Jump to content

Dominant parallel

From Wikipedia, the free encyclopedia
This is an old revision of this page, as edited by Erik9bot (talk | contribs) at 10:36, 5 July 2009 (add Category:Articles lacking sources (Erik9bot)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

In music theory, the dominant parallel is terminology used in German theory derived mainly from Hugo Riemann, Dp, in major, and dP, in minor, is the (US) relative to the dominant and is thus considered to have or fulfill the function of the dominant.

In C major:

In C minor: