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Untitled (Rape Scene) is a color photograph documentation created from a 35mm slide by Cuban American artist Ana Mendieta. She made it during an April 1973 performance while still a student at the University of Iowa. It is one of three photographs she created in reaction to the rape and murder of a woman on campus. The Tate Gallery in London, which owns the work, describes it this way: Mendieta invited her fellow students to her apartment where, through a door left purposefully ajar, they found her in the position recorded in this photograph, which recreated the scene as reported in the press. Some time later, Mendieta recalled that her audience "all sat down, and started talking about it. I didn’t move. I stayed in position about an hour. It really jolted them." In 1980, she commented that the rape had "moved and frightened" her, elaborating: "I think all my work has been like that – a personal response to a situation ... I can’t see being theoretical about an issue like that." On another occasion she explained that she had created this work "as a reaction against the idea of violence against women." Art writer Megan Heuer describes the work as capturing the artist's interest in violence. Influenced by the work of the Viennese Actionists, Untitled (Rape Scene) also expresses Mendieta's desire to evoke a visceral reaction from her audience. (Full article...)	Untitled (Rape Scene) is a color photograph documentation created from a 35mm slide by Cuban American artist Ana Mendieta. She made it during an April 1973 performance while still a student at the University of Iowa. It is one of three photographs she created in reaction to the rape and murder of a woman on campus. The Tate Gallery in London, which owns the work, describes it this way: Mendieta invited her fellow students to her apartment where, through a door left purposefully ajar, they found her in the position recorded in this photograph, which recreated the scene as reported in the press. Some time later, Mendieta recalled that her audience "all sat down, and started talking about it. I didn’t move. I stayed in position about an hour. It really jolted them." In 1980, she commented that the rape had "moved and frightened" her, elaborating: "I think all my work has been like that – a personal response to a situation ... I can’t see being theoretical about an issue like that." On another occasion she explained that she had created this work "as a reaction against the idea of violence against women." Art writer Megan Heuer describes the work as capturing the artist's interest in violence. Influenced by the work of the Viennese Actionists, Untitled (Rape Scene) also expresses Mendieta's desire to evoke a visceral reaction from her audience. (Full article...)

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The Acts of Peter and the Twelve or the Acts of Peter and the Twelve Apostles is a Christian text from about the 4th century. It is the first treatise in Codex VI of the Nag Hammadi library texts, taking up pages 1–12 of the codex's 78 pages. The writing extends the Parable of the Pearl from Matthew 13:45–46. In the text, Peter the Apostle meets a pearl merchant named Lithargoel, who is later revealed to be Jesus. Jesus commands the apostles to care for the poor. (Full article...)

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Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects.

Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict.

In 1920, Crawford was employed by the Ordnance Survey, touring Britain to plot the location of archaeological sites, and in the process identified several that were previously unknown. Increasingly interested in aerial archaeology, he used Royal Air Force photographs to identify the extent of the Stonehenge Avenue, excavating it in 1923. With the archaeologist Alexander Keiller, he conducted an aerial survey of many counties in southern England and raised the finances to secure the land around Stonehenge for The National Trust. In 1927, he established the scholarly journal Antiquity, which contained contributions from many of Britain's most prominent archaeologists, and in 1939 he served as president of The Prehistoric Society. An internationalist and socialist, he came under the influence of Marxism and for a time became a Soviet sympathiser. During the Second World War he worked with the National Buildings Record, photographically documenting Southampton. After retiring in 1946, he refocused his attention on Sudanese archaeology and wrote several further books prior to his death.

Friends and colleagues remembered Crawford as a cantankerous and irritable individual. His contributions to British archaeology, including in Antiquity and aerial archaeology, have been widely acclaimed; some have referred to him as one of the great pioneering figures in the field. His photographic archive remained of use to archaeologists into the 21st century. A biography of Crawford by Kitty Hauser was published in 2008. (Full article...)

Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects.

Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict.

In 1920, Crawford was employed by the Ordnance Survey, touring Britain to plot the location of archaeological sites, and in the process identified several that were previously unknown. Increasingly interested in aerial archaeology, he used Royal Air Force photographs to identify the extent of the Stonehenge Avenue, excavating it in 1923. With the archaeologist Alexander Keiller, he conducted an aerial survey of many counties in southern England and raised the finances to secure the land around Stonehenge for The National Trust. In 1927, he established the scholarly journal Antiquity, which contained contributions from many of Britain's most prominent archaeologists, and in 1939 he served as president of The Prehistoric Society. An internationalist and socialist, he came under the influence of Marxism and for a time became a Soviet sympathiser. During the Second World War he worked with the National Buildings Record, photographically documenting Southampton. After retiring in 1946, he refocused his attention on Sudanese archaeology and wrote several further books prior to his death.

Friends and colleagues remembered Crawford as a cantankerous and irritable individual. His contributions to British archaeology, including in Antiquity and aerial archaeology, have been widely acclaimed; some have referred to him as one of the great pioneering figures in the field. His photographic archive remained of use to archaeologists into the 21st century. A biography of Crawford by Kitty Hauser was published in 2008. (Full article...)

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Adelaide has a hot-summer Mediterranean climate (Csa) under the Köppen climate classification. The city has hot, dry summers and cool winters with moderate rainfall. Most precipitation falls in the winter months, leading to the suggestion that the climate be classified as a "cold monsoon". Rainfall is unreliable, light and infrequent throughout summer, although heavy falls can occur. The winter has fairly reliable rainfall with June being the wettest month of the year, averaging around 80 mm. Frosts are occasional, with the most notable occurrences in 1908 and 1982. Hail may occur in winter.

Adelaide is a windy city with significant wind chill in winter, which makes the temperature seem colder than it actually is. Snowfall in the metropolitan area is extremely rare, although light and sporadic falls in the nearby hills and at Mount Lofty occur during winter. Dewpoints in the summer typically range from 8 to 10 °C (46 to 50 °F). There are usually several days in summer where the temperature reaches 40.0 °C (104.0 °F) or above.

While conditions vary from year-to-year, a warming trend has been increasing in recent years, and with drought conditions experienced in SA in 2024−25, Adelaide has had to rely on desalination to augment its water supply.

Temperature extremes range from −0.4 °C (31.4 °F), 8 June 1982 to 47.7 °C (117.9 °F), 24 January 2019. The city features 90.6 clear days annually.

The average sea temperature ranges from 13.7 °C (56.7 °F) in August to 21.2 °C (70.2 °F) in February. (Full article...)

Melbourne has a temperate oceanic climate (Köppen climate classification Cfb), with warm summers and cool winters. Melbourne is well known for its changeable weather conditions, mainly due to it being located on the boundary of hot inland areas and the cool southern ocean. This temperature differential is most pronounced in the spring and summer months and can cause strong cold fronts to form. These cold fronts can be responsible for varied forms of severe weather from gales to thunderstorms and hail, large temperature drops and heavy rain. Winters, while exceptionally dry by southern Victorian standards, are nonetheless drizzly and overcast. The lack of winter rainfall is because of Melbourne's rain shadowed location between the Otway and Macedon Ranges, which block much of the rainfall arriving from the north and west.

Port Phillip is often warmer than the surrounding oceans or the land mass, particularly in spring and autumn; this can set up a "bay effect rain", where showers are intensified leeward of the bay. Relatively narrow streams of heavy showers can often affect the same places (usually the eastern suburbs) for an extended period, while the rest of Melbourne and surrounds stays dry. Overall, the area around Melbourne is, owing to its rain shadow, nonetheless significantly drier than average for southern Victoria. Within the city and surrounds, rainfall varies widely, from around 425 mm (17 in) at Little River to 1,250 mm (49 in) on the eastern fringe at Gembrook. Melbourne receives 48.6 clear days annually. Dewpoint temperatures in the summer range from 9.5 to 11.7 °C (49.1 to 53.1 °F).

Melbourne is also prone to isolated convective showers forming when a cold pool crosses the state, especially if there is considerable daytime heating. These showers are often heavy and can include hail, squalls, and significant drops in temperature, but they often pass through very quickly with a rapid clearing trend to sunny and relatively calm weather and the temperature rising back to what it was before the shower. This can occur in the space of minutes and can be repeated many times a day, giving Melbourne a reputation for having "four seasons in one day", a phrase that is part of local popular culture. The lowest temperature on record is −2.8 °C (27.0 °F), on 21 July 1869. The highest temperature recorded in Melbourne city was 46.4 °C (115.5 °F), on 7 February 2009. While snow is occasionally seen at higher elevations in the outskirts of the city, and dustings were observed in 2020, it has not been recorded in the central business district since 1986.

The sea temperature in Melbourne is warmer than the surrounding ocean during the summer months, and colder during the winter months. This is predominantly due to Port Phillip Bay being an enclosed and shallow bay that is largely protected from the ocean, resulting in greater temperature variation across seasons. (Full article...)

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