User:AnggotheManggo/sandbox
Activity 5.4.1 for peer review - practicing citations
[edit]History
[edit]The first uses of comedy in music can be traced back to the first century in Ancient Greece and Rome, where poets and playwrights entertain using puns and wordplay.[1]
Counterculture
[edit]Comedy and music both have the ability to create movement and spread ideas, allowing them to effectively advocate counterculture through the ages, an example of which is the challenge of authority.[2]
Education
[edit]The combined use of comedy and music in educational environments has been noted to be effective in improving a student's overall performance.[2]
Sub-genres
[edit]Parody music
[edit]Parody is a sub-genre of comedy music focused mainly on comic expressions and satirical humour.[3]
Activity 6.3.3
[edit]History
[edit]Ancient Greece and Rome
[edit]The first uses of comedy in music can be traced back to the first century in Ancient Greece and Rome, where poets and playwrights entertain using puns and wordplay.[1]
Medieval times
[edit]In medieval times, minstrels, troubadours, and court jesters would continue this tradition of performing comedic music, some satirical, accompanied by musical instruments. Court jesters in particular would display their wit and humour through songs, jokes, and physical comedy as a way to offer critiques on society and authority. They would work in public squares or were officially hired as licensed fools to work directly under the King or Queen.[1]
Answers to Module 7 questions
[edit]- It is a photograph of performers in the Ambarawa Railway Museum located in Ambarawa, Central Java, Indonesia.
- Yes, it is my own work.
- The file is in .JPEG format.
- I have chosen the Creative Commons Attribution ShareAlike 4.0 license.
- I will add it to the performing arts category.
- The file is a photograph in .JPEG format of performers in the Ambarawa Railway Museum located in Ambarawa, Central Java, Indonesia.
References
[edit]- ^ a b c McKeague, Matthew (2018-07-03). "The accordion is mightier than the sword: analysing the comedy music counterculture expressed through the works of 'Weird Al' Yankovic". Comedy Studies. 9 (2): 138–149. doi:10.1080/2040610X.2018.1494360. ISSN 2040-610X.
- ^ a b McKeague, Matthew (2018-11-13). "Lyrical lessons: The potential of informative comedy music as supplementary teaching material". The European Journal of Humour Research. 6 (3): 30–49. doi:10.7592/EJHR2018.6.3.mckeague. ISSN 2307-700X.
- ^ Denisov, Andrey V. (2015). "The Parody Principle in Musical Art". International Review of the Aesthetics and Sociology of Music. 46 (1): 55–72. ISSN 0351-5796.