Edith Head
Edith Head | |
|---|---|
Head in 1976 | |
| Born | Edith Claire Posener October 28, 1897 |
| Died | October 24, 1981 (aged 83) Los Angeles, California, U.S. |
| Resting place | Forest Lawn Memorial Park, Glendale, California |
| Alma mater | |
| Occupation | Costume designer |
| Years active | 1923–1981 |
| Spouses | |
| Awards | Academy Award for Best Costume Design (8 wins) |
Edith Claire Head (née Posener; October 28, 1897 – October 24, 1981) was an American film costume designer. She received a record 35 nominations for the Academy Award for Best Costume Design and won a record eight times, making her both the most honored and most nominated woman in the Academy's history.[1] She also holds the Guinness World Record for most-credited costume designer in film history, with a total of 432 credits.[2]
Raised between California and Nevada, Head earned degrees from the University of California, Berkeley and Stanford University before beginning a career as a French and Spanish languages teacher.[3] After taking courses at the Chouinard Art Institute in Los Angeles,[3] she was hired in 1923 as a costume sketch artist at Famous Players–Lasky, which later became Paramount Pictures.[1] She won acclaim for her design of Dorothy Lamour’s trademark sarong in the 1936 film The Jungle Princess,[1] and became a household name after the Academy Award for Best Costume Design was created in 1948. Head was considered exceptional for her close working relationships with her subjects, with whom she consulted extensively; these included virtually every top female star in Hollywood.
Head worked at Paramount for 44 years, and was frequently loaned out by the studio for work on projects for other studios. While under contract at Paramount, she designed the costumes for several films by Alfred Hitchcock, including Notorious (1946), Vertigo (1958), The Birds (1963), and Marnie (1964). In 1968, after Paramount declined to renew her contract, Hitchcock invited her to join Universal Pictures. There she earned her eighth and final Academy Award for her work on The Sting in 1973.[4]
Outside of film, Head was commissioned to design the official women's uniform for the United States Coast Guard in the 1970s, due to the increasing number of women in the Coast Guard, for which she received the Meritorious Public Service Award.[5] Head died in Los Angeles of complications from myelofibrosis four days before her 84th birthday.
Early life
[edit]Head was born Edith Claire Posener on October 28, 1897 in San Bernardino, California,[i] the daughter of Jewish parents, Max Posener and Anna E. Levy.[18] Her father was a naturalized American citizen from Germany who came to the United States in 1876 at age eighteen, while her American mother was born in St. Louis, Missouri in 1875, the daughter of an Austrian father and a Bavarian mother.[15] Shortly before Head's birth, her father opened a small haberdashery in San Bernardino.[15] The business failed within a year, after which he abandoned the family and relocated to El Paso, Texas.[15]
In 1901, Head's mother Anna married Frank Spare, a mining engineer from Pennsylvania.[19] Anna and Frank passed Edith off as their biological child, giving her his surname,[20] and raised her in his Roman Catholic faith.[15] Due to her stepfather's job, the family moved frequently during her childhood to various mining camps, with a significant portion spent in rural Searchlight, Nevada.[19] A shy and introverted only child, Head often spent time building makeshift dollhouses out of cardboard boxes, and creating figures out of greasewood that naturally grew in the desert.[21] She would also create costumes for animals, including her pet dog and cat, as well as wild horned lizards.[21] "I had no other children for playmates," she recalled. "Naturally, all of my intensive imagination in child's play had to be connected to activities I could pursue alone."[21] Head was teased by classmates due to her front teeth never growing in properly, and because of this, rarely smiled.[21]
She completed her elementary school education in Redding, California in 1911,[20] before the family lived for a period in Mexico, where Head learned to speak Spanish.[22] Head and her mother subsequently relocated to Los Angeles, where she graduated from Los Angeles High School.[22]
Head enrolled at the University of California, Berkeley in 1915, and earned a Bachelor of Arts degree in letters and sciences with honors in French. She subsequently enrolled at Stanford University, where she earned a Master of Arts degree in romance languages in 1920.[23] She became a language teacher with her first position as a replacement at The Bishop's School in La Jolla teaching French[24] and Spanish.[3] After one year, she took a position teaching French at the Hollywood School for Girls, where her students included Cecilia and Katherine DeMille, daughters of studio executive Cecil B. DeMille.[10] Wanting a slightly higher salary, she told the school that she could also teach art, even though she had only briefly studied the discipline in high school.[25] To improve her drawing skills, at this point rudimentary, she took evening classes at the Otis Art Institute and Chouinard Art College.[26]
On July 25, 1923, she married Charles Head, a salesman for the Southern California Super Fine Metals Company, and the brother of one of her Chouinard classmates, Betty Head.[10] Due to Charles's drinking problem and her reduced teaching salary during the summer months, Head began seeking work as a sketch artist to help supplement their income.[10]
Career
[edit]1923—1929: Famous Players–Lasky
[edit]In 1923, despite lacking significant art, design, and costume design experience, the 26-year-old Head was hired as a costume sketch artist at the Famous Players–Lasky studios, which was later absorbed by Paramount Pictures.[10] Later she admitted to "borrowing" other students' sketches for her job interview with the studio: "I was studying seascape and all I could draw was oceans. I needed a portfolio, so I borrowed sketches—I didn't steal them, I asked everybody in the class for a few costume design sketches. And I had the most fantastic assortment you've ever seen in your life. When you get a class of forty to give you sketches, you get a nice selection."[10]
At Paramount, Head studied under lead designers Howard Greer, and later, Travis Banton.[10] Head recounted the experience favorable, saying:
Travis Banton and Howard Greer sort of adopted me, and I went with them to all their fittings. I was accepted as part of the team in the fitting room, which also included the head fitter and usually a wardrobe girl. Sometimes I just watched and took notes; I did whatever I was told. With both Howard and Travis there was never any feeling that I would be a threat to them, as is so often the case in boss-and-assistant relationships in any profession. They were secure in their own careers. Both went overboard in encouraging and helping me. I think I had the greatest break that any young designer ever had. Working for them was the kind of training you couldn't get any place else, in any school in the world.[10]
Head began designing costumes for the studio's silent films, commencing with The Wanderer in 1925 and, by the 1930s, had established herself as one of Hollywood's leading costume designers.
1930–1967: Paramount Pictures
[edit]
Head remained employed by Paramount Pictures after the studio absorbed Famous Players–Lasky.[27] Although Head was featured in studio publicity from the mid-1920s, she was originally overshadowed by the studio's lead designers, first Howard Greer, then Travis Banton. Head was instrumental in conspiring against Banton, and after his resignation in 1938 she became a high-profile designer in her own right.[10] Her association with the "sarong" dress designed for Dorothy Lamour in The Hurricane (1937) made her well known among the general public, although Head was a more restrained designer than either Banton or Adrian.[10]
She gained public attention for the top mink-lined gown she created for Ginger Rogers in Lady in the Dark (1944), which caused much comment owing to the mood of wartime austerity.[28] The establishment, in 1949, of the Academy Award for Costume Design further boosted her career, giving her a record-breaking run of Award nominations and wins, beginning with her nomination for The Emperor Waltz.[29] Head and other film designers like Adrian became well known to the public.[30]
Head was known for her unique working style and, unlike many of her male contemporaries, usually consulted extensively with the female stars with whom she worked. As a result, she was a favorite among many of the leading female stars of the 1940s and 1950s, such as Ginger Rogers, Bette Davis, Barbara Stanwyck, Jane Wyman, Rita Hayworth, Shirley MacLaine, Grace Kelly, Audrey Hepburn, and Elizabeth Taylor. In fact, Head was frequently "loaned out" by Paramount to other studios at the request of their female stars. She herself always dressed very plainly, preferring thick-framed glasses and conservative two-piece suits.[31]
In 1946, Head worked for the first time with director Alfred Hitchcock on his spy film Notorious.[32] Head was loaned from Paramount to Radio-Keith-Orpheum (RKO) pictures to work with Hitchcock on this film, at the request of actress Ingrid Bergman.[33] In this time period it was more often found that costume designers would design to reflect their own style. Head had a different outlook on this. She felt that it was more important to design pieces that reflected the character. During their time working on Notorious, Head and Hitchcock found that they were like-minded and had the same bluntness in their careers and attitudes. The costumes she designed for this film reflected restraint and the need to blend in. This style suited what Hitchcock was looking for since he did not want the clothes to be the focal point. The two would go on to work together many more times.[34]

On February 3, 1955 (Season 5 Episode 21), Head appeared as a contestant on the Groucho Marx quiz show You Bet Your Life. She and her partner won a total of $1,540. Her winnings were donated to charity.[35]
Head also authored two books describing her career and design philosophy, The Dress Doctor (1959) and How To Dress For Success (1967). These books were re-edited in 2008 and 2011, respectively.
1968–1981: Universal Pictures
[edit]In 1968, at the age of 70, Head left Paramount Pictures and was contracted with Universal Pictures,[36] where she remained until her death in 1981.[37] By this point, Hollywood was rapidly changing from what it had been during Head's heyday in the 1930s-1940s. Studio-based production was giving way to outdoors and on-scene shooting, and many of the actresses from that era whom she worked with and knew intimately had retired or were working less. She thus turned more of her attention to TV, where some old friends such as Olivia de Havilland had begun working. She made a cameo appearance in 1973 on the detective series Columbo beside Anne Baxter, playing herself and displaying her Oscars to date.[38][39] In 1974, Head received a final Oscar win for her work on The Sting (1973).[4]
In the late 1970s, Head was asked to design a woman's uniform for the United States Coast Guard, because of the increasing number of women in the Coast Guard. Head called the assignment a highlight in her career and received the Meritorious Public Service Award for her efforts.[5] Her designs for a TV mini-series based on the novel Little Women were well received. She also designed the costumes for Elizabeth Taylor in the Hallmark Hall of Fame segment "Return Engagement" (1978).[40]
Her last film project was the black-and-white comedy Dead Men Don't Wear Plaid (1982), starring Steve Martin and Carl Reiner, a job Head was chosen for because of her expertise on 1940s fashions. She modeled Martin and Reiner's outfits on classic film noir and the movie, released in theaters just after her death, was dedicated to her memory.
Design style
[edit]Unlike most other designers of her time, Head never undertook couture or wholesale fashion work, opting to "work only in the context of a certain actress in a certain film."[41] Olivia de Havilland, whose costumes were designed by Head for the films To Each His Own (1946) and The Heiress (1949), said: "Every dress was perfect. Just putting them on, I became these women and I knew right where they were in the stories. Edith even came to New York with me before The Heiress and we studied the underwear at the Brooklyn Museum so it would be absolutely authentic."[42]
Head herself regarded her work as apart from the world of fashion design, and did not consider herself a fashion designer.[43] Commenting in 1978 on her view of her profession, she said:
I think that most people don't realize motion pictures are not "fashion." So many people say to me, "Isn't it lovely to be a fashion designer and dress these beautiful stars?" That is not what happens. I get a script, and the script says, "In this film, Grace Kelly is playing a princess, she's beautiful, and she has fabulous clothes." The next script says, "Grace Kelly is a middle-aged, dowdy housewife"... so you do dowdy clothes. I can do tacky clothes, dowdy clothes, sexy clothes, horrible clothes... anything the world should want—male, female, or animals... Costume design is like theater. Costume design is to tell a story. It has nothing to do with fashion at all, unless it is a fashion picture.[43]
Personal life
[edit]On July 25, 1923, she married Charles Head. The marriage ended in divorce in 1938, though she continued to be known professionally as Edith Head for the remainder of her life. She remarried to art director Wiard Ihnen in 1940, a marriage that lasted until his death from prostate cancer in 1979.[44]
Though both of her parents were Jewish, Head was raised practicing Roman Catholicism, the faith of her stepfather, and remained a "staunch Catholic"[45] through her later life.[46][47] She was a regular parishioner of Good Shepherd Catholic Church in Beverly Hills.[48]
Death
[edit]In 1972, Head was diagnosed with myelofibrosis, an incurable bone marrow cancer which causes excessive, uncontrolled scar tissue accumulation in the bone marrow.[49] To treat the disease, Head received regular blood transfusions to prevent severe anemia.[49] Head died at Good Samaritan Hospital in Los Angeles of complications from myelofibrosis[6] on October 24, 1981, four days before her 84th birthday.
A private funeral mass was held at Good Shepherd Catholic Church in Beverly Hills, where actress Bette Davis gave a brief eulogy.[8][50] Also in attendance were Elizabeth Taylor, Janet Leigh, Ann Sothern, George Peppard, Loretta Young, Jane Wyman, and Lew Wasserman.[48] She is interred at Forest Lawn Memorial Park in Glendale, California.[51]
Legacy
[edit]Head holds the distinction of being the most-credited costume designer in history, with a total of 432 film credits to her name.[2]
Over the course of her career, she was nominated for a total of 35 Academy Awards, annually from 1949 (the first year that the Oscar for Best Costume Design was awarded) through 1966, and won eight times—receiving more Oscars than any other woman.[52]
Head's star on the Hollywood Walk of Fame, which she received in 1974, is located at 6504 Hollywood Boulevard.[47]
Filmography
[edit]As a costume designer, Head has a total of 432 credits to her name.[2]
Selected design credits
[edit]Screen appearances
[edit]| Year | Title | Role | Notes | Ref. |
|---|---|---|---|---|
| 1955 | Lucy Gallant | Herself | [128] | |
| 1961 | The Pleasure of His Company | Dress designer | Uncredited | [129] |
| 1966 | The Oscar | Herself | [130] | |
| 1973 | Columbo | Herself | Episode: "Requiem for a Falling Star" | [39] |
Accolades
[edit]Head received eight Academy Awards for Best Costume Design,[12] more than any other person, from a total of 35 nominations.[131]
| Institution | Year | Category | Nominated work | Outcome | Ref. |
|---|---|---|---|---|---|
| Academy Awards | 1949 | Best Costume Design – Color | The Emperor Waltz | Nominated | [132] |
| 1950 | Best Costume Design – Black & White | The Heiress | Won | [133] | |
| 1951 | All About Eve | Won | [134] | ||
| Best Costume Design – Color | Samson and Delilah | Won[ii] | [134] | ||
| 1952 | Best Costume Design – Black & White | A Place in the Sun | Won | [135] | |
| 1953 | Carrie | Nominated | [136] | ||
| Best Costume Design – Color | The Greatest Show on Earth | Nominated | [136] | ||
| 1954 | Best Costume Design – Black & White | Roman Holiday | Won | [137] | |
| 1955 | Sabrina | Won | [138] | ||
| 1956 | The Rose Tattoo | Nominated | [139] | ||
| Best Costume Design – Color | To Catch a Thief | Nominated | [139] | ||
| 1957 | Best Costume Design – Black & White | The Proud and Profane | Nominated | [140] | |
| Best Costume Design – Color | The Ten Commandments | Nominated | [141] | ||
| 1958 | Best Costume Design | Funny Face | Nominated | [142] | |
| 1959 | The Buccaneer | Nominated | [143] | ||
| 1960 | Best Costume Design – Black & White | Career | Nominated | [144] | |
| Best Costume Design – Color | The Five Pennies | Nominated | [144] | ||
| 1961 | Best Costume Design – Black & White | The Facts of Life | Won | [145] | |
| Best Costume Design – Color | Pepe | Nominated | [145] | ||
| 1962 | Pocketful of Miracles | Nominated[iii] | [146] | ||
| 1963 | Costume Design – Black & White | The Man Who Shot Liberty Valance | Nominated | [147] | |
| Best Costume Design – Color | My Geisha | Nominated | [147] | ||
| 1964 | Best Costume Design – Black & White | Love with the Proper Stranger | Nominated | [148] | |
| Wives and Lovers | Nominated | [148] | |||
| Best Costume Design – Color | A New Kind of Love | Nominated | [148] | ||
| 1965 | Best Costume Design – Black & White | A House Is Not A Home | Nominated | [149] | |
| Best Costume Design – Color | What a Way to Go! | Nominated | [149] | ||
| 1966 | Best Costume Design – Black & White | The Slender Thread | Nominated | [150] | |
| Best Costume Design – Color | Inside Daisy Clover | Nominated | [150] | ||
| 1967 | The Oscar | Nominated | [151] | ||
| 1970 | Best Costume Design | Sweet Charity | Nominated | [152] | |
| 1971 | Airport | Nominated | [153] | ||
| 1974 | The Sting | Won | [154] | ||
| 1976 | The Man Who Would Be King | Nominated | [155] | ||
| 1978 | Airport '77 | Nominated | [156] | ||
| British Academy Film Awards | 1976 | Best Costume Design | The Man Who Would Be King | Nominated | [157] |
| Costume Designers Guild Awards | 1999 | Hall of Fame Award | Won | [12] | |
Notes
[edit]- ^ Head was known to joke about her age and birthplace, often providing conflicting answers.[1][6][7] Her obituary in the Los Angeles Times notes:
Because of this, some contemporary reports at the time of her death cite her age as 73.[8][9] However, numerous sources[10][11][12][13]—as well as accounts from biographers and historians such as Laura L. S. Bauer,[14] David Chierichetti,[15] and Colin Naylor[16]—state Head was born on October 28, 1897, in San Bernardino, California. In her 1983 book Edith Head's Hollywood, she also provides San Bernardino as her birthplace.[17]The five foot, 1 1/4-inch tall designer, who began her career by outfitting an elephant in cloth-of-gold for a 1923 silent movie, had admitted to being in her 70s, and also more cheerfully, to lying about her age. But acquaintances reckoned her to be about 80, or even older... Head’s versions of her youth and past were sketchy, and almost as numerous as the people she told them to. She had variously claimed to have been born in Mexico; in Arizona; in Searchlight, Nev; in Hollywood and in San Bernardino, where she claimed a courthouse fire destroyed her birth records.[6]
- ^ Shared with Dorothy Jeakins, Elois Jenssen, Gile Steele, and Gwen Wakeling.
- ^ Shared with Walter Plunkett.
References
[edit]- ^ a b c d e Duka, John (October 27, 1981). "Edith Head, Fashion Designer for the Movies, Dies". The New York Times. ISSN 0362-4331. Archived from the original on April 7, 2025.
- ^ a b c "Most credited costume designer". Guinness World Records. Archived from the original on December 29, 2025.
- ^ a b c Henderson, Amy (July 6, 2010). "Designing Woman: Edith Head in Hollywood". National Portrait Gallery. Smithsonian Institution. Archived from the original on December 29, 2025.
- ^ a b Shenton, Mark (July 25, 2008). "Arts Theatre Shutters; Edith Head Will Now Play the Leicester Square Theatre". Playbill. Retrieved December 29, 2025.
- ^ a b Smith, Olivia. "Women Find Favor With Coast Guard Fashion" (PDF). U.S. Coast Guard Historian’s Office. Archived (PDF) from the original on December 19, 2024.
- ^ a b c Morrison, Pat (October 27, 1981). "From the Archives: Edith Head, Designer Who Dressed Film Greats, Dies". Los Angeles Times. Archived from the original on December 30, 2025.
- ^ "Edith Head, designer of film costumes, dies". The San Bernardino County Sun. October 27, 1981. p. 1 – via Newspapers.com.
- ^ a b "Costume Designer Edith Head Dies". The Tampa Tribune. October 27, 1981. p. 7D – via Newspapers.com.
- ^ "Designer Edith Head dies of rare disease". Montreal Gazette. October 27, 1981. p. 59 – via Newspapers.com.
- ^ a b c d e f g h i j LoBianco, Lorraine (November 22, 2005). "Edith Head Profile". Turner Classic Movies. Archived from the original on December 30, 2025.
- ^ "Edith Head". Encyclopædia Britannica. Archived from the original on January 1, 2026.
- ^ a b c "Edith Head Papers, 1934-1965". Wisconsin Historical Society. University of Wisconsin–Madison. Archived from the original on December 29, 2025.
- ^ Tangcay, Jazz (October 28, 2020). "Sandy Powell, Trish Summerville and More on Why Edith Head's Influence Continues to Resonate". Variety. Archived from the original on January 1, 2026.
- ^ a b Bauer 2018, p. 81.
- ^ a b c d e Chierichetti 2003, p. 2.
- ^ Naylor 1990, p. 242.
- ^ Head 1983, p. xi.
- ^ Chierichetti 2003, pp. 3–5.
- ^ a b Chierichetti 2003, p. 3.
- ^ a b c Ware 2004, p. 284.
- ^ a b c d Jorgensen 2010, p. 14.
- ^ a b Jorgensen 2010, p. 16.
- ^ Chierichetti 2003, p. 6.
- ^ Jorgensen 2010, p. 18.
- ^ Chierichetti 2003, pp. 7–8.
- ^ Leese 1991, p. 50.
- ^ Leese 1991, p. 45.
- ^ a b Head 1983, p. 59.
- ^ "The 21st Academy Awards - 1949". Academy Awards. Archived from the original on November 12, 2014.
- ^ Meltzer, Marisa (September 19, 2013). "Get Me Wardrobe!". The New York Times. p. E1.
- ^ Jorgensen 2010, p. 45.
- ^ Wakefield, Thirza (October 20, 2015). "The same cloth: Edith Head and Alfred Hitchcock". British Film Institute. Archived from the original on December 30, 2025.
- ^ a b c Chierichetti 1976, p. 70.
- ^ "Clothes Make the Character: Costume Collaborations of Edith Head and Alfred Hitchcock". The Missouri Review. 44 (2): 17–29. Summer 2021. doi:10.1353/mis.2021.0020. S2CID 243131125 – via Project MUSE.
- ^ Groucho Marx - You Bet Your Life (October 22, 2013). "You Bet Your Life #54-21 Edith Head, Hollywood costume designer ('Foot', Feb 3, 1955)". Archived from the original on December 12, 2021 – via YouTube.
- ^ Chierichetti 1976, p. 165.
- ^ Steele 2005, pp. 191–192.
- ^ Jorgensen 2010, p. 367.
- ^ a b c Maxford 2018, p. 387.
- ^ a b Jorgensen 2010, p. 383.
- ^ Chierichetti 1976, pp. 60–61.
- ^ a b Chierichetti 1976, p. 61.
- ^ a b Edith Head (1978). Videofashion Vault. Archived from the original on November 16, 2024 – via YouTube.
- ^ Alston & Dixon 2014, p. 10.
- ^ "Head, Edith (1897–1981)". Encyclopedia.com. Cengage Gale. Archived from the original on December 29, 2025.
- ^ Alston & Dixon 2014, p. 4.
- ^ a b "Edith Head". Hollywood Walk of Fame. Hollywood Chamber of Commerce. Archived from the original on December 31, 2025.
- ^ a b Morrison, Pat (October 29, 1981). "Mourners Fill Church for Edith Head Rites". Los Angeles Times. pp. 1, 14 – via Newspapers.com.
- ^ a b Jorgensen 2010, p. 359.
- ^ Scott, Vernon (October 28, 1981). "Edith Head, who dressed more stars than any designer..." United Press International. Archived from the original on December 29, 2025.
- ^ Ellenberger 2001, p. 54.
- ^ Fishko, Sara (February 25, 2011). "Edith Head". WNYC. Archived from the original on December 30, 2025.
- ^ Jorgensen 2010, p. 34.
- ^ a b c Valdez, Maria G. (October 28, 2013). "Google Doodle Honors Edith Head; Which 5 Latinas Did This Hollywood Designer Dress?". Latin Times. Archived from the original on December 31, 2025.
- ^ Head 1983, p. 22.
- ^ Head 1983, p. 170.
- ^ Shelley 2010, p. 114.
- ^ Head 1983, p. 208.
- ^ Lim 2006, p. 81.
- ^ a b Chierichetti 1976, p. 58.
- ^ Head 1983, p. 180.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag "Edith Head Credits". AFI Catalog of Feature Films. American Film Institute. Archived from the original on December 30, 2025.
- ^ Smith 1973, p. 147.
- ^ Head 1983, p. 54.
- ^ "Fred Astaire as Ted Hanover (George Washington) in 'Holiday Inn' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on June 7, 2023.
- ^ "Marjorie Reynolds as Linda Mason in 'Holiday Inn' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on September 9, 2025.
- ^ Parish 1994, p. 351.
- ^ Cosgrove, Jenna (April 28, 2016). "Edith Head: Dress for Success". The 8 Percent. Archived from the original on December 31, 2025.
- ^ Brackett 2014, p. 253.
- ^ Smith 1973, p. 328.
- ^ a b Chierichetti 1976, p. 86.
- ^ "Betty Hutton as Pearl White in 'The Perils of Pauline' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on December 31, 2025.
- ^ "Alan Ladd as Cadette "Rocky" Gilman in 'Beyond Glory' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on December 31, 2025.
- ^ a b Head 1983, p. 112.
- ^ Chierichetti 1976, p. 117.
- ^ "Barbara Stanwyck as Vance Jeffords in 'The Furies' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on December 31, 2025.
- ^ a b c Chierichetti 1976, p. 68.
- ^ Jorgensen 2010, p. 170.
- ^ "Joan Fontaine as Jenny Carey in 'Something to Live For' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on December 31, 2025.
- ^ "Janet Leigh as Bess Houdini in 'Houdini' Designed by Edith Head". The Collection of Motion Pictures Costume Design. Archived from the original on December 31, 2025.
- ^ "Agnes Moorehead as Mrs. Edmonds in 'Those Redheads From Seattle' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on October 10, 2025.
- ^ Jorgensen 2010, pp. 190–195.
- ^ Jorgensen 2010, pp. 196–201.
- ^ Jorgensen 2010, p. 206.
- ^ a b Jorgensen 2010, pp. 209–211.
- ^ "Grace Kelly as Lisa Carol Fremont in 'Rear Window' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on December 31, 2025.
- ^ Jorgensen 2010, p. 225.
- ^ a b Jorgensen 2010, p. 236.
- ^ Jorgensen 2010, pp. 228–230.
- ^ Jorgensen 2010, pp. 238–241.
- ^ "Anne Baxter as Lorna in 'Three Violent People' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on December 31, 2025.
- ^ Jorgensen 2010, p. 246.
- ^ Jorgensen 2010, pp. 249–253.
- ^ Chierichetti 1976, p. 71.
- ^ Jorgensen 2010, p. 262.
- ^ Jorgensen 2010, pp. 186–187.
- ^ Jorgensen & Scoggins 2015, pp. 63, 127.
- ^ Head 1983, p. 101.
- ^ Jorgensen 2010, p. 265.
- ^ Jorgensen 2010, p. 288.
- ^ Jorgensen 2010, pp. 291–292.
- ^ a b Jorgensen 2010, p. 305.
- ^ Jorgensen 2010, p. 300.
- ^ "Brilliant at 'transforming people' says Tippi Hedren of Edith Head". Artsmeme. October 2, 2014. Archived from the original on December 30, 2025.
- ^ Jorgensen 2010, p. 319.
- ^ a b Leese 1991, p. 53.
- ^ McDonagh 2021, p. 256.
- ^ Alston & Dixon 2014, p. 84.
- ^ Head 1983, p. 225.
- ^ "Designing Gal". Longview Daily News. June 4, 1965. p. 2 – via Newspapers.com.
- ^ "Friday's Highlights And Previews". Times Recorder. February 1, 1969. p. 19 – via Newspapers.com.
- ^ Jorgensen 2010, p. 322.
- ^ Chierichetti 1976, p. 94.
- ^ Jorgensen 2010, p. 336.
- ^ Jorgensen 2010, p. 340.
- ^ "Paul Newman Costume Design Sketch by Edith Head from "Butch Cassidy and the Sundance Kid"". Christie's. July 19, 2001. Archived from the original on January 1, 2026.
- ^ "Katharine Ross Costume Design Sketch by Edith Head from "Butch Cassidy and the Sundance Kid"". Christie's. July 19, 2001. Archived from the original on January 1, 2026.
- ^ Jorgensen 2010, p. 344.
- ^ Kellogg 2002, p. 145.
- ^ a b Jorgensen 2010, p. 368.
- ^ Leese 1991, p. 167.
- ^ Jorgensen 2010, pp. 370–371.
- ^ a b Head 1983, p. 157.
- ^ Jorgensen 2010, p. 378.
- ^ Greven 2013, p. 223.
- ^ Jorgensen 2010, p. 384.
- ^ "Steve Martin as Rigby Reardon in 'Dead Men Don't Wear Plaid' Designed by Edith Head". The Collection of Motion Picture Costume Design. Archived from the original on December 31, 2025.
- ^ Maltin 2003, p. 855.
- ^ "The Pleasure of His Company – Credits". AFI Catalog of Feature Films. American Film Institute. Archived from the original on December 30, 2025.
- ^ Jorgensen 2010, p. 339.
- ^ Williams, Rob (October 28, 2013). "Google Doodle Celebrates Oscar Award Winning Hollywood Costume Designer Edith Head". The Independent. independent.co.uk. Retrieved October 29, 2013.
- ^ Osborne 1999, p. 110.
- ^ Osborne 1999, p. 115.
- ^ a b Osborne 1999, p. 119.
- ^ Osborne 1999, p. 123.
- ^ a b Osborne 1999, p. 127.
- ^ Osborne 1999, p. 130.
- ^ Osborne 1999, p. 134.
- ^ a b Osborne 1999, p. 139.
- ^ Osborne 1999, p. 142.
- ^ Osborne 1999, p. 143.
- ^ Osborne 1999, p. 147.
- ^ Osborne 1999, p. 156.
- ^ a b Osborne 1999, p. 160.
- ^ a b Osborne 1999, p. 164.
- ^ Osborne 1999, p. 169.
- ^ a b Osborne 1999, p. 173.
- ^ a b c Osborne 1999, p. 176.
- ^ a b Osborne 1999, p. 181.
- ^ a b Osborne 1999, p. 184.
- ^ Osborne 1999, p. 189.
- ^ Osborne 1999, p. 211.
- ^ Osborne 1999, p. 214.
- ^ Osborne 1999, p. 226.
- ^ Osborne 1999, p. 234.
- ^ Osborne 1999, p. 242.
- ^ "Film in 1976". British Academy Film Awards. Archived from the original on April 29, 2014.
Sources
[edit]- Alston, Isabella; Dixon, Kathryn (2014). Edith Head. Charlotte, North Carolina: TAJ Books International. ISBN 978-1-844-06389-5.
- Bauer, Laura L. S., ed. (2018). Hollywood Heroines: The Most Influential Women in Film History. Santa Barbara, California: Greenwood Publishing. ISBN 978-1-440-83649-7.
- Brackett, Charles (2014). "It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age. New York City, New York: Columbia University Press. ISBN 978-0-231-53822-0.
- Commire, Anne Commire; Klezmer, Deborah Klezmer (2000). Women in World History: Harr-I. Waterford, Connecticut: Yorkin Publications. ISBN 978-0-7876-4066-8.
- Chierichetti, David (1976). Hollywood Costume Design. New York City, New York: Harmony Books. ISBN 978-0-517-52637-8.
- Chierichetti, David (2003). Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer. New York City, New York: HarperCollins. ISBN 978-0-060-19428-4.
- Ellenberger, Allan R. (2001). Celebrities in Los Angeles Cemeteries: A Directory. Jefferson, North Carolina: McFarland & Company. ISBN 978-0-786-45019-0.
- Greven, David (2013). Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin. Austin, Texas: University of Texas Press. ISBN 978-0-292-74202-4.
- Head, Edith (1983). Edith Head's Hollywood. New York City, New York: Dutton. ISBN 978-0-525-24200-0.
- Head, Edith; Ardmore, Jane Kesner (1959). The Dress Doctor. Boston, Massachusetts: Little, Brown. OCLC 978259.
- Head, Edith; Hyams, Joe (1967). How to Dress for Success. New York: Random House. LCCN 66012021.
- Maltin, Leonard (2003). Leonard Maltin's Movie and Video Guide 2004. New York City, New York: Penguin. ISBN 978-0-452-28478-4.
- Jorgensen, Jay (2010). Edith Head: The Fifty-Year Career of Hollywood's Greatest Costume Designer. Philadelphia, Pennsylvania: Running Press. ISBN 978-0-762-43805-1.
- Jorgensen, Jay; Scoggins, Donald L. (2015). Creating the Illusion: A Fashionable History of Hollywood Costume Designers. Philadelphia, Pennsylvania: Running Press. ISBN 978-0-762-45807-3.
- Kellogg, Ann T. (2002). In an Influential Fashion: An Encyclopedia of Nineteenth- and Twentieth-Century Fashion Designers and Retailers Who Transformed Dress. New York City, New York: Bloomsbury. ISBN 978-0-313-31220-5.
- Leese, Elizabeth (1991). Costume Design In the Movies: An Illustrated Guide to the Work of 157 Great Designers. New York City, New York: Dover Publications. ISBN 978-0-486-26548-3.
- Lim, Shirley Jennifer (2006). A Feeling of Belonging: Asian American Women's Public Culture, 1930-1960. New York City, New York: New York University Press. ISBN 978-0-814-75194-7.
- McDonagh, Fintan (2021). Edward Dmytryk: Reassessing His Films and Life. Jefferson, North Carolina: McFarland & Company. ISBN 978-1-476-64314-4.
- Maxford, Howard (2018). Hammer Complete: The Films, the Personnel, the Company. Jefferson, North Carolina: McFarland & Company. ISBN 978-1-476-62914-8.
- Naylor, Colin (1990). Contemporary Designers. Chicago, Illinois: St. James Press. ISBN 978-0-912-28969-4.
- Osborne, Robert (1999). 70 Years of the Oscar: The Official History of the Academy Awards. New York City, New York: Abbeville Press. ISBN 978-0-789-20484-4.
- Parish, James Robert (1994). Ghosts and Angels in Hollywood Films: Plots, Critiques, Casts, and Credits for 264 Theatrical and Made-for-Television Releases. Jefferson, North Carolina: McFarland & Company. ISBN 978-0-899-50676-0.
- Shelley, Peter (2010). Frances Farmer: The Life and Films of a Troubled Star. Jefferson, North Carolina: McFarland & Company. ISBN 978-0-7864-4745-9.
- Smith, Ella (1973). Starring Miss Barbara Stanwyck. New York City, New York: Crown Publishing Group. ISBN 978-0-517-50602-8.
- Steele, Valerie, ed. (2005). Encyclopedia of Clothing and Fashion. Vol. 2. Detroit, Michigan: Charles Scribner's Sons. ISBN 978-0-684-31396-2.
- Ware, Susan (2004). Notable American Women: A Biographical Dictionary Completing the Twentieth Century. Cambridge, Massachusetts: Belknap Press. ISBN 978-0-674-01488-6.
External links
[edit]- Edith Head at IMDb
- Edith Head at FMD
- Edith Head at Find a Grave
- Edith Head papers, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
- 1897 births
- 1981 deaths
- American costume designers
- American people of Austrian-Jewish descent
- American people of German-Jewish descent
- American women costume designers
- Artists from Los Angeles
- Best Costume Design Academy Award winners
- Burials at Forest Lawn Memorial Park (Glendale)
- California people in design
- Catholics from California
- Catholics from Nevada
- Converts to Roman Catholicism from Judaism
- Fashion designers from Los Angeles
- Jewish American film people
- Jewish fashion designers
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- Otis College of Art and Design alumni
- People from Hollywood, Los Angeles
- People from Redding, California
- People from San Bernardino, California
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- Stanford University alumni
- UC Berkeley College of Letters and Science alumni
- 20th-century American Jews
- 20th-century American women