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Anne de Vries (The Hague, 1977) is a Dutch Artist working with a wide range of media such as photography, digital media, painting, installation art, sculpture, performance and video art.

Digital Photography

[edit]

De Vries became more known in 2009 due to his unconventional use of photography in sculptures. In 2010 the artist used the term 'extended-photography' [1] whereby digital photography and computer manipulation are used to make spatial artworks.

  • Curator and writer Charlotte Cotton writes in her publication "The photograph in Contemporary art" (3rd edition gepubliceerd door Thames & Hudson): “Anne de Vries works with photography, sculpture and new media. He brilliantly combines the modernist conventions of sculpture and installation art with visual motifs that reference advertising and amateur photography. His work distills contemporary visual culture into sculptural experiences that operate as philosophical abstractions of technological experience.”[2]
  • Curator and writer Melanie Bühler describes for Winterthur Museum situations[3] as: "De Vries provides detailed information of the technological infrastructure required[4]" and in her article "What I talk about when I talk about Photography" as: "When we look at a photograph, we look at an amalgam of light that has become data, data that has been layered with code, code that has been transformed by software, an image that has been visualized and formatted on (touch) screens and that may or may not be printed on any number of physical materials. One artwork that deals with this layered reality of the photographic image, as a hybrid bundle of code and light, visualization and software, devices and objects is Anne de Vries’s Image Transfers – Apple, Pear and Banana."[5]
  • Art critic and writer Pablo Larios in Frieze Magazine describes in his article Products go crazy as: "Photoshop is no metaphor here, since the relationship between visual editing software and objecthood is blurred – for example, in Anne de Vries’s sculptures of Photoshopped images: Steps of Recursion (2011)"[6]

Post-Internet

[edit]

In 2010 is Anne de Vries associated with the first wave of Post-Internet art partly because De Vries contributed to the publication: POST INTERNET SURVIVAL GUIDE 2010 by Katja Novitskova and duo-exhibition with artist Yngve Holen + publication: TruEYE surView [7] curated by Katja Novitskova in de tentoonstellingsruimte W139 in Amsterdam. [8]

  • Curator Katja Novitskova describes de work of De Vries as: "The works by Anne de Vries offer access to our increasing entanglement with technology - its material and symbolic origins, our sense of the world as part of the universe and our expanding understanding of the laws of physics through different media. Where new technologies are influencing our perceptions of the world, with all its sociopolitical implications."[1]

New-Materialism

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In 2013 is Anne de Vries associated with New-Materialism in art, partly because De Vries curated the exhibition 'Unstable Media' at Martin van Zomeren[9] and a lecture at Stedelijk Museum Bureau Amsterdam around the theme 'New-Materialism' in contemporary art.[10] Similar exhibitions that took place that presented his work are 'Material World' in NEST[11] curated by Nanda Jansen. and the exhibition: Asdzą́ą́ Nádleehé gecureed by Timur Si-Qin at Andrea Rosen gallery in New York in 2015.[12] and the solo exhibition: "The (s)Oil we eat" again at Martin van Zomeren

  • Art critic David Andrew Tasman describes in his review: "Anne de Vries makes work about how “new technologies are influencing our perceptions of the world.” and "he works closely with mediums he transfigures with ecological concepts and strategies"[13]

Music and Mass culture

[edit]

The work of Anne de Vries has regularly referred to mass-culture and electronic (dance)music. In the 9th Berlin Biennale for contemporary art there was a work from De Vries titled: 'Oblivion' This artwork consisted of a diorama of a dance music stage, including miniature VJ light show and promotional posters and the infrastructure of an open-air festival. For the miniature DJ set De Vries combined music samples (in collaboration with several producers such as: 'Lorenzo Senni') combined with voice-overs from philosophical texts that connect with the cultural themes of electronic (dance)music such as the influence of technology on the future and the social political dimensions of post-humanism. The art video: 'Critical Mass : Pure Immanence' is also in line with this, and was developed in collaboration with Q-dance and exhibited at Nuit Blanche 2017 at the Micheline-Ostermeyer stadium in Paris. In 2016 the artist published 'Transformation Through Depoliticization'[14] in 'FLASH ART International' followed by a performance at MoMa PS1 as part of 'back to school' curated by DIS in 2017. In 2010 De Vries collaborated with the american producer James Whipple to make the sound for the video: FORECAST.

  • Art critic Heinz-Norbert Jocks writes in KUNSTFORUM international: "Anne de Vries explores the boundaries of human action as well as the relationship between technology and mass experience"[15]

Boids

[edit]

In 2018 there is a solo exhibition from De Vries at the Fries Museum in Leeuwarden titled: 'Qrowd Qontrol'[16] with the Nematode-like sculptures which represent manipulated historical photographic material of which large religious or socio-politically motivated crowds. The title of this artwork is: "Boids" and refers to an algorithm for calculating mass behavior and 'artificial life programs[17]' where behavior can be simulated and studied.

Sculpture in public space

[edit]

Biography

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Family background

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Anne de Vries is the son of the visual artists couple Auke de Vries (1937,Bergum) and Marijke de Wit (1945, Wormerveer) He is the brother of graphic designer Esther de Vries (1974, The Hague) and a cousin of the psychologist and writer: Han F. de Wit. And the brother-in-law of the graphic designer Richard Niessen.

Study

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Anne de Vries studied at the Gerrit Rietveld Academie in Amsterdam and at The Cooper Union in New York as an exchange student. After graduating in 2002 he started to exhibit with video art and installation art in exhibitions such as: "At least begin to make an end"[21] curated by Ann Demeester in W139 and Poëziezomer Watou "Opzij van het kijken" curated by Jan Hoet in Belgium in 2003. In the period from 2005 to 2009, De Vries mainly produced staged and still life photography. And becomes frequently exhibited in photography publications and museums. From 2011 to 2012 he participated in the Rijksakademie van beeldende kunsten in Amsterdam. In 2011 the work is conceptual and philosophical, with more references to media and internet art. In 2015 there is a large overview exhibition in the Foam photography museum and in 2016 he participates in the 9th Berlin Biennale for Contemporary Art. In 2017, De Vries worked as an artist in residency at the International Studio & Curatorial Program (ISCP) in New York.

Teacher

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In 2005 Anne de Vries taught at the Gerrit Rietveld Academie in the VAV (formerly Audio Visual) department, after Anne de Vries was involved in a "Masterclass: Fashion Photography" with Pascale Gatzen at ArtEZ and guest at The New School in New York . In 2016 and 2017 De Vries was active as a teacher 'Masterclass Photography in Contemporary Art' aan de École cantonale d'art de Lausanne in Swiss.[22]

Curator

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The artist was regularly involved in organizing and advising on exhibitions, the artist worked as a curator for the Arnhem Mode Biënnale 2007 and was responsible for all the video works in the exhibition. In 2010, the artist launched the first BYOB (Bring Your Own Beamers) exhibition format together with the artist Rafaël Rozendaal in Berlin. In 2014 he curated the exhibition 'Unstable Media' in the Amsterdam gallery Martin van Zomeren and lecture at Stedelijk Museum Bureau Amsterdam on the theme New-Materialism in contemporary art. In 2017 he curated the unconventional exhibition SCAM with the Swedish artist Anna Uddenberg and the German curator Monica Senz that took place in New York.

Selectie Reviews and Interviews

[edit]

Metropolis M Review: Art Rotterdam 2018 - Gezien en gehoord by Dominiek Ruyters, 2018[23]

KUNSTFORUM International Magazine issue:241: "Crossover von Musik und Theorie" Interview with Anne de Vries by Heinz-Norbert Jocks 2016[24]

FLASH ART Magazine issue:311 Transformation Through Depoliticization by Anne de Vries, 2016[25]

A*Desk Magazine 'THE TITLE IS “THE PRESENT IN DRAG' by Martí Manen 2016[26]

Metropolis M nr.2 'Conversation between Anne de Vries and Auke de Vries' 2016[27]

ARTFORUM Critics picks SOLO: Anne de Vries by Judith Vrancken, 2016[28]

Mousse Magazine, SOS at Koppe Astner, 2016[29]

Mousse Magazine: “Reconstructive Memory” and Anne de Vries at Chez Valentin, Paris, 2016[30]

Ofluxo “'Reconstructive Memory” and Anne de Vries at Chez Valentin Paris' 2016[31]

Nero Magazine: “Reconstructive Memory” and Anne de Vries at Valentin in Paris 2016[32]

Metropolis M: Menigte word materie : Review solo Anne de Vries by Lotte van Geijn, 2015[33]

ARTFORUM picks: Listening by Olga Balema & Anne de Vries by Travis Diehl 2014[34]

Wow Huh, Hardware by Ryan Lauderdale, 2013[35]

Metropolis M: "And what the fuck is it looking at*" by Domeniek Ruyters, 2013[36]

Winterthur Museum Situations 'What I talk about when I talk about Photography' by Melanie Bühler, 2013[37]

Metropolis M nr.6 'Post-Internet Art' by Annet Dekker, 2011[8]

Foam Magazine Issue #29 'What's Next?[38] 'Curating the future' with 'Re-Re-Remediating the Ex-Ex- Extended' by Anne de Vries[39], Published 2011 [40]

Trouw 'De gekte achter de gevels van Watou' by Iris Pronk, 2003[41]

Selectie Solotentoonstellingen:

[edit]

Friesmuseum: 'Qrowd Qontrol' Solo Anne de Vries, Curator: Eelco van der Lingen, Leeuwarden, 2018[42]

Onomatopee: Public Cortex, Solo Anne de Vries, Curator: Freek Lomme, Eindhoven, 2016[43]

Galerie Chez Valentin - Project Room : 'Critical Mass : Pure Immanence' by Anne de Vries, Curator: Its Our Playground Paris, 2016[44][45]

Foam fotografiemuseum: E_MERGE Next Level: Anne de Vries Curator: Kim Knoppers Amsterdam, 2015[46]

Cell Projects space: 'Submission' Solo Anne de Vries, Curator: Milika Muritu, London, 2015[47]

Galerie Martin van Zomeren: 'The (s)Oil we Eat' Solo Anne de Vries, Amsterdam, 2014[48]

The Composing Rooms: 'Trails Rising' Solo Anne de Vries Curator: Che Zara Blomfield, London, 2012[49]

Sandy Brown Gallery: 'Trails of the Hive Mind' Solo Anne de Vries, Berlin, 2012[50]

Foam fotografiemuseum - Foam 3H: 'Metafiction' Solo Anne de Vries Curator: Colette Olof, Amsterdam, 2007[51]

Studio Gallery Budapest: 'Traveling without Moving'Curator: Ann Demeester, Edit Molnár, Hajnalka Somogyiat, Budapest 2004[52]

Selectie Groepstentoonstellingen:

[edit]

Lustwarande: 'Hybrids' Curatoren: Chris Driessen & David Jablonowski Tilburg, 2018[53]

Roskilde Festival: 'DIESEL WORM' Curatoren:Paul Barsch and Tilman Hornig, Denmark, 2018[54]

CTM festival edition: TURMOIL Curator: Oliver Baurhenn, Berlin 2018

MoMa PS1: 'Back To School' Curatoren: DIS, New York, 2017[55]

Nuit Blanche Paris: locatie: Gymnase Micheline Ostermeyer door curator: by Charlotte Laubard, Paris, 2017[56]

Façade Middelburg Curatoren: by Tom Schaar and Kathrin Ginsberg, Middelburg, 2017[57]

Röda Sten Konsthall: 'We Are the Remix' Curator: by: Aukje Lepoutre Ravn, Sweden, 2017[58]

ZKM center for art and media Karlsruhe: 'Hybrid Layers' Curatoren: Giulia Bini, Sabiha Keyif, Philipp Ziegler and Daria Mille, Karlsruhe, 2017[59]

Stedelijk Museum Breda: 'Wonderlijk Weefsel' Curator: by Ward Janssen, Breda, 2017[60]

Kunstmuseum Winterthur: 'Situations/Placeholder' Curator: Thomas Seelig Winterthur, 2017[61]

CCA Derry Londonderry: 'Tiny Deaths' Curator: Matt Packer, London, 2017[62]

Kunsthal Charlottenborg: 'Welcome too Late' Curator: Toke Lykkeberg in collaboration with CPH:DOX, 2017[63]

Kunsthal Rotterdam: 'HUMAN / DIGITAL: A SYMBIOTIC LOVE AFFAIR' Curatoren: the Hugo Brown Collection, Rotterdam, 2017[64]

Bucharest International Film Festival 2017

Kurzfilmfestival Köln N°1, 2017

The 9th Berlin Biennale at KW: The present in Drag Curatoren: DIS in Berlin, 2016[65]

Andrea Rosen gallery: Gallery 2: 'Asdzą́ą́ Nádleehé', Curator: Timur Si-Qin, December 11, 2015 –January 23, New York, 2016[66]

Koppe Astner Gallery: 'SOS' Curatoren: Emma Astner and Kendall Koppe, Glasgow, 2016[67]

Future Gallery: 'Grand New' Curator: Mike Ruiz, Berlin, 2016[68]

La Biennale de Lyon: Résonance, FOCUS Résonance collection nr 4 Lyon, 2015[69]

Museum angewandte kunst: 'Hamster, Hipster, Handy' Curatoren: Prof. Dr. Birgit Richard, Eleni Blechinger, Katja Gunkel und Harry Wolff, Frankfurt, 2015[70]

Museo d'Arte Moderna di Bologna: 'MHPSCHD 1969>2015' Bologna, 2015[71]

Frans Hals museum: 'A Modest proposal for a Radical Bourgeoisie' Curatoren: Wilfried en Yannicke Cooreman, Haarlem, 2015[72]

Parc Saint Léger, Centre d’art Contemporain: 'Deep Screen' Curatoren: It’s Our Playground Saint Léger, 2015[73]

Oakville Galleries: 'Depth of Perception' Curator: John Armstrong, Toronto, 2015[74]

Three Shadows Museum: 'Still/Life' Curatoren: by Marcel Feil, Feng Boyi, Liu Gang, Wang Dong, Beijing, 2015[75]

Micheal Thibault Gallery: 'Listening' Olga Balema & Anne de Vries Los Angeles, 2015[76]

Haus der Kulturen der Welt: 'Transmediale 2015' - 'Long Distance Gallery' Curatoren: Kim Asendorf and Ole Fach, Berlin, 2015[77]

The Moving Museum: 'TMM Istanbul' Curatoren: Simon Sakhai & Co, Istanbul, 2014[78]

Future Gallery: 'Twenty Thousand Years of Yarn' Curator: Ruben Grillo, Berlin, 2014[79]

SW3: 'Folklore Contemporain'Curator: Its Our Playground Glasgow, 2014[80]

Galerie Éric Hussenot: 'Human/Evolution/Machine' Curator: Eric Hussenot, Paris, 2014[81]

Frans Hals Museum: 'Sky' Curator: Antoon Erftemeijer, Haarlem, 2014[82]

Foam Fotografiemuseum: 'Reflected' Curator: Marcel Feil, Amsterdam, 2014[83]

MANIFESTA Foundation: '‘It ain’t whatcha write, it’s the way atcha write it’, Amsterdam, 2014[84]

Salts Basel: 'BRANDS – CONCEPT/AFFECT/MODULARITY' Curator: Melanie Bühler, Basel, 2014[85]

Museum De Hallen Haarlem: 'Superficial Hygiene' Curator: Xander Karskens, Haarlem, 2014[86]

MoBY Museum: 'Goods' Curator: Joshua Simon and Liz Hagag, Bat Yam, 2013[87]

NEST: 'Material World' Curator: Nanda Janssen, The Hague, 2013[88]

Palais du Tokyo: 'The Dark Cube' Curator: Francesca Gavin, Paris, 2012[89]

Centre Culturel Suisse: 'Body Language' Curatoren: Jean-Paul Felley, Olivier Kaeser and Thomas Seelig, Paris, 2012[90]

Kunstverein Arnsberg: 'Public Abstraction Private Construction-II' Curator: Vlado Velkov, Aarnsberg, 2012[91]

W139: 'TruEYE surView with Yngve Holen and Anne de Vries', Curator: Katja Novitskova, Amsterdam, 2011[92]

Future Gallery: Anne de Vries v.s. Billy Rennekamp Berlin, 2010[93]

Hyères 2010, 25e festival international de mode installation and photography in collaboration with Emmeline de Mooy, 2010

WATOU poëziezomer: “Opzij van het kijken" Curator: Jan Hoet, Watou, 2003

W139: “At Least begin to make an end” Curator: Ann Demeester Amsterdam, 2003[94]

Selectie Boek Publications

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'Inscription' ISBN 9789198465709, by Karl-Magnus Johannes, published by: Landsarkivet i Göteborg, 2018

'Source Book - Leaps and Bounds' published by: CCS ISBN 9781732087606, Bard college and ISCP New York, 2017

'The Present in Drag' 9th Berlin Biennale for Contemporary Art, ISBN 978-3-95476-155-5, Editors: DIS Berlin, published by: DISTANZ Verlag, 2016

'Photography is Magic' ISBN 9781597113311 by Charlotte Cotton, Publisher: Aperture, 2015

MetaMega Rave Publication ISBN 3905817594, published by: Kunsthaus Langenthal and Wallriss, 2014

'The photograph as contemporary art' 3rd edition published by: Thames & Hudson by Charlotte Cotton 2013

C-Photo, 'Photographicness' by Charlotte Cotton, Published by Ivorypress, 2013

TruEYE SurVIEW ISBN: 978-90-817892-0-2 by Katja Novitskova published by W139 2011[95]

POST INTERNET SURVIVAL GUIDE 2010 ISBN 978-3-86895-350-3 published by: Revolver Publishing. by Katja Novitskova 2010[96]

moon v_gue by Alicia Framis and MaryMe-JimmyPaul, 2010

Hyères 2010, ISBN-13: 978-2357330900 by Raphaëlle Stopin, Michel Mallard, published by Archibooks, 2010

Younger than Jezus,Artist Directory by Lauren Cornell, Massimiliano Gioni, Laura Hoptman, Published by: the New Museum, 2009[97]

References

[edit]
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