Classical guitar with additional strings

A classical guitar with additional strings is a classical guitar with more than six strings.

Seven-string

Its invention is attributed to Andrei Sychra, who also wrote a method for the guitar, as well as over one thousand compositions, seventy-five of which were republished in the 1840s by Stellovsky, then again in the 1880s by Gutheil. Some of these were published again in the Soviet Union in 1926.

Eight-string

Eight-string classical guitars are generally tuned with two extra basses ([BD]EADGBE) that vary in pitch depending on the piece being played. Another common variation is to add an extra bass and treble string. The extra treble is almost always tuned to A, while the added bass string usually falls on A,B, or C.

Paul Galbraith and Alexander Vynograd are two of the most notable 8 string players who use the extra high and low string tuning. Galbraith generally tunes (B)EADGBEA which puts standard 6 string guitar chord voicings and scale shapes within the neck and allows him to read lute tablature directly (a whole step higher). Vynograd chooses to tune AEADGCEA (notice the b string is tuned up a half step) which allows him to play the top 6 strings like a guitar a 4th higher. Vynograd writes his music on a grand staff in a different key and plays as if the guitar was tuned EBEADGBE.

The Brazilian guitarist Raphael Rabello also adopted the 8 string guitar on many of his presentations also Australian guitaristLaszlo Sirsom(b.Hungary)plays the 8-string Classical guitar in Jazz.(B.E.A.D.G.B.E tuning) made by Phil Carson Crickmore(Australia)

Brahms guitar

The Brahms guitar was developed by guitarist Paul Galbraith and luthier David Rubio to allow the music of Brahms to be played more comfortably on the guitar. Information: 8 string guitar

Ten-string

Includes the Decacorde - a historical romantic guitar - which was tuned C-D-E-F-G-A-d-g-b-e' and the modern 10-string guitar, which has various tunings.

Yepes Ten-string

The Yepes 10-string guitar adds four strings (resonators) tuned in such a way that they (along with the other three bass strings) can resonate in unison with any of the 12 chromatic notes that can occur on the higher strings; the idea behind this being an attempt at enhancing and balancing sonority.

The tuning of the Yepes ten-string guitar is:

e' - b - g - d - A - E - C - Bb - Ab - Gb

Or, written enharmonically:

e' - b - g - d - A - E - C - A# - G# - F#

Eleven-string

The eleven-string alto guitar was developed by Swedish luthier Georg Bolin in the 1960s, and Bolin altgitarren (Swedish for the alto guitar, plural altgitarrer) are now rare and valuable. The Bolin alto guitar most often has eleven strings, but a thirteen-string version also exists.

The eleven-string alto guitar is played by guitarists such as John Francis, Stefan Östersjö and Göran Söllscher and is often used in performances of Bach on the guitar.

The Godin Glissentar is another type of eleven-string guitar and is fretless.

The 11-string archguitar built by American luthier Walter Stanul is played by guitarists such as Peter Blanchette [1].

External links

altoguitar.com, site dedicated to the Bolin altgitarren.
Alto Guitar Links.
GodinGuitars.com.
Stefan Östersjö web page.
Godin Glissentar web page.
User description of their Bolin pattern alto guitar.
John Francis Web Page (Composer/Guitarist)

Thirteen-string

The 13-string "Chiavi-Miolin" guitar is played by Anders Miolin and created by Swiss luthier Ermanno Chiavi.

Luthier Michael Thames has developed the 13-string "Dresden" designed to function as a baroque lute for guitarists.

Bolin created a thirteen-string version of his eleven-string alto guitar, but the eleven-string version has been the one adopted by other makers.

External links

Harp guitar

The harp guitar is a classical guitar combining features found in the guitar and the harp. The Harp style strings are used as bass or drone strings, and add to the harmonic reverb.

Bibliography

The State of the 7-String Guitar in 2006 by Stephen Rekas.
Creating the DeCava Ten-String Classical Guitar by James R. DeCava
Sind 6 Saiten genug? by Felix Gisler Template:De icon
La música de laúd en la guitarra: una aproximación práctica by Jose Luis Rojo (2004) Template:Sp icon

External links

Cathedralguitar.com, home of the Multi-String Guitar
The Lacôte Harp Guitars by Gregg Miner
Harpguitars.net

References

v t e Classical guitar
Guitar Luthier
Main articles	History Early recordings Technique Repertoire Strings Making Pedagogy
Additional strings	7-string armónico Russian 8-string Brahms 9-string 10-string Yepes' 11-string 12-string 13-string 14-string 25-string
Related instruments	Flamenco guitar Harp guitar Lyre-guitar Modern classical guitar Requinto 6-string alto
Early guitars	Baroque guitar Citole Cittern English guitar Gittern Guitarra latina Guitarra morisca Laúd Romantic guitar Vihuela
Lists	Classical guitarists Composers for the classical guitar by nationality Compositions for guitar International competitions Bibliography

v t e Guitars
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By type (six string)	Acoustic acoustic-electric steel-string dreadnought Archtop Classical Electric Flamenco Flat top Fretless Guitarrón mexicano Lap steel Parlor Requinto Resonator Romantic Semi-acoustic Hybrid
Additional strings	7 Armónico Russian 8 Brahms 9 10 Baroque Chapman Stick English Yepes 11 12 13 14 25 Harp Multi-neck
Ancillary	Bajo sexto Baritone Bass Chapman Stick Chitarra battente Craviola Cuatro Guitalele Lyre Rajão Requinto Six-string alto Tenor Timple Tres Viola caipira
Related topics	Amplifier Electric guitar design Guitar wiring History of the classical guitar List of guitars Luthier experimental Manufacturing list of manufacturers Prepared guitar Vibrato systems Vintage guitar
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