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Suzanne Kite

aka Kite

Kite aka Suzanne Kite is an Oglala Lakota performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition, an MFA from Bard College’s Milton Avery Graduate School, and is a PhD student at Concordia University. Her research is concerned with contemporary Lakota mythologies and epistemologies and investigates the contemporary storytelling of the Lakota through research-creation, computational media, and performance practice. Recently, Kite has been developing a body interface for movement performances, carbon fiber sculptures, immersive video & sound installations, as well as co-running the experimental electronic imprint, Unheard Records.

Initiative for Indigenous Futures

Remember to disambiguate on Kite

Art Kite (artist)

https://catalog.loc.gov/vwebv/holdingsInfo?searchId=18673&recCount=25&recPointer=0&bibId=20691764

Wallenstein, Peter. 2018. "The Morrill Land-Grant College Act of 1862 : seedbed of the American system of public universities." Civil War Congress and the creation of modern America : a revolution on the home front. Ohio University Press. ISBN: 9780821423387

<<Lucy Lippard>>

50 exhibitions, 21 books

"feminist art historian" "conceptual art theorist"<REF1>

does founding of Printed Matter belong in intro paragraphs?

Early life and education

Lucy Lippard was born in New York City and lived in New Orleans and Charlottesville, Virginia, before enrolling at Abbot Academy in 1952. After earning a B.A. degree from Smith College in 1958. In 1962, she earned an M.A. degree in art history from the Institute of Fine Arts at New York University. <REF 1>

Just out of college, Lippard began working in the library at the Museum of Modern Art in 1958 where, in addition to reshelving the library after the fire, she was "farmed out" to do research for curators.<REF: A Brief History of Curating> She credits these years of working at MoMA paging, filing and researching as preparing her "well for the archival, informational aspect of conceptual art." <REF: Tate Papers> At MoMA she worked with curators such as Bill Lieberman, Bill Seitz and Peter Selz. <REF: A Brief History 198> By 1966, she had curated two traveling exhibitions for MoMA, one on "soft sculpture" and one on Max Ernst, as well as worked with Kynaston McShine on Primary Structures before he was hired by the Jewish Museum, taking the show with him.<REF: A Brief Hist 198-199>It was at MoMA that Lippard met Sol LeWitt who was working the night desk; John Button, Dan Flavin, Al Held, and Robert Ryman all held positions at the museum during this time as well. <REF:A Brief History 202-203>

Exhibitions

Eccentric Abstraction

Post-minimalism, "anti-form" art

Eva Hesse, Bruce Nauman

Criticism and writing

Since 1966, Lippard has published 20 books—including one novel—on feminism, art, politics and place.

Began writing for Art International after graduating from the IFA and by 1964, was writing for Artforum. <REF 1>

Activism

Lucy Lippard was a member of the populist political artist group known as the Art Workers Coalition, or AWC. Her involvement in the AWC as well as a trip she took to Argentina—such trips bolstered the political motivations of many feminists of the time—influenced a change in the focus of her criticism, from formalist subjects to more feministic ones.

Heresies?

PAD/D

Artists Call Against U.S. Intervention in Central America

Life and work

Lucy Lippard was born in New York City and lived in New Orleans and Charlottesville, Virginia, before enrolling at Abbot Academy in 1952. After earning a B.A. degree from Smith College, she worked with the American Friends Service Committee in a Mexican village—her first experience outside the United States. In 1962 she earned an M.A. degree in art history from the Institute of Fine Arts at New York University.

Since 1966, Lippard has published 20 books—including one novel—on feminism, art, politics and place. She has received numerous awards and accolades from literary critics and art associations.^{[citation needed]} A 2012 exhibition on her seminal book, Six Years: The Dematerialization of the Art Object at the Brooklyn Museum, titled "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art", cites Lippard's scholarship as its point of entry into a discussion about conceptual art during its era of emergence, demonstrating her crucial role in the contemporary understanding of this period of art production and criticism. Her research on the move toward Dematerialization in art making has formed a cornerstone of contemporary art scholarship and discourse.^{[citation needed]} Lucy Lippard was a member of the populist political artist group known as the Art Workers Coalition, or AWC. Her involvement in the AWC as well as a trip she took to Argentina—such trips bolstered the political motivations of many feminists of the time—influenced a change in the focus of her criticism, from formalist subjects to more feministic ones.

Co-founder of Printed Matter, Inc (an art bookstore in New York City centered on artist's books), the Heresies Collective, Political Art Documentation/Distribution (PAD/D), Artists Call Against U.S. Intervention in Central America, and other artists' organizations, she has also curated over 50 exhibitions, done performances, comics, guerrilla theater, and edited several independent publications the latest of which is the decidedly local La Puente de Galisteo in her home community in Galisteo, New Mexico. She has infused aesthetics with politics, and disdained disinterestedness for ethical activism.^{[citation needed]}

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