Keyboard section
The keyboard section of an orchestra or concert band includes keyboard instruments. Keyboard instruments are not usually a standard member of a 2010-era orchestra or concert band, but they are included occasionally. In orchestras from the 1600s to the mid-1750s, a keyboard instrument such as the pipe organ or harpsichord normally played with an orchestra, with the performer improvising chords from a figured bass part. This practice, called basso continuo, was phased out after 1750 (although some Masses for choir and orchestra would occasionally still have a keyboard part in the late 1700s).
Members
Common members of this section are:
- Piano: although infrequent in standard symphonic repertoire, many larger scale works call for this instrument, and often have very large roles to play. These include Ottorino Respighi's Pines of Rome, Igor Stravinsky's Petrushka (almost scored as a piano concerto), Leonard Bernstein's West Side Story, and many of Prokofiev and Shostakovich's symphonies. It is more frequently found in 20th- and 21st-century pieces, such as Copland's "Hoedown" and Stravinsky's Symphony in Three Movements.
- Pipe organ or harpsichord (in 17th- and early 18th-century works with basso continuo accompaniment; occasionally pipe organ is used in later music, such as Richard Strauss's Also sprach Zarathustra, Gustav Mahler's Eighth Symphony, Camille Saint-Saëns' Organ Symphony (Symphony No. 3), Edward Elgar's "Enigma" Variations (final variation), and Gustav Holst's suite, The Planets.
- Celesta (from the late-19th century onward, in works like Tchaikovsky's Nutcracker Suite)
- Keyboard glockenspiel (from the early 18th century onward, first by Handel in 1739 in his oratorio Saul)
- Ondes Martenot an early electronic musical instrument invented in 1928 that creates eerie wavering notes. It is not a keyboard instrument but it is still usually placed in the keyboard section.
- Synthesizer (called for in some 20th- and 21st-century works, like John Adams's Short Ride in a Fast Machine)
Less common members
- Electronic organs, such as the Hammond and Lowrey organs
- Fender Rhodes (e.g., Bill Evans' "Symbiosis" for Fender Rhodes and orchestra (1974))
- Harmonium
- Regal
- Accordion (e.g., Virgil Thomson's film music for Louisiana Story)
Although technically not a keyboard instrument, the cimbalom, a concert hammered dulcimer, is usually placed in the keyboard section, as in Franz Liszt's Hungarian Rhapsody No. 6 and Bela Bartok's First Rhapsody for violin and orchestra. In some cases, one or more concert harps may be placed in the keyboard section.
See also