribute Long Overdue: Rosemary Sayigh and Palestinian Studies". Journal of Palestine Studies. 38 (4): 6–11. doi:10.1525/jps.2009.38.4.6. ISSN 0377-919X.
- ^ "Rosemary Sayigh". Al-Shabaka. Retrieved 2023-12-05.
- ^ Khalidi, Rashid I. (2009-07-01). "From the Editor". Journal of Palestine Studies. 38 (4): 5–5. doi:10.1525/jps.2009.38.4.5. ISSN 0377-919X.
- ^ Berger-Gluck, Sherna (2017-11). "Introduction: Rosemary Sayigh, A Tribute". Journal of Holy Land and Palestine Studies. 16 (2): 141–143. doi:10.3366/hlps.2017.0162. ISSN 2054-1988.
{{cite journal}}: Check date values in:|date=(help) - ^ a b Joffe, Lawrence (15 December 2003). "Obituary: Fadwa Tuqan". The Guardian.
- ^ a b c d e f g Jayyusi, Salma Khadra; Christopher Tingley (1997). Trends and Movements in Modern Arabic Poetry. BRILL. pp. 285–287. ISBN 90-04-04920-7.
- ^ a b c "Poems: Ibrahim Tukan". Nablus Municipal Website. Archived from the original on 2004-02-15.
- ^ a b c d e f g h i j k l "Ibrahim Tuqan - Poets (1905 - 1941)". Interactive Encyclopedia of the Palestine Question – palquest. Retrieved 2025-03-01.
- ^ a b c "Ibrahim Touqan". Nablus the Culture. Archived from the original on 2021-09-20.
- ^ "Ibrahim Tuqan". palestinian journeys. Archived from the original on 2021-03-07. Retrieved 2019-06-11.
- ^ "Iraq: Mawtini (My Homeland)". National Anthems. Archived from the original on 2 November 2003. Retrieved 25 April 2008.
- ^ "Mawtini (My Homeland) (The Palestinian National Anthem 1936–)". Ayyad Central. Archived from the original on 2008-12-01.
- ^ "National Anthem of Iraq". Archived from the original on 2006-03-16. Retrieved 2008-04-25.
- ^ Wills, Emily Regan (July 2016). "Discourses and Differences: Situating Pro-Palestine Activism in Discursive Context". Theory in Action. 9 (3): 48–71. doi:10.3798/tia.1937-0237.16018.