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User:ReflectiveStar/Evaluate an Article

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Which article are you evaluating?

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https://en.m.wikipedia.org/wiki/Pollice_Verso_(G%C3%A9r%C3%B4me)

Why you have chosen this article to evaluate?

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French artist, Jean-Léon Gérôme's paintings of gladiatorial combat are currently housed in Yale University's Art Gallery. Last year I had the opportunity to analyze his work and the concept of the tortured muse and their role in art. The artistic depiction of violence and suffering throughout history has played a massive role in humanity’s collective interpretation of these subjects. Creators of visual art in particular are among the most influential in shaping the consciousness of society in their masterful control of the metaphysical. Internationally renowned French painter and sculptor, Jean-Léon Gérôme, encapsulates the power of the artist in his widely recognized work, as he inspired modern creatives over a century later as we've seen references to his work, including Pollice Verso, in modern cinematography such as Gladiator and Gladiator II. I appreciate the mastery of Gerome's work and the legacy of his incredible paintings.

Evaluate the article

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Review by ReflectiveStar

This article provides important context to the development of a renowned painting that has uniquely enjoyed immense popularity at the time of its creation as well as currently.

  • The contents section does not provide a comprehensive outline of the varied topics attached to this painting. The cinematic influence, reception(past and present) as well as the inspiration for the painting are important aspects that should be covered in this roadmap
  • The article references sources up to 2019 - with the recent Gladiator II film among other news there should be more recent references to the painting.
  • The article lacks a completeness in regards to data on materials utilized, techniques, artistic era and more.
  • All associated links work.
  • The article is professionally written with no bias
  • Additional subsections could be helpful for expansion on topics mentioned relevant to the painting