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Tony Bonanno

Tony Bonanno is an American photographer, specializing in fine-art, documentary, equine, landscape, event, assignment, and astronomical photography.[1][2][3][4][5][6] Bonanno lives in Santa Fe, New Mexico.[7][8][9][10][6][11][12][13][14][15]

Biography

Early life and education

Bonanno was born and raised in Washington, D.C.[16][17][18][7][11][12][13][15][19] His father, a scientist and gemologist who had taught photography professionally, instructed Bonanno and his siblings in photography throughout their childhood.[17][18][7][15] After attending James Madison University, Bonanno taught biology at the high-school level, attended graduate school at Pennsylvania State University, then joined the National Park Service.[16][17][18][7][11][12][13][14]

National Park Service

In service at Shenandoah National Park, Bonanno revived his childhood interest in photography through the influence of consultants creating audiovisual publications for the National Park Service.[16][17] With encouragement from the National Park Service, Bonanno continued expanding his photographic and printing skills.[16] The National Park Service used Bonanno's photographs to disseminate internally as well as in general publications.[16][20][2] After serving at Grand Canyon National Park, Zion National Park, and Yosemite National Park, Bonanno became Chief Ranger at Cape Cod National Seashore.[16][17][20] After being promoted to Regional Chief Ranger for the National Park Service Southwest Regional Office, Bonanno moved to Santa Fe, New Mexico.[6]

Photographic Influences

During Bonanno’s time in the National Park Service, Ross Chappell, Henry and Millie Heatwole and Hugh and Aggie Crandall were important in his progress as a photographer.[16][18][7] Cape Cod photographers and artists Joel Meyerowitz, Linda McCausland, River Karmen, Harry DeZitter, Barbara Cole Kirk influenced and encouraged him.[20][7][11][15] He was artistically inspired by Ansel Adams, David Muench, Ross Chappell, DeWitt Jones, Eliot Porter, whom he once met unexpectedly on the side of the road in Great Sand Dunes National Park, and Baron Wolman.[16][7][21]

Career

Bonanno began showing his fine-art photography when living on Cape Cod, Massachusetts.[16][17][20][22][23][24][18] From there, he also set up a part-time photography business, engaging clients such as the National Park Service, Intel, the Georgia O’Keeffe Museum, Johnson & Johnson, Schering-Plough, HGTV, Schott AG, and the Southwestern Association for Indian Arts.[16][8][15] After he left the National Park Service, Bonanno became a full-time photographer, photographic printer, and workshop instructor.[3][7][6][15] While working for Intel, he photographed President George W. Bush and First Lady Laura Bush.[7][25] Bonanno also served as official photographer for New Mexico Governor Bill Richardson.[7][8][1] Bonanno has continued to show his work at and be represented by art galleries.[6][15] He is a Professional Member of the American Society of Media Photographers and a member of the American Photographic Artists Association.[9][26]

[Nauset, Rock Harbor]

[ Tony Bonanno was groping for words. Bonanno, the chief ranger at the Cape Cod National Seashore, was trying to explain his interest in photography to the reporter.

“I don’t understand it,” he said, “but I got this tremendous urge to capture the feelings of what I was experiencing and sensing. I just had this overwhelming desire to capture what I was seeing. I don’t know why, or even for whom, I just had to do it.”

Bonanno’s passion for photography was born when he was posted to Cape Cod in 1986; his interest in it had disappeared nearly 10 years earlier.

His photographs focus on the natural landscape, unpopulated, deserted. The photographs also seem to give new meaning to the term “still photography”: the bays, marshes and beaches of Cape Cod seem to pause, unmoving, unchanging. Skies are not a deep blue, but a watercolor palette of oranges, reds, ochres and umbres.

The 45-year-old Ranger’s view of his photography also has changed, partly as a result of his first exhibit at the Snow Library in Orleans this past August. “Originally, the photographs I did were the means to an end, either for myself or the park service,” he said. “Now, the photographs can be an end in themselves.”

Bonanno has not always been a park service ranger or a photographer. A native of Washington, D.C., he originally planned a career in teaching following his graduation from James Madison University in Virginia with a degree in biology and earth science. But in 1972, after four years of high school teaching, and a return to graduate school for a master’s degree, Bonanno opted to join the National Park Service. “I found I really liked working summers for the park service. I knew I wouldn’t get rich, but the idea really appealed to me.”

While working at Shenandoah National Park, Bonanno met two consultants who were photographing for park service brochures. Bonanno’s childhood interest in photography, an interest that failed to survive adolescence, returned.

“They did a lot of the audiovisual work for the park service. I suddenly realized the photography aspect of our work was very important.” The service encouraged employees to photograph and submit the pictures for park service use, often providing film or processing in return. “There was this awakening, like something had been suppressed for years. I really got back into photography.”

Using a vintage Leica range-finder camera, Bonanno got to work. The park service used his work occasionally, then more frequently, in slide presentations, brochures, postcards and standing exhibits. “Looking back,” Bonanno said, “that was some of my best work.”

His photo education was informal, reviewing photos and slides with fellow photographers, friends and co-workers. “We’d spend a lot of time with a slide projector. A lot of nights in the Blue Ridge Mountains, that was the only entertainment. But again, those pictures were a means to an end. They had to be sharp, good color, composition that was not too intrusive. We were taking photographs to fill a certain function.”

Bonanno also tried his hand at color processing. He points to photographs on the wall of his Marconi Station office. “Some of these things, these are old, I found them in a box, but I like them better than what was there.” The photographs, of a black bear, of early morning mist in the Great Smoky Mountains, of birds and flowers, are little treasures.

But in the mid-1970s, for unknown reasons, Bonanno stepped away from photography. “I still don’t know why,” he said. “Here I was in Grand Canyon National Park, at Zion, Yosemite, some of the most beautiful country in the world, and I wasn’t interested in photography. I just don’t know what happened.” He said interests in river rafting and mountain climbing may have made photography more difficult, but he discounts that possibility even as he voices it.

In 1984, Bonanno and his wife divorced. Bonanno spent two more years at Shenandoah National Park before arriving on Cape Cod in 1986.

“There’s something to the remark that the quality of light here is different. The colors, patterns, textures are extraordinary. I got immersed in photography. I didn’t want to photograph the whole Cape, just Nauset. I had enough material in my backyard to last a lifetime. Photography is a natural response to Cape Cod.”

He credits the encouragement of other Cape photographers, such as Linda McCausland and John Vaughn, as helpful in the development of his vision. That development reached an important stage this summer, when Bonanno mounted a 41-print exhibit at the Snow Library this summer. “I regretted having committed myself to the show,” Bonanno remarked, “because I was in the midst of the summer season. I was already overwhelmed with work, but somehow, it came off.” More than 200 guests attended the opening reception.

Bonanno admits to being influenced by certain photographers of the American landscape, such as Ansel Adams, David Muench and Eliot Porter. If the latter, who may be the best known chronicler of American nature, Bonanno said, “If there’s any coffee table book that influenced me, it was his first book, ‘In Wilderness is the Preservation of the World.’ I saw that book in 1968 and bought it right away. Between lending it out and other things, I’ve probably had three or four copies of it.”

Bonanno also cites Ross Chappell and DeWitt Jones, the latter a student of Ansel Adams, as influences. “I also like Joel Meyerowitz’ work, ‘Cape Light,’ very much,” Bonanno said, referring to the best-known Cape photographer. “I suspect his photography is like mine: It happens in his backyard,” Bonanno said jokingly. Bonanno’s backyard is Nauset Marsh.

He calls the Rock Harbor photo series unplanned. “I knew when I saw the scene I liked it, but I hadn’t planned for it. The sun and clouds had a wonderful color, mood and glow. I remember feeling frustrated because I didn’t have my tripod and I was shooting at 1/15 second. I must have taken 40 or 50 photos, using every trick I know to steady the camera.”

That ability to adapt is one Bonanno would like to cultivate. He admits he sometimes lacks the patience to wait great lengths of time for exactly the right lighting, or composition, but he isn’t concerned. “I’m evolving as a photographer. People have to be willing to try different things, to experiment.”][16]

[ National Seashore Chief Ranger Tony Bonanno began using a camera early in his career with the National Park Service to illustrate naturalist programs. But for many years the camera lay idle as he began to enjoy the outdoor lifestyle that drew him to the Park Service in the first place.

When he moved to Cape Cod in 1986, Mr Bonanno took up residence in a house in the marsh behind Coast Guard Beach in Eastham.

“That marsh behind my house was like a magnet, it just kept pulling at me,” Mr Bonanno recalls. “I spent a lot of time walking around the marsh. It was sort of my back yard, my neighbor, and my inspiration, too. I had a real strong pull to try to capture it.”

That marsh and the photographs that he took of it formed the basis of Mr Bonanno’s first photographic exhibit in 1988 at Orleans Town Hall Gallery, entitled “Backyard Landscapes.” This Sunday, February 4, the Cape Cod Museum of Natural History in Brewster will hold an opening reception from 2:30 to 4:30 pm for his second show, entitled “Natural Lines.” The exhibit of 30 color prints will run through February.

Mr Bonanno’s appreciation of nature may have something to do with the fact he spent his childhood years in the urban setting of Washington, D.C.—“the city, not the suburbs,” he says. His parents were outdoor enthusiasts, however, and the family spent summers at his grandparents’ farm in rural Virginia.

His father, who at one time taught photography, gave Mr Bonanno his first camera at age 12, but he says he didn’t have much interest in taking pictures until after he finished college at James Madison University. He began working part time for the Park Service in the early ‘70s while attending graduate school, and it was during that time that he began taking photographs again. Then other distractions interfered—a new assignment in the southwest, marriage, a passion for rock climbing—and once again the cameras and lenses were put away.

Now divorced, Mr Bonanno finds that the slack in Cape Cod’s seasonal rhythm has provided him with a window of opportunity to resume his creative outlet.

“I can’t paint and I can’t draw. But I can photograph,” he says, “and I have this urge to do it.”

A cheerful, gregarious sort, Mr Bonanno speaks with enthusiasm about the influences and motivations that fuel his work.

“I probably have 1500 slides in the basement. Then I realized what really made me happy was not a bunch of slides in a box that I never saw, but seeing that image on a big print. I wasn’t shooting to be published in magazines; I was shooting to make prints for people and myself to enjoy. That’s what makes me happy.

“Putting on a show is fun, it’s exciting. I guess a big part of putting on a show is motivation. Doing a show forces me to look at my proofs, to focus on my work, to get rid of the fluff. It’s a process that requires homing in on what I am doing in my work, where I have come from, comparing myself to the show I did in 1988, what’s changed. (The show) becomes a reference, a gauge.” Mr Bonanno adds that the feedback he receives is helpful. “The mutual support and fun of the event itself, that’s the whole idea. We’ll have a nice gathering, and what better thing to do on a February Sunday on Cape Cod?”][17]

[BREWSTER — In “Natural Lines,” an exhibit at the Cape Cod Museum of Natural History featuring 40 color photographs of the Outer Cape, about half of the shots are of Nauset Marsh. That’s because the marsh is, quite literally, in the photographer’s back yard.

Tony Bonanno, 45, the chief ranger at Cape Cod National Seashore, has lived in a house 50 feet from the edge of the water in Eastham since he moved to the Cape in 1986. The beauty of the marsh rekindled an interest in photography that had been dormant since the mid-’70s.

The marsh intrigues him because of its “changing moods,” he said in a recent phone interview. “At low tide, it’s almost a mud flat, with all kinds of textures and patterns. At high tide, it’s a very powerful body of water; it looks deep. Depending on wind conditions, it can have white caps or it can be as still as a mirror.”

The Bonanno exhibit also includes views of such scenic locations as Pamet Harbor and Pilgrim Lake in Truro, White Cedar Swamp in Wellfleet, Race Point in Provincetown and Coast Guard Beach in Eastham. But, no matter what the landscape, serenity and luminosity are the conditions likely to catch this photographer’s eye.

He’s not looking for the oddity of nature or the unique camera angle so much as he’s looking for the breathtaking sky that turns the simple elements of sand and water into something quite extraordinary. If the light is pink and the sea is glassy, so much the better.

Beautifully framed and matted in white, the photographs work effectively together to express a certain feeling about the Outer Cape. But the consistency of Bonanno’s vision actually points up the diversity of nature’s moods

In one case, four photographs with low horizon lines hang together. Three are of Nauset Marsh and one is of First Encounter Beach in Eastham, but they all feature a big expanse of sky, a horizontal ribbon of land and a somewhat wider strip of water. One photo of Nauset Marsh has a vivid, perhaps recently stormy blue sky and bright yellow marsh land, with some watery flats in the foreground. The photo of First Encounter Beach has a deep mauve, overcast sky with just a few spots of clear light breaking through; the dunes are dusted with snow. The other two photos are as dissimilar from these as these are from each other.

Three photographs of Rock Harbor, all suffused in the rosy light Bonanno likes, are intended as a series. They all show the flats and the spindly pine trees used as channel markers, though each was shot from a slightly different angle and distance. In the No. 2 photo, a barefoot woman in a black dress — one of the few human figures in the photos — walks away from the camera in the middle distance. The series seems to speak of man’s transience and nature’s endurance.

The photo with the woman took first place in photography in a show at the Creative Arts Center in Chatham. Bonanno has sold the image several times. “People have even tried to buy the negative,” he said.

Bonanno, who has done at least short-term service in just about every national park in the country, took up photography when he was at Shenandoah National Park in Virginia in the early ‘70s. The park service used some of his shots for slide presentations, brochures and post cards. But in the mid-’70s, when Bonanno was working at Zion National Park in Utah and Grand Canyon National Park in Arizona, he stopped taking photos.

“Even though I was in a beautiful part of the country, at that time, that’s not where my interest was,” he said.

As a photographer, he is not too concerned about equipment, he said. He uses basic 35mm equipment (Canon), likes working with a tripod and polarizing filters, and favors Kodak’s Ektar film.

But Bonanno is fussy about his developing. He works closely with River Karmen of Wellfleet, who custom-prints each image. His aim, he said, is to bring out subtleties in contrast and color balance, qualities that can be lost in machine printing. “To me,” he said, “it’s almost as important as taking the image itself.”

On view through February, the Bonanno exhibit is part of the museum’s “Personal Responses to the Earth” exhibit series, which features works by a different artist every month.][20]

[ EASTHAM — Anthony Bonanno’s profession is chief ranger at the Cape Cod National Seashore; his passion is photography.

The two elements combine well, his career bringing him to places of scenic beauty that his talents can preserve on film.

“A good photograph evokes a mood; it conveys feeling. That kind of visual imagination is what excites me,” says Bonanno.

The stimulation and excitement a person gets from a fine photograph is what distinguishes it from a mere snapshot, he said in an interview last month, just before leaving for Costa Rica, where he is currently assisting the Costa Rican park service with cleanup after the recent earthquake there.

Bonanno’s relationship with cameras began when he was 12 years old and his father, an avid amateur photographer with a basement full of enlargers and photo processing equipment, gave him an old Kodak Recomar.

“I thought it was great. It even had bellows that opened and closed,” the 46-year-old Bonanno says. Although he used up many rolls of film as a young teen-ager, Bonanno’s interest in photography gradually waned, not to return until the late 1960s when he joined the National Park Service as a part-time ranger-naturalist at Shenandoah National Park in Virginia.

A few retired photographers who did volunteer work at Shenandoah took him under their wing, and Bonanno also picked up pointers from professionals who worked from time to time at the park under contract. The one who probably had the greatest influence on him was Ross Chappel, a Washington-area photographer who Bonanno says had a tremendous ability to capture emotional impact in his natural landscapes.

Picking up a camera again, Bonanno began producing his own slides to illustrate nature talks he gave as a ranger. Several were turned into postcards or slides to be sold at visitor centers or wound up enlarged to mural size as wall hangings.

But Bonanno again lost interest in photography, a phase of life that lasted about 10 years and encompassed assignments in Zion National Park in Utah, the Grand Canyon in Arizona and the Blue Ridge Parkway, which runs through Virginia and North Carolina.

Moving to Cape Cod in 1986 charged all that. The Cape’s natural beauty and the unusual quality of its light rekindled his desire to capture dramatic landscapes on film, as reflected in his recent work. Bonanno lives in a house in the shore of Nauset Marsh, Eastham, which is a source of inspiration to him as he experiences the changing landscape of a dynamic coastal system.

“The marsh can be still as a mirror or roaring and full of white caps,” he says.

Being a chief ranger keeps Bonanno at his desk more than his previous assignments did, restricting his photography time to after work or on weekends. He doesn’t shoot transparencies anymore or do slide shows, but instead uses negative film and has his pictures custom-printed for display.

“What I have in mind is for people to put them on their walls,” says Bonanno whose work may be seen at New Horizons Gallery in Orleans and, for the third year, at Cielo Gallery, Wellfleet, during its summer season.

Bonanno, who received a bachelor’s degree from James Madison University, in Virginia and a master’s in geo-sciences from Pennsylvania State University, says he is happy with some of his work but believes he still has “a way to go.”

“I’m still experimenting, trying to define what it is that allows me to create an exciting image,” he says. “I know it when I feel it, but I haven’t been able to figure out what light or color or mood allows me to do it. There is no formula.”][18]

[Cape Photo Project]

Bonanno participated with other noted Cape Cod photographers in the “Cape Photo Project,” a collaborative effort to curate a show at the Cape Cod Museum of Natural History that would educate the public about the environmental issues adversely impacting Cape Cod’s natural resources.[24]

[Hooves and Dust]

After years of client-focussed photography, Bonanno craved more personal, creative work.[3][7] A trip to Rock Spring Ranch, Oregon provided the opportunity to shoot cowboys riding horses in dusty action shots, all taken with one lens and with natural light at sunrise or sunset.[3][7] With the “Hooves and Dust” project, Bonanno sought to “stimulate your curiosity, take you into an emotional space with the subject, challenge you to understand, and perhaps give you a glimpse of what it was like to be there.”[3]

[Cuba Project]

In line with his photojournalistic training, Bonanno sought to capture and evoke his emotional experience of visiting Cuba through the five-year-long CubaStreet series, which documented street scenes in La Habana, Trinidad, and other locations. The corresponding Cuba Project researched the lives and work of Cuban fine-art photographers; this research was supported by the New Mexico Department of Cultural Affairs.[9]

[Synergy]

[Horse of the Sea]

Bonanno’s first monograph arose through a series of workshops that he led (and first co-led with photographer Jodie Willard) from 2015 through 2019 in the Camargue region of France.[27][28][12][13] Struck by the centuries-old lifestyle of gardians, cattle herders and riders of the unique Camargue horse, Bonanno documented the landscape and inhabitants that support and define this culture.[27][28][12][13][14][15][19][29]

[Other works]

[Each teacher was asked to tell a workshop story that influenced or inspired them personally—involving colleagues, peers, or students—whether funny, poignant, profound, or sad. These authentic stories are universal, and in them we find ourselves. More broadly, the goal of this book is not only to preserve memorable workshop experiences, but also to share the varied and unique images of the photographers who contributed their talents and expertise to these institutions.]

Bonanno’s photographs were included in the anthology Workshop Stories: Changed through Photography.[30]

Workshops and teaching

Bonanno has been an instructor at Santa Fe Workshops (formerly Santa Fe Photographic Workshops) since 2008. He has led workshops in diverse locations, including White Sands National Park, Bosque del Apache National Wildlife Refuge, and Cliff River Springs, New Mexico; La Habana, Cuba; San Miguel de Allende, Mexico; Peru; and the Camargue region of France.[25][6][27][28][30][26][31][32][12][13][14][15][19]

Printing

An acknowledged master printer, Bonanno has been processing and printing his own photographs in his workroom, where he also has been collaborating with other photographers to produce prints for exhibition.[10][25][6][27]

Selected bibliography

Bonanno’s published work includes a monograph of his fine-art photography and a photographic anthology. His editorial work has been included in numerous regional, national, and international publications.

  • [Courier: Newsmagazine of The National Park Service (Washington, District of Columbia).]
  • Coleman, David. Image by Coleman, David. “This ranger is armed with a Canon: Seashore ranger always packs his trusty camera.” Wellfleet Oracle (1988).[16]
  • Quinlan, Linda. Images by Bonanno, Tony; Donahue, Barry. “Backyard Beauty Revives Bonanno’s Photo Enthusiasm.” The Cape Codder (1990).[17]
  • Nickerson, Cindy. Image by Bonanno, Tony. “Marsh rekindles ranger’s artistry.” CapeWeek, Cape Cod Times Magazine (1990).[20]
  • The Cape Codder, ed. Image by Bonanno, Tony. “Wide-Ranging Photographer.” The Cape Codder (1990).[22]
  • Starr, Joyce. Images by Bonanno, Tony; Heaslip, Steve. “Seashore Images: Ranger captures park’s many moods on film.” Cape Cod Times (1991).[18]
  • Finch, Robert. Images by Bonanno, Tony et al. Cape Cod: its natural and cultural history: a guide to Cape Cod National Seashore, Massachusetts (1993).[2]
  • Crampton, Sarah H. Images by Bonanno, Tony. “Tony Bonanno: Hooves and Dust.” Horses in Art (2006).[3]
  • Santa Fean, ed. Images by Bonanno, Tony. “Hooves and Dust.” Santa Fean Magazine (2006).
  • Slaughter, Paul. Images by Bonanno, Tony. “Tony Bonanno: Hooves and Dust.” Rangefinder (2007).[7]
  • Red River Paper, ed. Image by Bonanno, Tony. “Red River Pros: Tony Bonanno.” Red River Paper (2009).[8]
  • Bonanno, Tony. Images by Bonanno, Tony. “The Poor Man's Digital Leica? First Impressions of the Panasonic Lumix GF1 Micro Four-Thirds Camera.” Red Dog Journal (2010).[33]
  • Bonanno, Tony; Tornick, Josef. Images by Bonanno, Tony. “CubaStreet.” ASMP New Mexico Newsletter (2011).[9]
  • Bleich, Arthur. Images by Bonanno, Tony. “Pros Choose Tony Bonanno To Print Their Best Images.” Red River Paper (2016).[10]
  • Red River Paper, ed. Images by Bonanno, Tony. “Red River Pro Tony Bonanno Will Host New Mexico Workshop in October.” Red River Paper (2016).[25]
  • Siegel, Gershon. Images by Bonanno, Tony et al. “Meet Your Neighbor: Tony Bonanno: Photographer, Printer, & Wildlife Fan.” Eldorado Living (2018).[6]
  • Williams, Suzanne D. Images by Bonanno, Tony et al. “Back To Basics: Orientation Can Make Or Break Your Image.” Red River Paper (2018).[34]
  • Bonanno, Tony. Images by Bonanno, Tony et al. “Photographing the White Horses of the Camargue.” Red River Paper (2019).[27]
  • Bonanno, Tony. Images by Bonanno, Tony. “The White Horses of the Camargue.” Nikon Rumors (2020).[28]
  • D’Amore, Jon. Images by Bonanno, Tony; Williams, Diane. “Meet Eldorado Artist Extraordinaire Tony Bonanno.” Better Eldorado (2020).[11]
  • Maisel, Jay; Opalenik, Elizabeth. Images by Bonanno, Tony et al. Workshop Stories: Changed through Photography. True North Editions (2021).[30]
  • Bonanno, Tony. Images by Bonanno, Tony et al. “Baron Wolman, Iconic Rock Photographer, Dies at 83.” Red River Paper (2021).[21]
  • Wolman, Baron. Images by Bonanno, Tony. “Following the Legendary White Horses in Camargue.” Blind Magazine (2023).[12]
  • Bonanno, Tony; Wolman, Baron. Translated by Bourriaud, Audrey. Images by Bonanno, Tony et al. Horse of the Sea: The White Horses of the Camargue: Les Chevaux Blancs de Camargue. Chusco Editions (2023).[13]
  • Casaus, Phill, et al. Images by Bonanno, Tony et al. “Bill Richardson, 1947-2023: Former New Mexico Governor Remembered as ‘a Great Public Servant’ .” Santa Fe New Mexican (2023).[1]
  • Hull, Ania. Images by Bonanno, Tony et al. “A wild and precious life: Photographer Tony Bonanno captures the power and beauty of France’s Camargue horse [print] (The wild and precious life of an ancient equine species [web]).” Pasatiempo (2024).[14]
  • Berndt, Mark; Bonanno, Tony. Images by Bonanno, Tony. “The Conversations: Tony Bonanno.” Leicas and Scotch (2024).[15]
  • Wolman, Baron. Images by Bonanno, Tony. “‘Horse of the Sea’ Showcases Stunning Equine Photography by Tony Bonanno.” Red River Paper (2024).[19]
  • Anderson, Tim. Images by Bonanno, Tony. “Horse of the Sea by Tony Bonanno.” Shadow and Light Magazine: The Art of Photography (2024).[29]

References

  1. ^ a b c Casaus, Phill; Nott, Robert; Brown, Nathan (September 2, 2023). "Bill Richardson, 1947-2023: Former New Mexico Governor Remembered as 'a Great Public Servant'". Santa Fe New Mexican. Images by Associated Press; Bonanno, Tony; Ernesto Miranda family album via Associated Press; Lee, Morgan; New Mexican; Sánchez Saturno, Luis. Archived from the original on September 4, 2023. Retrieved November 1, 2024.
  2. ^ a b c Finch, Robert (1993). Cape Cod : Its Natural and Cultural History : A Guide to Cape Cod National Seashore, Massachusetts. Vol. 148. Images by Bonanno, Tony et al. Washington, D.C.: The Division of Publications, National Park Service, U.S. Department of the Interior. ISBN 0912627565.
  3. ^ a b c d e f Crampton, Sarah H. (Spring 2006). "Tony Bonanno: Hooves and Dust". Horses in Art. Images by Bonanno, Tony. Jamul, California USA: 26, 27.
  4. ^ "Tony Bonanno". Art Photo Index. Archived from the original on October 6, 2024. Retrieved November 1, 2024.
  5. ^ The New Mexican, ed. (October 16, 2024). "Comet Tsuchinshan-Atlas as seen from New Mexico: Reader-submitted photos". Santa Fe New Mexican. Archived from the original on November 24, 2024. Retrieved November 1, 2024.
  6. ^ a b c d e f g h Siegel, Gershon (March 2018). "Meet Your Neighbor: Tony Bonanno: Photographer, Printer, and Wildlife Fan". Eldorado Living. Images by Bonanno, Tony et al.: 12‒14.
  7. ^ a b c d e f g h i j k l m Slaughter, Paul (January 2007). "Tony Bonanno: Hooves and Dust". Rangefinder. 56 (1). Images by Bonanno, Tony. Santa Monica, California USA: Rangefinder Publishing Co., Inc.: 30–36.
  8. ^ a b c d Red River Paper, ed. (January 1, 2009). "Red River Pros: Tony Bonanno". Red River Paper. Image by Bonanno, Tony. Archived from the original on May 28, 2024. Retrieved November 1, 2024.
  9. ^ a b c d Bonanno, Tony; Tornick, Josef (Fall 2011). "CubaStreet" (PDF). ASMP New Mexico Newsletter. Images by Bonanno, Tony: 13–24.
  10. ^ a b c Bleich, Arthur (January 27, 2016). "Pros Choose Tony Bonanno to Print Their Best Images". Red River Paper. Archived from the original on July 21, 2024. Retrieved November 1, 2024.
  11. ^ a b c d e D'Amore, Jon (June 2020). "Meet Eldorado Artist Extraordinaire Tony Bonanno". Better Eldorado. Images by Bonanno, Tony; Williams, Diane: 3‒6.
  12. ^ a b c d e f g Wolman, Baron (May 16, 2023). "Following the Legendary White Horses in Camargue". Blind Magazine. Images by Bonanno, Tony. Archived from the original on May 16, 2023. Retrieved November 1, 2024.
  13. ^ a b c d e f g Bonanno, Tony; Wolman, Baron (2023). Horse of the Sea: The White Horses of the Camargue: Les Chevaux Blancs de Camargue (in en|fr). Translated by Bourriaud, Audrey. Images by Bonanno, Tony; Williams, Diane; van Gogh, Vincent. Santa Fe, New Mexico USA: Chusco Editions. ISBN 9798890343086.{{cite book}}: CS1 maint: unrecognized language (link)
  14. ^ a b c d e Hull, Ania (January 19, 2024). "A wild and precious life: Photographer Tony Bonanno captures the power and beauty of France's Camargue horse [print] (The wild and precious life of an ancient equine species [web])". Pasatiempo. Images by Bonanno, Tony; Williams, Diane. pp. 10‒13. Archived from the original on January 19, 2024. Retrieved November 1, 2024.
  15. ^ a b c d e f g h i j Berndt, Mark (January 21, 2024). "The Conversations: Tony Bonanno". Leicas and Scotch. Images by Bonanno, Tony. Archived from the original on November 24, 2024. Retrieved November 1, 2024.
  16. ^ a b c d e f g h i j k l Coleman, David (October 13, 1988). "This ranger is armed with a Canon: Seashore ranger always packs his trusty camera". Wellfleet Oracle. Image by Coleman, David. pp. 1, 2.
  17. ^ a b c d e f g h Quinlan, Linda (January 30, 1990). "Backyard Beauty Revives Bonanno's Photo Enthusiasm". The Cape Codder. Images by Bonanno, Tony; Donahue, Barry. pp. 2:1, 2.
  18. ^ a b c d e f g Starr, Joyce (May 5, 1991). "Seashore Images: Ranger captures park's many moods on film". Cape Cod Times. Images by Bonanno, Tony; Heaslip, Steve. p. B:1.
  19. ^ a b c d Wolman, Baron (May 7, 2024). ""Horse Of The Sea" Showcases Stunning Equine Photography by Tony Bonanno". Red River Paper. Images by Bonanno, Tony. Archived from the original on June 14, 2024. Retrieved November 1, 2024.
  20. ^ a b c d e f Nickerson, Cindy (February 16, 1990). "Marsh Rekindles Ranger's Artistry". CapeWeek: Cape Cod Times Magazine. Image by Bonanno, Tony. p. 10.
  21. ^ a b Bonanno, Tony (March 11, 2021). "Baron Wolman, Iconic Rock Photographer, Dies at 83". Red River Paper. Images by Bonanno, Tony; Graham, Bill; Wolman, Baron. Archived from the original on June 14, 2024. Retrieved November 1, 2024.
  22. ^ a b The Cape Codder, ed. (August 10, 1990). "Wide-Ranging Photographer". The Cape Codder. Image by Bonanno, Tony. p. 2:6.
  23. ^ McLaughlin, Jeff (August 20, 1990). "In P-town, a night of Mailer and memories". The Boston Globe.
  24. ^ a b Driscoll, Kathi Scrizzi (1991). "Photos celebrate Cape environment". Cape Cod Times. Image by Piccione, Joseph.
  25. ^ a b c d Red River Paper, ed. (June 29, 2016). "Red River Pro Tony Bonanno Will Host New Mexico Workshop In October". Red River Paper. Images by Bonanno, Tony. Archived from the original on November 27, 2024.
  26. ^ a b "Tony Bonanno". Santa Fe Workshops. January 19, 2022. Archived from the original on May 20, 2024. Retrieved November 1, 2024.
  27. ^ a b c d e Bonanno, Tony (August 31, 2019). "Photographing the White Horses of the Camargue". Red River Paper. Images by Bonanno, Tony; van Gogh, Vincent; Williams, Diane. Archived from the original on March 1, 2024. Retrieved November 1, 2024.
  28. ^ a b c d Bonanno, Tony (May 31, 2020). "The White Horses of the Camargue". Nikon Rumors. Images by Bonanno, Tony. Archived from the original on June 15, 2020. Retrieved November 1, 2024.
  29. ^ a b Anderson, Tim (July–August 2024) [July 14, 2024]. "Horse of the Sea by Tony Bonanno". Shadows and Light Magazine: The Art of Photography (60). ISSN 2471-7681.
  30. ^ a b c Maisel, Jay; Opalenik, Elizabeth (2021). Workshop Stories: Changed through Photography. Images by Abell, Sam; Allard, William Albert; Anderson, Christina Z.; Baraban, Joe; Bliss, Steve; Bonanno, Tony; Brihat, Denis; Brimberg, Sisse; Brundage, Kip; Burkholder, Jill Skupin; Burkholder, Dan; Burnett, David; Callanan, Reid; Caponigro, Paul; Carnochan, Brigitte; Carter, Kate; Carter, Keith; Casanave, Martha; Clergue, Lucien; Collins, Arlene; Dater, Judy; Durrance, Dick; Enfield, Jill; Fink, Larry; Fox, Sharon; Friedman, Susan; Gage, Rob; Goodman, John; Gorman, Greg; Graves, Carson; Greenberg, Elizabeth; Greenfield, Lois; Griffiths, Annie; Haas, Ernst; Haiduk, Renie; Hamilton, Brenton; Harvey, Cig; Heisler, Gregory; Hutchins, Vaughn; Imbolden, Connie; James, Christopher; Jastrab, Ann; Jordahl, Kate; Jordahl, Geir; Keeley, Dennis; Kernan, Sean; Klein, Laurie; Kost, Julieanne; Krist, Bob; Kuehn, Karen; Lane, Bobbi; Lyman, David; Maisel, Jay; Mann, Sally; Meyer, Annie Kurutz; Meyerson, Arthur; Minkkinen, Arno Rafael; Mitchell, Margaretta K.; Newman, Arnold; O'Neill, Michael; Opalenik, Elizabeth; Orland, Ted; Osterman, Willie; Osterman, France Scully; Osterman, Mark; Parker, Olivia; Patterson, Freeman; Pledge, Robert; Psillas, Keron; Reuter, John; Richardson, Jim; Ross, Alan; Rubinstein, Eva; Rudman, Tim; Sacabo, Josephine; Schaub, George; Sexton, John; Slavin, Neal; Smithson, Aline; Soloway, Eddie; Spelman, Jennifer; Steber, Maggie; Stevens, Craig; Sudre, Jean-Pierre; Swanson, Mary Virginia; Taylor, Brian; Tenneson, Joyce; Tice, George; Tomaszewski, Tomasz; Turnley, Peter; Vachon, Ginette; Weinstein, Todd; Wier, Nevada; Wilkes, Stephen; Wolf, Bruce; Young, Ellie. Bellingham, Washington USA: True North Editions. ISBN 9781943013241.
  31. ^ Santa Fe Workshops, ed. (March 17, 2023). "White Sands and Bosque Del Apache: Capture To Print". Santa Fe Workshops. Images by Bonanno, Tony. Archived from the original on June 7, 2023. Retrieved November 1, 2024.
  32. ^ Santa Fe Workshops, ed. (March 30, 2023). "White Sands, New Mexico: Capture to Print". Santa Fe Workshops. Images by Bonanno, Tony. Archived from the original on June 5, 2023. Retrieved November 1, 2024.
  33. ^ Bonanno, Tony (January 27, 2010). "The Poor Man's Digital Leica? First Impressions of the Panasonic Lumix GF1 Micro Four-Thirds Camera". Red Dog Journal. Images by Bonanno, Tony. Archived from the original on January 31, 2010. Retrieved November 22, 2024.
  34. ^ Williams, Suzanne D. (April 29, 2018). "Back To Basics: Orientation Can Make Or Break Your Image". Red River Paper. Images by Adams, Ansel; Bleich, Arthur H.; Bonanno, Tony; Kroenert, Rob; Slaton, Andrew. Archived from the original on May 25, 2024. Retrieved November 1, 2024.
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