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Ensemble coding

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Ensemble coding, also known as ensemble perception or summary representation, is the ability to see the average or variance of a group of objects. There is extensive amounts of information available to the visual system. Ensemble coding is a theory that suggests that people process the general gist of their complex visual surroundings by grouping objects together based on shared properties. The world is filled with redundant information of which the human visual system has become particularly sensitive to [1][2]. The brain exploits this redundancy and condenses the information. For example, the leaves of a tree or blades of grass give rise to the percept of 'tree-ness' and 'lawn-ness' [3]. It has been demonstrated that individuals have the ability quickly and accurately encode ensembles of objects, like leaves on a tree, and gather summary statistical information (like the mean and variance) from groups of stimuli [4][5]. Some research suggests that this process provides rough visual information from the entire visual field giving way to a complete and accurate picture of the visual world [6][7]. Although, the individual details of this accurate picture might be inaccessible, the 'gist' of the scene remains accessible [3]. Ensemble coding is an adaptive process that lightens the cognitive load in the processing and storing of visual representations through the use of heuristics [8][9].

Operational Definition

David Whitney and Allison Yamanashi Lieb have developed an operational and flexible definition stating that, “...ensemble coding should include the following five concepts:

  • Ensemble perception is the ability to discriminate or reproduce a statistical moment.
  • Ensemble perception requires the integration of multiple items.
  • Ensemble information at each level of representation can be precise relative to the processing of single objects at that level.
  • Single-item recognition is not a prerequisite for ensemble coding.
  • Ensemble representations can be extracted with a temporal resolution at or beyond the temporal resolution of individual object recognition.”[1]

Opposing theories

Some research has found countering evidence to the theory of ensemble coding.

Limited visual capacity

Vision science has noted that although humans take in large amounts of visual information, adults are only able to process, attend to, and hold in memory up to roughly four items from the visual environment [10][11]. Furthermore, scientists have found that this visual upper limit capacity exists across various phenomena including change blindness [12][13], object-tracking [14], and feature representation [11].

Low resolution representations and limited capacity

Additional theories in vision science propose that stimuli are represented in the brain individually as small, low resolution, icons stored in templates with limited capacities and are organized through associative links [15][16].

History

Throughout its history ensemble coding has taken on many names. Interest in the topic began to emerge in the early 20th century [9]. In its earliest years ensemble coding was known as Gestalt grouping [9]. In 1923, Max Wertheimer, a Gestalt psychology theorist, was addressing how we perceive our visual world holistically rather than individually [17]. Gestaltists argued that in object perception, the individual object features were either lost or difficult to perceive and therefore the grouped object was the favored percept [18]. Although Gestaltists helped define some of the central principles of object perception, research into modern ensemble coding did not occur until many years later.

In 1971, Norman Anderson was one of the earliest to conduct explicit ensemble coding research [3][19]. Anderson's research showed that individuals described by two positive terms were rated more favorably than individuals described by two positive terms and two negative terms [20]. This research on impression formation demonstrated that a weighted mean or average captures how information is integrated rather than the summation [20]. Additional research during this time explored ensemble coding in group attractiveness [21], shopping preferences [22], and perceived badness of criminals [23].

The Current era

Seminal findings by Dan Ariely in 2001 were the first data to support the modern theories of ensemble coding. Ariely used novel experimental paradigms he labeled "mean discrimination" and "member identification" to examine how sets of objects are perceived. He conducted three studies involving shape ensembles that varied in size. Across all studies participants were able to accurately encode the mean size of the ensemble, but they were inaccurate when asked if a certain circle was a part of the set. Ariely's findings were the first that found statistical summary information emerge in the visual perception of grouped objects [24].

Consistent with Ariely's findings [24], follow up research conducted by Sang Chul Chong and Anne Treisman in 2003, provided evidence that participants are engaging in summary statistical processes. Their research revealed that participant's maintained high accuracy in encoding the mean size of the stimuli even with short stimuli presentations (50ms), memory delays, and circle distribution differences [25].

Additional work has demonstrated that ensemble coding isn't limited to the mean size [24], additional content is extracted like line orientation [26], spatial location [27], number [28], and statistical summaries like the variances [29] are detected. Observers are also able to extract accurate perceptual summaries of the eye gaze of grouped faces [30] and walking direction of a crowd [31].

Levels of Ensemble Coding

People have the ability to encode ensembles of objects along various dimensions [1]. These dimensions have been divided into levels that vary from low-level to high-level feature information.

Low-level feature information

Low-level ensemble coding has been observed in various psychophysical areas of research. For example, people accurately perceive the average size of objects [25], motion direction of grouped dots [32][33], number [28], line orientation [26], and spacial location [27][1].

High-level feature information

High-level ensemble coding extends to more complex, higher level objects including faces [1][3].

Social Vision and Ensemble Coding

Based on the early work of Anderson [19], it appears that humans integrate semantic as well as social information using ensemble coding. These findings suggest, that social processes may hinge on the same sort of underlying mechanisms that allow people to perceive average object orientation [26] and direction of motion [32][33][3].

In recent years, ensemble coding in the field of social vision has emerged. This research focuses on how observers accurately perceive and extract social information from groups and how that influences downstream judgments and behaviors [34]. The seminal research in this field was conducted by Briana Goodale, on how extracting sex ratio summaries provides an early visual cue that signals sense of belonging to the group [34].

References

  1. ^ a b c d e Whitney D, Yamanashi Leib A (January 2018). "Ensemble Perception". Annual Review of Psychology. 69 (1): 105–129. doi:10.1146/annurev-psych-010416-044232. PMID 28892638.
  2. ^ Whitney D, Haberman J, Sweeny T (2014). "From textures to crowds: multiple levels of summary statistical perception.". In Werner JS, Chalupa LM (eds.). In The New Visual Neuroscience. Cambridge, MA: MIT Press. pp. 695–710.
  3. ^ a b c d e Haberman, Jason; Whitney, David (May 2012). "Ensemble Perception". In Wolfe, Jeremy; Robertson, Lynn (eds.). From Perception to Consciousness. Oxford University Press. pp. 339–349. doi:10.1093/acprof:osobl/9780199734337.003.0030. ISBN 978-0-19-973433-7. Retrieved 2019-12-09. {{cite book}}: Unknown parameter |name-list-format= ignored (|name-list-style= suggested) (help)
  4. ^ Alt NP, Goodale B, Lick DJ, Johnson KL (March 2019). "Threat in the Company of Men: Ensemble Perception and Threat Evaluations of Groups Varying in Sex Ratio". Social Psychological and Personality Science. 10 (2): 152–159. doi:10.1177/1948550617731498. {{cite journal}}: Cite has empty unknown parameter: |1= (help)
  5. ^ Alvarez GA (March 2011). "Representing multiple objects as an ensemble enhances visual cognition". Trends in Cognitive Sciences. 15 (3): 122–31. doi:10.1016/j.tics.2011.01.003. PMID 21292539.
  6. ^ Chong SC, Treisman A (February 2003). "Representation of statistical properties". Vision Research. 43 (4): 393–404. doi:10.1016/S0042-6989(02)00596-5. PMID 12535996.
  7. ^ Haberman J, Whitney D (June 2009). "Seeing the mean: ensemble coding for sets of faces". Journal of Experimental Psychology. Human Perception and Performance. 35 (3): 718–34. doi:10.1037/a0013899. PMC 2696629. PMID 19485687.
  8. ^ Haberman J, Whitney D (June 2009). "Seeing the mean: ensemble coding for sets of faces". Journal of Experimental Psychology. Human Perception and Performance. 35 (3): 718–34. doi:10.1037/a0013899. PMC 2696629. PMID 19485687.
  9. ^ a b c Wolfe, Jeremy; Robertson, Lynn (December 2011). From Perception to Consciousness: Searching with Anne Treisman. Oxford University Press. ISBN 978-0-19-990984-1. {{cite book}}: Unknown parameter |name-list-format= ignored (|name-list-style= suggested) (help)
  10. ^ Alvarez GA, Cavanagh P (February 2004). "The capacity of visual short-term memory is set both by visual information load and by number of objects". Psychological Science. 15 (2): 106–11. doi:10.1111/j.0963-7214.2004.01502006.x. PMID 14738517.
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  13. ^ Simons DJ, Chabris CF (1999-09-01). "Gorillas in our midst: sustained inattentional blindness for dynamic events". Perception. 28 (9): 1059–74. doi:10.1068/p281059. PMID 10694957.
  14. ^ Scholl BJ, Pylyshyn ZW (March 1999). "Tracking multiple items through occlusion: clues to visual objecthood". Cognitive Psychology. 38 (2): 259–90. doi:10.1006/cogp.1998.0698. PMID 10090804.
  15. ^ Nakayama K (1993-05-13). "The iconic bottleneck and the tenuous link between early visual processing and perception.". In Adler K, Pointon M (eds.). Vision: Coding and efficiency. Cambridge University Press. ISBN 978-0-521-44769-0.
  16. ^ Neisser U (1967). Cognitive Psychology. New York: Appleton-Cent.
  17. ^ Wertheimer M (January 1923). "Untersuchungen zur Lehre von der Gestalt. II" [Investigations into the teaching of the form]. Psychological Research (in German). 4 (1): 301–50. doi:10.1007/BF00410640.
  18. ^ Koffka, K. (1935). The Principles of Gestalt Psychology. London: Routledge and Kegan Paul Ltd.
  19. ^ a b Anderson, Norman H. (1971). "Integration theory and attitude change". Psychological Review. 78 (3): 171–206. doi:10.1037/h0030834. ISSN 0033-295X.
  20. ^ a b Anderson, Norman H. (1965). "Averaging versus adding as a stimulus-combination rule in impression formation". Journal of Experimental Psychology. 70 (4): 394–400. doi:10.1037/h0022280. ISSN 0022-1015.
  21. ^ Anderson, N. H., Lindner, R., & Lopes, L. L. (1973). Integration Theory Applied to Judgments of Group Attractiveness. Journal of Personality and Social Psychology, 26(3), 400-408.
  22. ^ Levin, I. P. (1974). Averaging Processes in Ratings and Choices Based on Numerical Information. Memory & Cognition, 2(4), 786-790.
  23. ^ Leon, M., Oden, G. C., & Anderson, N. H. (1973). Functional Measurement of Social Values. Journal of Personality and Social Psychology, 27(3), 301-310.
  24. ^ a b c Ariely D (March 2001). "Seeing sets: representation by statistical properties". Psychological Science. 12 (2): 157–62. doi:10.1111/1467-9280.00327. JSTOR 40063604. PMID 11340926.
  25. ^ a b Chong SC, Treisman A (February 2003). "Representation of statistical properties". Vision Research. 43 (4): 393–404. doi:10.1016/S0042-6989(02)00596-5. PMID 12535996.
  26. ^ a b c Dakin SC, Watt RJ (November 1997). "The computation of orientation statistics from visual texture". Vision Research. 37 (22): 3181–92. doi:10.1016/S0042-6989(97)00133-8. PMID 9463699.
  27. ^ a b Alvarez GA, Oliva A (April 2008). "The representation of simple ensemble visual features outside the focus of attention". Psychological Science. 19 (4): 392–8. doi:10.1111/j.1467-9280.2008.02098.x. PMC 2587223. PMID 18399893.
  28. ^ a b Halberda J, Sires SF, Feigenson L (July 2006). "Multiple spatially overlapping sets can be enumerated in parallel". Psychological Science. 17 (7): 572–6. doi:10.1111/j.1467-9280.2006.01746.x. PMID 16866741.
  29. ^ Solomon JA, Morgan M, Chubb C (October 2011). "Efficiencies for the statistics of size discrimination". Journal of Vision. 11 (12): 13. doi:10.1167/11.12.13. PMC 4135075. PMID 22011381.
  30. ^ Sweeny, Timothy D.; Whitney, David (2014-10). "Perceiving Crowd Attention: Ensemble Perception of a Crowd's Gaze". Psychological Science. 25 (10): 1903–1913. doi:10.1177/0956797614544510. ISSN 0956-7976. PMC 4192023. PMID 25125428. {{cite journal}}: Check date values in: |date= (help)CS1 maint: PMC format (link)
  31. ^ Sweeny, Timothy D.; Haroz, Steve; Whitney, David (2013). "Perceiving group behavior: Sensitive ensemble coding mechanisms for biological motion of human crowds". Journal of Experimental Psychology: Human Perception and Performance. 39 (2): 329–337. doi:10.1037/a0028712. ISSN 1939-1277.
  32. ^ a b Watamaniuk SN, Sekuler R, Williams DW (1989-01-01). "Direction perception in complex dynamic displays: the integration of direction information". Vision Research. 29 (1): 47–59. doi:10.1016/0042-6989(89)90173-9. PMID 2773336.
  33. ^ a b Watamaniuk SN, McKee SP (February 1998). "Simultaneous encoding of direction at a local and global scale". Perception & Psychophysics. 60 (2): 191–200. doi:10.3758/BF03206028. PMID 9529903.
  34. ^ a b Goodale, Brianna M.; Alt, Nicholas P.; Lick, David J.; Johnson, Kerri L. (2018-11). "Groups at a glance: Perceivers infer social belonging in a group based on perceptual summaries of sex ratio". Journal of Experimental Psychology: General. 147 (11): 1660–1676. doi:10.1037/xge0000450. ISSN 1939-2222. {{cite journal}}: Check date values in: |date= (help)