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Introduction

The animation above consists of these six frames repeated indefinitely.

Animation is a filmmaking technique whereby still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are either traditional animations or computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms.

Animation is contrasted with live action, although the two do not exist in isolation. Many moviemakers have produced films that are a hybrid of the two. As CGI increasingly approximates photographic imagery, filmmakers can easily composite 3D animations into their film rather than using practical effects for showy visual effects (VFX). (Full article...)

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Michael Dante DiMartino at the 2012 San Diego Comic-Con International

The Legend of Korra is an American animated television series that premiered on the Nickelodeon television network in 2012. It was created by Michael Dante DiMartino and Bryan Konietzko as a sequel to their series Avatar: The Last Airbender, which aired on Nickelodeon from 2005 to 2008. Several people involved with creating Avatar, including designer Joaquim Dos Santos and composers Jeremy Zuckerman and Benjamin Wynn, returned to work on The Legend of Korra. The series is set in a fictional universe where some people can manipulate, or "bend", the elements of water, earth, fire, or air. Only one person, the "Avatar", can bend all four elements, and the Avatar is responsible for maintaining balance in the world. The series follows Avatar Korra as she travels to the metropolis of Republic City to learn airbending and face an anti-bender revolutionary group called the "Equalists." The series, whose style is strongly influenced by Japanese animation, has been a critical and commercial success. It obtained the highest audience total for an animated series in the U.S. in 2012, and it was praised by reviewers for its high production values and for addressing difficult sociopolitical issues such as social unrest and terrorism. It was initially conceived as a miniseries of 12 episodes, but it is now set to run for 52 episodes separated into four "books," each of which tells a separate story.

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The PDI/DreamWorks Studio in Redwood City, California
The PDI/DreamWorks Studio in Redwood City, California

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Kricfalusi at the Castro Theatre in July 2006
The main thing missing from cartoons is today that old cartoons were cartoony. They did things you can't do in any other medium. Today's cartoons are very conservative and are more like live action. The characters look the same in every frame of the damn cartoon. The old cartoons squashed, stretched, and did crazy expressions. They were imaginative and crazy. A lot of cartoons aren't imaginative, they just say things. It might as well be radio. There is no point in having anything to look at in modern cartoons. But you can't say that about every cartoon. Genndy Tartakovsky's cartoons are beautiful. The closest thing now to what I'm saying is SpongeBob but even that doesn't go very far. It's like a conservative version of Ren & Stimpy.

Selected biography

Maggie Roswell

Maggie Roswell (born November 14, 1952) is an American film and television actress and voice artist from Los Angeles, California. Roswell made her acting break-through in the 1980s with appearances in films such as Midnight Madness (1980), Lost in America (1985), and Pretty in Pink (1986), and guest appearances on television shows such as Remington Steele, Masquerade, and Happy Days. She appeared frequently in the sketch comedy The Tim Conway Show from 1980 to 1981, and did voice acting for a few animated films and television shows. Roswell also performed in some theater plays, including one in 1988 directed by Julia Sweeney. Together they established the Roswell 'n' Rayle Company, creating and voicing advertisements for companies. Because of her move to Denver, Roswell had to travel to Los Angeles twice a week to tape The Simpsons. This ultimately led to her requesting a pay raise in 1999; however, Fox refused to offer her the amount she wanted so she quit the show. Roswell returned to The Simpsons in 2002 after reaching a deal to record her lines from her Denver home.

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From left: co-director Chris Buck, writer and co-director Jennifer Lee, and producer Peter Del Vecho, at the 2014 Annie Awards, where the film won five awards, including best animated feature.

The accolades received by Frozen, a 2013 computer-animated film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. It was directed by Chris Buck and Jennifer Lee, the latter of whom also wrote the screenplay, and produced by Peter Del Vecho. (pictured) The film focuses on Anna, a princess, who sets off on a journey to find her estranged sister, Elsa, whose magical powers to control ice and snow have trapped their kingdom in eternal winter. Frozen premiered at the El Capitan Theatre in Hollywood, California on November 19, 2013, before going on wide release on November 27, in over 3,700 theatres in the United States and Canada. It debuted in second place with over $67 million. The film has grossed a worldwide total of over $1.26 billion on a production budget of $150 million. Frozen has garnered a variety of awards and nominations, many of them in the Best Original Song (for "Let It Go") and Best Animated Feature categories. At the 71st Golden Globe Awards, the film earned two nominations, winning for Best Animated Feature.

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