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Post-Digital Crafts
[edit]Introduction
[edit]Post-Digital Crafts refers to contemporary creative practices that merge traditional craft techniques with digital technologies and post-digital aesthetics.[1] Emerging in the early 21st century, the movement reflects a critical engagement with the handmade in an era dominated by digital production.[2] Post-Digital Crafts artists and makers frequently combine computational techniques like digital modelling, algorithmic design, and 3D printing with traditional crafts like weaving, pottery, carpentry, and embroidery.[1] The movement overlaps conceptually with Post-Internet Art and the Maker Movement, but remains distinct in its emphasis on the tactile, the cultural, and the artisanal within post-digital contexts.[3]
Origins
[edit]Post-digital crafts originated from the gradual entanglement of digital tools, networked culture, and embodied creative practices.[4] The origins of post-digital crafts are a result of the growing interconnection between digital technologies along with education, creative expression, and daily life.[1] They were a result of the influence of posthumanist and actor-network theory perspectives, which recognized the co-agency of humans, tools, materials, and networks.[1] Within this framework, craft is redefined as a hybrid, adaptive, and critical practice that reflects the intricate realities of a digitally saturated world, rather than as a form of resistance to digital culture.[2]
Characteristics
[edit]Post-digital crafts are marked by the integration of digital technologies with traditional craft values, emphasizing the legibility of human labor within technologically mediated production. The movement critically engages with the digital, upholding socio-political concerns inherited from historical craft movements such as the Arts and Crafts movement. Rather than rejecting technology, post-digital craft practitioners employ it in ways that support creative autonomy and resist alienation caused by industrial automation.[5][6]
Techniques
[edit]Techniques used in post-digital crafts include a blend of digital fabrication (such as CNC milling and 3D printing) with tactile digital tools like drawing tablets. These practices maintain an emphasis on materiality and the embodied role of the maker. Tools such as iPads and styluses are used to craft detailed, expressive digital drawings that reflect individual craftsmanship. Other methods include parametric modeling, digital collage, and hybrid manual-digital workflows that retain human authorship in the design and fabrication processes.[6]
Notable Artists
[edit]Artists associated with Post-Digital Crafts include Stephanie Syjuco, Morehshin Allahyari, Faith Holland, Annie Bissett, Kirsty Whitlock, Nick Cave, and Caroline Woolard. Their work merges traditional craft practices such as sewing, embroidery, printmaking, and woodworking with digital technologies like 3D printing, algorithmic design, and augmented reality.
Exhibitions
[edit]Major exhibitions such as those held at the International Symposium on Electronic Art (ISEA) and the San Francisco Museum of Modern Art (SFMOMA) highlight the role of post-digital crafts in contemporary art. These exhibitions showcase works that blend digital technology with traditional craft, emphasizing themes of human agency, cultural context, and material engagement.[7][8]
References
[edit]- ^ a b c d Berry, David M., and Michael Dieter, eds. Postdigital Aesthetics: Art, Computation and Design. Palgrave Macmillan, 2015. [1]
- ^ a b Paul, Christiane. "Postdigital Visual Arts." In Springer Handbook of Digital Humanities, 2023. [2]
- ^ "What’s After Post-Internet Art?" Spike Art Magazine. [3]
- ^ Lindstrand, Fredrik, et al. "Cultural Sustainability and (Post-)Digital Transformations in the Arts." In Postdigital Science and Education, 2021. [4]
- ^ Tavin, Kevin; Kolb, Gila; Tervo, Juuso (Eds.). Post-Digital, Post-Internet: Art and Education – The Future is All-Over. Palgrave Macmillan, 2021.
- ^ a b Alford, Grant. "Arts & Crafts (and iPads): Digital Craft and Political Economy." In: ACSA 109th Annual Meeting Proceedings, 2021.
- ^ ISEA 2024 – Online Creative Works
- ^ SFMOMA Exhibition: Art of Noise, Wallpaper Magazine, 2023