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Oxana Yablonskaya

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Oxana Yablonskaya (Vorlage:Lang-ru; born December 6, 1938, Moscow) is a Russian pianist who has had an active international performance career since the early 1960s. She began her career in the USSR and, although winning several important competitions in the West, was denied permission by the Soviet government to accept any performance engagements outside of the Soviet bloc. Frustrated by her career limitations, she emigrated to the United States in 1977.[1] Described by The New York Times as an "internationally known virtuoso" and "one of the country's most distinguished musical residents",[2] Yablonskaya has toured in concert and recital throughout the world and has made numerous recordings. She taught as a member of the piano faculty at the Juilliard School for more than 30 years, until 2009.

Life

Born in Moscow in a Jewish family, Yablonskaya was a pupil of pianist Anaida Sumbatyan at the The Moscow Central School for the Gifted where she studied from the ages of six through sixteen. She then pursued further studies in her native city with Alexander Goldenweiser at the Moscow Conservatory. She continued her stufies in Doctorate Program with Tatiana Nikolayeva]]. After graduating from the conservatory in 1965, she joined the school's piano faculty as Assistant to Nikolaeva. She went on to win top prizes in the Marguerite Long-Jacques Thibaud Competition]] in 1963, Rio de Janeiro Piano Competition in 1965 and the Vienna Beethoven Competition in 1969.

Yablonskaya was invited to perform with orchestras and in concert halls in the West during the 1960s and 1970s, but was never allowed to accept the engagements by the Soviet Government. She also performed throughout the USSR and made numerous recordings on the Melodya label. She was named a "Soloist of the Moscow Philharmonic" and was also highly active as a soloist with the Bolshoi Orchestra.

In 1975 Yablonskaya, along with her father and son, applied for a visa to emigrate to the United States, a move which caused her to be fired from her post at the Moscow Conservatory and which blacklisted her from all concert venues in the USSR. She waited for over two years to obtain a visa which was approved largely due to a petition which had been organized by American composers, conductors,musicians,movie actors,writers and senators such as Leonard Bernstein,Stephen Sondheim,Kathryn Hepburn,Shelley Winters, Norman Meiler and many others. The family came to New York City in 1977 and later that year Yablonskaya gave a critically acclaimed recital at Carnegie Hall. This launched her career in the west, and she went on to appear with many of the world's finest symphony orchestras. As recording artist, Oxana Yablonskaya recorded for labels such as Melodiya, Connoisseur Society, Naxos, Bel Air, Pro Piano. Mme. Yablonskaya is the Winner of Grand Prix du Disque from the Liszt Society in Budapest for her recording of music by Schubert-Liszt and Liszt. Oxana Yablonskaya is an Honorary Academician of the International Academy of the Arts at the United Nations, International Academy of the Arts in San Francisco and Independent Academy of Liberal Arts at the Russian Academy of Sciences. She is recipient of the Einstein Medal for Outstanding Achievements in the Arts.

Yablonskaya's son, Dimitri Yablonsky, has become a noted cellist. Educated at Juilliard, he has become principal cellist of the Bergen Symphony Orchestra in Norway,[1] and they have given mother and son recitals to critical acclaim.[3][4] The two have also been joined in concert by Oxana's clarinetist-husband Alexander Volchonok.[5][6]

References

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  1. a b A. Kozinn: Piano and Cello en Famille In: The New York Times, November 18, 1990. Abgerufen im October 30, 2010 
  2. R. Sherman: Yablonskaya to Join Orchestra in Rye In: The New York Times, October 4, 1998. Abgerufen im October 30, 2010 
  3. R. Sherman: Mozart Bicentennial Still Inspires Programs In: The New York Times, October 13, 1991. Abgerufen im October 30, 2010 
  4. R. Sherman: Grant Backs Free Pops in the Park In: The New York Times, June 30, 1996. Abgerufen im October 30, 2010 
  5. R. Sherman: From Caramoor to Mahler: So Many Festivals, So Little Time In: The New York Times, July 28, 2002. Abgerufen im October 30, 2010 
  6. R. Sherman: Sounds of Summer Begin Fading Away In: The New York Times, July 27, 2003. Abgerufen im October 30, 2010