Jump to content

Dominant parallel

From Wikipedia, the free encyclopedia
This is an old revision of this page, as edited by TheParanoidOne (talk | contribs) at 20:17, 6 April 2005 ({{music-stub}}). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

In music theory, the dominant parallel is terminology used in German theory derived mainly from Hugo Riemann, Dp, in major, and dP, in minor, is the (US) relative to the dominant and is thus considered to have or fulfill the function of the dominant.

In C major:

In C minor: