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Andrew F. Jones

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Andrew F. Jones
Born
Andrew Fredrick Jones

(1969-06-24) June 24, 1969 (age 56)
Education
Occupations
Relatives
AwardsGuggenheim Fellowship (2015)
Websitehttps://ealc.berkeley.edu/people/jones-andrew

Andrew Fredrick Jones (born June 24, 1969) is a Jamaican–American sinologist, musicologist, writer and translator. He is the a professor and Agassiz Professor of Chinese Endowed Chair at the University of California, Berkeley and a Guggenheim Fellow; best known as the author of a trilogy of books on contemporary Chinese music and as the translator of the fiction of Yu Hua and Eileen Chang.

Early life and education

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Andrew F. Jones was born in the United States and grew up in northern California.[1] As a child, he often listened to reggae records bought in Jamaica when he and his parents visited their family; he has since cited this as the beginning of his interest in national musicology.[2] He first gained an interest in Chinese history reading about the Communist Revolution, naming Edgar Snow's Red Star Over China (1937) as a particular influence. In 1982, aged 13, he attended a summer exchange program in China and began to learn Mandarin Chinese. He went on to major in East Asian Languages and Civilizations at Harvard University, studying Chinese and Japanese literature.[1] At this time, Jones also took an interest in British cultural studies, especially the work of sociologist Stuart Hall.[2]

Academic career

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1988–1997:

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In 1988, while still an undergraduate, Andrew F. Jones won a scholarship to Peking University to study Chinese and Chinese Literature.[2] There, Jones read the 18th-century Chinese vernacular novel Dream of the Red Chamber in detail. This time also marked the beginning of his preoccupation with contemporary Chinese music, becoming active in the Beijing Rock and Roll scene during Cui Jian's rise to popularity. In 1989, he was witness to the Tiananmen Square Massacre;[1] on this subject Jones wrote a peice of journalism for the Harvard student magazine Perspective, winning Rolling Stone's College Journalism Award in 1990.[3] The same year, Jones returned to China to conduct research for his graduating dissertation, which would later become his first book,[2] Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music, published by Cornell Universtiy Press in 1992. The text is based on interviews given to Jones by both musicians of the tongsu (state-sanctioned popular music) and yoagun (rock music) genres. Like a Knife was the first English-language study on the emergance of yaogun and its dichotomy with tongsu.[4][5]

Jones graduated from Harvard and enrolled as a graduate student at the University of California, Berkeley, in 1992.[2] He was awarded his doctorate degree in 1997.[6]

2001–2012: Yellow Music

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Jones's next book,Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age, was published by Duke University Press in 2001. The text explores Yellow Music (Chinese, western-influenced popular music dating from the 1920s to 1940s that would later become Shidaiqu) with reference to the influence of White Russian and Jewish émigré whom Pathé Records had employed in Shanghai. Yellow Music likewise identifies the influence of African American jazz musicians, such as Buck Clayton, who began his career as a bandleader in Shanghai, on the emergence of contemporary Chinese music. Jones also writes at length on the musical artist Li Jinhui, explicating his usage of children's music to advance the latter's aim of rendering Mandarin Chinese the default national language.[2]

In 2012 Jones was a CRASSH Visiting Fellow at the University of Cambridge.[7]

Awards

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Personal life

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Jones is an accomplished linguist with a familiarity with Chinese, Japanese, French and Portugese as well as Jamaican Patois alongside his native English.[1]

Bibliography

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Year Title Publisher Identifier Pages Note
1992 Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music Cornell University Press ISBN 9780939657575 192 As part of the Cornell East Asia series
2001 Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age Duke University Press ISBN 9780822326854 224
2011 Developmental Fairy Tales: Evolutionary Thinking and Modern Chinese Culture Harvard University Press ISBN 9780674047952 272 MLA James Russell Lowell Prize Honorable Mention
儿童的发现 — 现代中国文学及文化中的儿童问题 [The Discovery of the Child: the Problem of the Child in Modern Chinese Literature and Culture] Peking University Press ISBN 9787301186558 269 In Mandarin Chinese; co-edited with Xu Lanjun
2020 Circuit Listening: Chinese Popular Music in the Global 1960s University of Minnesota Press ISBN 9781517902070 304

Translations

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Year Title Author Publisher Identifier Pages Note
1996 The Past and the Punishments: Eight Stories Yu Hua University of Hawai'i Press ISBN 9780824818173 336 As part of Fiction from Modern China series
2003 Chronicle of a Blood Merchant Pantheon Books ISBN 9780375422201 263
2005 Written on Water Eileen Chang Columbia University Press ISBN 9781681375762 272 Co-edited by Jones and Nicole Huang. Revised translation published by New York Review of Books, 2023.

Jones is also a translator of the lyrics of Taiwanese singer-songwriter and activist Lin Sheng Xiang,[5] including Planting Trees (2006),[9] Village Besieged (2015),[10] and Kafka on the Rivers-and-Lakes (2022).[11]

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References

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  1. ^ a b c d Chen, Ann (31 October 2023). "Professor Andrew F. Jones: 'If you take literature seriously enough, you will find that it's a material force that changes the world'". University of California, Berkeley. Retrieved 2025-09-15.
  2. ^ a b c d e f Monahan, Jennifer (27 November 2023). "Research Q&A: Andrew Jones, East Asian Languages and Cultures". University of California, Berkeley. Retrieved 2025-11-04.
  3. ^ "'Rolling Stone' 1990 College Journalism Award winners". Rolling Stone. No. 600. 21 March 1991. p. 86. ISSN 0035-791X.
  4. ^ Friedlander, Paul (1994). "Review of Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music". Popular Music. 13 (1): 119–121. ISSN 0261-1430 – via JSTOR.
  5. ^ a b c "Guggenheim Fellowships: Supporting Artists, Scholars, & Scientists". www.gf.org. Retrieved 2025-10-11.
  6. ^ "Andrew F. Jones". University of California, Berkeley. Retrieved 2025-09-15.
  7. ^ "Dr Andrew Jones (University of California, Berkeley)". Centre for Research in the Arts, Social Sciences and Humanities. 11 May 2011. Retrieved 2025-09-15.
  8. ^ "Simon Gikandi to Receive MLA's James Russell Lowell Prize | Department of English". english.princeton.edu. Retrieved 2025-10-11.
  9. ^ "林生祥* = Lin Sheng Xiang – 種樹 = Planting Trees". Discogs. Retrieved 2025-10-11.
  10. ^ "生祥樂隊 Sheng Xiang & Band /圍庄 Village Besieged 180克 雙黑膠". 老頭音樂 (in Chinese (Taiwan)). Retrieved 2025-10-11.
  11. ^ Wu, Chia-Lin (24 August 2023). "Kafka On The Rivers-And-Lakes 生祥樂隊〈江湖卡夫卡〉". Bēhance. Retrieved 2025-10-11.

Joanna Jones

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Joanna Bridget Jones (née Napper; born 1940), also known by her former stage name Joanna Vogel, is an English television and film actress best known for playing Sheila Boxall in the British soap opera Comapct (1962–65) and multiple roles in the espionage television series The Avengers (1961–69).

Joanna Jones
Born
Joanna Bridget Napper

1940 (age 84–85)
Other namesJoanna Vogel
CitizenshipBritish
EducationRoedean School
Alma materLondon Academy of Music and Dramatic Art
Spouse
(m. 1975)
Children
RelativesAndrew F. Jones (nephew)

Biography

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Jones was born in Worthing, West Sussex, England in 1940. She was educated at Roedine School and the London Academy of Music and Dramatic Art (LAMDA).

She appeared in the late 1960s and early 1970s on the British game show Call My Bluff (1965–2004).

Personal life

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In 1963, Joanna Jones (then Vogel) met the Jamaican screenwriter, playwright and poet Evan Jones who was predominantly working in London for the BBC and with Joseph Losey at the time. They were married in the mid-1970s and had two children, Melissa and Sadie.

Jones and her daughter, Sadie, are friends of Julia Gregson.[1]

Filmography

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As Joanna Vogel

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Year Title Role Notes
1959 The Third Man Hansi Episode: 'The Tenth Symphony' (S2.E14)
1959–63 No Hiding Place Lise Bochmann; Muriel; Diane Blake; Olive Episodes: 'The Sharp Knife' (S1.E6); 'Three Small Bones' (S2.E14); 'The Final Fling' (S3.E20); 'An Eye on the King' (S5.E17)
1960 Peeping Tom Partygoer Film; uncredited
Play of the Week Nancy Episode: 'Gasslight' (S6.E3)
1961 Jango Miss Hills Episode: 'Mind the Doors, Please' (S1.E2)
Television Playhouse Patricia Episode: 'Ben Spray' (S6.E26)
Arms and Men Louka Limited series; main cast
Top Secret Piler Episode: 'The Little One is Dangerous' (S1.E11)
1962 Only Two Can Play Pretty Girl in Library Film; uncredited
1964 Compact Sheila Boxall Soap opera, main cast between episodes 221 to 274

As Joanna Jones

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Year Title Role Notes
1967 Vendetta Betty Cohen Episode: 'The Chemical Man' (S1.10)
Two for the Road Joanna's Touring Friend Film; uncredited
Mickey Donne Carol Gotkin Episode: 'Big Fleas, Little Fleas' (S1.E1)
1967–68 The Avengers Hilda; Pandora Marshall Episodes: 'The Correct way to kill' (S5.E9); 'All Done with Mirrors' (S7.E8)
1969 The Very Merry Widow and How Monique Episode: 'How to Lose Friends and Not Influence People' (S1.E5)
Department S Gina Episode: 'Les Fleurs du Mal' (S2.E4)
1971 Jason King Julia Marsh Episode: 'A Deadly Line in Digits' (S1.E4)
1973 The Adventurer Julia Episode: 'Make It a Million' (S1.E23)
The Flaxton Boys Elizabeth Flaxton Episode: S4.E1–13
1975 Smile Young American Miss Film; credited as 'Joanna Marie Jones'
The Fight Against Slavery Mrs. Lisle Limited series, appeared in episode 2.
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References

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  1. ^ "How We Met: Julia Gregson & Sadie Jones". The Independent. 2009-03-01. Retrieved 2025-10-12.