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How Buildings Learn

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How Buildings Learn: What Happens After They’re Built is an illustrated book on the evolution of buildings and how buildings adapt to changing requirements over long periods. It was written by Stewart Brand and published by Viking Press in 1994. In 1997 it was turned in to a 6 part TV series on the BBC.

Book

Pier 21, Canada's National Museum of Immigration, exemplifies a building which learns, by Brand's definition. Without fundamental alterations to its basic structure or materials, it began an ocean liner terminal and immigration building, then a break bulk cargo warehouse, and finally a national museum, the Canadian equivalent of Ellis Island.

Among other things, the book details the notion of Shearing layers.

Criticism of the architect Richard Rogers was removed from the UK edition but remains in the US edition.[1]

TV series

The book inspired a 6-part TV series by the BBC, produced by James Runcie, [2] executive producer Roly Keating [3], which was screened in July 1997. [4] Stewart Brand added the series to Google Video in June 2008.[5]

Key Ideas

Brand asserts that the best buildings are made from low-cost, standard designs that people are familiar with, and easy to modify. [[In this way people can gradually change their buildings to meet their needs. Brand goes so far as to state that a supply of simple, low-cost, easily modified buildings is key to innovation and economic growth. He implies that an expanding property-value market may actually slow innovation and produce a less human-centered community.

Container City in the London Docklands uses recycled shipping containers for shelter, an idea Brand embraces in How Buildings Learn.

In the BBC Television series Brand is highly critical of the entire modernist approach to architecture. He fully rejects the center out approach of design, where a single person or group design a building for others to use, for an evolution approach where owners change a building over time to meet their needs. In the BBC series he focuses specific criticism on modernist innovators like Buckminster Fuller round building as not allowing any kind of additions or evolution nor internal division, Frank Gehry for making buildings that were hard to maintain, and Le Corbusier for making building that did not take in to consideration the needs of families. Brand was very critical of French development during the 1980s which did not take local conditions in to account and ended up not serving their purpose, like the central Library which had to take money away from buying new books to deal with the heat produced by so many windows. [6].

Brand stresses the value an organic kind of building, based on four walls, which is easy to change and expand and grow as the idea form of building. This embracing traditional box design as the optimal structure puts him in direct contrast to thinkers like Buckminster Fuller who proposed geodesic dome as a better solution for buildings.

Notes