Semidocumentary
A semidocumentary is a form of book, film, or television program presenting a fictional story that incorporates many factual details or actual events, or which is presented in a manner similar to a documentary.
Characteristics
Stylistically, it has certain similarities to Italian Neorealism, such as the use of location shooting and employing non-actors in secondary roles. However, the viewer is not intended to mistake a semidocumentary for a real documentary; the fictional elements are too prominent.[1]
Background
One of the first films of this kind was Henry Hathaway's The House on 92nd Street (1945).[2]
In the late 1940s, semidocumentary films were often associated with film noir thrillers, sharing a commitment to on-location shooting, gritty realism, and understated performances.
Decline
In the 1960s and 1970s the semidocumentary style faded. The standard documentary had blurred the difference between itself and fiction so much that there was viewer confusion regarding what they were seeing.[1]
Notable semidocumentary examples
- The Cool World (1963)[3]
- 13 Rue Madeleine (1946)[1][4]
- Armored Car Robbery (1950)
- T-Men (1947)
- Boomerang (1947)[1]
- Bodyguard (1948)
- Brute Force (1947)[1]
- Call Northside 777 (1948)
- Canon City (1948)
- He Walked by Night (1948)
- Dragnet (1951)
- Highway 301 (1950)
- The Hitch-Hiker (1953)
- The House on 92nd Street (1945)[1][5][6]
- The Insect Woman (1963)[7]
- The Killers (1946)[1]
- Kiss of Death (1947)[1]
- Mystery Street (1950)
- The Naked City (1948)[1][8]
- On Dangerous Ground (1952)
- Night and the City (1950)[9]
- Panic in the Streets (1950)
- The Racket (1951)
- Side Street (1950)
- The Street with No Name (1948)
- The St. Valentine's Day Massacre (1967)[10]
- Walk East on Beacon (1952)
- The Asphalt Jungle (1950)[11]
- The Endless Summer (1966)[12]
- A Hard Day's Night (1964)[13]
Notable directors associated with semidocumentary
See also
References
- ^ a b c d e f g h i j k Romanski, Philippe; Sy-Wonyu, Aïssatou (2002). Trompe (-)l'oeil: Imitation & Falsification. Publications de l'Université de Rouen. Vol. 324. University of Le Havre Press. p. 343. ISBN 2877753344.
- ^ 30 Overlooked Noir Films That Are Worth Watching — Taste of Cinema
- ^ Brief Descriptions and Expanded Essays of National Film Registry Titles|Library of Congress
- ^ Vice Squad (1953) - Turner Classic Movies
- ^ Vice Squad (1953) - Turner Classic Movies
- ^ DVD Talk review of Kiss Me Deadly: The Criterion Collection
- ^ Butterflies, beetles, and postwar Japan: semi-documentary in the 1960s: Journal of Japanese and Korean Cinema: Vol.9, No 1
- ^ Vice Squad (1953) - Turner Classic Movies
- ^ Film Noir: The Semi-Documentaries - by Michael E. Grost
- ^ The St. Valentine's Day Massacre review (1967)|Roger Ebert
- ^ 20 best film noirs: From Double Indemnity to Shadow of a Doubt|The Independent
- ^ Film History of the 1960s
- ^ A Hard Day's Night movie review (1964)|Roger Ebert
- ^ NOIR CITY 8: LUST & LARCENY! - ScreenAnarchy
- ^ 10 great New York noirs|BFI
