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Lily Yeh

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Lily Yeh (* 1941 in Guizhou, China) ist eine vielfach mit Preisen ausgezeichnete amerikanische Künstlerin und Professorin für Malerei und Kunstgeschichte mit chinesischen Wurzeln. Bekannt wurde sie vor allem durch gemeinsame Projekte mit Künstlern und Bewohnern in sozialen Brennpunkten in vielen Ländern.

Erste Jahre

Lily Yeh wuchs in Taiwan auf und studierte zunächst an der Nationaluniversität von Taiwan traditionelle chinesische Malerei. 1963 ging sie in die USA, um sich an der renommierten School of Design der Universität von Pennsylvania weiterzubilden. Von 1968 bis 1998 lehrte sie Malerei und Kunstgeschichte an der Kunstakademie in Philadelphia (University of the Arts (Philadelphia).[1] Sie heiratete den US-amerikanischen Architekten David S. Traub. Mit ihrem Sohn Daniel arbeitete sie bei einzelnen Projekten zusammen.

Dorf der Künste

[2]</ref> As founder and executive director of The Village of Arts and Humanities in North Philadelphia from 1968 to 2004, she helped create a national model in creative place-making and community building through the arts. In 2002, Yeh pursued her work internationally, founding Barefoot Artists, Inc., to bring the transformative power of art to impoverished communities around the globe through participatory, multifaceted projects that foster community empowerment, improve the physical environment, promote economic development and preserve indigenous art and culture. In addition to the United States, she has carried out projects in several other countries.

She is the subject of the feature-length documentary film The Barefoot Artist directed by Glenn Holsten and Daniel Traub.[2][3] Yeh has been included in the Asian American Arts Centre's artasiamerica digital archive.

Projects

The Village of Arts and Humanities

Lily Yeh co-founded The Village of Arts and Humanities in 1989. The project began as a simple park-building project in North Philadelphia in 1986 involving neighborhood children, and developed into a private, nonprofit, community-based organization dedicated to neighborhood revitalization through the arts.[4] By 2004, the Village had become a professional organization with an annual budget of $1.3 million and a dedicated staff of sixteen full-time and ten part-time employees including a four-person construction crew. During the last decade of her sojourn, the organization has yearly served over thousands of low-income, primarily African-American youth and families, covering several neighborhoods within a 260 square block area in North Philadelphia and transformed more than 120 vacant lots into gardens and parks.[5] They have also renovated vacant homes, creating art workshops, a youth theater and educational programs.[6]

The Village received many national awards including the Coming Up Taller Award from the President's Committee on Arts and Humanities and the National Endowment for the Arts, Washington, D.C. in 2000 and the gold medal Rudy Bruner Award for Urban Excellence from the Bruner Foundation in Cambridge, MA in 2001. In 2003, the Village received a Commonwealth of Pennsylvania Governor's Award for Environmental Excellence. In 2007, The Village received the prestigious Champion in Action from Citizens Bank for its building community through the arts effort since 1986. In 2004, Yeh left the Village of Arts and Humanities to pursue other work internationally.[7]

American Visionary Art Museum, Baltimore

In 2005, Yeh was invited as guest curator by the American Visionary Art Museum. She introduced and curated the wall-sized papercut pieces by the late Chinese folk artist Ku Shu-Lan in the exhibition Race, Class, Gender ≠ Character at AVAM. Rebecca Alban Hoffberger, Director and Founder of the Museum dedicated its 11th mega-exhibition to Lily Yeh because “her work so artfully and lovingly transcends race, class, nationality and gender.”[8]

Eine Brücke über Barrieren: Salt Lake City, Utah

Auf Einladung einer Nachbarschafts-Initiative aus Salt Lake City leitete Yeh von 2005 bis 2009 das bis dahin größte öffentliche Gemeinschafts-Kunstprojekt im US-Bundesstaat Utah. Nach ihren Vorschlägen verwandelten 25 örtliche Künstler und rund 1500 Erwachsene und Kinder der Umgebung ein riesiges Viadukt über eine Autobahn mit zehn Fahrspuren in ein fröhlich anzusehendes buntes Bauwerk.

Urban Alchemy, Milwaukee, Wisconsin

The Urban Alchemy Project led by Lily Yeh since 2014 began a dialogue to address racial inequality, separation, segregation, brokenness, poverty, lack of community-driven solutions, disempowerment and isolation. The projects aims to allow residents to see how art can help to heal and create as well as participate in a process within a unique environment that bridges neighborhoods. Lily Yeh co-created with artists, neighborhood residents, children, and volunteers on an art installation that transformed a sterile and unfrequented urban space — Holton Viaduct Swing Park — into a colorful and jubilant place. Urban Alchemy also worked with The City’s Department of Public Works to grant permission and timeline for community based installations.

Ecuador - Art projects in Salinas and Ambato

In 2000, Lily Yeh traveled to Ecuador with artist Andres Chamorro to conduct workshops in visual and performing arts for youths and adults from different communities in the highlands of Ecuador, including Quito, Salinas, and Ambato. In addition, they created a “Tree of Life” mural for the Ambato Special School for handicapped children.

Haiti, das Lebensbaum-Projekt Cité Soleil

Baracken in Cité Soleil

Im Jahr 2010 organisierte Lily Ye in einem Flüchtlingslager in der Cité Soleil - dem ausgedehntesten Slum am Rande von Port au Prince – künstlerische Projekte. Kinder und behinderte Erwachsene zeichneten Selbstporträts und bemalten Stangen mit bunten Erinnerungen. Gemeinsam verwandelten Yeh und die Bewohner eine zerstörte Mauer zu einem mit dem haitianischen Lebensbaum geschmückten naiven Kunstwerk

Kenya – Projekt in Korogocho, Nairobi

In den Jahren 1993/94 arbeitete Lily Yeh auf Einladung eines örtlichen Kunstzentrums und der Katholischen Kirche St. John schwerpunktmäßig in Korogocho, einem der trostlosesten Slums von Nairobi. Mit Kindern und Erwachsenen der Gemeinde gestaltete sie zunächst einen heruntergekommenen Friedhof am Rande einer Mülldepionie um zu einer bunt bemalten Gartenanlage. Ende der 90er Jahre folgte eine Zusammenarbeit mit dem US-amerikanischen Sozialprojekt Village of Arts and Humanities und einigen Künstlern aus Korogocho und Nairobi . Es entstand ein zweijähriges Kunstprogramm für rund 200 Straßenkinder in Korogocho. Im Jahr 2004 beiteiligte sich Yeh mit Workshops für Hunderte von Jugendlichen an einem HIV/Aids Präventionsprogramm in Korogochu und fünf angrenzenden Gemeinden. 2007 wurde die Arbeit gemeinsam mit Sozialarbeitern der St. Johns Gemeinde fortgesetzt.

Ivory Coast - The Niemassou Art Project

In 1998, Yeh and theater director German Wilson worked together to conduct painting and performance workshops at Niemassou, a tiny rural village outside of Odienne in the Northwest corner of Ivory Coast.

Ghana - Jamestown public square transformation project

Traveling to Accra, Ghana in 2002, Yeh collaborated with educator Heidi Owu and community leaders to carry out a land transformation project in an impoverished neighborhood in Jamestown,[9] located in the old section of the capital city Accra. The project engaged hundreds of children and adults in transforming a bleak courtyard into a public space full of patterns and colors.

Barefoot Artists

In 2003, Lily Yeh founded the non-profit organization Barefoot Artists Inc. Using the same concept and model used in Philadelphia, the Barefoot Artists work to train and empower local residents, organize communities, and take action to use the power of art to transform impoverished communities. Recently, Yeh has worked on projects in ten countries including Ruanda, Kenya, Ecuador, and China.[10] She discusses her work at the Dandelion School in Beijing, China in her book Awakening Creativity (New Village Press, 2010).


Ruanda – Das Rugerero Genocide Memorial

Im Rahmen der Barefoot Artists Inc. arbeitete Lily Yeh in Ruanda, einem der ärmsten Länder Afrikas, mit und für Überlebende von Krieg (1990) und Völkermord (1994). Im Jahr 2004 entwarf sie einen Rugerero Genocide Memorial Monument Park − einen Park in Rugerero mit einem Mahnmal zum Gedenken an den Völkermord. 2005 wurde der Park mit tatkräftiger Unterstützung von mehreren hundert Dorfbewohnern gebaut.[11] Mit Unterstützung befreundeter Organisatoren startete Yeh in der Folge mehrere Programme unter dem Motto: Versöhnung, Bildung und Beschäftigung. Ziel war es, Überlebende der Kriegsereignisse mit finanziellen Mitteln, Werkzeugen und Unterweisung in moderne Techniken auszustatten, um sie zu befähigen, sich und ihre Familien in Zukunft besser versorgen zu können.

China

Invited by the Chinese Cultural Ministry during the 80’s, Yeh conducted lecture tours in twelve cities including Peking, Tientsin, Chongqing, Hongzhou, Shouzhou, Wuhan, and Uramchi. In 1984, she assisted the city of Philadelphia in establishing a multi-leveled cultural exchange program with its sister city Tianjin in China. In 1986, as a visiting artist, she presented a series of lectures in Lhasa, Tibet. In 1987, she participated in the renowned Yellow River Region Folk Art Expedition conducted by the Central Institute of Fine Arts in Beijing. In 2003, returned to China and conducted art workshops with the students in a remote village 2 hours north of Beijing. In 2004, returned to Beijing to work with senior citizens, and also led a mural painting project involving numerous youth and adults at Xin Chih Elementary School for children of migrant workers

The Dandelion School Transformation Project, Beijing

Working with Zheng Hong, the Principal of Dandelion Middle School, Yeh launched the Dandelion Transformation Project in 2005. Situated on the outskirts of Beijing, Dandelion School provides educational opportunities for the children of migrant workers living at the bottom strata of the society. The project engaged the entire school community of 670 members - students, teachers, staff, and volunteers, in a co-creative process to transform the formerly sterile and bleak school environment into a place of beauty and joy and a place that inspires learning, creativity and exploration.

The Chi Chong School Mosaic Mural Project, Taipei

Invited in 2004 by The Culture Ministry of Taipei to participate in its Public Art Forum and Festival, Yeh was commissioned to create a mural for a five-story building located in Chi Chong School for handicapped and hearing-impaired children. Engaging art teachers and students in the design process, Yeh incorporated many of the images emerged from the art workshops in her design for the mural. The curator of the project mobilized the Chi Chong school community, a tile making factory and volunteers from all sectors of life to participate in the making of the mural. Over 400 people from different cities in Taiwan took part in the project, which was among the top nominees for a prestigious 2005 public art award in Taiwan.

Taiwan, The Painted Labyrinth Project, Hua Lian

Lily Yeh designed and led the installation of a 150-meter diameter labyrinth containing 200 pieces of 10 foot tall painted drift wood at the foothills of the Hua Don Mountains on the east coast of Taiwan. This installation is one of the eight environmental sculptures commissioned by the Masadi – Green Wonder, an international art project and exhibition sponsored by the Hualien Forestry Department. The project engaged the participation of 300 school children of the indigenous Ahmei Tribe and 200 senior citizens and volunteers.

Taiwan – Revitalization and Preservation Project in Taitung County

The Chong An and Da Niao villages are located in the remote mountainous area in Taitung County at the south-east coast of Taiwan. Like other Taiwanese aboriginal tribes, the Ah Mei and Paiwan people have been persecuted through generations. Their land was appropriated driving the communities further and further to the remote shores and mountains of Eastern Taiwan. Around 2005, a group of activist citizens began to put their attention to these aboriginal tribes of Taiwan to save the culture and tradition of the villages through education, agriculture, and economic initiatives. To make their effort more visible, Lily Yeh was invited to participate in 2012. During her two-week visit, Yeh conducted workshops that used storytelling, art, collaborative design, and mural painting to jumpstart the project. Through the process, local artists and leaders emerged lifting the community spirit. The work continued throughout the year. In Da Niao village, participants have completed the transformation of a derelict and forgotten building into a colorful structure decorated with totem images of the Paiwan tribe and idyllic landscapes. The project imbued the tribe people with new pride and hope.

In Chong An village, the activist group converted a run-down traditional structure and its surroundings into a vibrant environment, brightened up by images that emerged from the workshops in which children and adults worked together. The three-year project made the place visible and helped the villagers to bond in a new way.

Taiwan, Awakening Creativity Project, An Kang

Located on the outskirts of Taipei, the An Kang neighborhood has deteriorated due to the concentration of low-income residents. In 2013, Lily Yeh led a three-day workshop for children and adults living in An Kang public housing in a poor and neglected area to imagine and create together their re-developed community through story-sharing and art. The result was presented to the Urban Redevelopment Department of Taiwan University which oversaw the An Kang redevelopment project for the city of Taipei.[12]

Damaskus, Kinder-Kunstprojekt

Während eines Besuchs bei irakischen Flüchtlingen in Jordanien und Syrien initiierte Lily Yeh gemeinsam mit Noor Sheik und Mitgliedern des Roten Halbmondes einen Workshop im Al Tiijari Park in Damaskus. Die Gruppe lud rund zwanzig Kinder und einige ihrer Eltern ein, um sie zum Fotografieren, Zeichnen, Malen und Geschichtenerzählen zu motivieren. Nach den Zeichnungen erschufen die Kinder ein großes, farbenfrohe Gemälde. Yeh fertigte aus Porträtfotos der Kinder, ihren Geschichten und kleinen Kunstwerken ein farbenfrohes Buch. Es wurde 2008 in Peking ausgestellt und schließlich dem Dorf der Künste und Menschlichkeit nach Philadelphia als Anschauungsmaterial übereignet.

Westjordanland, Flüchtlingscamps

Balata

Ein Kunstprojekt führte Lily Yeh in das größte Flüchtlingslager im Westjordanland, Balata. Dort, angrenzend an Nablus, leben über 100000 Menschen unter schwierigen Umständen. Gemeinsam mit dem Balata Women Center, Schülerinnen der Balata Girls School und weiteren Jugendlichen schuf Yeh einen Palästinensischen Baum des Friedens. In den Jahren 2012 und 2013 kehrte Yeh mit je einem fünfköpfigen internationalen Team zurück, um auch Wandmalereien in Balata, in Nablus und einem weiteren ausgedehnten Flüchtlingslager im Westjordanland Al Aquaba und zu erstellen.

The Dzegvi Children's Project, Tbilisi

Collaborating with filmmaker Glenn Holsten and photographer Daniel Traub, Yeh traveled in 1999 to Dzegvi, a little village nearby Tbilisi containing twenty families and 110 street children, to conduct workshops with children in drawing, painting and photography.[13] Children and several family groups took photos of each other, their activities and environment. At the end of the project, an exhibition of 15 big, life size banners of individual and group figures and hundreds of the photographs were exhibited at Dzegvi. The project also produced a 12-minute film describing the Dzegvi community through the eyes of one particular family.

Görlitz – Sommercamp

Auf Einladung der Görlitzer Künstlergruppe Bohemian Crossings beteiligten sich Künstler von Barefoot Inc. mit Lily Yeh im Jahr 2016 an einem Sommercamp in der ehemaligen DDR, in Görlitz an der Grenze zu Polen. Neben Treffen von Künstlern aus verschiedenen Ländern ging es darum, einen etwas vernachlässigten Ortsteil durch künstlerische Gestaltung aufzuwerten. Anwohner halfen dabei, einen Garten mit bunten Skulpturen und Leinwänden zu schaffen, geschmückt mit Bildern, die bei Yehs Arbeit in Taiwan mit dortigen Grundschülern entstanden waren.[14][15] [16]

Selected awards and honors

  • 1992 Fellow, Pew Fellowship in the Arts
  • 1993 Lila Wallace Arts International Fellowship for Kenya and Ivory Coast
  • 1994 Pennsylvania Council on the Arts Fellowship
  • 1996 Leadership Award, Philadelphia Prudential Foundation
  • 1998 ArtsLink Fellowship, Dzegvi, Republic of Georgia
  • 1999 Honorary Doctor of Fine Arts, Massachusetts College of Art
  • 2000 Honorary Doctor of Fine Arts, University of the Arts
  • 2000 Pennsylvania Governor's Award for Arts and Leadership
  • 2001 – 2008 Art Commission, City of Philadelphia, PA
  • 2001 Tikkun Olam (Healing the World) Award, Philadelphia Congregation Kol Ami
  • 2001 Rudy Bruner Gold Medal Award for Urban Excellence, Bruner Foundation[17]
  • 2002 Honorary Doctor of Humane Letters, University of Massachusetts[18]
  • 2002 AHN Award, Arts and Healing Network[19]
  • 2003 Leadership for a Changing World Award, Ford Foundation[20]
  • 2004 The International Council of Fine Arts Dean's Award
  • 2004 Honorary Doctor Degree, Villanova University
  • 2005 Achievement in the Arts Award, Philadelphia Watercolor Society
  • 2005 – 2006 Guest Curator and Honoree of Race, Class, Gender ≠ Character exhibition, American Visionary Art Museum[21]
  • 2006 Member, May delegation to Iran, Fellowship of Reconciliation,
  • 2006 Design Award, Society for Environmental Design for Rwanda Project
  • 2007 Honorary Doctor Degree, Syracuse University, NY[22]
  • 2009 Fleisher Art Memorial Founder’s Award[23]
  • 2009 The Academy Gold Medal of Honor, The Academy of Transdisciplinary Learning and Advanced Studies[24]
  • 2009 Medal of Accomplishment Award, Society for Design & Process Science
  • 2010 Special Congressional Recognition, United States Congress and the Philadelphia Chapter of The National Organization for Women (NOW)
  • 2011 Honorary Doctor Degree, Moore College of Art, Philadelphia, PA[25]
  • 2012 Urban Leadership Award, Penn Institute for Urban Research, University of Pennsylvania[26]
  • 2013 Creativity and Community Service Award, Rugerero, Rwanda
  • 2013 TEDxCornell, Center for Transformative Action, Ithaca
  • 2014 Purpose Prize Fellow, Encore.org, second act of the greater good[27]
  • 2015 Signator, The Fuji Declaration: Reawakening the Divine Spark in the Heart of Humanity, Tokyo, Japan[28]
  • 2015 Art & Activism Award at Skidmore College, Saratoga Springs, NY, Living Kindness Foundation[29]
  • 2015 Muhammad Ali Center, Daughter of Greatness, Louisville, KY[30]
  • 2015 Cabinet, U. S. Department of Arts and Culture, the nation's newest people-powered department[31]
  • 2016 Steering Committee Member, Creative Placemaking Colloquium sponsored by City Parks Alliance, Philadelphia[32]
  • 2016 Visiting Artist, Blackfeet Community in Browning, MO[33]
  • 2016 Honored Participant at the Soul of WoMen Global Network Events in Japan, coinciding with the first anniversary of the Fuji Declaration for world peace, May, Tokyo and the Fuji Sanctuary[34]
  • 2016 Rockefeller Bellagio Arts & Literary Resident Fellow, Bellagio, Italy, March[35]

Publikationen

  • Community Building Through Art and Youth Participation, Humanistic Educational Journal 11, Taiwan, 2005.
  • Barefoot Artists: Healing the World, One Artist at a Time, Designer/builder, A Journal of the Human Environment, Nov./Dec. 2006.
  • My Story, "Shout Out, Women of Color Respond to Violence", edited by Maria Ochoa & Barbara K. Ige, eds, 2007.[36]
  • How Art Can Heal Broken Places, Moonrise: The Power Of Women Leading From The Heart, Nina Simon, ed., 2011.[37]
  • Painting Hope in the World, in "Dream of a Nation" (A Vision for a Better America), edited by Tyson Miller, 2011.[38]
  • Awakening Creativity, Dandelion School Blossoms, New Village Press, 2011.[39]
  • The Rwanda Healing Project, The Harvard Advocate, Winter 2013.

Literatur

Einzelnachweise

  1. ↑ Lily Yeh
  2. ↑ In ‘Barefoot Artist,’ Lily Yeh confronts painful past in her journey to heal communities through art | PBS NewsHour. In: Pbs.org. 11. März 2012, abgerufen am 23. Januar 2017.
  3. ↑ The Barefoot Artist by WHYY Public Media | Free Listening on SoundCloud. In: Soundcloud.com. 13. Januar 2017, abgerufen am 23. Januar 2017.
  4. ↑ About Us – The Village of Arts and Humanities. In: Villagearts.org. Abgerufen am 23. Januar 2017.
  5. ↑ All That We Share: How to Save the Economy, the Environment, the Internet, Democracy, Our Communities and Everything Else that Belongs to All of Us with Bill McKibben Introduction (2011) Vorlage:ISBN
  6. ↑ Lily Yeh. Americans Who Tell The Truth, 27. Oktober 2015, abgerufen am 23. Januar 2017.
  7. ↑ Lily Yeh. Project for Public Spaces, abgerufen am 13. August 2012.
  8. ↑ American Visionary Art Museum - Race, Class, Gender ≠ Character. In: Avam.org. Abgerufen am 23. Januar 2017.
  9. ↑ Lily Yeh. (PDF) Dreamofnation.org, abgerufen am 23. Januar 2017.
  10. ↑ [1]
  11. ↑ Pompilio, Natalie: Lily Yeh: Beauty in Broken Places. Yes Magazine, 20. Dezember 2011, abgerufen am 13. August 2012.
  12. ↑ An Kang, Taipei, Taiwan (2013). Barefoot Artists, 20. Juni 2014, abgerufen am 23. Januar 2017.
  13. ↑ Marzena Zukowska: Using Art to Empower Poor Communities. The Solutions Journal, 11. Januar 2017, abgerufen am 23. Januar 2017.
  14. ↑ Gorlitz, Germany Update 3 | Barefoot Artists | Create & Be Well. In: Createandbewell.com. 21. August 2016, abgerufen am 23. Januar 2017.
  15. ↑ Camp - bohemiancrossingss Webseite! In: Bohemiancrossings.jimdo.com. Abgerufen am 23. Januar 2017.
  16. ↑ Sommmercamp mit Lily Yeh
  17. ↑ http://www.rudybruneraward.org/wp-content/uploads/2016/08/03_Village.pdf
  18. ↑ http://openarchives.umb.edu/cdm/singleitem/collection/p15774coll24/id/3157
  19. ↑ http://www.artheals.org/ahn-awardee/lily_yeh.html
  20. ↑ http://www3.scienceblog.com/community/older/archives/K/0/pub0330.html
  21. ↑ http://www.avam.org/exhibitions/past-exhibitions/RaceClassGender.shtml
  22. ↑ http://archives.syr.edu/awards/honorary_1.html
  23. ↑ http://fleisher.org/support/founders_award/
  24. ↑ http://www.theatlas.org/index.php/atlas-awards?id=174
  25. ↑ http://moore.edu/about-moore/press-room/press-releases/moore-announces-2011-honorary-degree-recipients
  26. ↑ http://penniur.upenn.edu/press-room/press-releases/penn-iur-announces-recipients-of-12th-annual-urban-leadership-awards
  27. ↑ http://encore.org/purpose-prize/lily-yeh/
  28. ↑ http://transitionworld.org/global/the-fuji-declaration/
  29. ↑ http://myemail.constantcontact.com/ADPSR-National-Newsletter--June-2015.html?soid=1114978406962&aid=0a9tEWtNbbI
  30. ↑ http://alicenter.org/daughters-of-greatness/
  31. ↑ http://usdac.us/cabinet/
  32. ↑ http://usdac.us/news-long/2016/6/20/the-possibilities-of-parks-thoughts-after-a-creative-placemaking-colloquium
  33. ↑ http://www.cutbankpioneerpress.com/glacier_reporter/sports/article_cb22f1d0-11bf-11e6-8a03-fb1b94d462a8.html
  34. ↑ http://www.symphonyofpeaceprayers.com/archives/2016-fuji-sopp/celebrating-soul-of-women/
  35. ↑ http://www.uarts.edu/news/2016/03/week-uarts-march-7-13-2016
  36. ↑ http://www.barnesandnoble.com/w/books/1102331147;jsessionid=0849563DDE2AAEAAB06C1675743EC4A0.prodny_store02-atgap03
  37. ↑ http://store.bioneers.org/product/moonrise-the-power-of-women-leading-from-the-heart/
  38. ↑ http://dreamofanation.org/book/
  39. ↑ http://newvillagepress.net/book/?GCOI=97660100626950

Film

  • The Barefoot Artist. Ein Dokumentarfilm in Spielfilmlänge über Lily Yeh von Glenn Holsten und Daniel Traub, Erstauffuehrung 2013.[1]


[[:Kategorie: Künstler Hochschullehrer US-Amerikaner Geboren 1941 Frau

Personendaten
NAME Lily Yeh
KURZBESCHREIBUNG Chinesisch–US-amerikanische Künstlerin und Hochschullehrerin
GEBURTSDATUM 1941
GEBURTSORT Guizou
  1. ↑ The Barefoot Artist. In: Barefootartistmovie.com. Abgerufen am 23. Januar 2017.
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