Zum Inhalt springen

Apache Kid und Werkverzeichnis Thomas Eakins: Unterschied zwischen den Seiten

aus Wikipedia, der freien Enzyklopädie
(Unterschied zwischen Seiten)
[gesichtete Version][ungesichtete Version]
Inhalt gelöscht Inhalt hinzugefügt
VisuellWikitext
 
Raul654 (Diskussion | Beiträge)
Sichter
66 Bearbeitungen
Keine Bearbeitungszusammenfassung
 
Zeile 1: Zeile 1:
[[File:Eakins selfportrait.jpg|thumb|[[Thomas Eakins]], ''[[Self-portrait]],'' 1902, [[National Academy of Design]] [[New York City]]]]
{{QS-Antrag|16. Mai 2016|2=Deutsche Grammatik und Zeichensetzung nötig. [[Benutzer:Jbergner|Jbergner]] ([[Benutzer Diskussion:Jbergner|Diskussion]]) 05:56, 16. Mai 2016 (CEST)}}
This is a '''list of works by [[Thomas Eakins]]''', the American artist (1844 – 1916).
[[Datei:The_Apache_Kid.jpg|mini|Apache Kid]]
'''Apache Kid''' diente als Scout in der [[United States Army|US-Armee]]. Er war mit [[Massai (Apache)|Massai]] und [[Al Sieber]] auf der Jagd nach [[Juh (Häuptling)|Juh]] und [[Geronimo]]. In erster Linie war er ein hervorragender, konkurrenzloser und von Legenden umwobener Scout, der trotz zahlreicher Kriegszüge nicht gefangen werden konnte. Er wurde beschrieben als „ein kurzer, stämmiger Vollblut-Indianer, der drahtig und mutig, schnell wie der Blitz und so schlau wie ein Fuchs war“. Kid erhielt den zusätzlichen Titel „Apache“, nachdem er ein Abtrünniger wurde. Dieser Titel bot eine Möglichkeit, ihn als besonders berüchtigt und gefährlich zu bezeichnen.


Paintings and sculptures are listed with their number in the 1933 [[Lloyd Goodrich]] [[catalogue raisonné]], ''Thomas Eakins: His Life and Works''. This catalog is known to have 85 omissions which Goodrich intended to include in a later catalogue.<ref>[http://www.philamuseum.org/pma_archives/ead.php?c=LEG&s=s108 Lloyd and Edith Havens Goodrich, Whitney Museum of American Art, Record of Works by Thomas Eakins: Series VII. Catalogue raisonné].</ref>
Kid wurde in den 1860er Jahren, möglicherweise als ein [[Westliche Apachen|White-Mountain-Apache]], im ''Aravaipa Canyon'' geboren, ca. 25 Meilen (40&nbsp;km) südlich der ''San Carlos Apache Reservation'' im Südosten [[Arizona]]s. Kids legitimer Apachenname blieb ein Geheimnis. Die Aufzeichnungen bei der US-Armee führen den bemerkenswerten Scout nur als „'''Kid'''“ ohne weitere Bezeichnung auf. Sayes, ein Mitglied von Kids Bande, behauptete, dass sein indianischer Name '''Shisininty''' war. Während Kids Prozess vor dem [[Kriegsgericht]] sagte ein Apachen-Scout aus, dass sein Name '''Hahouantell''' sei. Verschiedene Autoren haben andere Namen genannt, die '''Eskibinadel''', '''Gonteee''', '''Haskay-bay-nay-ntal''', '''Ohyessonna''', '''Oskabennantelz''', '''Ski-be-nan-ted''' und '''Zenogolache''' umfassen.


Photographs are listed according to their number in [[Gordon Hendricks]] 1972 catalogue of Eakins' photographs, ''The Photographs of Thomas Eakins''. Because Eakins did not keep detailed records of his photographs, nor did he sign, title, or date them, many of the dates and photographers listed in the catalogue are educated guesses on Hendrick's part.
== Familie ==
Die Namen seines Vaters (vermutlich Togo-de-Chuz) und der Mutter erscheinen nicht in der [[Volkszählung]] von San Carlos oder sind nicht genau belegt. Seine Familie ließ sich im Jahr 1868 in [[Globe (Arizona)|Globe]], im Arizona-Gebiet nieder. Sein Name, '''Haskay-bay-nay-natyl''' („der große Mann, der bestimmt ist, zu einem geheimnisvollen Ende zu kommen“), war für die Bürger von Globe zu lange und sie nannten ihn einfach „Kid“. Kid heiratete eine Tochter des [[Eskiminzin]], möglicherweise war ihr Name „Nahthledeztelth“.


==Goodrich 1933 catalogue of Eakins' paintings and sculptures==
Kid lernte Englisch, arbeitete bei Gelegenheitsjobs in der Stadt und war bald mit dem berühmten Scout Al Sieber befreundet. Kid wurde Siebers [[Protegé|Schützling]]; dadurch konnte sich Kid im Jahr 1881 bei den Indianer-Scouts bewerben. Er zeigte eine solche Eignung für den Job, den er als [[Sergeant]] machte, dass er schließlich innerhalb von zwei Jahren in den Rang eines [[Feldwebel]]s aufstieg.
{| class="wikitable" style="font-size: 95%;" border="2" cellpadding="4" background: #f9f9f9;
[[Datei:Apache_warriors_1880BW.jpg|mini|Massai (Links), Apache Kid (Mitte) und Rowdy (Rechts)]]
|- align="center"
! style="background:#CCCCEE;" | Title
! style="background:#CCCCEE;" | Catalog #
! style="background:#CCCCEE;" | Format
! style="background:#CCCCEE;" | Year
! style="background:#CCCCEE;" | Note
! style="background:#CCCCEE;" | Collection
! style="background:#CCCCEE;" | Picture
|-
| Nude woman, seated, wearing a mask
| 1
| Charcoal on paper
| circa 1863–1866
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins - Nude woman, seated, wearing a mask.jpg|100px|]]
|-
| Nude woman, back turned
| 2
| Charcoal on paper
|
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins - standing nude.jpg|100px|]]
|-
| Nude boy
| 3
| Charcoal on paper
|
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Nude boy G3.png|100px|]]
|-
| Nude man, seated
| 4
| Charcoal on paper
|
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]<ref>Darrel, Artist, 6</ref>
|[[File:Nude man seated.png|100px|]]
|-
| Nude woman reclining, back turned
| 5
| Charcoal on paper
|
|
|
|[[File:Eakins nude charcoal derivative.png|100px|]]
|-
| Nude woman, reclining, seen from the front
| 6
| Charcoal on paper
|
|
|
|[[File:Studies of a reclining nude woman G6.jpg|100px|]]<br/><br/>[[File:Studies of feet, legs, and a half figure G6A.png|100px|]]
|-
| Head, bust and arm of a child
| 7
| Charcoal on paper
|
|
|
|[[File:Study of a child G7.png|100px|]]
|-
| Arm resting on the back of a chair
| 8
| Charcoal on paper
|
|
|
|[[File:Arm resting on the back of a chair G8.png|100px|]]
|-
| Nude man with a beard, seated on the floor
| 9
| Charcoal on paper
|
|
|
|
|-
| Nude man standing
| 10
| Charcoal on paper
|
|
|
|
|-
| Legs of a seated model
| 11
| Charcoal on paper
|
|
|
|
|-
| Legs of a standing model
| 12
| Charcoal on paper
|
|
|
|
|-
| Head and bust of an Arab man with a turban
| 13
| Charcoal on paper
| 1866-1867
|
|[[Fine Arts Museums of San Francisco ]]
|[[File:Eakins - Man in Turban.jpg|100px|]]
|-
| Torso and arm of a nude man
| 14
| Charcoal on paper
|
|
|
|
|-
| Nude woman reclining on a couch
| 15
| Charcoal on paper
| 1863-1866
|
|
|[[File:Nude woman reclining on a couch.png|100px|]]
|-
| Nude woman reclining, wearing a mask
| 16
| Charcoal on paper
|
|
|
|
|-
| Nude woman standing
| 17
| Charcoal on paper
| 1876
|
|
|
|-
| Nude man seated
| 18
| Charcoal on paper
| Circa 1869
| Obverse side has "Head of a warrior". Sold at auction, December 8, 2008, for $50,000<ref>[http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5154223 Head of a Warrior; and Seated Nude: A Double-sided Work]. [[Christie's]] auction website.</ref>
|
|[[file:Eakins - Nude man seated.png|100px|]]<br/><br/>[[file:Eakins - Head of a Warrior.png|100px|]]
|-
| Antique study, female head
| 19
| Oil on heavy paper
| circa 1867-1869.
| Study
|
|
|-
| Antique study, male roman head
| 20
| Oil on canvas
| circa 1867-1870
| Study
|
|
|-
| Study of a leg
| 21
| Oil on heavy paper
| circa 1867-1871
| Study
|
|
|-
| Study of a ram's head
| 22
| Oil on canvas
| circa 1867-1872
| Study
|
|
|-
| Study of a girl's head
| 23
| Oil on canvas
| circa 1868-1869
| Study
|
|
|-
| Study of a girl's head
| 24
| Oil on canvas
| circa 1867-1874
| Study
| [[Hirshhorn Museum and Sculpture Garden]]
|[[File:Eakins Study of a Girl's Head G24.jpg|100px|]]
|-
| Study of a girl's head
| 25
| Oil on canvas
| circa 1867-1869
| Study
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Study of Girl's Head 1868.jpg|100px|]]
|-
| [[The Strong Man (painting)|The Strong Man]]
| 26
| Oil on canvas
| circa 1867-1869
| Study
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Study of a Nude Man (The Strong Man).png|100px|]]
|-
| Bust of a Man (Study of a Nude Man)
| 27
| Oil on canvas
| circa 1867-1869
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Study of a Nude Man.png|100px|]]
|-
| Study of a student's head
| 28
| Oil on canvas mounted on cardboard
| circa 1867-1878
| Study
|
|
|-
| Study of a student's head
| 29
| Oil on canvas mounted on cardboard
| circa 1867-1879
| Study
|
|
|-
| A Negress
| 30
| Oil on canvas
|
|
|
|[[File:A negress.png|100px|]]
|-
| [[Scene in a Cathedral]]
| 31
| Oil on canvas
|
| Study, unfinished
|
|[[File:Scene_in_a_Cathedral_G31.png|100px|]]
|-
| [[Carmelita Requena]]
| 32
| Oil on canvas
| 1869
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Carmelita Requena.jpg|100px|]]
|-
| [[A Street Scene in Seville]]
| 33
| Oil on canvas
| 1870
|
|
|[[File:A street scene in sevilla thomas eakins.jpeg|100px|]]
|-
| [[A Spanish Woman]]
| 34
| Oil on canvas
|
|
|
|
|-
| [[Francis Eakins]]
| 35
| Oil on canvas
| Late 1870/Early 1871
|
| [[Nelson-Atkins Museum of Art]], [[Kansas City, Missouri]]
|[[File:Frances Eakins.jpg|100px|]]
|-
| [[At the Piano]]
| 36
| Oil on canvas
| Late 1870/Early 1871
|
|
|
|-
| [[Home Scene]]
| 37
| Oil on canvas
| Late 1870/Early 1871
|
|[[Brooklyn Museum of Art]]
|[[File:Home Scene.jpg|100px|]]
|-
| [[Benjamin Eakins]]
| 38
| Watercolor on paper
| Circa 1870
|
|
|
|-
| [[Margaret in Skating Costume]]
| 39
| Oil on canvas
| 1871
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Margaret in Skating Costume.jpg|100px|]]
|-
| Margaret (study)
| 40
| Oil on canvas
| Circa 1871
|
| [[Hirshhorn Museum and Sculpture Garden]]
| [[File:Margaret_G40.png|100px|]]
|-
| Margaret (sketch)
| 41
| Oil on canvas
| Circa 1871
|
|
|
|-
| [[Hiawatha (painting)|Hiawatha]]
| 42
| Watercolor on paper
|
| No longer exists.<ref>Hirshhorn, 53-54</ref>
|
|
|-
| Hiawatha
| 43
| Oil on canvas
|
| Study for Hiawatha watercolor. Described erroneously as unfinished.<ref>Hirshhorn, 53-54</ref>
| [[Hirshhorn Museum and Sculpture Garden]]
|[[File:Hiawatha - Eakins.jpg|100px|]]
|-
| [[Max Schmitt in a Single Scull]]
| 44
| Oil on canvas
| 1871
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Max Schmitt in a Single Scull.jpg|100px|]]
|-
| [[Kathrin (painting)|Kathrin]]
| 45
| Oil on canvas
| 1872
|
|[[Yale University Art Gallery]]
|[[File:Kathrin-1872-large.jpg|100px|]]
|-
| [[Elizabeth Crowell and her Dog]]
| 46
| Oil on canvas
| Early 1870s
|
| [[San Diego Museum of Art]]
|[[File:Thomas Eakins - Elizabeth Crowell with a Dog.jpg|100px|]]
|-
| [[Mrs. James W. Crowell]]
| 47
| Oil on canvas
| Early 1870s
|
|
|[[File:Eakins, Mrs James W Crowell 1875.jpg|100px|]]
|-
| [[Grouse (painting)|Grouse]]
| 48
| Oil on canvas
| 1872
|
|[[Mint Museum of Art]], [[Charlotte, North Carolina]]
|
|-
| [[The Pair-Oared Shell]]
| 49
| Oil on canvas
| 1872
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:The pair-oared shell thomas eakins.jpeg|100px|]]
|-
| Perspective Drawing for The Pair-Oared Shell
| 50
| Pencil and ink on paper mounted on cardboard
|
|
|
|[[File:Perspective Drawing for The Pair-Oared Shell.png|100px|]]
|-
| Perspective Drawing for The Pair-Oared Shell
| 51
| Pencil, ink, and watercolor on paper mounted on cardboard
| 1872
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Perspective drawing for the pair-oared shell thomas eakins.jpeg|100px|]]
|-
| [[The Biglin Brothers Turning the Stake]]
| 52
| Oil on canvas
| 1873
|
| [[Cleveland Museum of Art]]
|[[File:The biglin brothers turning the stake-boat thomas eakins.jpeg|100px|]]
|-
| Perspective Drawing for the Biglin Brothers Turning the Stake
| 53
| Pencil and ink on paper mounted on cardboard
| 1873
|
| [[Hirshhorn Museum and Sculpture Garden]]
|[[File:Perspective Drawing for the Biglin Brothers Turning the Stake.png|100px|]]
|-
| The Pair-Oared Race - John and Barney Biglin Turning the Stake
| 54
| Watercolor
| 1874
|
|
|
|-
| A Rower
| 55
| Watercolor
|
|
|
|
|-
| [[John Biglin]] (also known as 'The Sculler')
| 56
| Watercolor
| 1874
|
|
|
|-
| [[John Biglin in a Single Scull]]
| 57
| Watercolor on paper
| 1873 or early 1874
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:John Biglin in a Single Scull.jpg|100px|]]
|-
| Perspective Drawing for John Biglin in a Single Scull
| 58
| Pencil and ink on paper mounted on cardboard
| Circa 1874
|
| [[Museum of Fine Arts, Boston]]
|[[File:Perspective Drawing for John Biglin in a Single Scull.png|100px|]]
|-
| John Biglin in a Single Scull
| 59
| Oil on canvas
| 1873–1874
|
|[[Yale University Art Gallery]]
|[[File:John Biglin in a Single Scull 2.jpg|100px|]]
|-
| John Biglin in a Single Scull
| 60
| Watercolor
| 1873–1874
|
|
|
|-
| [[The Biglin Brothers Racing]]
| 61
| Oil on canvas
| Probably 1873
|
| [[National Gallery of Art]]
|[[File:Thomas Eakins 002.jpg|100px|]]
|-
| Perspective Drawing for the Biglin Brothers Racing
| 62
| Pencil and ink on paper mounted on cardboard
|
|
|
|
|-
| [[Oarsmen on the Schuylkill]]
| 63
| Oil on canvas
| Circa 1873
|
| [[Brooklyn Museum]], [[Brooklyn, New York]]
|[[File:Oarsmen on the schuylkill thomas eakins.jpeg|100px|]]
|-
| Oarsman in a Single Scull
| 64
| Oil on canvas
|
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch of max schmitt in a single scull thomas eakins.jpeg|100px|]]
|-
| Oarsmen
| 65
| Oil on canvas
| Probably circa 1873
|
|[[Portland Art Museum]], [[Portland, Oregon]]
|
|-
| [[The Schreiber Brothers]]
| 66
| Oil on canvas
| 1874
|
|
|[[File:Eakins, Oarsmen 1874.jpg|100px|]]
|-
| Perspective Drawing
| 67
| Pencil and ink on paper mounted on cardboard
|
|
|
|
|-
| [[The Artist and His Father Hunting Reed Birds]]
| 68
| Oil on canvas
| Circa 1874
|
|[[Virginia Museum of Fine Arts]], [[Richmond, Virginia]]
|[[File:huntingreedbirds_Eakins.jpg|100px|]]
|-
| Perspective Drawing
| 69
| Pencil and ink on paper mounted on cardboard
|
|
|
|
|-
| [[Pushing for the Rail]]
| 70
| Oil on canvas
| 1874
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Eakins, Pushing For Rail 1874.jpg|100px|]]
|-
| [[Whistling for Plover]]
| 71
| Watercolor on paper
| 1874
|
| [[Brooklyn Museum]]
|[[File:Eakins, Whistling For Plover 1874.jpg|100px|]]
|-
| [[Whistling for Plover]]
| 72
| Oil
|
|
|
|
|-
| Hunting (sketch)
| 73
| Oil on canvas mounted on cardboard
| Circa 1874
|
|
|[[File:Hunting_G73.png|100px|]]
|-
|[[Studies of Game-Birds]]
| 74
| Oil on canvas mounted on cardboard
|
|
|[[Virginia Museum of Fine Arts]], [[Richmond, Virginia]]
|[[File:gamebirds_Eakins.jpg|100px|]]
|-
| [[Landscape with a Dog]]
| 75
| Oil on canvas
|
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Landscape with Dog G75.jpg|100px|]]
|-
| Sailboats Racing on the Delaware
| 76
| Oil on canvas
| 1874
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Sailboats Racing on Delaware 1874.jpg|100px|]]
|-
| [[Sailing (painting)|Sailing]]
| 77
| Oil on canvas
| Circa 1874
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sailing thomas eakins.jpeg|100px|]]
|-
| [[Starting Out After Rail]]
| 78
| Oil on canvas
| 1874
|
|[[Museum of Fine Arts, Boston]], [[Boston, Mass.]]
|[[File:Starting out after rail thomas eakins.jpeg|100px|]]
|-
| Starting Out After Rail
| 79
| Watercolor
| 1874
|
|[[Wichita Art Museum]]
|[[File:Starting Out After Rail.png|100px|]]
|-
| [[Ships and Sailboats on the Delaware]] (also known as "Becalmed")
| 80
| Oil on canvas
| 1874
|
| [[Wadsworth Atheneum]], [[Hartford, Connecticut]]
|
|-
| Study
| 81
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| Ships and Sailboats on the Delaware
| 82
| Oil on canvas
| 1874
|
|[[Philadelphia Museum of Art]]
|[[File:Ships_and_Sailboats_on_the_Delaware.png|100px|]]
|-
| Drifting
| 83
| Watercolor
| Circa 1874
|
|
|[[File:Eakins, Drifting 1875.jpg|100px|]]
|-
| [[Mrs. Benjamin Eakins]]
| 84
| Oil on canvas
| Circa 1874
|
|
|
|-
| [[Portrait of Professor Benjamin H. Rand]]
| 85
| Oil on canvas
| 1874
|
|[[Crystal Bridges Museum of American Art]], [[Bentonville, Arkansas]]
|[[File:Benjamin rand.jpg|100px|]]
|-
| [[Baseball Players Practicing]]
| 86
| Watercolor on paper
| 1875
|
|[[Rhode Island School of Design Museum]], [[Providence, Rhode Island]]
|[[File:Baseball players practicing thomas eakins.jpeg|100px|]]
|-
| [[Elizabeth at the Piano]]
| 87
| Oil on canvas
| 1875
|
|[[Addison Gallery of American Art]], [[Andover, Massachusetts]]
|[[File:Elizabeth at Piano - 1875.jpg|100px|]]
|-
| [[The Gross Clinic]]
| 88
| Oil on canvas
| 1875
|
|[[Philadelphia Museum of Art]] and the [[Pennsylvania Academy of Fine Arts]]
|[[File:EakinsTheGrossClinic.jpg|100px|]]
|-
| Sketch for the Gross Clinic
| 89
| Oil on canvas
| 1875
|
|[[Philadelphia Museum of Art]]
|[[File:Composition study for the portrait of professor gross thomas eakins.jpeg|100px|]]
|-
| Dr. Gross (Study for "The Gross Clinic)
| 90
| Oil on canvas
| 1875
|
| [[Worcester Art Museum]]
|[[File:Study of Dr Samuel David Gross.png|100px|]]
|-
| Black and White version
| 91
| India ink on cardboard
| 1875
| Drawn after the painting. Was photographed and reproduced as a [[collotype]]
|[[Metropolitan Museum of Art]], [[New York City]]
|
|-
| Drawing of Two Heads
| 92
| "India ink on paper, with pen and brush"
| 1876
|
|
|[[File:Drawing of Two Heads.png|100px|]]
|-
| [[Robert C.V. Meyers]]
| 93
| Oil on brown paper
| 1875
|
|
|[[File:Robert_CV_Meyers_G93.png|100px|]]
|-
| [[The Zither Player]]
| 94
| Watercolor on paper
| 1876
|
| [[Art Institute of Chicago]], [[Chicago]], [[Illinois]]
|[[File:Eakins, Zither Player 1876.jpg|100px|]]
|-
| [[Harry Lewis]]
| 95
| Oil on canvas
| 1876
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Portrait of J Harry Lewis.png|100px|]]
|-
| [[The Chess Players (painting)|The Chess Players]]
| 96
| Wood
| 1876
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:The chess players thomas eakins.jpeg|100px|]]
|-
| Perspective Drawing for the Chess Players
| 97
| Pencil and ink on paper
| 1875-1876
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Perspective drawing for the Chess players.png|100px|]]
|-
| M. Gardel
| 98
| Oil on paper mounted on cardboard
|
|
|
|[[File:Bertrand_Gardel_-_Sketch_for_The_Chess_Players.png|100px|]]
|-
| [[Baby at Play]]
| 99
| Oil on canvas
| 1876
|
|[[National Gallery of Art]], [[Washington, DC.]]
|[[File:Eakins, Baby at Play 1876.jpg|100px|]]
|-
| Studies of a Baby
| 100
| Oil on canvas
|
|
|
|
|-
| Dr. John H. Brinton
| 101
| Oil on canvas
| 1876
|
|The National Museum of Health and Medicine of the [[Armed Forces Institute of Pathology]], Washington, D.C.
|[[File:Eakins, Dr John H Brinton 1876.jpg|100px|]]
|-
| Mrs. Samuel Hall Williams
| 102
| Wood
| Circa 1876
|
| [[Art Institute of Chicago]], [[Chicago]], [[Illinois]]
|
|-
| [[Columbus in Prison]]
| 103
| Oil on canvas
| Circa 1876
|
| [[Kennedy Galleries]], [[New York City]]
|
|-
| [[Will Schuster and Blackman Going Shooting]]
| 104
| Oil on canvas
| 1876
|
| [[Yale University Art Gallery]]
|[[File:Thomas Eakins 006.jpg|100px|]]
|-
| Rail Shooting
| 105
| Oil on canvas
|
|
|
|
|-
| [[In Grandmother's Time]]
| 106
| Oil on canvas
| 1876
|
|[[Smith College Museum of Art]], [[Northampton, Massachusetts]]
|[[File:In grandmother's time thomas eakins.jpeg|100px|]]
|-
| [[Archibishop James Frederick Wood]]
| 107
| Oil on canvas
| 1877
|
| [[Yale University Art Gallery]], [[New Haven, Connecticut]]
|
|-
| Study
| 108
| Oil on canvas
| 1876
|
|
|
|-
| [[William Rush and His Model]]
| 109
| Oil on canvas
| 1876–1877
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:William rush carving his allegorical figur of schuylkill river thomas eakins.jpeg|100px|]]
|-
| Study for ''[[William Rush and His Model]]''
| 110
| Oil on cardboard
|
|
|
|
|-
| Study for ''[[William Rush and His Model]]''
| 111
| Oil on canvas
| 1876
|
|
|[[File:William_Rush_G111.png|100px|]]
|-
| Interior of Rush's Shop
| 112
| Oil on canvas
| 1876-1877
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Interior of a Woodcarver's Shop - Sketch for William Rush Carving His Allegorical Figure of the Schuylkill River.png|100px|]]
|-
| The Model (Nude: Study for William Rush)
| 113
| Oil on canvas
| 1876
|
| [[Art Institute of Chicago]], [[Chicago]], [[Illinois]]
|[[File:Study for 'William Rush Carving His Allegorical Figure of the Schuylkill River', 1876.jpg|100px|]]
|-
| [[Seventy Years Ago]]
| 114
| Watercolor on paper
| 1877
|
| [[Princeton University Art Museum]]
|[[File:Seventy-Years-Ago-(1877)-Eakins.jpg|100px|]]
|-
| Sketch for Seventy Years Ago
| 115
| Oil on canvas
|
|
|
|
|-
| [[Young Girl Meditating]]
| 116
| Watercolor on paper
| 1877
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Eakins, Young Girl Meditating 1877.jpg|100px|]]
|-
| Sketch for Young Girl Meditating
| 117
| Oil on canvas
|
|
|
|[[File:Sketch for young girl meditating.jpg|100px|]]
|-
| [[In Washington]]
| 118
| Wood
|
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Lafayette Park Washington DC.png|100px|]]
|-
| [[The Courtship]]
| 119
| Oil on canvas
| Circa 1878
|
| [[Fine Arts Museums of San Francisco]]
|[[File:Eakins, Courtship 1878.jpg|100px|]]
|-
| Sketch for the Courtship
| 120
| Oil on canvas
|
|
|
|[[File:Sketch_for_the_Courtship_G120.png|100px|]]
|-
| The Spinner (sketch)
| 121
| Oil on canvas
| Circa 1878
|
| [[Worcester Art Museum]]
|[[File:The Spinner.png|100px|]]
|-
| The Spinner (sketches)
| 122
| Wood
|
|
|
|
|-
| The Young Man (sketch)
| 123
| Oil on canvas
|
|
|
|
|-
| [[Negro Boy Dancing]] (also known as "The Dancing Lesson")
| 124
| Watercolor on paper
| 1878
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:The dancing lesson thomas eakins.jpeg|100px|]]
|-
| Study for Negro Boy Dancing
| 125
| Oil on canvas
|
|
|
|[[File:Study for Negro Boy Dancing.jpg|100px|]]
|-
|Negro Boy Dancing
|125A
|
|
|Not included in original 1933 Goodrich catalog. Depicted and numbered in 1982 Goodrich 'Thomas Eakins' Volume I
|
|[[File:Negro Boy Dancing G125A.jpg|100px|]]
|-
| [[Mrs. John H. Brinton]]
| 126
| Oil on canvas
| 1878
|
|
|[[File:Eakins, Sarah Ward Brinton 1878.jpg|100px|]]
|-
| [[The Spelling Bee at Angel's]]
| 127
|
| 1878
| Published in [[Scribner's Magazine]], November 1878
|
|[[File:The Spelling Bee at Angel's 1.png|100px|]]
|-
| The Spelling Bee at Angel's
| 128
|
| 1878
| Published in [[Scribner's Magazine]], November 1878
|
|[[File:The Spelling Bee at Angel's 2.png|100px|]]
|-
| [[Mr. Neelus Peeler's Conditions]]
| 129
| Black ink and chinese white on paper
| 1879
| Published in [[Scribner's Magazine]], June 1879
|
|[[File:Illustration for Neelus Peeler's conditions.png|100px|]]
|-
| Sketch for Mr. Neelus Peeler's Conditions
| 130
| Wood
|
|
|
|[[File:Sketch for Mr. Neelus Peeler's Conditions.jpg|100px|]]
|-
| [[A Quiet Moment]]
| 131
| Oil on canvas
| 1879
|
|
|
|-
| Sewing
| 132
| Oil on wood
| circa 1879
|
| [[New Britain Museum of American Art]], [[New Britain, Connecticut]]
|[[File:Sewing by Thomas Eakins.png|100px|]]
|-
| [[The Fairman Rogers Four-in-Hand]]
| 133
| Oil on canvas
| 1879–1880
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:A may morning in the park thomas eakins.jpeg|100px|]]
|-
| Sketches for the Fairman Rogers Four-in-Hand
| 134
| Oil on wood
| 1879
| Double sided: one side depicts the coach being driven across the picture; the other side is a study of Mrs. Rogers.
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
| [[File:Sketch for the Fairman Rogers Four-in-Hand.jpg|100px|]]<br/><br/>[[File:Portrait of Mrs. Fairman Rogers - Study for The Fairman Rogers Four-in-Hand.png|100px|]]
|-
| Landscape sketch for the Fairman Rogers Four-in-Hand
| 135
| Oil on wood
|
|
|
|
|-
| Landscape sketch for the Fairman Rogers Four-in-Hand
| 136
| Oil on wood
|
| Double sided: one side is a study in Fairmount park. The other is a color note.
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Study_in_Fairmount_Park_G136.png|100px|]]<br/><br/>[[File:Color_note_G136.png|100px|]]
|-
| Study of Horse for The Fairman Rogers Four-in-Hand
| 137
| Oil on wood
| 1879
| Double sided: one side depicts the body of a horse (without a head); the other side depicts the head and forelegs.
| [[Hirshhorn Museum and Sculpture Garden]]
|[[File:Study_for_Fairman_Rogers_Four_in_Hand_G137_verso.png|100px|]]<br/><br/>[[File:Study_for_Fairman_Rogers_Four_in_Hand_G137_recto.png|100px|]]
|-
| General [[George Cadwalader]]
| 138
| Oil on canvas
| 1880
|
| [[Butler Institute of American Art]]
| [[File:General George Cadwalader.jpg|100px|]]
|-
| General George Cadwalader
| 139
| Oil on canvas
| 1880
|
|
|
|-
| [[Restrospection]]
| 140
| Oil on wood
| 1880
|
| [[Yale University Art Gallery]]
|[[File:Retrospection_G140.png|100px|]]
|-
| Retrospection (Watercolor)
| 141
| Watercolor on paper
|
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Thomas_Eakins_-_Retrospection.jpg|100px|]]
|-
| [[The Crucifixion (Eakins)|The Crucifixion]]
| 142
| Oil on canvas
| 1880
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:The cruxifixion thomas eakins.jpeg|100px|]]
|-
| Sketch for the Crucifixion
| 143
| Oil on canvas
| 1880
|
| [[Hirshhorn Museum and Sculpture Garden]]
|[[File:Sketch for the Crucifixion.jpg|100px|]]
|-
| [[Spinning]]
| 144
| Watercolor on paper
| 1881
|
|
|[[File:Eakins, Spinning 1881.jpg|100px|]]
|-
| Sketch for Spinning
| 145
| Oil on wood
|
|
| [[Pennsylvania Academy of Fine Arts]]
|[[File:Sketch for spinning.png|100px|]]
|-
| Spinning (also called "Homespun")
| 146
| Watercolor on paper
| 1881
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Eakins, Homespun 1881.jpg|100px|]]
|-
| Sketch for Spinning
| 147
| Oil on wood
|
|
| [[Yale University Art Gallery]], [[New Haven, Connecticut]]
|
|-
| [[The Pathetic Song]]
| 148
| Oil on canvas
| 1881
|
|[[Corcoran Museum of Art]], [[Washington, DC.]]
|[[File:The pathetic song thomas eakins.jpeg|100px|]]
|-
| Sketch for the Pathetic Song
| 149
| Oil on wood
| 1881
|
|[[Metropolitan Museum of Art]], [[New York City]]
|
|-
| [[Rail Shooting]]
| 150
| Drawing
| 1881
| Drawn after painting. Published in [[Scribner's Magazine]], July 1881
|
|
|-
| [[A Pusher]]
| 151
|
|
|
|
|[[File:A pusher.png|100px|]]
|-
| [[Shad-Fishing at Gloucester on the Delaware River]] (also called "Taking up the Net")
| 152
| Oil on canvas
| 1881
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Shad fishing at gloucester on the delaware river thomas eakins.jpeg|100px|]]
|-
| Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net")
| 153
| Watercolor on paper
| 1881
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Eakins, Taking Up Net 1881.jpg|100px|]]
|-
| Shad-Fishing at Gloucester on the Delaware River
| 154
| Oil
| 1881
|
|
|[[File:Shad Fishing at Gloucester on the Delaware River.png|100px|]]
|-
| [[Mending the Net]]
| 155
| Oil on canvas
| 1881
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Mending Net 1881.jpg|100px|]]
|-
| A Fisherman
| 156
| Oil on cardboard
|
|
|
|[[File:Thomas Eakins - a Fisherman.jpg|100px|]]
|-
| The Tree
| 157
| Oil on wood
|
|
|[[Kennedy Galleries]], [[New York, New York]]
|[[File:The Tree - Eakins.jpg|100px|]]
|-
| Mending the Net
| 158
| Watercolor on paper
| 1882
|
|
|[[File:Thomas Eakins - Mending the Net G158.jpg|100px|]]
|-
| [[Drawing the Seine]]
| 159
| Watercolor on paper
| 1882
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Drawing Seine 1882.jpg|100px|]]
|-
| [[Hauling the Seine]]
| 160
| Oil on canvas
| 1882
|
| [[Cincinnati Art Museum]], [[Cincinnati, Ohio]]
|
|-
| "The Meadows, Gloucester, New Jersey"
| 161
| Oil on canvas
| Circa 1882
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Meadows, Gloucester, NJ 1883.jpg|100px|]]
|-
| "Sketch for The Meadows, Gloucester, New Jersey"
| 162
| Oil on wood
|
|
|
|[[File:Study-for-'The-Meadows,-Gloucester,-New-Jersey'-large.jpg|100px|]]
|-
| In the Country
| 163
| Oil on canvas
|
|
|
|-
| Near the Sea
| 164
| Oil on canvas
|
|
|
|
|-
| Untitled landscape sketch
| 165
| Oil on wood
|
|
|
|
|-
| Untitled landscape sketch
| 166
| Oil on canvas
|
|
|
|
|-
| Untitled landscape sketch
| 167
| Oil on canvas
|
|
|
|
|-
| Untitled landscape sketch
| 168
| Oil on canvas
|
|
|
|
|-
| Untitled landscape sketch
| 169
| Oil on cardboard
|
|
|
|
|-
| Untitled landscape sketch
| 170
| Oil on paper
|
|
|
|
|-
| Untitled landscape sketch
| 171
| Oil on paper
|
|
|
|
|-
| Untitled landscape sketch
| 172
| Oil on canvas
|
|
|
|
|-
| Untitled landscape sketch
| 173
| Oil on canvas
|
|
|
|
|-
| Untitled landscape sketch
| 174
| Oil on canvas
|
|
|
|
|-
| Untitled landscape sketch
| 175
| Oil on cardboard
|
|
|
|
|-
| Untitled landscape sketch
| 176
| Oil on canvas
|
|
|
|
|-
| Untitled landscape sketch
| 177
| Oil on cardboard
|
|
|
|
|-
| Untitled sketch
| 178
| Oil on canvas
|
|
|
|
|-
| Untitled sketch
| 179
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| Untitled sketch
| 180
| Oil on cardboard
|
|
|
|
|-
| Untitled sketch
| 181
| Oil on wood
|
|
|
|
|-
| Boatman
| 182
| Oil on wood
| Circa 1879
| Double sided: one side is a study for the left leader horse in The Fairman Rogers Four-In-Hand. The reverse side is the Study of a Groom.
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Study of a Groom.jpg|100px|]]<br/><br/>[[File:Study of Horse for The Fairman Rogers Four-in-Hand.png|100px|]]
|-
| Untitled sketch
| 183
| Oil on cardboard
|
|
|
|
|-
| Untitled sketch
| 184
| Oil on heavy paper mounted on cardboard
|
|
|
|[[File:Eakins G184.jpg|100px|]]
|-
| Untitled sketch
| 185
| Oil on canvas
|
|
|
|
|-
| Untitled sketch
| 186
| Oil on heavy paper
|
|
|
|
|-
| Untitled sketch
| 187
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| [[The Writing Master]]
| 188
| Canvas
| 1882
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:The writing master thomas eakins.jpeg|100px|]]
|-
| Sketch for the Writing Master
| 189
| Oil on wood
|
| Double sided - one side is a sketch for The Writing Master. The other side is Sketch of a Man and Study of Drapery
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch for The Writing Master - Portrait of Benjamin Eakins.png|100px|]]<br/><br/>[[File:Sketch of a Man and Study of Drapery.jpg|100px|]]
|-
| [[The Swimming Hole]]
| 190
| Oil on canvas
| 1884-1885
|
|[[Amon Carter Museum]], [[Fort Worth, Texas]]
|[[File:Swimming hole.jpg|100px|]]
|-
| Sketch for the Swimming Hole
| 191
| Oil on wood
| 1884
| Study for the Swimming Hole
|[[Hirshhorn Museum and Sculpture Garden]], [[Washington, DC.]]
|[[File:Study for swimming thomas eakins.jpeg|100px|]]
|-
| Sketch of the landscape for the Swimming Hole
| 192
| Oil on wood
|
| Study for the Swimming Hole
|
|[[File:Landscape for swimming.png|100px|]]
|-
| Sketches for the Swimming Hole
| 193
| Oil on cardboard
|
| "Double-sided, both sides are studies for The Swimming Hole"
|
|[[File:Study for the swimming hole 4.jpg|100px|]]<br/><br/>[[File:Sketch of harry thomas eakins.jpeg|100px|]]
|-
| Sketches for the Swimming Hole
| 194
| Oil on cardboard
|
| "Double-sided, both sides are studies for The Swimming Hole"
|
|[[File:Study for the swimming hole 1.jpg|100px|]]<br/><br/>[[File:Study for the swimming hole 2.jpg|100px|]]
|-
| Sketch for the Swimming Hole
| 195
| Oil on cardboard
|
| "Double-sided, obverse side contains study of the fisherman's hand from Mending the Net"
|
|[[File:Study for the swimming hole 3.jpg|100px|]]
|-
| [[Arcadia (Eakins)|Arcadia]]
| 196
| Oil on canvas
| 1883
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Eakins, Thomas (1844 - 1916) - Arcadia - ca. 1883.jpg|100px|]]
|-
| Sketch for Arcadia
| 197
| Oil on wood
|
|
| [[Pennsylvania Academy of Fine Arts]]
|[[File:Sketch for Arcadia.jpg|100px|]]
|-
| [[Youth Playing Pipes]]
| 198
| Oil on wood
|
|
|[[Carnegie Museum of Art]], [[Pittsburgh, Pennsylvania]]
|[[File:Study for Arcadia - Youth Playing Pipes.jpg|100px|]]
|-
| Boy Reclining
| 199
| Oil on wood
|
| Double sided: once side is Boy Reclining, a study for Arcadia. The other side is a study of the horses for the Fairman Rogers Four-in-hand
|[[Hirshhorn Museum and Sculpture Garden]]
|[[File:Boy Reclining G199.jpg|100px|]]<br/><br/>[[File:Study_for_Fairman_Rogers_Four_in_Hand_G199.png|100px|]]
|-
| An Arcadian
| 200
| Oil on canvas
| Circa 1883
|
|
|[[File:Eakins, Arcadian 1883.jpg|100px|]]
|-
| Study for An Arcadian
| 201
| Oil on wood
|
|
|
|[[File:Study_for_Fairman_Rogers_Four_in_Hand_G201.png|100px|]]
|-
| A Woman's Back: Study
| 202
| Oil on wood
| 1879
|
|
|[[File:Study_of_a_Woman's_Back_G202.png|100px|]]
|-
| Female Nude
| 203
| Oil on canvas
| Probably early 1880s
|
|
|[[File:Female_nude_G203.png|100px|]]
|-
| Female Nude (also known as "Figure Study: Masked Nude Woman")
| 204
| Oil on canvas
| Probably early 1880s
|
|
|[[File:Eakins - Figure Study Masked Nude Woman.jpg|100px|]]
|-
| Female Nude
| 205
| Watercolor on paper
|
|
|
|[[File:Eakins, Female Nude 1884.jpg|100px|]]
|-
| J. Laurie Wallace
| 206
| Oil on canvas
| Circa 1883
|
| [[Joslyn Art Museum]]
|[[File:Portrait of J. Laurie Wallace.jpg|100px|]]
|-
| [[Professionals at Rehearsal]]
| 207
| Oil on canvas
| Circa 1883
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Professionals at Rehearsal 1883.jpg|100px|]]
|-
| [[In the Studio]]
| 208
| Oil on canvas
| 1884
|
|
|
|-
| In the Studio
| 209
| Watercolor on paper
|
| Unfinished
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, In Studio (Unfinished) 1884.jpg|100px|]]
|-
| A.B. Frost
| 210
| Oil on canvas
| Circa 1884
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Portrait of Arthur Burdett Frost.png|100px|]]
|-
| The Veteran
| 211
| Oil on canvas
| Circa 1886
|
| [[Yale University Art Gallery]]
|[[File:The Veteran.png|100px|]]
|-
| [[Mrs. William Shaw Ward]]
| 212
| Oil on canvas
|
|
|
|
|-
| [[The Artist's Wife and His Setter Dog]]
| 213
| Oil on canvas
| 1885
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:The Artist's Wife and His Setter Dog.jpg|100px|]]
|-
| Professor George F. Barker
| 214
| Oil on canvas
| 1886
|
|
|
|-
| Sketch for Professor George F. Barker
| 215
| Oil on cardboard
| 1886
| Doubled sided - one side is a sketch for Professor George F. Barker. The other side depicts seated figures.
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch for Portrait of Professor George F Barker.jpg|100px|]]<br/><br/>[[File:Seated figures.jpg|100px|]]
|-
| Professor William D. Marks
| 216
| Oil on canvas
| 1886
|
|[[Washington University Gallery of Art]], [[St. Louis, Mo.]]
|[[File:Eakins, Professor William D Marks 1886.jpg|100px|]]
|-
| Professor William D. Marks (unfinished)
| 217
| Oil on canvas
|
|
|
|
|-
| Frank McDowell
| 218
| Oil on canvas
| Circa 1886
|
|
|[[File:Portrait of Frank MacDowell, c1886.jpg|100px|]]
|-
| Frank MacDowell (unfinished)
| 219
| Oil on canvas
|
|
|
|[[File:Frank_Macdowell_G219.png|100px|]]
|-
| [[Portrait of Walt Whitman]]
| 220
| Oil on canvas
| 1887–1888
|
|[[Pennsylvania Academy of the Fine Arts]], [[Philadelphia, Pa.]]
|[[File:§Whitman, Walt (1819-1892) - 1887 - ritr. da Eakins, Thomas - da Internet.jpg|100px|]]
|-
| Sketch for Walt Whitman
| 221
| Oil on wood
| Probably 1887
|
| [[Museum of Fine Arts, Boston]]
| [[File:Sketch for the Portrait of Walt Whitman G221.png|100px|]]
|-
| Mrs. Letitia Wilson Jordan
| 222
| Oil on canvas
| 1888
|
| [[Brooklyn Museum]]
|[[File:Eakins, Letitia Wilson Jordan 1888.jpg|100px|]]
|-
| Sketch for Mrs. Letitia Wilson Jordan Bacon
| 223
| Oil on cardboard
|
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch for Portrait of Letitia Wilson Jordan.png|100px|]]
|-
| Cowboys in the Badlands
| 224
| Oil on canvas
| 1888
|
|
|[[File:Cowboys in the bad lands thomas eakins.jpeg|100px|]]
|-
| Sketches for Cowboys in the Badlands
| 225
| Oil on cardboard
|
| Three sketches - one of the cowboys and their horses, one of a saddle, and one of a stirrup.
|
|
|-
| Sketch for Cowboys in the Badlands
| 226
| Oil on canvas
|
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Cowboys in the Badlands sketch 1.jpg|100px|]]
|-
| The Bad Lands
| 227
| Oil on canvas mounted on cardboard
|
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Landscape - Sketch for Cowboys in the Bad Lands.png|100px|]]
|-
| The Bad Lands
| 228
| Oil on canvas mounted on cardboard
|
| Double sided - both sides are landscape sketches for Cowboys in the Badlands
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Landscape sketch for Cowboys in the Bad Lands G228 side A.jpg|100px|]]<br/><br/>[[File:Landscape sketch for Cowboys in the Bad Lands G228 side B.jpg|100px|]]
|-
| Cowboy Riding
| 229
| Oil on canvas mounted on cardboard
|
|
|
|[[File:Cowboys in the Badlands sketch 2.jpg|100px|]]
|-
| Cowboy (sketches)
| 230
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| Cowboy (sketch)
| 231
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| Edward W. Boulton
| 232
|
| Circa 1888
| Damaged in an accident.
|
|
|-
| Douglass M. Hall
| 233
| Oil on canvas
| Circa 1888
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Thomas Eakins - Portrait of Douglass Morgan Hall.jpg|100px|]]
|-
| Girl in a Big Hat
| 234
| Oil on canvas
| Circa 1888
|
|
|[[File:Girl_in_a_Big_Hat_-_Portrait_of_Lillian_Hammitt_G234.png|100px|]]
|-
| [[The Agnew Clinic]]
| 235
| Oil on canvas
| 1889
|
| University of Pennsylvania School of Medicine
|[[File:The agnew clinic thomas eakins.jpeg|100px|]]
|-
| Sketch for the Agnew Clinic
| 236
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| Dr. D. Hayes Agnew: Study
| 237
| Oil on canvas
| 1889
|
| [[Yale University Art Gallery]]
|[[File:Dr agnew.jpg|100px|]]
|-
| Samuel Murray
| 238
| Oil on canvas
| 1889
|
| [[Mitchell Museum at Cedarhurst]], [[Mount Vernon, Illinois]]
|[[File:Eakins, Samuel Murray 1889.jpg|100px|]]
|-
| Dr. Horatio C. Wood
| 239
| Oil on canvas
| Circa 1889
|
| [[Detroit Institute of Arts]], [[Detroit]], [[Michigan]]
|[[File:Horatio C Wood Eakins.jpg|100px|]]
|-
| [[Professor George W. Fetter]]
| 240
| Oil on canvas
| 1890
|
|
|
|-
| Drawing for Professor George W. Fetter
| 241
| Black ink on white tile
|
|
|
|
|-
| [[Portrait of Talcott Williams]]
| 242
| Oil on canvas
| Circa 1890
|
|[[National Portrait Gallery]], [[Washington DC]]
|[[image:Talcott Williams - Eakins.jpg|100px|]]
|-
| [[The Bohemian: Portrait of Franklin Louis Schenk]]
| 243
| Oil on canvas
| Circa 1890
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[image:The_Bohemian_-_Portrait_of_Franklin_Louis_Schenck.png|100px|]]
|-
| F.L. Schenk
| 244
| Oil on canvas
| Circa 1890
|
|
|[[File:Franklin Schenk.png|100px|]]
|-
| F.L. Schenk
| 245
| Oil on cardboard
| Circa 1890
|
|
|
|-
| The Father of F.L. Schenk
| 246
| Oil on canvas
| Circa 1890
|
|
|
|-
| Head of a Cowboy
| 247
| Oil on canvas
| Circa 1890
|
|
|
|-
| Home Ranch
| 248
| Oil on canvas
| Circa 1890
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Home Ranch 1888.jpg|100px|]]
|-
| [[Cowboy Singing]]
| 249
| Watercolor on paper
| Circa 1890
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Eakins, Cowboy Singing 1890.jpg|100px|]]
|-
| Cowboy Singing
| 250
| Oil on canvas
|
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins - Cowboy singing.jpg|100px|]]
|-
| Thomas B. Harned
| 251
| Oil on canvas
| Circa 1890
|
|
|
|-
| Dr. Joseph Leidy II
| 252
| Oil on canvas
| 1890
|
|
|
|-
| Dr. Joseph Leidy II (unfinished)
| 253
| Oil on canvas
|
|
|
|
|-
| William H. Macdowell
| 254
| Oil on canvas
| Circa 1890
|
|[[Yale University Art Gallery]]
|[[File:William_Macdowell_G254.png|100px|]]
|-
| Phidias Studying for the Frieze of the Parthenon
| 255
| Oil on wood
| Circa 1890
|
|
|[[File:Phidias Studying for the Frieze of the Parthenon.png|100px|]]
|-
| The Red Shawl
| 256
| Oil on canvas
| Circa 1890
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:The_Red_Shawl.png|100px|]]
|-
| Francis J. Ziegler
| 257
| Oil on canvas
| Circa 1890
|
|[[Fogg Art Museum]]
|[[File:Francis_J_Ziegler.jpg|100px|]]
|-
| The Art Student
| 258
| Oil on canvas
| Circa 1890
| Portrait of James Wright
| [[Detroit Institute of Arts]], [[Detroit, Michigan]]
|[[File:The-Art-Student-(or-Portrait-of-James-Wright)-large.jpg|100px|]]
|-
| The Black Fan
| 259
| Oil on canvas
| Circa 1891
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:The_Black_Fan_-_Portrait_of_Mrs_Talcott_Williams_G259.png|100px|]]
|-
| William H. Macdowell
| 260
| Oil on canvas
| Circa 1891
|
|
|
|-
| William H. Macdowell (study)
| 261
| Oil on canvas
| Circa 1891
|
| [[Randolph-Macon Woman's College]] Art Gallery
|[[File:Eakins, William H MacDowell 1891.jpg|100px|]]
|-
| Portrait of William H. MacDowell
| 262
| Paper on a stretcher
|
| Unfinished
|
|[[File:Portrait of William H. MacDowell (unfinished).jpg|100px|]]
|-
| [[Miss Amelia Van Buren]]
| 263
| Oil on canvas
| Circa 1891
|
|[[The Phillips Collection]]
|[[File:Thomas_Eakins_005.jpg|100px|]]
|-
| Professor Henry A. Rowland
| 264
| Oil on canvas
| 1897
|
|[[Addison Gallery of American Art]], [[Phillips Academy]]
|[[File:Henry Augustus Rowland.jpg|100px|]]
|-
| Sketch for Professor Henry A. Rowland
| 265
| Oil on canvas
|
|
|
|[[File:Sketch for the Portrait of Henry Rowland.png|100px|]]
|-
| [[The Concert Singer]]
| 266
| Oil on canvas
| 1890–1892
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Concert singer.jpg|100px|]]
|-
| Sketch for the Concert Singer
| 267
| Oil on canvas mounted on wood
|
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch for The Concert Singer.png|100px|]]
|-
| Joshua Ballinger Lippincott
| 268
| Oil on canvas
| 1892
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Portrait_of_Joshua_Ballinger_Lippincott_G268.png|100px|]]
|-
| Miss Blanche Hurlburt
| 269
| Oil on canvas
| Circa 1892
|
|
|[[File:Portrait of Blanche Hurlburt.png|100px|]]
|-
| Dr. Jacob M. Da Costa
| 270
| Oil on canvas
| 1893
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Jacob_Mendez_Dacosta_G270.png|100px|]]
|-
| Sketch for Dr. Jacob M. Da Costa
| 271
| Oil on canvas mounted on cardboard
|
|
|
|[[File:Sketch for Portrait of Dr. Jacob Mendez da Costa.png|100px|]]
|-
| Girl with Puff Sleeves
| 272
| Oil on canvas
|
|
|
|[[File:Girl_with_puff_sleeves_G272.png|100px|]]
|-
| Frank Hamilton Cushing
| 273
| Oil on canvas
| Late 1894 or 1895
|
| [[Gilcrease Museum]], [[Tulsa, Oklahoma]]
|[[File:Eakins, Frank Hamilton Cushing.jpg|100px|]]
|-
| Sketch for Frank Hamilton Cushing
| 274
| Oil on canvas
|
|
|
|[[File:Study_for_Frank_Hamilton_Cushing_G274.png|100px|]]
|-
| Mrs. Frank Hamilton Cushing
| 275
| Oil on canvas
| Circa 1894 or 1895
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Portrait of Mrs Frank Hamilton Cushing.png|100px|]]
|-
| James MacAlister
| 276
| Oil on canvas mounted on cardboard
| ca. 1895
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:James MacAlister.jpg|100px|]]
|-
| Weda Cook
| 277
| Oil on canvas
| Circa 1895
|
|[[Columbus Museum of Art]]
|[[File:Weda Cook.jpg|100px|]]
|-
| Stanley Addicks
| 278
| Oil on canvas
| Circa 1895
|
|
|[[File:The-Pianist-(Stanley-Addicks)-1896-large.jpg|100px|]]
|-
| Maud Cook
| 279
| Oil on canvas
| 1895
|
|[[Yale University Art Gallery]]
|[[File:Eakins cook.jpg|100px|]]
|-
| Riter Fitzgerald
| 280
| Oil on canvas
| 1895
|
| [[Art Institute of Chicago]], [[Chicago]], [[Illinois]]
|[[File:Riter Fitzgerald.png|100px|]]
|-
| Sketch for Riter Fitzgerald
| 281
| Oil on canvas mounted on cardboard
|
|
|[[Kennedy Galleries]], [[New York City]]
|[[File:Intermediate sketch of Riter Fitzgerald.jpg|100px|]]
|-
| Sketch for Riter Fitzgerald
| 282
| Oil on canvas
|
|
|[[Kennedy Galleries]], [[New York City]]
|
|-
| Study for Mrs. Hubbard
| 283
| Oil on canvas mounted on cardboard
| Circa 1895
| Study for now-destroyed Mrs. Hubbard
|[[Sewell C. Biggs Museum of American Art]], [[Dover, Delaware]]
|[[File:Eakins, Mrs Hubbard 1895.jpg|100px|]]
|-
| John McLure Hamilton
| 284
| Oil on canvas
| 1895
| [[Wadsworth Atheneum]], [[Hartford, Connecticut]]
| [[Wadsworth Atheneum]]
|[[File:Thomas Eakins Portrait of John McLure Hamilton 1895.jpg|100px|]]
|-
| Sketch for John McLure Hamilton
| 285
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| Mrs. Charles L. Leonard
| 286
| Oil on cardboard
| 1895
|
|
|[[File:Mrs. Charles L. Leonard.png|100px|]]
|-
| Miss Gertrude Murray
| 287
| Oil on canvas
| 1895
|
|[[Dallas Museum of Art]], [[Dallas, Texas]]
|
|-
| Charles Linford
| 288
| Oil on canvas
| Circa 1895
|
|
|[[File:Eakins, Charles Linford, Artist 1895.jpg|100px|]]
|-
| Captain Joseph Lapsley Wilson
| 289
| Oil on canvas
| Circa 1895
|
|
|
|-
| Sketch for Captain Joseph Lapsley Wilson
| 290
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| The Cello Player
| 291
| Oil on canvas
| 1896
|
| [[Pennsylvania Academy of the Fine Arts]], [[Philadelphia, Pa.]]
|[[File:The Cello Player - Eakins.jpg|100px|]]
|-
| Sketch for the Cello Player
| 292
| Oil on canvas
|
|
|
|
|-
| Mrs. James Mapes Dodge
| 293
| Oil on canvas
| 1896
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Portrait of Mrs. James Mapes Dodge - Josephine Kern.png|100px|]]
|-
| Harrison S. Morris
| 294
| Oil on canvas
| 1896
|
| [[Pennsylvania Academy of the Fine Arts]], [[Philadelphia, Pa.]]
|[[File:Portrait-of-Harrison-S.-Morris-large.jpg|100px|]]
|-
| Sketch for Harrison S. Morris
| 295
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| Professor William Woosley Johnson
| 295A
| Oil on canvas
| Circa 1896
|
| [[M. H. de Young Memorial Museum]], [[San Francisco, California]]
|[[File:Professor William Woolsey Johnson.jpg|100px|]]
|-
| Dr. Charles Lester Leonard
| 296
| Oil on canvas
| 1897
|
|
|
|-
| Jennie Dean Kershaw (Mrs. Samuel Murray)
| 297
| Oil on canvas
| Circa 1897
|
| [[Sheldon Museum of Art]]
|[[File:Eakins, Jennie Dean Kershaw 1897.jpg|100px|]]
|-
| Mrs. Samuel Murray (unfinished)
| 298
| Oil on canvas
|
|
|
|
|-
| Miss Lucy Lewis
| 299
| Oil on canvas
| circa 1897
|
|[[Kennedy Galleries]], [[New York City]]
|[[File:Eakins, Miss Lucy Lewis 1896.jpg|100px|]]
|-
| Miss Anna Lewis
| 300
| Oil on canvas
| Circa 1898
|
|
|[[File:Anna_Lewis_G300.png|100px|]]
|-
| William H. MacDowell with a Hat
| 301
| Oil on canvas
| Circa 1898
|
|
|[[File:William_Macdowell_with_a_hat_G301.png|100px|]]
|-
| General E. Burd Grubb
| 302
| Oil on canvas
| Probably 1898
|
| [[Yale University Art Gallery]]
|[[File:General E Burd Grubb G302.png|100px|]]
|-
| [[Taking the Count]]
| 303
| Oil on canvas
| 1898
|
| [[Yale University Art Gallery]]
|[[File:Taking the count thomas eakins.jpeg|100px|]]
|-
| Sketch for Taking the Count
| 304
| Oil on canvas mounted on cardboard
|
|
| [[Yale University Art Gallery]], [[New Haven, Connecticut]]
|
|-
| Sketch for taking the count
| 305
| Oil on canvas
|
|
|
|[[File:Study for Taking the Count.jpg|100px|]]
|-
| The Referee, H. Walter Schlichter
| 306
| Oil on canvas
| 1898
|
| [[Hirshhorn Museum and Sculpture Garden]]
|[[File:The_Referee_-_Portrait_of_H_Walter_Schlichter.png|100px|]]
|-
| Maybelle
| 307
| Oil on canvas
| 1898
|
| [[Frye Art Museum]], [[Seattle]], [[Washington]]
|[[File:Eakins, Maybelle 1898.jpg|100px|]]
|-
| Sketch for Maybelle
| 308
| Oil on canvas mounted on cardboard
|
|
|
|
|-
| John N. Fort
| 309
| Oil on canvas
| 1898
|
|
|[[File:Portrait of John Neil Fort.jpg|100px|]]
|-
| [[Salutat]]
| 310
| Oil on canvas
| 1898
|
| [[Addison Gallery of American Art]], [[Phillips Academy]]
|[[File:Salutat.jpg|100px|]]
|-
| Study for Salutat
| 311
| Oil on canvas
| 1898
|
| [[Carnegie Museum of Art]], [[Pittsburgh, Pennsylvania]]
|[[File:Study for Salutat.jpg|100px|]]
|-
| [[Between Rounds]]
| 312
| Oil on canvas
| 1898-1899
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, In the mid-time 1896.jpg|100px|]]
|-
| Sketch for Between Rounds
| 313
| Oil on cardboard
|
|Double sided - one side is a study for Between Rounds. The other side is a landscape sketch.
|
|[[File:Sketch_for_Between_Rounds_G313.png|100px|]]<br/><br/>[[File:Landscape_sketch_G313.png|100px|]]
|-
| Billy Smith (sketch)
| 314
| Oil on canvas
| circa 1898
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins - Billy Smith.png|100px|]]
|-
| Billy Smith (study)
| 315
| Oil on canvas
| 1898
|
| [[Wichita Art Museum]]
|[[File:Billy Smith.png|100px|]]
|-
| The Timer
| 316
| Oil on canvas
| 1898
|
| [[New Britain Museum of American Art]], [[New Britain, Connecticut]]
|
|-
| [[Wrestlers (painting)|Wrestlers]]
| 317
| Oil on canvas
| 1899
|
| [[Los Angeles County Museum of Art]], [[Los Angeles County, California]]
|[[File:Eakins, Thomas (1844-1916) - Lottatori 3.jpg|100px|]]
|-
| Study for Wrestlers
| 318
| Oil on canvas
|
|
|[[Los Angeles County Museum of Art]], [[Los Angeles County, California]]
|[[File:Study for Wrestlers.jpg|100px|]]
|-
| Wrestlers (unfinished)
| 319
| Oil on canvas
| 1899
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Thomas (1844-1916) - Lottatori 2.jpg|100px|]]
|-
| The Fairman Rogers Four-in-Hand
| 320
| Oil on canvas
| 1899
|
|
|
|-
| T. Ellwood Potts
| 321
| 1890-1900
|
|
|
|
|-
| Mrs. T Ellwood Potts
| 322
|
| Circa 1890-1900
|
|
|
|-
| Miss Mary Adeline Williams
| 323
| Oil on canvas
| Circa 1899
| In his book ''Eakins Revealed'' pp. 369-371, Henry Adams claims Eakins' friend Mary Adeline Williams was the nude model for #451 ''William Rush and his Model'' in the collection of the [[Honolulu Academy of Arts]], [[Honolulu]], [[Hawaii]], and related studies #'s 445,446, 447,452,453 and 454.
| [[Art Institute of Chicago]], [[Chicago]], [[Illinois]]
|[[File:Mary Adeline Williams.jpg|100px|]]
|-
| Benjamin Eakins
| 324
| Oil on canvas
| Circa 1899
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Benjamin_Eakins_G324.png|100px|]]
|-
| Mrs. Thomas Eakins
| 325
| Oil on canvas
| Circa 1899
|
| [[Hirshhorn Museum and Sculpture Garden]]
|[[File:Eakins, Susan MacDowell Eakins, 1899.jpg|100px|]]
|-
| Mrs. William H. Green
| 326
| Oil on canvas
| 1899
|
|
|[[File:William_H_Greene_G326.png|100px|]]
|-
| The Dean's Roll Call
| 327
| Oil on canvas
| 1899
|
| [[Museum of Fine Arts, Boston]]
|[[File:Eakins, Dean's Roll Call 1899.jpg|100px|]]
|-
| Louis Husson
| 328
| Oil on canvas
| 1899
|
| [[National Gallery of Art]]
|[[File:Louis Husson.jpg|100px|]]
|-
| David Wilson Jordan
| 329
| Oil on canvas
| 1899
|
|[[The Huntington Library]], [[San Marino, California]]
|[[File:David_Wilson_Jordan_G329.png|100px|]]
|-
| William Merritt Chase
| 330
| Oil on canvas
| Circa 1899
|
|[[Hirshhorn Museum and Sculpture Garden]], [[Washington, DC.]]
|[[File:Eakins, William Merritt Chase 1899.jpg|100px|]]
|-
| [[The Thinker: Portrait of Louis N. Kenton]]
| 331
| Oil on canvas
| 1900
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:The Thinker- Portrait of Louis N. Kenton.jpg|100px|]]
|-
| Sketch for The Thinker
| 332
| Oil on cardboard mounted on wood
|
|
|
|
|-
| Addie (also known as "Portrait of Mary Adeline Williams")
| 333
| Oil on canvas
| 1900
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Addie (Mary Adeline Williams) 1900.jpg|100px|]]
|-
| Mrs. Mary Arthur
| 334
| Oil on canvas
| 1900
|
|[[Metropolitan Museum of Art]], [[New York City]]
|[[File:Mrs Mary Arthur.jpg|100px|]]
|-
| Robert M. Lindsay
| 335
| Oil on canvas
| 1900
|
|
|
|-
| Sketch for Robert M. Lindsay
| 336
| Oil on wood
|
|
|
|
|-
| Frank Jay St. John
| 337
| Oil on canvas
| 1900
|
| [[M. H. de Young Memorial Museum]], [[San Francisco, California]]
|[[File:Eakins, Frank Jay St John 1900.jpg|100px|]]
|-
| [[Antiquated Music: Portrait of Sarah Sagehorn Frishmuth]]
| 338
| Oil on canvas
| 1900
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Antiquated Music - Portrait of Sarah Sagehorn Frishmuth.jpg|100px|]]
|-
| Mrs. Joseph H. Drexel
| 339
| Oil on canvas unstretched
| 1900
|
|
|[[File:Mrs_Joseph_H._Drexel.png|100px|]]
|-
| Sketch for Mrs. Joseph H. Drexel
| 340
| Oil on cardboard
| Circa 1900
|
|
|
|-
| Clara
| 341
| Oil on canvas
| Circa 1900
|
|[[Centre Georges Pompidou]]
|[[File:Eakins, Clara (Clara J Mather) c1900.jpg|100px|]]
|-
| A Woman in Black
| 342
| Oil on wood
|
|
|
|
|-
| Elizabeth R. Coffin
| 343
| Oil on canvas
| Circa 1900
|
|
|
|-
| Dr. Edward J. Nolan
| 344
| Oil on canvas
| Circa 1900
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Portrait_of_Edward_J_Nolan_G344.png|100px|]]
|-
| Henry O. Tanner
| 345
| Oil on canvas
| Circa 1900
|
|
|[[File:Eakins, Henry Ossawa Tanner 1902.jpg|100px|]]
|-
| Honorable John A. Thorton
| 346
| Oil on canvas
|
|
|
|[[File:Honorable John A. Thorton.jpg|100px|]]
|-
| Monsignor James P. Turner
| 347
| Oil on canvas
| circa 1900
|
| [[St. Charles Borromeo Seminary]]
|[[File:James_P_Turner_G347.png|100px|]]
|-
| Professor Leslie W. Miller
| 348
| Oil on canvas
| 1901
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Leslie W Miller 1901.jpg|100px|]]
|-
| Sketch for Professor Leslie W. Miller
| 349
| Oil on cardboard
| circa 1892-1894
| Double sided: one side depicts Leslie W. Miller. The reverse depicts Thomas Eakins' dog, Harry.<ref>"Originally on reverse of Sketch for Portrait of Leslie W. Miller, Philadelphia Museum of Art, 1945-33-1" - [http://www.philamuseum.org/collections/permanent/49536.html?mulR=30449 Sketch of Harry]. Philadelphia Museum of Art.</ref>
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch for Portrait of Leslie W. Miller.png|100px|]]<br/><br/>[[File:Sketch of Harry.jpg|100px|]]
|-
| Mrs. Leslie W. Miller
| 350
| Oil on canvas
| 1901
|
|
|
|-
| Mrs. Elizabeth Duane Gillespie
| 351
| Oil on canvas
| 1901
|
|
|[[File:Portrait_of_Mrs_Elizabeth_Duane_Gillespie_G351.png|100px|]]
|-
| Sketch for Mrs. Elizabeth Duane Gillespie
| 352
| Oil on canvas
|
|
|
|[[File:Sketch_for_portrait_of_Mrs_Elizabeth_Duane_Gillespie_G352.png|100px|]]
|-
| George Morris
| 353
| Oil on canvas
| 1901
| Inscribed "HANC EFFIGIEM CARISSIMI PATERNI AMORIS SOCH PINXIT BENIAMINI EAKINS FILIVS A.D. MCMI PHILADELPHIÆ
|
|
|-
| Reverend Philip R. McDevitt
| 354
| Oil on canvas
| 1901
|
|
|[[File:Phillip H McDevitt.jpg|100px|]]
|-
| Charles F. Haseltine
| 355
| Oil on canvas
| Circa 1901
|
| [[Montclair Art Museum]], [[Montclair, New Jersey]]
|
|-
| Elbridge Ayer Burbank
| 356
|
| Circa 1901
|
|
|
|-
| Alfred F. Watch
| 357
|
| Circa 1901
|
|
|
|-
| Self-Portrait
| 358
| Oil on canvas
| 1902
|
|[[National Academy of Design]], [[New York City]]
|[[File:Eakins selfportrait.jpg|100px|]]
|-
| Colonel Alfred Reynolds
| 359
| Oil on canvas
| 1902
|
|
|
|-
| Signora Gomez D'Arza
| 360
| Oil on canvas
| 1902
|
| [[Metropolitan Museum of Art]], [[New York City]]
|[[File:Eakins, Signora Gomez d'Arza 1902.jpg|100px|]]
|-
| His Eminence Sebastiano Cardinal Martinelli
| 361
| Oil on canvas
| 1901-02
|
|[[Hammer Museum]], [[Los Angeles]]
|[[File:Eakins, Sebastiano Cardinal Martinelli 1902.jpg|100px|]]
|-
| Very Reverend John J. Fedigan
| 362
| Oil on canvas
| 1902
|
|
|
|-
| Sketch for the Very Reverend John J. Fedigan
| 363
| Oil on canvas
|
|
|
|[[File:Reverend_John_J_Fedigan_G363.png|100px|]]
|-
| The Translator
| 364
| Oil on canvas
| 1902
|
|
|
|-
| Monsignor James F. Loughlin
| 365
| Oil on canvas
| 1902
|
|
|
|-
| John Seely Hart
| 366
| Oil on canvas
| 1902
|
|
|
|-
| Charles E. Dana
| 367
| Oil on canvas
| Circa 1902
|
|[[Pennsylvania Academy of the Fine Arts]], [[Philadelphia, Pennsylvania]]
|[[File:Charles Edmund Dana.jpg|100px|]]
|-
| The Young Man
| 368
| Oil on canvas
| Circa 1902
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:The_Young_Man_G368.png|100px|]]
|-
| Miss Mary Perkins (unfinished)
| 369
| Oil on canvas
| Circa 1902
|
|
|
|-
| Girl with a Fan
| 370
| Oil on canvas
| Circa 1902
|
|
|
|-
| Adam S. Bare
| 371
| Oil on canvas
| 1903
|
|
|
|-
| Walter Copeland Bryant
| 372
| Oil on canvas
| 1903
|
|
|
|-
| Dr. Matthew H. Cryer
| 373
| Oil on canvas
| 1903
|
|
|
|-
| Archibishop William Henry Elder
| 374
| Oil on canvas
| 1903
|
| [[Cincinnati Art Museum]], [[Cincinnati]], [[Ohio]]
|[[File:Portrait of archbishop william henry elder thomas eakins.jpeg|100px|]]
|-
| Mother Patricia Waldron
| 375
| Oil on canvas mounted on cardboard
| 1903
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch for Portrait of Mother Patricia Waldron.jpg|100px|]]
|-
| Bishop Edmond F. Prendergast
| 376
| Oil on canvas
|
| Lost, possibly destroyed: "Murray told Eakins biographer Lloyd Goodrich that he had it 'from a reliable source' that the painting, which Murray considered 'superb' was somehow disposed of."<ref>Sidney Kirkpatrick. The Revenge of Thomas Eakins. Yale University Press, 2006, ISBN 0300108559. Page 475</ref>
|
|
|-
| James A. Flaherty
| 377
| Oil on canvas
| 1903
|
|
|
|-
| William B. Kurtz
| 378
| Oil on canvas
| 1903
|
|
|[[File:Portrait-of-William-B.-Kurtz-large.jpg|100px|]]
|-
| Miss Alice Kurtz
| 379
| Oil on canvas
| 1903
|
|[[Fogg Art Museum]], [[Harvard University]]
|[[File:Eakins, Alice Kurtz 1903.jpg|100px|]]
|-
| Mrs. Mary Hallock Greenwalt
| 380
| Oil on canvas
| 1903
|
| [[Wichita Art Museum]], [[Wichita, Kansas]]
|[[File:Mrs. Mary Hallock Greenwalt.jpg|100px|]]
|-
| Dr. Frank Lindsay Greenwalt
| 381
| Oil on canvas
| 1903
|
|
|
|-
| Mrs. Anna A. Kershaw
| 382
| Oil on canvas
| 1903
|
| [[Sheldon Memorial Art Gallery]], [[University of Nebraska]], [[Lincoln, Nebraska]]
|[[File:Anna_Kershaw_G382.png|100px|]]
|-
| Ruth
| 383
| Oil on canvas
| 1903
|
|
|[[File:Ruth_Harding_G383.png|100px|]]
|-
| An Actress: Portrait of Suzanne Santje
| 384
| Oil on canvas
| 1903
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:An Actress (Portrait of Suzanne Santje).jpg|100px|]]
|-
| Sketch for an Actress
| 385
| Oil on canvas mounted on cardboard
|
|
|
|[[File:Study_for_an_Actress_G385.png|100px|]]
|-
| Miss Betty Reynolds
| 386
| Oil on canvas
| Circa 1903
|
|
|[[File:Betty_Reynolds_G386.png|100px|]]
|-
| The Oboe Player
| 387
| Oil on canvas
| 1903
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Thomas Eakins - The Oboe Player.jpeg|100px|]]
|-
| Rear-Admiral Charles D. Sigsbee
| 388
| Oil on canvas
| 1903
|
|
|[[File:Rear Admiral Charles Dwight Sigsbee G388.jpg|100px|]]
|-
| Mrs. M.S. Stokes
| 389
| Oil on canvas
| 1903
|
| [[Arkell Museum]], [[Canajoharie, New York]]
|[[File:Mrs M S Stokes.jpg|100px|]]
|-
| Mrs. Richard Day
| 390
| Oil on canvas
| Circa 1903
|
|
|[[File:Mrs Richard Day.jpg|100px|]]
|-
| Mother
| 391
| Oil on canvas
| Circa 1903
|
|
|[[File:Eakins, Mother 1903.jpg|100px|]]
|-
| Mrs. Helen MacKnight
| 392
| Oil on canvas
| Circa 1903
|
|
|[[File:Mrs_Helen_MacKnight_-_Portrait_of_a_Mother_G392.png|100px|]]
|-
| Francesco Romano
| 393
|
| Circa 1903
|
|
|[[File:Francesco Romano.jpg|100px|]]
|-
| Robert C. Ogden
| 394
| Oil on canvas
| 1904
|
|[[Hirshhorn Museum and Sculpture Garden]]
|[[file:Eakins_-_Robert_C_Ogden.png|100px|]]
|-
| J. Carroll Beckwith
| 395
| Oil on canvas
| 1904
|
|[[San Diego Museum of Art]]
|[[file:J._Carroll_Beckwith_G395.png|100px|]]
|-
| Charles Percival Buck
| 396
| Oil on canvas
| 1904
|
|
|[[file:Portrait of Charles Percival Buck.jpg|100px|]]
|-
| Mrs. James G. Carville (Portrait of Harriet Husson Carville)
| 397
| Oil on canvas
| 1904
|
|[[National Gallery of Art]], [[Washington DC]]
|[[file:Harriet Husson Carville.jpg|100px|]]
|-
| Mrs. Kern Dodge
| 398
| Oil on canvas
| 1904
|
|
|[[file:Thomas Eakins - Portrait of Mrs Kern Dodge Helen Peterson Greene .jpg|100px|]]
|-
| Mrs. Kern Dodge
| 399
| Oil on canvas
|
|
|
|
|-
| Miss Beatrice Fenton (also known as "The Coral Necklace")
| 400
| Oil on canvas
| 1904
|
|[[Butler Institute of American Art]]
|[[File:The Coral Necklace.jpg|100px|]]


|-
== Scout ==
| William R. Hallowell
Im Juni 1882 war er bei der [[United States Army|US-Armee]] als First Sergeant und Scout in der ''A Company'' eingetragen. Körperlich robust, besaß Kid große Ausdauer und war ein charismatischer Führer, der die „Verehrung“ anderer Späher/Scouts unter seinem Kommando gewann. Im Kampf beim [[Al_Sieber#Battle_of_Big_Dry_Wash|Big Dry Wash]] am Mogollon Rim nordwestlich von Fort Apache, gewann Kid das Vertrauen des [[Leutnant]] Thomas Cruse und Al Sieber dem Chief of Scouts (Leiter der Pfadfinder). Im Jahr 1883 diente Kid unter General [[George Crook]] bei der Jagd nach dem abtrünnigen Chiricahua-Apachen „Juh“, in der Sierra Madre.
| 401
| Oil on canvas
| 1904
|
|
|
|-
| Music
| 402
| Oil on canvas
| 1904
|
|[[Albright-Knox Art Gallery]]
|[[File:Eakins, Music 1904.jpg|100px|]]
|-
| Sketch for Music
| 403
| Oil on canvas mounted on cardboard
|
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch for Music - The Violinist.png|100px|]]
|-
| The Violinist
| 404
| Oil on canvas
| 1904
|
|
|[[File:The_Violinist_G404.png|100px|]]
|-
| Samuel Myers
| 405
| Oil on canvas
| 1904
|
|
|[[File:Samuel_Myers_G405.png|100px|]]
|-
| Frank B.A. Linton
| 406
| Oil on canvas
| 1904
|
| [[Hirshhorn Museum and Sculpture Garden]], [[Washington, D.C.]]
|[[File:Eakins, Frank Linton 1904.jpg|100px|]]
|-
| Mrs. Edith Mahon
| 407
| Oil on canvas
| 1904
|
|[[Smith College Museum of Art]]
|[[File:Edith Mahon.png|100px|]]
|-
| Rear-Admiral George W. Melville
| 408
| Oil on canvas
| 1904
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Rear_Admiral_George_Wallace_Melville_G408.png|100px|]]
|-
| William Murray
| 409
| Oil on canvas
| Circa 1904
|
|
|
|-
| Mrs. Matilda Searight
| 410
| Oil on canvas
| 1904
|
|
|
|-
| Edward Taylor Snow
| 411
| Oil on canvas
| 1904
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[file:Portrait of Edward Taylor Snow.png|100px|]]
|-
| B.J. Blommers
| 412
|
| 1904
|
|[[Toledo Museum of Art]], [[Toledo, Ohio]]
|
|-
| Mrs. B.J. Blommers
| 413
|
| 1904
|
|
|
|-
| Charles P. Gruppe
| 414
| Oil on canvas
| 1904
|
|
|
|-
| Joseph R. Woodwell
| 415
| Oil on canvas
| 1904
|
|[[Carnegie Museum of Art]], [[Pittsburgh, Pennsylvania]]
|[[File:Joseph R. Woodwell G415.jpg|100px|]]
|-
| William H. MacDowell
| 416
| Oil on canvas
| Circa 1904
|
| [[Memorial Art Gallery]], [[University of Rochester]], [[New York]]
|[[file:Eakins, William MacDowell 1904.jpg|100px|]]
|-
| Walter MacDowell
| 417
| Oil on canvas
| Circa 1904
|
|
|
|-
| William H. Lippincott
| 418
|
| Late 1904 or early 1905
|
|
|
|-
| Edward W. Redfield
| 419
| Oil on canvas
| 1905
|
| [[National Academy of Design]], [[New York City]]
|
|-
| Rear-Admiral George W. Melville
| 420
| Oil on canvas
| 1905
|
|
|[[File:Rear_Admiral_George_W_Melville_G420.png|100px|]]
|-
| Mrs. George Morris
| 421
| Oil on canvas
| 1905
|
|
|
|-
| Professor William Smith Forbes
| 422
| Oil on canvas
| 1905
|
|[[Thomas Jefferson University]]
|[[file:Eakins Forbes.jpg|100px|]]
|-
| Charles L. Fussell
| 423
| Oil on canvas
| Circa 1905
|
| [[Montclair Art Museum]], [[Montclair, New Jersey]]
|[[File:Charles L Fussell.png|100px|]]
|-
| Miss Florence Einstein
| 424
| Oil on canvas
| 1905
|
|
|
|-
| Monsignor Diomede Falconio
| 425
| Oil on canvas
| 1905
|
| [[National Gallery of Art]], [[Washington, D.C.]]
|[[File:Eakins, Monsignor Diomede Falconia 1905.jpg|100px|]]
|-
| John B. Gest
| 426
| Oil on canvas
| 1905
|
|
|[[File:Portrait of John B Gest 1905 large.jpg|100px|]]
|-
| Asbury.W. Lee
| 427
| Oil on canvas
| 1905
|
| [[Reynolda House Museum of American Art]], [[Winston-Salem, North Carolina]]
|[[File:Eakins, Ashbury W Lee 1905.jpg|100px|]]
|-
| Miss Elizabeth L. Burton
| 428
| Oil on canvas
| Circa 1905
|
|[[Minneapolis Institute of Arts]]
|[[File:Portrait of Elizabeth L Burton.jpg|100px|]]
|-
| Dr. Thomas H. Fenton
| 429
| Oil on canvas
| Circa 1905
|
|[[Delaware Art Museum]], [[Wilmington, Delaware]]
|[[File:Dr.-Thomas-H.-Fenton-large.jpg|100px|]]
|-
| Mrs. Louis Husson
| 430
| Oil on canvas
| Circa 1905
|
|
|
|-
| Maurice Feeley
| 431
| Oil on canvas
| Circa 1905
|
|
|[[File:Maurice_Feely_G431.png|100px|]]
|-
| Genjiro Yeto
| 432
|
| 1906
|
|
|
|-
| A Singer: Portrait of Mrs. W.H. Bowden
| 433
| Oil on canvas
| 1906
|
|[[Princeton University Art Museum]], [[Princeton, New Jersey]]
|
|-
| A Singer: Portrait of Mrs. Leigo
| 434
| Oil on canvas
| Circa 1906
|
|
|[[File:Eakins, Singer - Mrs Leigo 1906.jpg|100px|]]
|-
| Richard Wood
| 435
| Oil on canvas
| 1906
|
|
|
|-
| Master Alfred Douty
| 436
| Oil on canvas
| 1906
|
|[[Santa Barbara Museum of Art]], [[Santa Barbara, California]]
|[[File:Portrait of Master Alfred Douty.jpg|100px|]]
|-
| A Little Girl
| 437
| Oil on canvas
| Circa 1906
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Portrait of a Little Girl.png|100px|]]
|-
| Monsignor James P. Turner
| 438
| Oil on canvas
| Circa 1906
|
| [[Nelson-Atkins Museum of Art]], [[Kansas City, Missouri]]
|[[File:Monsignor James P. Turner G438.png|100px|]]
|-
| Sketches
| 439
| Oil on cardboard
|
| Double sided: one side is a sketch for Monsignor James P. Turner. The reverse is a sketch for William Rush and His Model
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Sketch for Portrait of Monsignor James P. Turner.png|100px|]]<br/><br/>[[File:Sketch for William Rush and His Model.jpg|100px|]]
|-
| Thomas J. Eagan
| 440
| Oil on canvas
| 1907
|
|
|
|-
| Dr. Albert C. Getchell
| 441
| Oil on canvas
| 1907
|
| [[North Carolina Museum of Art]], [[Raleigh, North Carolina]]
|[[File:Albert C Getchell.jpg|100px|]]
|-
| Dr. William Thompson
| 442
| Oil on canvas
| 1907
|
| [[Mutter Museum]], [[College of Physicians of Philadelphia]], [[Philadelphia, Pennsylvania]]
|[[File:Eakins, Dr William Thompson 1907.jpg|100px|]]
|-
| Dr. William Thompson (unfinished)
| 443
| Oil on canvas
|
|
|
|
|-
| Major Manuel Waldteufel
| 444
| Oil on canvas
| 1907
|
|
|[[File:Major Manuel Waldteufel .jpg|100px|]]
|-
| [[William Rush and His Model]]
| 445
| Oil on canvas
| 1908
|
|
|[[File:William Rush carving his Allegorical Figure of the Schuylkill river.png|100px|]]
|-
| Sketch for ''[[William Rush and His Model]]''
| 446
| Oil on wood
|
|
|
|
|-
| Sketch for ''[[William Rush and His Model]]''
| 447
| Oil on wood
|
|
|
|[[File:William_Rush_Carving_his_Allegorical_Figure_of_the_Schuylkill_River_G447.jpg|100px|]]
|-
| Studies of Rush
| 448
| Oil on wood
|
|
|
|
|-
| Study of Rush
| 449
| Oil on canvas
|
|
|
|
|-
| Study of the Negress
| 450
| Oil on canvas
|
|
|
|
|-
| [[William Rush and His Model]]
| 451
| Oil on canvas
| 1907-1908
| In his book ''Eakins Revealed'' pp. 369-371, Henry Adams claims Eakins' friend #323, Miss Mary Adeline Williams was the nude model for ''William Rush and his Model'' in the collection of the [[Honolulu Academy of Arts]], [[Honolulu]], [[Hawaii]], and related studies #'s 445,446, 447,452,453 and 454.
|[[Honolulu Academy of Arts]], [[Honolulu, Hawaii]]
|[[File:William rush and his model thomas eakins.jpeg|100px|]]
|-
| The Model
| 452
| Oil on canvas
|
|
|
|[[File:The_Model_G452.png|100px|]]
|-
| [[William Rush and His Model]]
| 453
| Oil on canvas
| 1908
|
|
|[[File:William Rush's Model.jpg|100px|]]
|-
| Study for "William Rush's Model"
| 454
| Oil on canvas
| Circa 1908
|
|[[Hirshhorn Museum and Sculpture Garden]]
|[[file:William_Rush_and_his_Model.png|100px|]]
|-
| Miss Eleanor S.F. Pue
| 455
| Oil on canvas
| 1907
|
| [[Virginia Museum of Fine Arts]]
|[[File:Eleanor_S_F_Pue_G455.png|100px|]]
|-
| Miss Rebecca MacDowell
| 456
| Oil on canvas
| Circa 1908
|
| [[Kennedy Galleries]], [[New York, New York]]
|
|-
| The Old-Fashioned Dress: Portrait of Miss Helen Parker
| 457
| Oil on canvas
| Circa 1908
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|[[File:Eakins, Miss Helen Parker 1908.jpg|100px|]]
|-
| Sketch for the Old-Fashioned Dress
| 458
| Oil on cardboard
|
|
|Collection of Mr. and Mrs. Daniel Dietrich II
|[[File:Sketch_for_the_Old_Fashioned_Dress_G458.png|100px|]]
|-
| Study for the Old-Fashioned Dress
| 459
| Oil on canvas
| 1908
|
|
|[[File:Sketch_for_the_Old_Fashioned_Dress_G459.png|100px|]]
|-
| Mrs. Lucy Langdon W. Wilson
| 460
| Oil on canvas
| 1908
|
|
|[[File:Portrait of Lucy Langdon Williams Wilson.jpg|100px|]]
|-
| Mrs. Lucy Langdon W. Wilson
| 461
| Oil on canvas
| Early 1909
|
|
|
|-
| Dr. William P. Wilson
| 462
| Oil on canvas
| 1909
|
|
|
|-
| Dr. Henry Beates Jr.
| 463
| Oil on canvas
| 1909
|
|
|
|-
| Henry Beates
| 464
| Oil on canvas
| Circa 1909
|
|
|
|-
| Edward A. Schmidt
| 465
| Oil on canvas
| Circa 1909
|
|
|
|-
| Reverend Cornelius J. O'Neill
| 466
| Oil on canvas
| Circa 1909
|
| [[Chrysler Museum of Art]], [[Norfolk, Virginia]]
|
|-
| John J. Borie
| 467
| Oil on canvas
|
|
|[[Hood Museum of Art]], [[Hanover, New Hampshire]]
|[[File:John J Borie G467.jpg|100px|]]
|-
| Mrs. Nicholas Douty
| 468
| Oil on canvas
| 1910
|
| [[Cummer Gallery of Art]]
|[[File:Mrs_Nicholas_Douty_G468.png|100px|]]
|-
| Dr. Gilbert Lafayette Parker
| 469
| Oil on canvas
| 1910
|
|
|[[File:Gilbert_Parker_G469.png|100px|]]
|-
| Mrs. Gilbert Parker
| 470
| Oil on canvas
| 1910
|
|
|[[File:Eakins, Mrs. Gilbert Perker 1910.jpg|100px|]]
|-
| Gilbert Sunderland Parker
| 471
| Oil on canvas
| 1910
|
|
|
|-
| Ernest Lee Parker
| 472
| Oil on canvas
| 1910
|
|[[Westmoreland Museum of Art]], [[Greensburg, Pennsylvania]]
|[[File:Ernest Lee Parker.jpg|100px|]]
|-
| President Rutherford B. Hayes
| 473
| Oil on canvas
| 1912 or 1913
|
|[[Philipse Manor Hall]], [[Yonkers, New York]]
|
|-
| Dr. Edward Anthony Spitzka
| 474
| Oil on canvas
| Circa 1913
| Eakins' last painting. This originally showed a full length Dr. Spitzka holding the cast of a brain. Sometime after it was cataloged in the 1933 Goodrich catalog (measuring 84×43½ inches), someone cut away the rest of the painting, leaving only the head and bust (30½×25⅛ inches).<ref>Hirshhorn, 211-212</ref>
|[[Hirshhorn Museum and Sculpture Garden]]
|[[File:Edward Anthony Spitzka.jpg|100px|]]
|-
| President Rutherford B. Hayes
| 475
|
| 1877
| "Probably no longer in existence"
|
|
|-
| James L. Wood
| 476
|
| Circa 1890
| "Probably no longer in existence"
|
|
|-
| William Rudolf O'Donovan
| 477
|
| 1891 or early 1892
| "Probably no longer in existence"
|
|
|-
| Miss Emily Sartain
| 478
|
| Sometime in the 1890s
| "Probably no longer in existence"
|
|[[File:Eakins, Study for Portrait of Miss Emily Sartain 1895.jpg|100px|]]
|-
| Miss Emily Sartain
| 479
|
| Sometime in the 1890s
| "Probably no longer in existence"
|
|
|-
| Dr. Hugh A. Clarke
| 480
|
| Circa 1893
| "Probably no longer in existence"
|
|
|-
| James MacAlister
| 481
|
| Circa 1893
| "Probably no longer in existence"
|
|
|-
| Circus People
| 482
|
| Before 1876
| Sketch. "Probably no longer in existence"
|
|
|-
| Stewart Culin
| 483
|
| Circa 1899
| "Probably no longer in existence"
|
|
|-
| Dr. George B. Wood
| 484
|
| Circa 1900
| "Probably no longer in existence"
|
|
|-
| Dr. Patrick J. Garvey
| 485
| Oil on canvas
| 1902
| Thought to have been destroyed, rediscovered in 1959
| [[St. Charles Borromeo Seminary]]
|[[File:Patrick_J_Garvey_G485.png|100px|]]
|-
| Right Reverend Denis J. Dougherty
| 486
|
| 1903
| "Probably no longer in existence"
|
|
|-
| Mother Patricia Waldron
| 487
|
| 1903
| "Probably no longer in existence"
|
|
|-
| Mrs. Margaret Jane Gish
| 488
|
| Circa 1903
| "Probably no longer in existence"
|
|
|-
| Robert C. Ogden
| 489
|
|
| "Probably no longer in existence"
|
|
|-
| Dr. J. William White
| 490
|
| 1904
| "Probably no longer in existence"
|
|
|-
| Adolphie Borie
| 491
|
| Circa 1910
| "Probably no longer in existence"
|
|
|-
| Mrs. Charles Lester Leonard
| 492
|
| 1895
| No longer in existence
|
|
|-
| Mrs. Hubbard
| 493
|
| Circa 1895
| No longer in existence
|
|
|-
| Mrs. McKeever
| 494
|
| 1898
| No longer in existence
|
|
|-
| Bishop Edmond F. Prendergast
| 495
| Oil on canvas
| Circa 1903
| No longer in existence
|
|
|-
| Frank W. Stokes
| 496
|
| 1903
| No longer in existence
|
|
|-
| Edward S. Buckley
| 497
|
| 1906
| No longer in existence
|
|
|-
| Studies for ''[[William Rush and His Model]]''
| 498
| Sculpture, pigmented wax
| 1876-1877
| Five studies
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|
|-
| The Mare 'Josephine'
| 499
| Sculpture, bronze
| 1878
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|
|-
| The Mare 'Josephine': Skeleton
| 500
| Sculpture, bronze
| 1878
|
| [[Butler Institute of American Art]]
|
|-
| Ecorche
| 501
| Sculpture
|
|
|
|
|-
| Ecorche
| 502
| Sculpture
| 1882
|
|
|
|-
| Studies for The Fairman Rogers Four-in-Hand
| 503
| Sculpture, bronze with marble bases
| 1897
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|
|-
| Spinning
| 504
| Sculpture
| Late 1882/early 1883
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|
|-
| Knitting
| 505
| Sculpture
| 1881
|
|[[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|
|-
| Arcadia
| 506
| Sculpture, bronze
| 1883
|
|
|
|-
| An Arcadian
| 507
| Sculpture
|
|
|
|
|-
| The Youth Playing the Pipes
| 508
| Sculpture
| 1883
|
|
|
|-
| Horses on the Brooklyn Memorial Arch
| 509
| Sculpture
| 1893-1894
|
|
|
|-
| General Grant's Horse
| 509A
| Sculpture, bronze
| 1892
|
| [[Soldiers' and Sailors' Memorial Arch]], [[Prospect Park]], [[Brooklyn]]
|
|-
| Clinker
| 510
| Sculpture
| 1892
|
|
|
|-
| Clinker
| 511
| Sculpture, bronze
| 1892
|
| [[Philadelphia Museum of Art]], [[Philadelphia, Pa.]]
|
|-
| Billy
| 512
| Sculpture, plaster
| Circa 1892-1893
|
|
|
|-
| The American Army Crossing the Delaware
| 513
| Sculpture, bronze relief
| Circa 1893
|
| [[New Jersey State Museum]], [[Trenton]]
|
|-
| The Opening of the Fight, The Battle of Trenton
| 514
| Sculpture, bronze relief
| Circa 1893
|
| [[New Jersey State Museum]], [[Trenton]]
|
|-
| Mrs. Marry Hallock Greenwalt
| 515
| Sculpture
| 1905
|
|
|
|-
|}


==Hendricks 1974 catalogue of Eakins' photographs==
Mit der Geronimo-Kampagne (1885-1886) kam Kid Anfang 1885 mit Sieber erneut nach Mexiko. Als der ''Chief of Scouts'' im Herbst zurückgerufen wurde, ritt Kid mit ihm nach San Carlos zurück. Er wurde wieder durch [[Lt.]] Crawford's Aufruf nach hundert Spähern für den mexikanischen Kampf eingezogen und ging Ende 1885 nach Süden. In der mexikanischen Stadt Huasabas am Bavispe Fluss, verlor Kid bei einem [[Aufruhr]] fast sein Leben, weil er als betrunkener Teilnehmer dabei war. Kid sollte dafür von einem mexikanischen [[Hinrichtung|Exekution]]skommando [[Erschießung|erschossen]] zu werden, stattdessen verhängte ihm aber der Ortsvorsteher zwanzig Dollar Strafe und die Armee schickte ihn nach San Carlos zurück.
{| class="wikitable" style="font-size: 95%;" border="2" cellpadding="4" background: #f9f9f9;
Im Jahr 1886 begleitete Kid Kapitän Emmet Crawford in Mexiko zu der Verfolgung von Geronimo. Für Kid begann am 11. April 1887 die achte und letzte Verpflichtung bei den Scouts.
|- align="center"
! style="background:#CCCCEE;" | Photographer
! style="background:#CCCCEE;" | Hendricks catalog #
! style="background:#CCCCEE;" | Data
! style="background:#CCCCEE;" | Note
! style="background:#CCCCEE;" | Collection
! style="background:#CCCCEE;" | Picture
|-
| Eakins
| 1
| Circa 1880
| Eakins' camera and camera equipment
|
|
|-
| Eakins?
| 2
| Circa 1878
| Eakins' class at the Pennsylvania Academy of Fine Arts
|
|
|-
| Eakins
| 3
| 1879?
| Fairman Rogers riding mare Josephine
|
|
|-
| Eakins
| 4
| Summer 1883
| Margaret Eakins with Harry Eakins
|
|
|-
| Eakins
| 5
| Summer 1880
| "Harry Eakins, Margaret Eakins, and Mary Macdowell"
|
|
|-
| Eakins
| 6
| Summer 1880
| "Elizabeth Macdowell, Marget Eakins, and Mary Macdowell Eakins"
|
|
|-
| Eakins
| 7
| Summer 1880
| "Beach at Manasquan, New Jersey"
|
|
|-
| Eakins
| 8
| Summer 1880
| "Beach at Manasquan, New Jersey"
|
|
|-
| Eakins
| 9
| June 1880
| Mharry and Margaret Eakins on Harry's kennel
|
|
|-
| Eakins
| 10
| June 1880
| Margaret Eakins with Harry Eakins
|
|
|-
| Eakins
| 11
| 1882?
| Hannah Susan Macdowell
|
|
|-
| Eakins
| 12
| 1880-1882?
| "Hanna Susan Macdowell with unknown girl, Elizabeth Macdowell, and possibly Mary Macdowell"
|
|
|-
| Eakins
| 13
| 1880-1882?
| Elizabeth Macdowell
|
|
|-
| Eakins
| 14
| 1880-1882
| Margaret Eakins
|
|
|-
| Eakins
| 15
| 1880-1882
| Margaret Eakins with Harry Eakins
|
|
|-
| Eakins
| 16
| 1880-1882
| "William H. Macdowell, Margaret Eakins, and two boys"
|
|
|-
| Eakins
| 17
| 1880-1882
| Hannah Susan Macdowell
|
|
|-
| Eakins
| 18
| 1880-1882?
| Hannah Susan Macdowell
|
|
|-
| Eakins
| 19
| 1880-1882?
| Hannah Susan Macdowell
|
|
|-
| Eakins
| 20
| 1880-1882?
| Mrs. William H. Macdowell
|
|
|-
| Eakins
| 21
| 1880-1881?
| Hannah Susan Macdowell with dog Dinah
|
|
|-
| Eakins
| 22
| 1880-1882?
| Mr. and Mrs. William H. Macdowell
|
|
|-
| Eakins
| 23
| 1880-1882
| Margaret Eakins
|
|
|-
| Eakins
| 24
| 1880-1882
| Margaret Eakins
|
|
|-
| Eakins
| 25
| 1880-1882
| Margaret Eakins
|
|
|-
| Eakins
| 26
| 1880-1882
| Margaret Eakins
|
|
|-
| Eakins?
| 27
| 1880-1882
| Elizabeth Macdowell and Margaret Eakins
|
|
|-
| Eakins?
| 28
| 1880-1882
| Margaret Eakins and Elizabeth Macdowell
|
|
|-
| Eakins
| 29
| 1881
| Geese
|
|
|-
| Eakins
| 30
| 1880-1885
| Mary Macdowell
|
|
|-
| Eakins
| 31
| 1881
| Horses and fishermen
|
|
|-
| Eakins
| 32
| 1881?
| Shad fishing
|
|
|-
| Eakins
| 33
| Circa 1882
| "Margaret Eakins, Artie Corwell, Francis Crowell, and Hanna Susan Macdowell"
|
|
|-
| Eakins
| 34
| 1882
| Caroline Eakins
|
|
|-
| Eakins
| 35
| 1882
| Caroline Eakins
|
|
|-
| Eakins
| 36
| 1882
| Caroline Eakins
|
|
|-
| Eakins
| 37
| 1882
| Caroline Eakins
|
|
|-
| Eakins
| 38
| 1882
| Caroline Eakins
|
|
|-
| Eakins
| 39
| 1882
| Caroline Eakins
|
|
|-
| Eakins?
| 40
| 1881-1883
| "Ladies modeling class, with Blanche Hurlburt"
|
|[[File:Modeling class at the PAFA.jpg|100px|]]
|-
| Eakins?
| 41
| 1881-1883
| Ladies modeling class
|
|
|-
| Eakins
| 42
| Summer 1884
| Site for the Swimming Hole
|
|[[File:Eakin's art studens bathing 4.jpg|100px|]]
|-
| Eakins
| 43
| 1883
| Site for the Swimming Hole
|
|[[File:Eakins, Thomas (1844-1916) - 1883 - Eakin's art studens bathing 1.jpg|100px|]]
|-
| Eakins?
| 44
| 1883
| Site for the Swimming Hole
|
|[[File:Eakin's art studens bathing 2.jpg|100px|]]
|-
| Eakins
| 45
| 1883
| Study for Arcadia
|
|
|-
| Eakins
| 46
| 1883
| J. Laurie Wallace
|
|[[File:Eakins, Thomas (1844-1916) - 1883 - Nude study for Arcadia.jpg|100px|]]
|-
| Eakins
| 47
| 1883
| J. Laurie Wallace
|
|
|-
| Eakins
| 48
| 1883
| Ben Crowell(?) and Francis Crowell
|
|
|-
| Eakins
| 49
| 1883
| Unidentified student and J. Laurie Wallace
|
|
|-
| Eakins
| 50
| 1883
| Unidentified student
|
|
|-
| Eakins
| 51
| September 1883
| "Hanna Susan Macdowell with Margaret Eakins, Ben Crowell, Will Crowell, and Artie Crowell"
|
|
|-
| Eakins
| 52
| 1883
| "Frances Crowell, Artie Crowell, Tom Crowell, and Hannah Susan Macdowell, with Harry Eakins"
|
|
|-
| Eakins
| 53
| 1883
| Landscape for an Arcadian
|
|
|-
| Eakins
| 54
| September 1883
| "Hanna Susan Macdowell with Margaret Eakins(?), Ben Crowell, Will Crowell, and Artie Crowell"
|
|
|-
| Eakins
| 55
| 1883
| Beech tree
|
|
|-
| Eakins
| 56
| September 1883
| Tom Crowell and Frances Crowell
|
|
|-
| Eakins
| 57
| 1883
| Margeret Eakins(?) and Artie Crowell
|
|
|-
| Eakins
| 58
| 1883
| Will Crowell and Frances Crowell
|
|
|-
| Eakins
| 59
| 1883
| "Will Crowell, Margaret Eakins, and Artie Crowell with Harry Eakins"
|
|
|-
| Eakins
| 60
| September 1883
| Artie Crowell
|
|
|-
| Eakins
| 61
| Circa 1883
| Models in greek costumes
|
|
|-
| Eakins
| 62
| Circa 1883?
| Models in greek costumes
|
|
|-
| Eakins
| 63
| Circa 1883?
| Models in greek costumes
|
|
|-
| Eakins
| 64
| Circa 1883?
| Models in greek costumes
|
|
|-
| Eakins
| 65
| Circa 1883?
| Model in greek costume
|
|
|-
| Eakins
| 66
| Circa 1883?
| Model in greek costume
|
|
|-
| Eakins
| 67
| Circa 1883?
| Model
|
|
|-
| Eakins?
| 68
| Circa 1883?
| Model
|
|
|-
| Eakins
| 69
| Circa 1883?
| Model
|
|
|-
| Eakins
| 70
| Circa 1883?
| Model
|
|
|-
| Eakins
| 71
| Circa 1883?
| Catherine Flanagan Towne
|
|
|-
| Eakins
| 72
| 1883-1884?
| Frank Macdowell
|
|
|-
| Eakins
| 73
| 1883-1884?
| Caroline Eakins
|
|
|-
| Eakins
| 74
| 1883-1884?
| William H. Macdowell
|
|
|-
| Eakins
| 75
| 1883-1884?
| William H. Macdowell
|
|
|-
| Eakins
| 76
| 1883-1884?
| Hannah Susan Macdowell Eakins
|
|
|-
| Eakins
| 77
| 1884?
| William H. Macdowell
|
|
|-
| Eakins
| 78
| 1884?
| William H. Macdowell
|
|
|-
| Eakins
| 79
| 1884?
| William H. Macdowell
|
|
|-
| Eakins
| 80
| 1884
| Unidentified sitter
|
|
|-
| Eakins
| 81
| 1884
| Unidentified sitter
|
|
|-
| Eakins
| 82
| 1884
| Unidentified sitter
|
|
|-
| Eakins
| 83
| 1884
| Unidentified sitter
|
|
|-
| Eakins
| 84
| 1884
| Unidentified sitter
|
|
|-
| Eakins
| 85
| 1884?
| Unidentified sitter
|
|
|-
| Eakins
| 86
| 1884?
| Unidentified sitter
|
|
|-
| Unknown
| 87
| "August 27, 1884"
| Thomas Eakins in Marey Wheel photograph
|
|
|-
| Unknown
| 88
| "August 27, 1884"
| Thomas Eakins in Marey Wheel photograph
|
|
|-
| Eakins
| 89
| 1884
| Unidentified model
|
|
|-
| Eakins
| 90
| 1884
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 91
| 1884
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 92
| 1884
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 93
| 1884
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 94
| 1884
| Marey wheel photograph of George Reynolds
|
|
|-
| Eakins
| 95
| 1884
| Marey wheel photograph of George Reynolds
|
|
|-
| Eakins
| 96
| 1884
| Marey wheel photograph of George Reynolds
|
|
|-
| Eakins
| 97
| 1884
| Marey wheel photograph of George Reynolds
|
|
|-
| Eakins
| 98
| "June 24?, 1884"
| Marey wheel photograph of George Reynolds
|
|
|-
| Eakins
| 99
| 1884
| Marey wheel photograph of George Reynolds
|
|
|-
| Eakins
| 100
| 1884
| Marey wheel photograph of George Reynolds
|
|
|-
| Eakins
| 101
| "June 24, 1884"
| Marey wheel photograph of George Reynolds(?)
|
|
|-
| Eakins
| 102
| 1884
| Marey wheel photograph of George Reynolds(?)
|
|
|-
| Eakins
| 103
| "August 20?, 1884"
| Marey wheel photograph of Jesse Godley
|
|
|-
| Eakins
| 104
| "July 17, 1884"
| Marey wheel photograph of Jesse Godley
|
|
|-
| Eakins
| 105
| "July 17, 1884"
| Marey wheel photograph of Jesse Godley
|
|
|-
| Eakins
| 106
| 1884
| Marey wheel photograph of Jesse Godley
|
|
|-
| Eakins
| 107
| 1884
| Marey wheel photograph of Jesse Godley
|
|
|-
| Eakins
| 108
| 1884
| Marey wheel photograph of Jesse Godley
|
|
|-
| Eakins
| 109
| 1884
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 110
| "June 9, 1884"
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 111
| "August 27?, 1884"
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 112
| 1884
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 113
| "August 22, 1884"
| Marey wheel photograph of unidentified model
|
|[[File:Eakins, Thomas (1844-1916) - Study in the human motion.jpg|100px|]]
|-
| Eakins
| 114
| "August 22, 1884"
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 115
| "August 22 or 27, 1884"
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 116
| 1884
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 117
| 1884
| Marey wheel photograph of unidentified model
|
|
|-
| Eakins
| 118
| 1884
| Marey wheel photograph of unidentified model (George Reynolds?)
|
|
|-
| Eakins
| 119
| 1884
| "Two men, one holding a severed horse leg"
|
|
|-
| Eakins
| 120
| 1884
| Man holding a severed horse leg
|
|
|-
| Eakins
| 121
| 1884
| Man holding a severed horse leg
|
|
|-
| Eakins
| 122
| 1883?
| Instantaneous photo of nude unidentified students outdoors
|
|[[File:Eakins, Thomas (1844-1916) - 1883 - Eakins' art studens wrestling in the nude.jpg|100px|]]
|-
| Eakins
| 123
| 1883?
| Instantaneous photo of nude unidentified students outdoors
|
|
|-
| Eakins
| 124
| 1883?
| Instantaneous photo of nude unidentified students outdoors
|
|
|-
| Eakins
| 125
| 1883?
| Instantaneous photo of nude unidentified students outdoors
|
|
|-
| Eakins
| 126
| 1883?
| Instantaneous photo of nude unidentified students outdoors
|
|
|-
| Eakins
| 127
| 1884
| Marey wheel photograph of J. Laurie Wallace(?)
|
|
|-
| Eakins
| 128
| 1884
| "Marey wheel photograph of unidentified student, possibly J. Laurie Wallace"
|
|
|-
| Eakins
| 129
| 1883
| Horse trotting
|
|
|-
| Eakins
| 130
| 1883
| Horses walking
|
|
|-
| Eakins
| 131
| 1883
| Horses walking and trotting
|
|
|-
| Eakins
| 132
| 1883
| Horse running
|
|
|-
| Eakins
| 133
| May 1883
| Unidentified models
|
|
|-
| Eakins
| 134
| Summer 1887
| Cowboy
|
|
|-
| Eakins
| 135
| Summer 1887
| Unidentified man
|
|
|-
| Eakins
| 136
| Summer 1887
| Unidentified lady
|
|
|-
| Eakins
| 137
| 1885-1887
| Ella or Margaret Crowell
|
|
|-
| Eakins
| 138
| 1887
| Dog and pony
|
|
|-
| Eakins
| 139
| 1887?
| "Katie Crowell, Piero, and W.J. Crowell"
|
|
|-
| Eakins
| 140
| 1887?
| "Katie Crowell, Piero, and W.J. Crowell"
|
|
|-
| Eakins
| 141
| 1887?
| Katie Crowell
|
|
|-
| Eakins?
| 142
| Circa 1887?
| Katie Crowell(?)
|
|
|-
| Eakins
| 143
| 1885-1890
| "Ben Crowell(?), Will Crowell(?), Artie Crowell(?)"
|
|
|-
| Eakins
| 144
| 1885-1890
| "Ben Crowell, Will Crowell, Artie or Tom Crowell"
|
|
|-
| Eakins
| 145
| 1885-1890
| "Ben Crowell, Will Crowell, Artie or Tom Crowell"
|
|
|-
| Eakins
| 146
| 1885-1890
| Two of Eakins' nephews
|
|
|-
| Eakins
| 147
| 1885-1890
| An Eakins niece and nephew
|
|
|-
| Eakins
| 148
| 1885-1890
| Ben Crowell (?)
|
|
|-
| Eakins
| 149
| 1885-1890
| Frances Crowell and three of her children
|
|
|-
| Eakins
| 150
| 1885-1890
| Walt Whitman
|
|
|-
| Eakins
| 151
| 1887?
| Walt Whitman
|
|
|-
| Eakins
| 152
| 1891?
| Walt Whitman
|
|
|-
| Eakins
| 153
| 1891?
| Walt Whitman
|
|
|-
| Eakins
| 154
| 1891?
| Walt Whitman
|
|
|-
| Eakins
| 155
| 1891?
| Walt Whitman
|
|
|-
| Eakins
| 156
| 1891?
| Walt Whitman
|
|
|-
| Eakins
| 157
| 1891?
| Walt Whitman
|
|
|-
| Eakins
| 158
| 1891?
| Walt Whitman
|
|
|-
| Eakins
| 159
| 1892?
| Walt Whitman
|
|
|-
| Eakins
| 160
| 1892?
| Walt Whitman
|
|
|-
| Eakins
| 161
| 1887-1888?
| Mrs. Mary Oakes Davis
|
|
|-
| Eakins
| 162
| 1890
| Crowell family
|
|
|-
| Eakins
| 163
| 1890
| "Katie Crowell, Jim Crowell, Frances Crowell, Fanny Crowell"
|
|
|-
| Eakins
| 164
| Circa 1890
| Samuel Murray with a bust of Franklin Schenck
|
|
|-
| Eakins
| 165
| Circa 1890
| Samuel Murray sculpting Franklin Schenck
|
|
|-
| Eakins
| 166
| Circa 1890
| Samuel Murray sculpting Franklin Schenck
|
|
|-
| Eakins or Murray
| 167
| Circa 1890
| Franklin Schenck with a bust of himself
|
|
|-
| Eakins
| 168
| 1890-1892
| Samuel Murray with a bust of William H. Macdowell
|
|
|-
| Eakins
| 169
| Circa 1890
| Samuel Murray
|
|
|-
| Eakins
| 170
| Circa 1890-1892
| Samuel Murray
|
|
|-
| Eakins
| 171
| Circa 1890-1892
| Samuel Murray
|
|
|-
| Eakins
| 172
| Circa 1890-1892
| Samuel Murray
|
|
|-
| Eakins
| 173
| Circa 1890-1892
| Franklin Schenck
|
|
|-
| Eakins
| 174
| Circa 1890-1892
| Franklin Schenk with Eakins' horse Baldy
|
|
|-
| Eakins
| 175
| Circa 1890-1892
| Franklin Schenck
|
|
|-
| Eakins
| 176
| Circa 1891?
| Amelia C. Van Buren
|
|[[File:Amelia Van Buren with Cat.jpg|100px|]]
|-
| Eakins
| 177
| Circa 1891?
| Amelia C. Van Buren
|
|
|-
| Eakins
| 178
| Circa 1891?
| Amelia C. Van Buren
|
|
|-
| Eakins
| 179
| Circa 1891?
| Amelia C. Van Buren
|
|
|-
| Eakins
| 180
| Circa 1892
| Samuel Murray riding Eakins' horse Billy
|
|
|-
| Eakins
| 181
| Circa 1892?
| "Weda Cook, Katherine Cook, and Maud Cook"
|
|
|-
| Eakins
| 182
| Circa 1892?
| Katherine Cook
|
|
|-
| Eakins
| 183
| Circa 1892?
| Weda Cook
|
|
|-
| Eakins
| 184
| Circa 1892?
| Weda Cook
|
|
|-
| Eakins or Allen Cook?
| 185
| Circa 1892?
| Weda Cook
|
|
|-
| Eakins
| 186
| Circa 1892?
| Unidentified sitter
|
|
|-
| Eakins?
| 187
| 1886-1892
| "Charles Brinton Cox, John Wright, and Ella Crowell"
|
|
|-
| Eakins?
| 188
| 1886-1892
| John Wright and Franklin Schenck
|
|
|-
| Eakins?
| 189
| 1886-1892
| John Wright and unidentified person
|
|
|-
| Eakins
| 190
| 1886-1892?
| Unidentified model
|
|
|-
| Eakins
| 191
| 1886-1892?
| Unidentified model
|
|
|-
| Eakins or Samuel Murray?
| 192
| 1886-1892?
| Unidentified model
|
|
|-
| Eakins
| 193
| 1886-1892?
| Unidentified model
|
|
|-
| Eakins
| 194
| 1886-1892?
| Unidentified model
|
|
|-
| Eakins
| 195
| 1886-1892?
| Talcott Williams
|
|
|-
| Eakins
| 196
| 1886-1892?
| David Wilson Jordan
|
|
|-
| Eakins
| 197
| 1886-1892?
| George W. Holmes
|
|
|-
| Eakins
| 198
| 1886-1892
| "Bill Duckett, nude"
|
|
|-
| Eakins
| 199
| 1880-1890
| Benjamin Eakins
|
|
|-
| Eakins
| 200
| 1880-1890
| Benjamin Eakins
|
|
|-
| Eakins
| 201
| 1880-1890
| Eliza Cowperthwaite
|
|
|-
| Eakins
| 202
| 1880-1890
| Eliza Cowperthwaite
|
|
|-
| Eakins
| 203
| 1880-1890
| Eliza Cowperthwaite
|
|
|-
| Eakins
| 204
| 1880-1890
| Eliza Cowperthwaite
|
|
|-
| Eakins
| 205
| 1880-1890
| Unidentified setter with Harry Eakins
|
|
|-
| Eakins
| 206
| 1880-1890
| Harry Eakins
|
|
|-
| Eakins
| 207
| 1880-1890
| Unidentified lady and child
|
|
|-
| Eakins
| 208
| 1880-1890
| """Old Margaret"""
|
|
|-
| Eakins
| 209
| 1880-1890
| Bull
|
|
|-
| Eakins
| 210
| 1880-1890
| Elizabeth Macdowell
|
|
|-
| Eakins
| 211
| 1880-1890
| Cat
|
|
|-
| Eakins
| 212
| 1880-1890
| Cats
|
|
|-
| Eakins
| 213
| 1880-1890
| Cats
|
|
|-
| Eakins
| 214
| 1880-1890
| Sailboats on the Delaware river
|
|
|-
| Eakins
| 215
| 1880-1890
| Elizabeth Baldwin
|
|
|-
| Eakins
| 216
| 1880-1890?
| Unidentified girl
|
|
|-
| Eakins
| 217
| 1895
| Franklin Hamilton Cushing
|
|
|-
| Eakins
| 218
| 1895
| Franklin Hamilton Cushing
|
|
|-
| Eakins
| 219
| 1895
| Franklin Hamilton Cushing
|
|
|-
| Eakins
| 220
| 1895?
| Samuel Murray
|
|
|-
| Eakins?
| 221
| 1895-1900
| Franklin Hamilton Cushing
|
|
|-
| Eakins
| 222
| 1895-1899
| Samuel Murray
|
|
|-
| Eakins
| 223
| 1895-1899
| Benjamin Eakins and Samuel Murray
|
|
|-
| Eakins
| 224
| 1897?
| Jeanie Dean Kershaw
|
|
|-
| Eakins
| 225
| Circa 1897?
| Jeanie Dean Kershaw
|
|
|-
| Eakins
| 226
| Circa 1897?
| Jeanie Dean Kershaw
|
|
|-
| Eakins
| 227
| Circa 1897?
| Jeanie Dean Kershaw
|
|
|-
| Eakins
| 228
| Circa 1897?
| Jeanie Dean Kershaw
|
|
|-
| Eakins
| 229
| 1899?
| Wrestlers
|
|[[File:Eakins, Thomas (1844-1916) - Lottatori 1.jpg|100px|]]
|-
| Eakins
| 230
| 1899?
| Wrestlers
|
|
|-
| Eakins
| 231
| 1899?
| Wrestlers
|
|
|-
| Eakins?
| 232
| 1890-1900?
| Road with trees
|
|
|-
| Eakins
| 233
| 1890-1900
| Mrs. Thomas Eakins
|
|
|-
| Eakins
| 234
| 1900
| Samuel Murray sculpting Frank St. John
|
|
|-
| Eakins
| 235
| 1903?
| Ruth Harding
|
|
|-
| Eakins
| 236
| 1903?
| Mrs. Anna Kershaw
|
|
|-
| Eakins
| 237
| 1904?
| Frank A.B. Linton
|
|
|-
| Eakins
| 238
| 1904
| Eakins' monkey on kennel
|
|
|-
| Eakins
| 239
| Circa 1912?
| Mrs. Thomas Eakins
|
|
|-
| Unknown
| 240
| Circa 1850
| Eakins at about 6 years of age
|
|
|-
| Unknown
| 241
| Circa 1854
| Eakins at about 10 years of age
|
|
|-
| Unknown
| 242
| December 1866
| Eakins at 22 years of age
|
|
|-
| Unknown
| 243
| Circa 1868
| Eakins at about 24 years of age
|
|[[File:Eakins, Thomas (1844 - 1916) PortraitPhoto Young.jpg |100px|]]
|-
| Unknown
| 244
| 1876
| 1876 centennial exhibitor's pass depciting Eakins at about 32 years of age
|
|
|-
| Eakins?
| 245
| 1875-1876
| Eakins and his students parodying The Gross Clinic
|
|
|-
| Eakins?
| 246
| 1875-1876
| Eakins and his students parodying The Gross Clinic
|
|
|-
| Unknown
| 247
| Circa 1879?
| Eakins at about 35 years of age
|
|
|-
| Unknown
| 248
| Summer 1880
| Eakins at about 36 years of age
|
|
|-
| Gutenkunst
| 249
| 1882
| Eakins at about 38 years of age
|
|
|-
| Unknown
| 250
| 1879-1884
| Eakins at between 35 and 40 years of age
|
|
|-
| Unknown
| 251
| 1879-1884
| Eakins at between 35 and 40 years of age
|
|
|-
| Unknown
| 252
| 1879-1884
| Eakins at between 35 and 40 years of age
|
|
|-
| Unknown
| 253
| Circa 1883
| Eakins at about 39 years of age
|
|
|-
| Unknown
| 254
| Circa 1883
| Eakins at about 39 years of age with J. Laurie Wallace
|
|
|-
| Unknown
| 255
| 1879-1884
| Eakins at between 35 and 40 years of age
|
|
|-
| Unknown
| 256
| May 1883
| Eakinst at 39 years of age
|
|
|-
| Unknown
| 257
| 1884-1889
| Eakins at 40 to 45 years of age
|
|
|-
| Unknown
| 258
| 1884-1889
| Eakins at 40 to 45 years of age
|
|
|-
| Gutenkunst
| 259
| 1889-1894?
| Eakins at 45 to 50 years of age?
|
|
|-
| Unknown
| 260
| "July 23, 1893"
| Eakins at 49 years of age
|
|
|-
| Unknown
| 261
| 1891-1895
| Eakins at 47 to 51 years of age
|
|
|-
| Susan Macdowell Eakins?
| 262
| 1889-1894
| Eakins at 50 to 55 years of age
|
|
|-
| Susan Macdowell Eakins?
| 263
| 1889-1894
| Eakins at 50 to 55 years of age
|
|
|-
| Susan Macdowell Eakins?
| 264
| 1889-1894
| Eakins at 50 to 55 years of age
|
|
|-
| Unknown
| 265
| 1894?
| "Eakins at about 50 years of age working with his horse, Billy"
|
|
|-
| Unknown
| 266
| 1889?
| "Eakins at about 50 years of age working with his horse, Billy"
|
|
|-
| Unknown
| 267
| 1891-1895
| Eakins at 47 to 51 years of age riding Billy
|
|
|-
| Unknown
| 268
| 1891-1895
| Eakins at 47 to 51 years of age riding Billy
|
|
|-
| Unknown
| 269
| 1891-1895
| Eakins at 47 to 51 years of age riding Billy
|
|
|-
| Unknown
| 270
| 1891-1895
| Eakins at 47 to 51 years of age riding Billy
|
|
|-
| Unknown
| 271
| 1891-1895
| "Eakins at 47 to 51 years of age with Samuel Murray and William O'Donovan, and Harry Eakins"
|
|
|-
| Unknown
| 272
| 1891-1895
| "Eakins at 47 to 51 years of age with Samuel Murray and William O'Donovan, and Harry Eakins"
|
|
|-
| Unknown
| 273
| 1894-1899?
| Eakins at 50 to 55 years of age
|
|
|-
| Unknown
| 274
| 1894-1899?
| Eakins at 50 to 55 years of age
|
|
|-
| Unknown
| 275
| 1894-1899?
| Eakins at 50 to 55 years of age
|
|
|-
| Unknown
| 276
| 1894-1899?
| Eakins at 50 to 55 years of age
|
|
|-
| Unknown
| 277
| 1900
| Eakins at 56 years of age
|
|
|-
| Unknown
| 278
| Circa 1900?
| Eakins at about 56 years of age?
|
|
|-
| Unknown
| 279
| Circa 1900?
| Eakins at about 56 years of age?
|
|
|-
| Unknown
| 280
| Circa 1904?
| Eakins at about 60 years of age?
|
|
|-
| Frederick J. Von Rapp
| 281
| Circa 1909?
| Eakins at about 65 years of age?
|
|
|-
| Unknown
| 282
| Circa 1909?
| Eakins at about 65 years of age?
|
|
|-
| Unknown
| 283
| Circa 1909?
| Eakins at about 65 years of age?
|
|
|-
| Unknown
| 284
| Circa 1909?
| Eakins at about 65 years of age? With Samuel Murray and unidentified man
|
|
|-
| Unknown
| 285
| Circa 1909?
| Eakins at about 65 years of age? With Samuel Murray and unidentified man
|
|
|-
| Unknown
| 286
| Circa 1909?
| Eakins at about 65 years of age? With Samuel Murray and unidentified man
|
|
|-
| Unknown
| 287
| Circa 1909?
| Eakins at about 65 years of age?
|
|
|-
| Unknown
| 288
| Circa 1914?
| Eakins at about 70 years of age
|
|
|-
| Samuel Murray?
| 289
| Circa 1914
| Eakins at about 70 years of age?
|
|
|-
| Unknown
| 290
| Circa 1914
| Eakins at about 70 years of age?
|
|
|-
| Unknown
| 291
| Circa 1914
| Eakins at about 70 years of age?
|
|
|}


==Notes==
Kid diente als Scout von Juni 1882 an bis zum 11. Januar 1888. Wegen [[Meuterei]] und [[Desertion]] wurde er [[Unehrenhafte Entlassung|unehrenhaft entlassen]]. Bis 1887 betrug Kids aktive Dienstzeit nur zwei Jahre und sieben Monate. Innerhalb dieses Zeitraums waren Unterbrechungen von zusammen einem Jahr und elf Monaten. Trotz der Arbeit als Scout für die Armee, war Kid nie vollständig [[Assimilation (Soziologie)|assimiliert]] worden. Kid liebte es seine Existenz zwischen dem Militärdienst und seinem Apachen-[[Lebensstil]] hin und her zu verschieben.
<references/>


==References==
Der Verlauf der katastrophalen Ereignisse entfaltete sich, ebenso wie für viele andere Apachen, mit dem Brauen von [[Tiswin]]. Ein Getränk das aus [[Gärung|vergorenen]] Früchten oder [[Mais]] hergestellt wird. Das Brauen von Tiswin war im Reservat illegal, aber die Agenten, Kapitän Pierce und Al Sieber waren auf [[Patrouille]]. Die Zeit schien günstig für einen Tiswin-Abend zu sein. Kid war von den Scouts zurück gelassen worden und für das Gefängnis verantwortlich. Kid verließ jedoch ohne Erlaubnis das Reservat und die Probleme begannen. Bevor er und die Scouts in das Lager kommen konnte, wo der Tiswin frei strömte, waren zwei Männer tot.
* [[Lloyd Goodrich|Goodrich, Lloyd]]. ''Thomas Eakins: His Life and Works''. William Edwin Rudge Printing House. New York, 1933. Catalogue of Works. Pages 161-209.
* Hirshhorn Musuem and Sculpture Garden. ''Thomas Eakins Collection of the Hirshhorn Musuem and Sculpture Garden.'' Smithsonian Institution Press, Washington DC, 1977.
* Sewell, Darrel; et al. ''Thomas Eakins''. Yale University Press, 2001. ISBN 0-87633-143-6
* Wilmerding, John. ''Thomas Eakins''. Washington, DC: Smithsonian Institution Press, 1993. ISBN 1560983132


==External links==
Einer der Toten war Apache Kids Vater, Togo-de-Chuz und der Andere war Gon-Zizzie, der Mann der ihn getötet hatte. Freunde von Kid hatten schon Gon-Zizzie getötet, aber Kids Rache war noch nicht gestillt. Er und seine Scouts gingen zum Platz von Gon-Zizzies Bruders und Kid tötete anschließend „Rip“. Kid und seine Scouts kehrten zum Lager seines Vaters zurück, wo sie sich mit den anderen dem Tiswin-trinken hingaben. Das [[Trinkgelage|Besäufnis]] dauerte mehrere Tage und schließlich, vielleicht mit Reue gefüllt und mit Sicherheit verkatert, fanden die Scouts den Weg nach San Carlos zurück.
* http://www.thomaseakins.org/
Kid und seine Späher kamen am 1. Juni 1887 nach San Carlos und stellten fest, dass weder Sieber noch Pierce in der Stimmung waren sie großzügig zu behandeln. Eine Gruppe Indianer, einige davon waren bewaffnet, versammelten sich um der Bestrafung beizuwohnen. Als Kapitän Pierce befahl die Späher zu entwaffnen, war Kid der erste der seine Waffe abgab. Die Feuerwaffen der Scouts wurden auf einen Tisch in der Nähe von Siebers Zelt gelegt und Pierce bestellte Kid und die anderen zum Wachhaus. Hier sollten sie eingesperrt werden, bis weitere Maßnahmen beschlossen werden konnten. Sie waren im Begriff dies zu tun, als ein Schuss aus der Menge heraus abgefeuert wurde und kurz darauf wurde noch viel mehr geschossen.
* [http://www.cab.u-szeged.hu/cgfa/eakins/index.html Link to a few Eakins paintings]
* [http://siris-artinventories.si.edu/ipac20/ipac.jsp?session=1242HY29512N3.5649&profile=ariall&uri=link=3100006~!200061~!3100001~!3100002&aspect=Browse&menu=search&ri=3&source=~!siartinventories&term=Eakins%2C+Thomas%2C+1844-1916%2C+painter.&index=AUTHOR Smithsonian Catalog of Eakins' works]


[[Category:Lists of paintings]]
== Flucht ==
[[Category:Thomas Eakins paintings]]
Im folgenden Nahkampf konnte der entwaffnete Kid fliehen. Siebers Zelt wurde von Kugeln zerfetzt und eine massive [[Geschoss|Kugel]] mit einem [[Kaliber]] von [[.45-70 Government|0,45-70]] zertrümmerte Siebers linken Knöchel. Er sollte lebenslänglich auf diesem Bein gelähmt bleiben. <ref>Es wurde erst 1889 festgestellt dass der Apache „Curly“ diesen Schuss auf Sieber abfeuerte. Quelle:[http://huachuca.army.mil/Files/History_Illustrated_TurnoftheCentury.pdf Camp Huachua History PDF S.31] Zitat: „At the Globe courthouse, the Kid testified that it had been an Apache named Curly who shot Al Sieber. The Kid and his scouts were found guilty on October 23, 1889, of assault on Al Sieber and given seven years each in the Yuma Territorial Prison.“</ref> Weder Kid noch die vier anderen Scouts konnten nicht mit dem Schießen begonnen haben, da sie zu diesem Zeitpunkt vor dem Wachhaus waren. Statt dessen liefen sie in Deckung, erreichten die Pferde und flohen mit einem Dutzend anderen Apachen in die Wildnis. Die Armee reagierte schnell und bald waren zwei Trupps der 4. [[Kavallerie]] unterwegs, um nach den Flüchtigen am Ufern des San Carlos Flusses zu suchen.
[[Category:Catalogue raisonné]]
Telegramme wurden von San Carlos nach [[San Francisco]] zum Hauptsitz der [[Division (Militär)|Division]] und nach [[Washington, D.C.|Washington D. C.]] geschickt.
Die örtlichen Zeitungen in Arizona und [[New Mexico]] bekamen Wind von der Sache, waren schnell und brachten die Geschichte heraus. Die Armee begann die Hitze des zornigen [[Leitartikel|Editorials]] zu fühlen. Zwei Wochen lang führten die Apachen die Kavallerie auf ihrer Jagd in die Irre bis ihnen durch Indianer-Scouts geholfen wurde. Kid und seine Bande waren hoch oben in den Rincon Mountains versteckt. Die Soldaten überraschten die Indianer und behielten ihre Pferde, Sättel und Ausrüstungen. Kid und seine Anhänger entkamen in den felsigen Schluchten, aber die Aussicht ohne Pferde zu überleben war schlecht, während der Druck aus der Armee sich täglich erhöhte.
[[Datei:Apachekid.jpg|mini|Apache Kid als Gefangener in Globe]]
Nach einigen Verhandlungen bekam Kid eine Nachricht von [[Nelson Appleton Miles|General Miles]], die besagte, dass sich die Kavallerie zurückziehen würde, damit sich er und seine Bande ergeben könnte. Miles sah von einer weiteren Verfolgung ab. Am 22. Juni ergaben sich acht von Kids Bande. Kid und sieben weitere Apachen kapitulierten am 25. Juni 1887. Miles beschloss Kid und vier weitere durch ein [[Kriegsgericht]] verurteilen zu lassen, trotz der Tatsache, dass sie aller Wahrscheinlichkeit nach nicht schuldig waren. Eine Studie wurde abgeschlossen und niemand war überrascht, dass die Männer der Meuterei und Desertation für schuldig befunden wurden. Alle wurden zum Tode durch ein [[Erschießung]]skommando verurteilt. Nur Miles war über dieses Urteil verärgert und ordnete an, dass das Gericht sein Urteil überdenken solle. Das Gericht wurde nochmals am 3. August einberufen und die Verurteilten wurden nun zu [[Lebenslängliche Freiheitsstrafe|lebenslanger Haft]] verurteilt. Miles war aber immer noch nicht zufrieden und setzte sich dafür ein, dass die Strafe auf zehn Jahre reduziert wurde. Die Strafe begann für die Männer im San Carlos Wachhaus, bis die Armee entschieden hatte wohin sie gebracht werden sollten. Endlich am 23. Januar 1888 beschloss die Armee die Gefangenen statt ins [[Militärgefängnis]] von [[Fort Leaven]] nach [[Alcatraz]] Island in Kalifornien zu überführen. Unter schwerer Bewachung auf Alcatraz angekommen, begann für die fünf eine Haft, die nur von kurzer Dauer sein sollte.

== Freilassung ==
Bei der Überprüfung war der Richter im Generalanwaltsbüro zu der Überzeugung gelangt, dass Vorurteile unter den Offizieren des Kriegsgerichts bestanden, so dass ein faires Verfahren ausgeschlossen wurde. Am 13. Oktober 1888 ermächtigte der Kriegsminister William C. Endicott den fünf Gefangenen die Vergebung der restlichen Strafe und im November waren sie wieder in San Carlos zurück. Inzwischen war die indianische Rechtsvereinigung besorgt darüber, dass die Inhaftierung von Apachen als Bundesinsassen in den staatlichen Gefängnissen nicht rechtens war und klagte im Namen von zwei inhaftierten Apachen. Das Gericht stimmte nicht nur der Freilassung von den beiden in der Klage genannten, sondern auf die Freilassung aller Apachen die als Bundesgefangene in Illinois und Ohio saßen. Elf Mörder waren so nach San Carlos als freie Männer zurückgeführt worden und die Empörung im Südwesten war unermesslich groß.

== Erneute Verhaftung ==
Bis Mitte Oktober 1889 hatte der Sheriff von Gila County, Glenn Reynolds, Haftbefehle für die meisten der befreiten Apachen, inclusiv Apache Kid. Die Anklage von Kid und drei weiteren, wegen Mord, Körperverletzung und der Verwundung von Al Sieber, wurde für den 25. Oktober 1889 festgelegt. Im Urteilsspruch vom 30. Oktober wurden die Vier für schuldig befunden und sie wurden zu jeweils sieben Jahren Yuma-Gefängnis verurteilt. Zusammen mit fünf anderen Gefangenen begann am 1. November die Überführung mit einer Postkutsche zur Einkerkerung in ein Gefängnis, das berüchtigt war für seine brutalen Lebensbedingungen. Das Gefängnis wurde treffend als „Höllen-Loch“ genannt.
Die Überführung war eine zweitägige Etappe, die von Globe mach Casa Grande und von dort mit der Bahn nach Yuma gewesen. Sheriff Reynolds wählte einen Stellvertreter, W. A. ​​„Hunkeydory“ Holmes als Wache und Gene Middleton, den Eigentümer der [[Postkutsche]] als Fahrer. Alle drei waren bewaffnet. Kid und Hos-cal-te, als die Gefährlichsten, waren an beiden Handgelenken und Knöcheln gefesselt, die anderen Apachen wurden zu zweit gefesselt, jeder Mann hatte eine freie Hand. Nur der mexikanische Pferdedieb, ''Jesus Avott'' war ungefesselt.

Am zweiten Tag, nach einer Nacht am Ufer, musste Middleton einen steilen Aufstieg zum Kelvin Grad machen, allen Gefangenen außer Kid und Hos-cal-te wurden die Fesseln zum Laufen gelöst. Als Middleton die Kuppe erreichte und aus dem Blickfeld verschwand, überwältigten die Gefangenen Reynolds und Holmes. Holmes starb vor Schreck, Reynolds wurde mit Holmes Gewehr getötet. Middleton wurde ebenfalls mit Holmes Gewehr angeschossen und dabei schrecklich verwundet, aber er überlebte. Die Gefangenen entriegelten ihre Fesseln mit Schlüsseln den sie von den Leichen Holmes und Reynolds genommen hatten und verschwanden in einem beginnenden [[Schneesturm]]. Jesus Avott schnitt ein Pferd los und ritt mit den düsteren Nachrichten in die Nähe nach Florencez.

Durch den seltsamen Gang der Ereignisse war Apache Kid nun nicht mehr ein bewunderter und geehrte Scout, sondern ein Flüchtling mit einem auf ihn ausgesetzten [[Kopfgeld]] von 5000 Dollar. Es wurde allgemein angenommen, dass Kid das San-Simon-Tal in Arizona und den Skeleton Canyon in New Mexico für seinen Weg nach Old Mexico verwendete. In den 1920er und 1930er Jahren wurden Gerüchte entlang der Grenze in Umlauf gebracht, dass Kid gesehen wurde, wie Männer mit ihm gesprochen hätten. Er wäre bei einer Ranch in Sonora noch am Leben gewesen.

== Sage ==
Die Sage von Apache Kid wuchs im Laufe der Jahre. Wahrscheinlich hatte keine andere Figur in Arizonas Geschichte solche wilden Spekulationen darüber angehäuft, wie und wer er wirklich war und was er vertrat. Als Folge seiner kühnen Angriffe auf San Carlos, entstand ein Bild von einem faszinierenden, überlebensgroßen Apachen-Streiter, als der „Abtrünnige der Abtrünnigen“. Geronimo war eine Person, die gejagt, gefangen genommen und in ein Gefängnis nach Florida verbannt wurde. Nicht so bei Apache Kid: Er blieb unbesiegt und auf freiem Fuß. Er wurde zu einem kulturellen Symbol, ein indigenes Symbol einer Verschiebung der historischen Wirklichkeit. In einer Zeit, die den katastrophalen Angriff des Auf- und Nedergang der Apachen Kultur erlebte, wurde Kid eine Legende Arizonas, ein heroisches Symbol des Apachen-Widerstands; furchtlos, frei, allgegenwärtig, unbesiegt.

== Legendenbildung ==
Legenden über Kid entstanden schnell. Im Oktober 1890 versuchte Captain John Bullis ihn ins Gefängnis zu stecken. Bullis beschwerte sich, dass Kid und andere Abtrünnige San Carlos gestürmt und mehrere Männer und Frauen getötet hätte. Im Jahr 1893 gab Kapitän Lewis Johnson an, dass Kid, begleitet von zwei Chiricahua Apachen aus Sonora mehrere Einbrüche im Reservat gemacht hätte, von denen vielleicht einer der berühmte Krieger [[Massai (Apache)|Massai]] gewesen sei. Trotz einer 5000 Dollar hohen Belohnung der Gebietsregierung scheiterten die Behörden immer Kid zu ergreifen. Von 1889 bis 1896 brachten die [[New York Times]] und Arizona Zeitungen sensationelle Geschichten, welche seine Taten beschrieben, die zu der Legende des Apache Kid beitrugen. Die [[Los Angeles Times|Times]] berichtete im Mai 1896 in ihrem letzten Artikel über „The Kid“, dass eine Bande von abtrünnigen Apachen unter seiner Führung bei einem Überfall die mexikanische Grenze überschritten hätte. Wieder einmal entzogen sich Kid und seine Bande den Verfolgern. Kid wurde als Apache der Herausforderer der weißen [[Autorität]], er wurde jedoch nie gefangen.

== Rezession ==
Was Kid passiert ist und wie er starb, bleibt ein Rätsel. Im Jahre 1899 berichtet Oberst Emilio Kosterlitsky, Kommandeur der [[Mexikanische Streitkräfte|mexikanischen Rurales]] in Sonora, dass Apache Kid noch eine „kleine, gut erzogene Band von Apachen“ in der Sierra Madre leitete. Ross Santee, ein Cowboy, Künstler und Autor<ref>[http://speccoll.library.arizona.edu/collections/ross-santee-papers Ross Santee Papers]</ref> spekulierte, dass Kid mit den Pancho Villa Truppen im Jahre 1915 unterwegs war. Im Jahre 1924 ritt eine Bande von Apachen aus der Sierra Madre über die Grenze zu einer Razzia gegen den [[Pferdediebe|Pferdediebstahl]]. Leutnant John H. Healy, von der zehnten Kavallerie, fragte Joe Adley, einer seiner Späher und Kids Neffe. Adley antwortete: „Apache Kid, der ist in Mexiko am Leben.“ Es gab nach 1935 Berichte, die behaupteten, dass Kid Freunde in San Carlos besucht hätte.

== Apache Kid Peak ==
Hoch in den San Mateo Mountains des Cibola National Forest<ref>[https://www.nationalforests.org/our-forests/find-a-forest/cibola-national-forest Cibola National Forest]</ref> in New Mexico liegt der '''Apache Kid Peak'''. Luftlinie ca. eine Meile entfernt nordwestlich vom Cyclone Saddle liegt das Grab von Apache Kid.<ref>[http://itouchmap.com/?d=937071&s=NM&f=locale '''Apache Kid Grave Site'''], NM Latitude: 33.6511762, Longitude: -107.4250363; County: Socorro, Area: Blue Mountain, Elevation: 2866 meters - 9403 feet</ref> Der Wanderer, der über die markierte Stelle an einer so abgelegenen Gegend kommt, kann sich fragen wer Kid war und vielleicht fragt er sich selbst, warum so weit von den üblichen Touristenattraktionen eine aufwendige Gedenkstätte errichtet worden ist.

== Verfilmungen ==
* [http://www.imdb.com/title/tt0033347/The Apache Kid (1941)] bei IMDb, mit [[Don Barry]] als Apache Kid - Darsteller
* [http://www.imdb.com/title/tt0020646/ The Apache Kid's Escape (1930)] bei IMBd, mit Jack Perrin als Apache Kid - Darsteller

== Literatur ==
* ''Paul Andrew Hutton'': „The Apache Wars“: The Hunt for Geronimo, <u>the Apache Kid</u>, and the Captive Boy Who Started the Longest War in American History, Crown Verlag, 2016, ISBN 0-7704-3581-5
* ''Dan L. Thrapp:'' „Al Sieber: Chief of Scouts“ [[University of Oklahoma]] Press, Norman 1964, ISBN 0-8061-2770-8.
* ''Donald E. Worcester:'' „Die Apachen: Adler des Südwestens“. Econ Verlag, Düsseldorf u. a. 1982, ISBN 3-430-19854-2.
* ''Gregor Lutz'': „27 Jahre Kriegsgefangenschaft“, Geronimo und der Apachenwiderstand, BOD Norderstedt, 2012, ISBN 978-3-8482-2896-6
* ''Phyllis De LA Garza'': „The Apache Kid“, Westernlore Publications, 1995, ISBN 0-8702-6094-4
* ''William Sparks'' „The Apache Kid, a Bear Fight, and Other True Stories of the Old West.“ Los Angeles, Skeleton Publishing, 1926

== Weblinks ==
* [http://www.shootingtimes.com/uncategorized/gunsmoke_apache_0731/ The Legend Of The Apache Kid] bei Shootingtimes.com
* [http://www.globemiamitimes.com/the-apache-kid-hero-or-villan/ What history writes about the ''Apache Kid'']
* [http://montanapioneer.com/apache-kid/The Apache Kid] BY [[Tom Horn]] Originally published in 1904, bei Montanapioneer.com
* [http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=70602663 Apache Kid by FindAGrave]
* [http://www.zybtarizona.com/kid.htm Apache Kid] Zybt's Arizona History Page
* [http://repository.unm.edu/bitstream/handle/1928/24240/PDFThesisfinalformat.pdf THE LAST APACHE BRONCHO:THE APACHE OUTLAW IN THE POPULAR IMAGINATION, 1886–2013]

== Einzelnachweise ==
<references />

{{SORTIERUNG:Apache Kid}}
[[Kategorie:Person in den Indianerkriegen]]
[[Kategorie:Geschichte von Arizona]]
[[Kategorie:Apache]]
[[Kategorie:Geschichte der Vereinigten Staaten (1865–1918)]]
[[Kategorie:Geboren im 19. Jahrhundert]]
[[Kategorie:Gestorben im 20. Jahrhundert]]
[[Kategorie:Mann]]

{{Personendaten
|NAME=Apache Kid
|ALTERNATIVNAMEN=
|KURZBESCHREIBUNG=Stammesangehöriger der White Mountain Apachen
|GEBURTSDATUM=um 1860
|GEBURTSORT=[[Arizona]]
|STERBEDATUM=um 1930
|STERBEORT=[[New Nexiko]]
}}

Version vom 23. Mai 2009, 06:30 Uhr

Thomas Eakins, Self-portrait, 1902, National Academy of Design New York City

This is a list of works by Thomas Eakins, the American artist (1844 – 1916).

Paintings and sculptures are listed with their number in the 1933 Lloyd Goodrich catalogue raisonné, Thomas Eakins: His Life and Works. This catalog is known to have 85 omissions which Goodrich intended to include in a later catalogue.[1]

Photographs are listed according to their number in Gordon Hendricks 1972 catalogue of Eakins' photographs, The Photographs of Thomas Eakins. Because Eakins did not keep detailed records of his photographs, nor did he sign, title, or date them, many of the dates and photographers listed in the catalogue are educated guesses on Hendrick's part.

Goodrich 1933 catalogue of Eakins' paintings and sculptures

Title Catalog # Format Year Note Collection Picture
Nude woman, seated, wearing a mask 1 Charcoal on paper circa 1863–1866 Philadelphia Museum of Art, Philadelphia, Pa.
Nude woman, back turned 2 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pa.
Nude boy 3 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pa.
Nude man, seated 4 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pa.[2]
Nude woman reclining, back turned 5 Charcoal on paper Datei:Eakins nude charcoal derivative.png
Nude woman, reclining, seen from the front 6 Charcoal on paper

Head, bust and arm of a child 7 Charcoal on paper
Arm resting on the back of a chair 8 Charcoal on paper
Nude man with a beard, seated on the floor 9 Charcoal on paper
Nude man standing 10 Charcoal on paper
Legs of a seated model 11 Charcoal on paper
Legs of a standing model 12 Charcoal on paper
Head and bust of an Arab man with a turban 13 Charcoal on paper 1866-1867 Fine Arts Museums of San Francisco
Torso and arm of a nude man 14 Charcoal on paper
Nude woman reclining on a couch 15 Charcoal on paper 1863-1866
Nude woman reclining, wearing a mask 16 Charcoal on paper
Nude woman standing 17 Charcoal on paper 1876
Nude man seated 18 Charcoal on paper Circa 1869 Obverse side has "Head of a warrior". Sold at auction, December 8, 2008, for $50,000[3]

Antique study, female head 19 Oil on heavy paper circa 1867-1869. Study
Antique study, male roman head 20 Oil on canvas circa 1867-1870 Study
Study of a leg 21 Oil on heavy paper circa 1867-1871 Study
Study of a ram's head 22 Oil on canvas circa 1867-1872 Study
Study of a girl's head 23 Oil on canvas circa 1868-1869 Study
Study of a girl's head 24 Oil on canvas circa 1867-1874 Study Hirshhorn Museum and Sculpture Garden
Study of a girl's head 25 Oil on canvas circa 1867-1869 Study Philadelphia Museum of Art, Philadelphia, Pa.
The Strong Man 26 Oil on canvas circa 1867-1869 Study Philadelphia Museum of Art, Philadelphia, Pa.
Bust of a Man (Study of a Nude Man) 27 Oil on canvas circa 1867-1869 Philadelphia Museum of Art, Philadelphia, Pa.
Study of a student's head 28 Oil on canvas mounted on cardboard circa 1867-1878 Study
Study of a student's head 29 Oil on canvas mounted on cardboard circa 1867-1879 Study
A Negress 30 Oil on canvas
Scene in a Cathedral 31 Oil on canvas Study, unfinished Datei:Scene in a Cathedral G31.png
Carmelita Requena 32 Oil on canvas 1869 Metropolitan Museum of Art, New York City
A Street Scene in Seville 33 Oil on canvas 1870
A Spanish Woman 34 Oil on canvas
Francis Eakins 35 Oil on canvas Late 1870/Early 1871 Nelson-Atkins Museum of Art, Kansas City, Missouri
At the Piano 36 Oil on canvas Late 1870/Early 1871
Home Scene 37 Oil on canvas Late 1870/Early 1871 Brooklyn Museum of Art
Benjamin Eakins 38 Watercolor on paper Circa 1870
Margaret in Skating Costume 39 Oil on canvas 1871 Philadelphia Museum of Art, Philadelphia, Pa.
Margaret (study) 40 Oil on canvas Circa 1871 Hirshhorn Museum and Sculpture Garden Datei:Margaret G40.png
Margaret (sketch) 41 Oil on canvas Circa 1871
Hiawatha 42 Watercolor on paper No longer exists.[4]
Hiawatha 43 Oil on canvas Study for Hiawatha watercolor. Described erroneously as unfinished.[5] Hirshhorn Museum and Sculpture Garden
Max Schmitt in a Single Scull 44 Oil on canvas 1871 Metropolitan Museum of Art, New York City
Kathrin 45 Oil on canvas 1872 Yale University Art Gallery
Elizabeth Crowell and her Dog 46 Oil on canvas Early 1870s San Diego Museum of Art
Mrs. James W. Crowell 47 Oil on canvas Early 1870s
Grouse 48 Oil on canvas 1872 Mint Museum of Art, Charlotte, North Carolina
The Pair-Oared Shell 49 Oil on canvas 1872 Philadelphia Museum of Art, Philadelphia, Pa.
Perspective Drawing for The Pair-Oared Shell 50 Pencil and ink on paper mounted on cardboard
Perspective Drawing for The Pair-Oared Shell 51 Pencil, ink, and watercolor on paper mounted on cardboard 1872 Philadelphia Museum of Art, Philadelphia, Pa.
The Biglin Brothers Turning the Stake 52 Oil on canvas 1873 Cleveland Museum of Art
Perspective Drawing for the Biglin Brothers Turning the Stake 53 Pencil and ink on paper mounted on cardboard 1873 Hirshhorn Museum and Sculpture Garden
The Pair-Oared Race - John and Barney Biglin Turning the Stake 54 Watercolor 1874
A Rower 55 Watercolor
John Biglin (also known as 'The Sculler') 56 Watercolor 1874
John Biglin in a Single Scull 57 Watercolor on paper 1873 or early 1874 Metropolitan Museum of Art, New York City
Perspective Drawing for John Biglin in a Single Scull 58 Pencil and ink on paper mounted on cardboard Circa 1874 Museum of Fine Arts, Boston
John Biglin in a Single Scull 59 Oil on canvas 1873–1874 Yale University Art Gallery Datei:John Biglin in a Single Scull 2.jpg
John Biglin in a Single Scull 60 Watercolor 1873–1874
The Biglin Brothers Racing 61 Oil on canvas Probably 1873 National Gallery of Art
Perspective Drawing for the Biglin Brothers Racing 62 Pencil and ink on paper mounted on cardboard
Oarsmen on the Schuylkill 63 Oil on canvas Circa 1873 Brooklyn Museum, Brooklyn, New York
Oarsman in a Single Scull 64 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pa.
Oarsmen 65 Oil on canvas Probably circa 1873 Portland Art Museum, Portland, Oregon
The Schreiber Brothers 66 Oil on canvas 1874
Perspective Drawing 67 Pencil and ink on paper mounted on cardboard
The Artist and His Father Hunting Reed Birds 68 Oil on canvas Circa 1874 Virginia Museum of Fine Arts, Richmond, Virginia
Perspective Drawing 69 Pencil and ink on paper mounted on cardboard
Pushing for the Rail 70 Oil on canvas 1874 Metropolitan Museum of Art, New York City
Whistling for Plover 71 Watercolor on paper 1874 Brooklyn Museum
Whistling for Plover 72 Oil
Hunting (sketch) 73 Oil on canvas mounted on cardboard Circa 1874
Studies of Game-Birds 74 Oil on canvas mounted on cardboard Virginia Museum of Fine Arts, Richmond, Virginia
Landscape with a Dog 75 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pa.
Sailboats Racing on the Delaware 76 Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pa.
Sailing 77 Oil on canvas Circa 1874 Philadelphia Museum of Art, Philadelphia, Pa.
Starting Out After Rail 78 Oil on canvas 1874 Museum of Fine Arts, Boston, Boston, Mass.
Starting Out After Rail 79 Watercolor 1874 Wichita Art Museum
Ships and Sailboats on the Delaware (also known as "Becalmed") 80 Oil on canvas 1874 Wadsworth Atheneum, Hartford, Connecticut
Study 81 Oil on canvas mounted on cardboard
Ships and Sailboats on the Delaware 82 Oil on canvas 1874 Philadelphia Museum of Art
Drifting 83 Watercolor Circa 1874
Mrs. Benjamin Eakins 84 Oil on canvas Circa 1874
Portrait of Professor Benjamin H. Rand 85 Oil on canvas 1874 Crystal Bridges Museum of American Art, Bentonville, Arkansas
Baseball Players Practicing 86 Watercolor on paper 1875 Rhode Island School of Design Museum, Providence, Rhode Island Datei:Baseball players practicing thomas eakins.jpeg
Elizabeth at the Piano 87 Oil on canvas 1875 Addison Gallery of American Art, Andover, Massachusetts
The Gross Clinic 88 Oil on canvas 1875 Philadelphia Museum of Art and the Pennsylvania Academy of Fine Arts
Sketch for the Gross Clinic 89 Oil on canvas 1875 Philadelphia Museum of Art
Dr. Gross (Study for "The Gross Clinic) 90 Oil on canvas 1875 Worcester Art Museum
Black and White version 91 India ink on cardboard 1875 Drawn after the painting. Was photographed and reproduced as a collotype Metropolitan Museum of Art, New York City
Drawing of Two Heads 92 "India ink on paper, with pen and brush" 1876
Robert C.V. Meyers 93 Oil on brown paper 1875
The Zither Player 94 Watercolor on paper 1876 Art Institute of Chicago, Chicago, Illinois
Harry Lewis 95 Oil on canvas 1876 Philadelphia Museum of Art, Philadelphia, Pa.
The Chess Players 96 Wood 1876 Metropolitan Museum of Art, New York City
Perspective Drawing for the Chess Players 97 Pencil and ink on paper 1875-1876 Metropolitan Museum of Art, New York City
M. Gardel 98 Oil on paper mounted on cardboard
Baby at Play 99 Oil on canvas 1876 National Gallery of Art, Washington, DC.
Studies of a Baby 100 Oil on canvas
Dr. John H. Brinton 101 Oil on canvas 1876 The National Museum of Health and Medicine of the Armed Forces Institute of Pathology, Washington, D.C.
Mrs. Samuel Hall Williams 102 Wood Circa 1876 Art Institute of Chicago, Chicago, Illinois
Columbus in Prison 103 Oil on canvas Circa 1876 Kennedy Galleries, New York City
Will Schuster and Blackman Going Shooting 104 Oil on canvas 1876 Yale University Art Gallery
Rail Shooting 105 Oil on canvas
In Grandmother's Time 106 Oil on canvas 1876 Smith College Museum of Art, Northampton, Massachusetts
Archibishop James Frederick Wood 107 Oil on canvas 1877 Yale University Art Gallery, New Haven, Connecticut
Study 108 Oil on canvas 1876
William Rush and His Model 109 Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pa.
Study for William Rush and His Model 110 Oil on cardboard
Study for William Rush and His Model 111 Oil on canvas 1876
Interior of Rush's Shop 112 Oil on canvas 1876-1877 Philadelphia Museum of Art, Philadelphia, Pa.
The Model (Nude: Study for William Rush) 113 Oil on canvas 1876 Art Institute of Chicago, Chicago, Illinois
Seventy Years Ago 114 Watercolor on paper 1877 Princeton University Art Museum
Sketch for Seventy Years Ago 115 Oil on canvas
Young Girl Meditating 116 Watercolor on paper 1877 Metropolitan Museum of Art, New York City
Sketch for Young Girl Meditating 117 Oil on canvas
In Washington 118 Wood Philadelphia Museum of Art, Philadelphia, Pa.
The Courtship 119 Oil on canvas Circa 1878 Fine Arts Museums of San Francisco
Sketch for the Courtship 120 Oil on canvas Datei:Sketch for the Courtship G120.png
The Spinner (sketch) 121 Oil on canvas Circa 1878 Worcester Art Museum
The Spinner (sketches) 122 Wood
The Young Man (sketch) 123 Oil on canvas
Negro Boy Dancing (also known as "The Dancing Lesson") 124 Watercolor on paper 1878 Metropolitan Museum of Art, New York City
Study for Negro Boy Dancing 125 Oil on canvas
Negro Boy Dancing 125A Not included in original 1933 Goodrich catalog. Depicted and numbered in 1982 Goodrich 'Thomas Eakins' Volume I
Mrs. John H. Brinton 126 Oil on canvas 1878
The Spelling Bee at Angel's 127 1878 Published in Scribner's Magazine, November 1878
The Spelling Bee at Angel's 128 1878 Published in Scribner's Magazine, November 1878
Mr. Neelus Peeler's Conditions 129 Black ink and chinese white on paper 1879 Published in Scribner's Magazine, June 1879 Datei:Illustration for Neelus Peeler's conditions.png
Sketch for Mr. Neelus Peeler's Conditions 130 Wood
A Quiet Moment 131 Oil on canvas 1879
Sewing 132 Oil on wood circa 1879 New Britain Museum of American Art, New Britain, Connecticut
The Fairman Rogers Four-in-Hand 133 Oil on canvas 1879–1880 Philadelphia Museum of Art, Philadelphia, Pa.
Sketches for the Fairman Rogers Four-in-Hand 134 Oil on wood 1879 Double sided: one side depicts the coach being driven across the picture; the other side is a study of Mrs. Rogers. Philadelphia Museum of Art, Philadelphia, Pa.

Landscape sketch for the Fairman Rogers Four-in-Hand 135 Oil on wood
Landscape sketch for the Fairman Rogers Four-in-Hand 136 Oil on wood Double sided: one side is a study in Fairmount park. The other is a color note. Philadelphia Museum of Art, Philadelphia, Pa. Datei:Study in Fairmount Park G136.png

Study of Horse for The Fairman Rogers Four-in-Hand 137 Oil on wood 1879 Double sided: one side depicts the body of a horse (without a head); the other side depicts the head and forelegs. Hirshhorn Museum and Sculpture Garden Datei:Study for Fairman Rogers Four in Hand G137 verso.png

General George Cadwalader 138 Oil on canvas 1880 Butler Institute of American Art
General George Cadwalader 139 Oil on canvas 1880
Restrospection 140 Oil on wood 1880 Yale University Art Gallery Datei:Retrospection G140.png
Retrospection (Watercolor) 141 Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pa.
The Crucifixion 142 Oil on canvas 1880 Philadelphia Museum of Art, Philadelphia, Pa.
Sketch for the Crucifixion 143 Oil on canvas 1880 Hirshhorn Museum and Sculpture Garden
Spinning 144 Watercolor on paper 1881
Sketch for Spinning 145 Oil on wood Pennsylvania Academy of Fine Arts Datei:Sketch for spinning.png
Spinning (also called "Homespun") 146 Watercolor on paper 1881 Metropolitan Museum of Art, New York City
Sketch for Spinning 147 Oil on wood Yale University Art Gallery, New Haven, Connecticut
The Pathetic Song 148 Oil on canvas 1881 Corcoran Museum of Art, Washington, DC.
Sketch for the Pathetic Song 149 Oil on wood 1881 Metropolitan Museum of Art, New York City
Rail Shooting 150 Drawing 1881 Drawn after painting. Published in Scribner's Magazine, July 1881
A Pusher 151 Datei:A pusher.png
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 152 Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pa.
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 153 Watercolor on paper 1881 Metropolitan Museum of Art, New York City
Shad-Fishing at Gloucester on the Delaware River 154 Oil 1881 Datei:Shad Fishing at Gloucester on the Delaware River.png
Mending the Net 155 Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pa.
A Fisherman 156 Oil on cardboard
The Tree 157 Oil on wood Kennedy Galleries, New York, New York
Mending the Net 158 Watercolor on paper 1882
Drawing the Seine 159 Watercolor on paper 1882 Philadelphia Museum of Art, Philadelphia, Pa.
Hauling the Seine 160 Oil on canvas 1882 Cincinnati Art Museum, Cincinnati, Ohio
"The Meadows, Gloucester, New Jersey" 161 Oil on canvas Circa 1882 Philadelphia Museum of Art, Philadelphia, Pa. Datei:Eakins, Meadows, Gloucester, NJ 1883.jpg
"Sketch for The Meadows, Gloucester, New Jersey" 162 Oil on wood Datei:Study-for-'The-Meadows,-Gloucester,-New-Jersey'-large.jpg
In the Country 163 Oil on canvas
Near the Sea 164 Oil on canvas
Untitled landscape sketch 165 Oil on wood
Untitled landscape sketch 166 Oil on canvas
Untitled landscape sketch 167 Oil on canvas
Untitled landscape sketch 168 Oil on canvas
Untitled landscape sketch 169 Oil on cardboard
Untitled landscape sketch 170 Oil on paper
Untitled landscape sketch 171 Oil on paper
Untitled landscape sketch 172 Oil on canvas
Untitled landscape sketch 173 Oil on canvas
Untitled landscape sketch 174 Oil on canvas
Untitled landscape sketch 175 Oil on cardboard
Untitled landscape sketch 176 Oil on canvas
Untitled landscape sketch 177 Oil on cardboard
Untitled sketch 178 Oil on canvas
Untitled sketch 179 Oil on canvas mounted on cardboard
Untitled sketch 180 Oil on cardboard
Untitled sketch 181 Oil on wood
Boatman 182 Oil on wood Circa 1879 Double sided: one side is a study for the left leader horse in The Fairman Rogers Four-In-Hand. The reverse side is the Study of a Groom. Philadelphia Museum of Art, Philadelphia, Pa.

Untitled sketch 183 Oil on cardboard
Untitled sketch 184 Oil on heavy paper mounted on cardboard
Untitled sketch 185 Oil on canvas
Untitled sketch 186 Oil on heavy paper
Untitled sketch 187 Oil on canvas mounted on cardboard
The Writing Master 188 Canvas 1882 Metropolitan Museum of Art, New York City
Sketch for the Writing Master 189 Oil on wood Double sided - one side is a sketch for The Writing Master. The other side is Sketch of a Man and Study of Drapery Philadelphia Museum of Art, Philadelphia, Pa.

The Swimming Hole 190 Oil on canvas 1884-1885 Amon Carter Museum, Fort Worth, Texas
Sketch for the Swimming Hole 191 Oil on wood 1884 Study for the Swimming Hole Hirshhorn Museum and Sculpture Garden, Washington, DC.
Sketch of the landscape for the Swimming Hole 192 Oil on wood Study for the Swimming Hole
Sketches for the Swimming Hole 193 Oil on cardboard "Double-sided, both sides are studies for The Swimming Hole"

Sketches for the Swimming Hole 194 Oil on cardboard "Double-sided, both sides are studies for The Swimming Hole"

Sketch for the Swimming Hole 195 Oil on cardboard "Double-sided, obverse side contains study of the fisherman's hand from Mending the Net"
Arcadia 196 Oil on canvas 1883 Metropolitan Museum of Art, New York City
Sketch for Arcadia 197 Oil on wood Pennsylvania Academy of Fine Arts
Youth Playing Pipes 198 Oil on wood Carnegie Museum of Art, Pittsburgh, Pennsylvania
Boy Reclining 199 Oil on wood Double sided: once side is Boy Reclining, a study for Arcadia. The other side is a study of the horses for the Fairman Rogers Four-in-hand Hirshhorn Museum and Sculpture Garden

An Arcadian 200 Oil on canvas Circa 1883
Study for An Arcadian 201 Oil on wood Datei:Study for Fairman Rogers Four in Hand G201.png
A Woman's Back: Study 202 Oil on wood 1879
Female Nude 203 Oil on canvas Probably early 1880s Datei:Female nude G203.png
Female Nude (also known as "Figure Study: Masked Nude Woman") 204 Oil on canvas Probably early 1880s
Female Nude 205 Watercolor on paper
J. Laurie Wallace 206 Oil on canvas Circa 1883 Joslyn Art Museum
Professionals at Rehearsal 207 Oil on canvas Circa 1883 Philadelphia Museum of Art, Philadelphia, Pa.
In the Studio 208 Oil on canvas 1884
In the Studio 209 Watercolor on paper Unfinished Philadelphia Museum of Art, Philadelphia, Pa.
A.B. Frost 210 Oil on canvas Circa 1884 Philadelphia Museum of Art, Philadelphia, Pa.
The Veteran 211 Oil on canvas Circa 1886 Yale University Art Gallery
Mrs. William Shaw Ward 212 Oil on canvas
The Artist's Wife and His Setter Dog 213 Oil on canvas 1885 Metropolitan Museum of Art, New York City
Professor George F. Barker 214 Oil on canvas 1886
Sketch for Professor George F. Barker 215 Oil on cardboard 1886 Doubled sided - one side is a sketch for Professor George F. Barker. The other side depicts seated figures. Philadelphia Museum of Art, Philadelphia, Pa.

Professor William D. Marks 216 Oil on canvas 1886 Washington University Gallery of Art, St. Louis, Mo.
Professor William D. Marks (unfinished) 217 Oil on canvas
Frank McDowell 218 Oil on canvas Circa 1886
Frank MacDowell (unfinished) 219 Oil on canvas
Portrait of Walt Whitman 220 Oil on canvas 1887–1888 Pennsylvania Academy of the Fine Arts, Philadelphia, Pa.
Sketch for Walt Whitman 221 Oil on wood Probably 1887 Museum of Fine Arts, Boston
Mrs. Letitia Wilson Jordan 222 Oil on canvas 1888 Brooklyn Museum
Sketch for Mrs. Letitia Wilson Jordan Bacon 223 Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pa.
Cowboys in the Badlands 224 Oil on canvas 1888
Sketches for Cowboys in the Badlands 225 Oil on cardboard Three sketches - one of the cowboys and their horses, one of a saddle, and one of a stirrup.
Sketch for Cowboys in the Badlands 226 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pa.
The Bad Lands 227 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pa.
The Bad Lands 228 Oil on canvas mounted on cardboard Double sided - both sides are landscape sketches for Cowboys in the Badlands Philadelphia Museum of Art, Philadelphia, Pa.

Cowboy Riding 229 Oil on canvas mounted on cardboard
Cowboy (sketches) 230 Oil on canvas mounted on cardboard
Cowboy (sketch) 231 Oil on canvas mounted on cardboard
Edward W. Boulton 232 Circa 1888 Damaged in an accident.
Douglass M. Hall 233 Oil on canvas Circa 1888 Philadelphia Museum of Art, Philadelphia, Pa.
Girl in a Big Hat 234 Oil on canvas Circa 1888 Datei:Girl in a Big Hat - Portrait of Lillian Hammitt G234.png
The Agnew Clinic 235 Oil on canvas 1889 University of Pennsylvania School of Medicine
Sketch for the Agnew Clinic 236 Oil on canvas mounted on cardboard
Dr. D. Hayes Agnew: Study 237 Oil on canvas 1889 Yale University Art Gallery
Samuel Murray 238 Oil on canvas 1889 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois
Dr. Horatio C. Wood 239 Oil on canvas Circa 1889 Detroit Institute of Arts, Detroit, Michigan
Professor George W. Fetter 240 Oil on canvas 1890
Drawing for Professor George W. Fetter 241 Black ink on white tile
Portrait of Talcott Williams 242 Oil on canvas Circa 1890 National Portrait Gallery, Washington DC
The Bohemian: Portrait of Franklin Louis Schenk 243 Oil on canvas Circa 1890 Philadelphia Museum of Art, Philadelphia, Pa.
F.L. Schenk 244 Oil on canvas Circa 1890
F.L. Schenk 245 Oil on cardboard Circa 1890
The Father of F.L. Schenk 246 Oil on canvas Circa 1890
Head of a Cowboy 247 Oil on canvas Circa 1890
Home Ranch 248 Oil on canvas Circa 1890 Philadelphia Museum of Art, Philadelphia, Pa.
Cowboy Singing 249 Watercolor on paper Circa 1890 Metropolitan Museum of Art, New York City
Cowboy Singing 250 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pa.
Thomas B. Harned 251 Oil on canvas Circa 1890
Dr. Joseph Leidy II 252 Oil on canvas 1890
Dr. Joseph Leidy II (unfinished) 253 Oil on canvas
William H. Macdowell 254 Oil on canvas Circa 1890 Yale University Art Gallery
Phidias Studying for the Frieze of the Parthenon 255 Oil on wood Circa 1890
The Red Shawl 256 Oil on canvas Circa 1890 Philadelphia Museum of Art, Philadelphia, Pa.
Francis J. Ziegler 257 Oil on canvas Circa 1890 Fogg Art Museum
The Art Student 258 Oil on canvas Circa 1890 Portrait of James Wright Detroit Institute of Arts, Detroit, Michigan
The Black Fan 259 Oil on canvas Circa 1891 Philadelphia Museum of Art, Philadelphia, Pa. Datei:The Black Fan - Portrait of Mrs Talcott Williams G259.png
William H. Macdowell 260 Oil on canvas Circa 1891
William H. Macdowell (study) 261 Oil on canvas Circa 1891 Randolph-Macon Woman's College Art Gallery
Portrait of William H. MacDowell 262 Paper on a stretcher Unfinished
Miss Amelia Van Buren 263 Oil on canvas Circa 1891 The Phillips Collection
Professor Henry A. Rowland 264 Oil on canvas 1897 Addison Gallery of American Art, Phillips Academy
Sketch for Professor Henry A. Rowland 265 Oil on canvas
The Concert Singer 266 Oil on canvas 1890–1892 Philadelphia Museum of Art, Philadelphia, Pa.
Sketch for the Concert Singer 267 Oil on canvas mounted on wood Philadelphia Museum of Art, Philadelphia, Pa.
Joshua Ballinger Lippincott 268 Oil on canvas 1892 Philadelphia Museum of Art, Philadelphia, Pa.
Miss Blanche Hurlburt 269 Oil on canvas Circa 1892
Dr. Jacob M. Da Costa 270 Oil on canvas 1893 Philadelphia Museum of Art, Philadelphia, Pa.
Sketch for Dr. Jacob M. Da Costa 271 Oil on canvas mounted on cardboard
Girl with Puff Sleeves 272 Oil on canvas Datei:Girl with puff sleeves G272.png
Frank Hamilton Cushing 273 Oil on canvas Late 1894 or 1895 Gilcrease Museum, Tulsa, Oklahoma
Sketch for Frank Hamilton Cushing 274 Oil on canvas
Mrs. Frank Hamilton Cushing 275 Oil on canvas Circa 1894 or 1895 Philadelphia Museum of Art, Philadelphia, Pa.
James MacAlister 276 Oil on canvas mounted on cardboard ca. 1895 Metropolitan Museum of Art, New York City
Weda Cook 277 Oil on canvas Circa 1895 Columbus Museum of Art
Stanley Addicks 278 Oil on canvas Circa 1895
Maud Cook 279 Oil on canvas 1895 Yale University Art Gallery
Riter Fitzgerald 280 Oil on canvas 1895 Art Institute of Chicago, Chicago, Illinois
Sketch for Riter Fitzgerald 281 Oil on canvas mounted on cardboard Kennedy Galleries, New York City
Sketch for Riter Fitzgerald 282 Oil on canvas Kennedy Galleries, New York City
Study for Mrs. Hubbard 283 Oil on canvas mounted on cardboard Circa 1895 Study for now-destroyed Mrs. Hubbard Sewell C. Biggs Museum of American Art, Dover, Delaware
John McLure Hamilton 284 Oil on canvas 1895 Wadsworth Atheneum, Hartford, Connecticut Wadsworth Atheneum
Sketch for John McLure Hamilton 285 Oil on canvas mounted on cardboard
Mrs. Charles L. Leonard 286 Oil on cardboard 1895 Datei:Mrs. Charles L. Leonard.png
Miss Gertrude Murray 287 Oil on canvas 1895 Dallas Museum of Art, Dallas, Texas
Charles Linford 288 Oil on canvas Circa 1895
Captain Joseph Lapsley Wilson 289 Oil on canvas Circa 1895
Sketch for Captain Joseph Lapsley Wilson 290 Oil on canvas mounted on cardboard
The Cello Player 291 Oil on canvas 1896 Pennsylvania Academy of the Fine Arts, Philadelphia, Pa. Datei:The Cello Player - Eakins.jpg
Sketch for the Cello Player 292 Oil on canvas
Mrs. James Mapes Dodge 293 Oil on canvas 1896 Philadelphia Museum of Art, Philadelphia, Pa.
Harrison S. Morris 294 Oil on canvas 1896 Pennsylvania Academy of the Fine Arts, Philadelphia, Pa.
Sketch for Harrison S. Morris 295 Oil on canvas mounted on cardboard
Professor William Woosley Johnson 295A Oil on canvas Circa 1896 M. H. de Young Memorial Museum, San Francisco, California
Dr. Charles Lester Leonard 296 Oil on canvas 1897
Jennie Dean Kershaw (Mrs. Samuel Murray) 297 Oil on canvas Circa 1897 Sheldon Museum of Art
Mrs. Samuel Murray (unfinished) 298 Oil on canvas
Miss Lucy Lewis 299 Oil on canvas circa 1897 Kennedy Galleries, New York City
Miss Anna Lewis 300 Oil on canvas Circa 1898 Datei:Anna Lewis G300.png
William H. MacDowell with a Hat 301 Oil on canvas Circa 1898
General E. Burd Grubb 302 Oil on canvas Probably 1898 Yale University Art Gallery
Taking the Count 303 Oil on canvas 1898 Yale University Art Gallery
Sketch for Taking the Count 304 Oil on canvas mounted on cardboard Yale University Art Gallery, New Haven, Connecticut
Sketch for taking the count 305 Oil on canvas
The Referee, H. Walter Schlichter 306 Oil on canvas 1898 Hirshhorn Museum and Sculpture Garden
Maybelle 307 Oil on canvas 1898 Frye Art Museum, Seattle, Washington
Sketch for Maybelle 308 Oil on canvas mounted on cardboard
John N. Fort 309 Oil on canvas 1898
Salutat 310 Oil on canvas 1898 Addison Gallery of American Art, Phillips Academy
Study for Salutat 311 Oil on canvas 1898 Carnegie Museum of Art, Pittsburgh, Pennsylvania
Between Rounds 312 Oil on canvas 1898-1899 Philadelphia Museum of Art, Philadelphia, Pa.
Sketch for Between Rounds 313 Oil on cardboard Double sided - one side is a study for Between Rounds. The other side is a landscape sketch. Datei:Sketch for Between Rounds G313.png

Datei:Landscape sketch G313.png
Billy Smith (sketch) 314 Oil on canvas circa 1898 Philadelphia Museum of Art, Philadelphia, Pa.
Billy Smith (study) 315 Oil on canvas 1898 Wichita Art Museum
The Timer 316 Oil on canvas 1898 New Britain Museum of American Art, New Britain, Connecticut
Wrestlers 317 Oil on canvas 1899 Los Angeles County Museum of Art, Los Angeles County, California
Study for Wrestlers 318 Oil on canvas Los Angeles County Museum of Art, Los Angeles County, California
Wrestlers (unfinished) 319 Oil on canvas 1899 Philadelphia Museum of Art, Philadelphia, Pa.
The Fairman Rogers Four-in-Hand 320 Oil on canvas 1899
T. Ellwood Potts 321 1890-1900
Mrs. T Ellwood Potts 322 Circa 1890-1900
Miss Mary Adeline Williams 323 Oil on canvas Circa 1899 In his book Eakins Revealed pp. 369-371, Henry Adams claims Eakins' friend Mary Adeline Williams was the nude model for #451 William Rush and his Model in the collection of the Honolulu Academy of Arts, Honolulu, Hawaii, and related studies #'s 445,446, 447,452,453 and 454. Art Institute of Chicago, Chicago, Illinois Datei:Mary Adeline Williams.jpg
Benjamin Eakins 324 Oil on canvas Circa 1899 Philadelphia Museum of Art, Philadelphia, Pa. Datei:Benjamin Eakins G324.png
Mrs. Thomas Eakins 325 Oil on canvas Circa 1899 Hirshhorn Museum and Sculpture Garden
Mrs. William H. Green 326 Oil on canvas 1899 Datei:William H Greene G326.png
The Dean's Roll Call 327 Oil on canvas 1899 Museum of Fine Arts, Boston
Louis Husson 328 Oil on canvas 1899 National Gallery of Art
David Wilson Jordan 329 Oil on canvas 1899 The Huntington Library, San Marino, California Datei:David Wilson Jordan G329.png
William Merritt Chase 330 Oil on canvas Circa 1899 Hirshhorn Museum and Sculpture Garden, Washington, DC.
The Thinker: Portrait of Louis N. Kenton 331 Oil on canvas 1900 Metropolitan Museum of Art, New York City
Sketch for The Thinker 332 Oil on cardboard mounted on wood
Addie (also known as "Portrait of Mary Adeline Williams") 333 Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pa.
Mrs. Mary Arthur 334 Oil on canvas 1900 Metropolitan Museum of Art, New York City
Robert M. Lindsay 335 Oil on canvas 1900
Sketch for Robert M. Lindsay 336 Oil on wood
Frank Jay St. John 337 Oil on canvas 1900 M. H. de Young Memorial Museum, San Francisco, California
Antiquated Music: Portrait of Sarah Sagehorn Frishmuth 338 Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pa.
Mrs. Joseph H. Drexel 339 Oil on canvas unstretched 1900 Datei:Mrs Joseph H. Drexel.png
Sketch for Mrs. Joseph H. Drexel 340 Oil on cardboard Circa 1900
Clara 341 Oil on canvas Circa 1900 Centre Georges Pompidou
A Woman in Black 342 Oil on wood
Elizabeth R. Coffin 343 Oil on canvas Circa 1900
Dr. Edward J. Nolan 344 Oil on canvas Circa 1900 Philadelphia Museum of Art, Philadelphia, Pa. Datei:Portrait of Edward J Nolan G344.png
Henry O. Tanner 345 Oil on canvas Circa 1900
Honorable John A. Thorton 346 Oil on canvas
Monsignor James P. Turner 347 Oil on canvas circa 1900 St. Charles Borromeo Seminary
Professor Leslie W. Miller 348 Oil on canvas 1901 Philadelphia Museum of Art, Philadelphia, Pa.
Sketch for Professor Leslie W. Miller 349 Oil on cardboard circa 1892-1894 Double sided: one side depicts Leslie W. Miller. The reverse depicts Thomas Eakins' dog, Harry.[6] Philadelphia Museum of Art, Philadelphia, Pa.

Mrs. Leslie W. Miller 350 Oil on canvas 1901
Mrs. Elizabeth Duane Gillespie 351 Oil on canvas 1901
Sketch for Mrs. Elizabeth Duane Gillespie 352 Oil on canvas Datei:Sketch for portrait of Mrs Elizabeth Duane Gillespie G352.png
George Morris 353 Oil on canvas 1901 Inscribed "HANC EFFIGIEM CARISSIMI PATERNI AMORIS SOCH PINXIT BENIAMINI EAKINS FILIVS A.D. MCMI PHILADELPHIÆ
Reverend Philip R. McDevitt 354 Oil on canvas 1901
Charles F. Haseltine 355 Oil on canvas Circa 1901 Montclair Art Museum, Montclair, New Jersey
Elbridge Ayer Burbank 356 Circa 1901
Alfred F. Watch 357 Circa 1901
Self-Portrait 358 Oil on canvas 1902 National Academy of Design, New York City
Colonel Alfred Reynolds 359 Oil on canvas 1902
Signora Gomez D'Arza 360 Oil on canvas 1902 Metropolitan Museum of Art, New York City
His Eminence Sebastiano Cardinal Martinelli 361 Oil on canvas 1901-02 Hammer Museum, Los Angeles
Very Reverend John J. Fedigan 362 Oil on canvas 1902
Sketch for the Very Reverend John J. Fedigan 363 Oil on canvas Datei:Reverend John J Fedigan G363.png
The Translator 364 Oil on canvas 1902
Monsignor James F. Loughlin 365 Oil on canvas 1902
John Seely Hart 366 Oil on canvas 1902
Charles E. Dana 367 Oil on canvas Circa 1902 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
The Young Man 368 Oil on canvas Circa 1902 Philadelphia Museum of Art, Philadelphia, Pa. Datei:The Young Man G368.png
Miss Mary Perkins (unfinished) 369 Oil on canvas Circa 1902
Girl with a Fan 370 Oil on canvas Circa 1902
Adam S. Bare 371 Oil on canvas 1903
Walter Copeland Bryant 372 Oil on canvas 1903
Dr. Matthew H. Cryer 373 Oil on canvas 1903
Archibishop William Henry Elder 374 Oil on canvas 1903 Cincinnati Art Museum, Cincinnati, Ohio
Mother Patricia Waldron 375 Oil on canvas mounted on cardboard 1903 Philadelphia Museum of Art, Philadelphia, Pa.
Bishop Edmond F. Prendergast 376 Oil on canvas Lost, possibly destroyed: "Murray told Eakins biographer Lloyd Goodrich that he had it 'from a reliable source' that the painting, which Murray considered 'superb' was somehow disposed of."[7]
James A. Flaherty 377 Oil on canvas 1903
William B. Kurtz 378 Oil on canvas 1903
Miss Alice Kurtz 379 Oil on canvas 1903 Fogg Art Museum, Harvard University
Mrs. Mary Hallock Greenwalt 380 Oil on canvas 1903 Wichita Art Museum, Wichita, Kansas
Dr. Frank Lindsay Greenwalt 381 Oil on canvas 1903
Mrs. Anna A. Kershaw 382 Oil on canvas 1903 Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska
Ruth 383 Oil on canvas 1903 Datei:Ruth Harding G383.png
An Actress: Portrait of Suzanne Santje 384 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pa.
Sketch for an Actress 385 Oil on canvas mounted on cardboard Datei:Study for an Actress G385.png
Miss Betty Reynolds 386 Oil on canvas Circa 1903
The Oboe Player 387 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pa.
Rear-Admiral Charles D. Sigsbee 388 Oil on canvas 1903
Mrs. M.S. Stokes 389 Oil on canvas 1903 Arkell Museum, Canajoharie, New York
Mrs. Richard Day 390 Oil on canvas Circa 1903
Mother 391 Oil on canvas Circa 1903
Mrs. Helen MacKnight 392 Oil on canvas Circa 1903
Francesco Romano 393 Circa 1903
Robert C. Ogden 394 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden
J. Carroll Beckwith 395 Oil on canvas 1904 San Diego Museum of Art
Charles Percival Buck 396 Oil on canvas 1904
Mrs. James G. Carville (Portrait of Harriet Husson Carville) 397 Oil on canvas 1904 National Gallery of Art, Washington DC
Mrs. Kern Dodge 398 Oil on canvas 1904
Mrs. Kern Dodge 399 Oil on canvas
Miss Beatrice Fenton (also known as "The Coral Necklace") 400 Oil on canvas 1904 Butler Institute of American Art
William R. Hallowell 401 Oil on canvas 1904
Music 402 Oil on canvas 1904 Albright-Knox Art Gallery
Sketch for Music 403 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pa.
The Violinist 404 Oil on canvas 1904
Samuel Myers 405 Oil on canvas 1904 Datei:Samuel Myers G405.png
Frank B.A. Linton 406 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Mrs. Edith Mahon 407 Oil on canvas 1904 Smith College Museum of Art
Rear-Admiral George W. Melville 408 Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pa.
William Murray 409 Oil on canvas Circa 1904
Mrs. Matilda Searight 410 Oil on canvas 1904
Edward Taylor Snow 411 Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pa.
B.J. Blommers 412 1904 Toledo Museum of Art, Toledo, Ohio
Mrs. B.J. Blommers 413 1904
Charles P. Gruppe 414 Oil on canvas 1904
Joseph R. Woodwell 415 Oil on canvas 1904 Carnegie Museum of Art, Pittsburgh, Pennsylvania
William H. MacDowell 416 Oil on canvas Circa 1904 Memorial Art Gallery, University of Rochester, New York
Walter MacDowell 417 Oil on canvas Circa 1904
William H. Lippincott 418 Late 1904 or early 1905
Edward W. Redfield 419 Oil on canvas 1905 National Academy of Design, New York City
Rear-Admiral George W. Melville 420 Oil on canvas 1905 Datei:Rear Admiral George W Melville G420.png
Mrs. George Morris 421 Oil on canvas 1905
Professor William Smith Forbes 422 Oil on canvas 1905 Thomas Jefferson University
Charles L. Fussell 423 Oil on canvas Circa 1905 Montclair Art Museum, Montclair, New Jersey
Miss Florence Einstein 424 Oil on canvas 1905
Monsignor Diomede Falconio 425 Oil on canvas 1905 National Gallery of Art, Washington, D.C.
John B. Gest 426 Oil on canvas 1905
Asbury.W. Lee 427 Oil on canvas 1905 Reynolda House Museum of American Art, Winston-Salem, North Carolina
Miss Elizabeth L. Burton 428 Oil on canvas Circa 1905 Minneapolis Institute of Arts
Dr. Thomas H. Fenton 429 Oil on canvas Circa 1905 Delaware Art Museum, Wilmington, Delaware
Mrs. Louis Husson 430 Oil on canvas Circa 1905
Maurice Feeley 431 Oil on canvas Circa 1905 Datei:Maurice Feely G431.png
Genjiro Yeto 432 1906
A Singer: Portrait of Mrs. W.H. Bowden 433 Oil on canvas 1906 Princeton University Art Museum, Princeton, New Jersey
A Singer: Portrait of Mrs. Leigo 434 Oil on canvas Circa 1906
Richard Wood 435 Oil on canvas 1906
Master Alfred Douty 436 Oil on canvas 1906 Santa Barbara Museum of Art, Santa Barbara, California
A Little Girl 437 Oil on canvas Circa 1906 Philadelphia Museum of Art, Philadelphia, Pa.
Monsignor James P. Turner 438 Oil on canvas Circa 1906 Nelson-Atkins Museum of Art, Kansas City, Missouri
Sketches 439 Oil on cardboard Double sided: one side is a sketch for Monsignor James P. Turner. The reverse is a sketch for William Rush and His Model Philadelphia Museum of Art, Philadelphia, Pa.

Thomas J. Eagan 440 Oil on canvas 1907
Dr. Albert C. Getchell 441 Oil on canvas 1907 North Carolina Museum of Art, Raleigh, North Carolina
Dr. William Thompson 442 Oil on canvas 1907 Mutter Museum, College of Physicians of Philadelphia, Philadelphia, Pennsylvania
Dr. William Thompson (unfinished) 443 Oil on canvas
Major Manuel Waldteufel 444 Oil on canvas 1907
William Rush and His Model 445 Oil on canvas 1908
Sketch for William Rush and His Model 446 Oil on wood
Sketch for William Rush and His Model 447 Oil on wood
Studies of Rush 448 Oil on wood
Study of Rush 449 Oil on canvas
Study of the Negress 450 Oil on canvas
William Rush and His Model 451 Oil on canvas 1907-1908 In his book Eakins Revealed pp. 369-371, Henry Adams claims Eakins' friend #323, Miss Mary Adeline Williams was the nude model for William Rush and his Model in the collection of the Honolulu Academy of Arts, Honolulu, Hawaii, and related studies #'s 445,446, 447,452,453 and 454. Honolulu Academy of Arts, Honolulu, Hawaii
The Model 452 Oil on canvas Datei:The Model G452.png
William Rush and His Model 453 Oil on canvas 1908
Study for "William Rush's Model" 454 Oil on canvas Circa 1908 Hirshhorn Museum and Sculpture Garden
Miss Eleanor S.F. Pue 455 Oil on canvas 1907 Virginia Museum of Fine Arts
Miss Rebecca MacDowell 456 Oil on canvas Circa 1908 Kennedy Galleries, New York, New York
The Old-Fashioned Dress: Portrait of Miss Helen Parker 457 Oil on canvas Circa 1908 Philadelphia Museum of Art, Philadelphia, Pa.
Sketch for the Old-Fashioned Dress 458 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II Datei:Sketch for the Old Fashioned Dress G458.png
Study for the Old-Fashioned Dress 459 Oil on canvas 1908 Datei:Sketch for the Old Fashioned Dress G459.png
Mrs. Lucy Langdon W. Wilson 460 Oil on canvas 1908
Mrs. Lucy Langdon W. Wilson 461 Oil on canvas Early 1909
Dr. William P. Wilson 462 Oil on canvas 1909
Dr. Henry Beates Jr. 463 Oil on canvas 1909
Henry Beates 464 Oil on canvas Circa 1909
Edward A. Schmidt 465 Oil on canvas Circa 1909
Reverend Cornelius J. O'Neill 466 Oil on canvas Circa 1909 Chrysler Museum of Art, Norfolk, Virginia
John J. Borie 467 Oil on canvas Hood Museum of Art, Hanover, New Hampshire
Mrs. Nicholas Douty 468 Oil on canvas 1910 Cummer Gallery of Art
Dr. Gilbert Lafayette Parker 469 Oil on canvas 1910 Datei:Gilbert Parker G469.png
Mrs. Gilbert Parker 470 Oil on canvas 1910
Gilbert Sunderland Parker 471 Oil on canvas 1910
Ernest Lee Parker 472 Oil on canvas 1910 Westmoreland Museum of Art, Greensburg, Pennsylvania
President Rutherford B. Hayes 473 Oil on canvas 1912 or 1913 Philipse Manor Hall, Yonkers, New York
Dr. Edward Anthony Spitzka 474 Oil on canvas Circa 1913 Eakins' last painting. This originally showed a full length Dr. Spitzka holding the cast of a brain. Sometime after it was cataloged in the 1933 Goodrich catalog (measuring 84×43½ inches), someone cut away the rest of the painting, leaving only the head and bust (30½×25⅛ inches).[8] Hirshhorn Museum and Sculpture Garden
President Rutherford B. Hayes 475 1877 "Probably no longer in existence"
James L. Wood 476 Circa 1890 "Probably no longer in existence"
William Rudolf O'Donovan 477 1891 or early 1892 "Probably no longer in existence"
Miss Emily Sartain 478 Sometime in the 1890s "Probably no longer in existence"
Miss Emily Sartain 479 Sometime in the 1890s "Probably no longer in existence"
Dr. Hugh A. Clarke 480 Circa 1893 "Probably no longer in existence"
James MacAlister 481 Circa 1893 "Probably no longer in existence"
Circus People 482 Before 1876 Sketch. "Probably no longer in existence"
Stewart Culin 483 Circa 1899 "Probably no longer in existence"
Dr. George B. Wood 484 Circa 1900 "Probably no longer in existence"
Dr. Patrick J. Garvey 485 Oil on canvas 1902 Thought to have been destroyed, rediscovered in 1959 St. Charles Borromeo Seminary
Right Reverend Denis J. Dougherty 486 1903 "Probably no longer in existence"
Mother Patricia Waldron 487 1903 "Probably no longer in existence"
Mrs. Margaret Jane Gish 488 Circa 1903 "Probably no longer in existence"
Robert C. Ogden 489 "Probably no longer in existence"
Dr. J. William White 490 1904 "Probably no longer in existence"
Adolphie Borie 491 Circa 1910 "Probably no longer in existence"
Mrs. Charles Lester Leonard 492 1895 No longer in existence
Mrs. Hubbard 493 Circa 1895 No longer in existence
Mrs. McKeever 494 1898 No longer in existence
Bishop Edmond F. Prendergast 495 Oil on canvas Circa 1903 No longer in existence
Frank W. Stokes 496 1903 No longer in existence
Edward S. Buckley 497 1906 No longer in existence
Studies for William Rush and His Model 498 Sculpture, pigmented wax 1876-1877 Five studies Philadelphia Museum of Art, Philadelphia, Pa.
The Mare 'Josephine' 499 Sculpture, bronze 1878 Philadelphia Museum of Art, Philadelphia, Pa.
The Mare 'Josephine': Skeleton 500 Sculpture, bronze 1878 Butler Institute of American Art
Ecorche 501 Sculpture
Ecorche 502 Sculpture 1882
Studies for The Fairman Rogers Four-in-Hand 503 Sculpture, bronze with marble bases 1897 Philadelphia Museum of Art, Philadelphia, Pa.
Spinning 504 Sculpture Late 1882/early 1883 Philadelphia Museum of Art, Philadelphia, Pa.
Knitting 505 Sculpture 1881 Philadelphia Museum of Art, Philadelphia, Pa.
Arcadia 506 Sculpture, bronze 1883
An Arcadian 507 Sculpture
The Youth Playing the Pipes 508 Sculpture 1883
Horses on the Brooklyn Memorial Arch 509 Sculpture 1893-1894
General Grant's Horse 509A Sculpture, bronze 1892 Soldiers' and Sailors' Memorial Arch, Prospect Park, Brooklyn
Clinker 510 Sculpture 1892
Clinker 511 Sculpture, bronze 1892 Philadelphia Museum of Art, Philadelphia, Pa.
Billy 512 Sculpture, plaster Circa 1892-1893
The American Army Crossing the Delaware 513 Sculpture, bronze relief Circa 1893 New Jersey State Museum, Trenton
The Opening of the Fight, The Battle of Trenton 514 Sculpture, bronze relief Circa 1893 New Jersey State Museum, Trenton
Mrs. Marry Hallock Greenwalt 515 Sculpture 1905

Hendricks 1974 catalogue of Eakins' photographs

Photographer Hendricks catalog # Data Note Collection Picture
Eakins 1 Circa 1880 Eakins' camera and camera equipment
Eakins? 2 Circa 1878 Eakins' class at the Pennsylvania Academy of Fine Arts
Eakins 3 1879? Fairman Rogers riding mare Josephine
Eakins 4 Summer 1883 Margaret Eakins with Harry Eakins
Eakins 5 Summer 1880 "Harry Eakins, Margaret Eakins, and Mary Macdowell"
Eakins 6 Summer 1880 "Elizabeth Macdowell, Marget Eakins, and Mary Macdowell Eakins"
Eakins 7 Summer 1880 "Beach at Manasquan, New Jersey"
Eakins 8 Summer 1880 "Beach at Manasquan, New Jersey"
Eakins 9 June 1880 Mharry and Margaret Eakins on Harry's kennel
Eakins 10 June 1880 Margaret Eakins with Harry Eakins
Eakins 11 1882? Hannah Susan Macdowell
Eakins 12 1880-1882? "Hanna Susan Macdowell with unknown girl, Elizabeth Macdowell, and possibly Mary Macdowell"
Eakins 13 1880-1882? Elizabeth Macdowell
Eakins 14 1880-1882 Margaret Eakins
Eakins 15 1880-1882 Margaret Eakins with Harry Eakins
Eakins 16 1880-1882 "William H. Macdowell, Margaret Eakins, and two boys"
Eakins 17 1880-1882 Hannah Susan Macdowell
Eakins 18 1880-1882? Hannah Susan Macdowell
Eakins 19 1880-1882? Hannah Susan Macdowell
Eakins 20 1880-1882? Mrs. William H. Macdowell
Eakins 21 1880-1881? Hannah Susan Macdowell with dog Dinah
Eakins 22 1880-1882? Mr. and Mrs. William H. Macdowell
Eakins 23 1880-1882 Margaret Eakins
Eakins 24 1880-1882 Margaret Eakins
Eakins 25 1880-1882 Margaret Eakins
Eakins 26 1880-1882 Margaret Eakins
Eakins? 27 1880-1882 Elizabeth Macdowell and Margaret Eakins
Eakins? 28 1880-1882 Margaret Eakins and Elizabeth Macdowell
Eakins 29 1881 Geese
Eakins 30 1880-1885 Mary Macdowell
Eakins 31 1881 Horses and fishermen
Eakins 32 1881? Shad fishing
Eakins 33 Circa 1882 "Margaret Eakins, Artie Corwell, Francis Crowell, and Hanna Susan Macdowell"
Eakins 34 1882 Caroline Eakins
Eakins 35 1882 Caroline Eakins
Eakins 36 1882 Caroline Eakins
Eakins 37 1882 Caroline Eakins
Eakins 38 1882 Caroline Eakins
Eakins 39 1882 Caroline Eakins
Eakins? 40 1881-1883 "Ladies modeling class, with Blanche Hurlburt"
Eakins? 41 1881-1883 Ladies modeling class
Eakins 42 Summer 1884 Site for the Swimming Hole
Eakins 43 1883 Site for the Swimming Hole
Eakins? 44 1883 Site for the Swimming Hole
Eakins 45 1883 Study for Arcadia
Eakins 46 1883 J. Laurie Wallace
Eakins 47 1883 J. Laurie Wallace
Eakins 48 1883 Ben Crowell(?) and Francis Crowell
Eakins 49 1883 Unidentified student and J. Laurie Wallace
Eakins 50 1883 Unidentified student
Eakins 51 September 1883 "Hanna Susan Macdowell with Margaret Eakins, Ben Crowell, Will Crowell, and Artie Crowell"
Eakins 52 1883 "Frances Crowell, Artie Crowell, Tom Crowell, and Hannah Susan Macdowell, with Harry Eakins"
Eakins 53 1883 Landscape for an Arcadian
Eakins 54 September 1883 "Hanna Susan Macdowell with Margaret Eakins(?), Ben Crowell, Will Crowell, and Artie Crowell"
Eakins 55 1883 Beech tree
Eakins 56 September 1883 Tom Crowell and Frances Crowell
Eakins 57 1883 Margeret Eakins(?) and Artie Crowell
Eakins 58 1883 Will Crowell and Frances Crowell
Eakins 59 1883 "Will Crowell, Margaret Eakins, and Artie Crowell with Harry Eakins"
Eakins 60 September 1883 Artie Crowell
Eakins 61 Circa 1883 Models in greek costumes
Eakins 62 Circa 1883? Models in greek costumes
Eakins 63 Circa 1883? Models in greek costumes
Eakins 64 Circa 1883? Models in greek costumes
Eakins 65 Circa 1883? Model in greek costume
Eakins 66 Circa 1883? Model in greek costume
Eakins 67 Circa 1883? Model
Eakins? 68 Circa 1883? Model
Eakins 69 Circa 1883? Model
Eakins 70 Circa 1883? Model
Eakins 71 Circa 1883? Catherine Flanagan Towne
Eakins 72 1883-1884? Frank Macdowell
Eakins 73 1883-1884? Caroline Eakins
Eakins 74 1883-1884? William H. Macdowell
Eakins 75 1883-1884? William H. Macdowell
Eakins 76 1883-1884? Hannah Susan Macdowell Eakins
Eakins 77 1884? William H. Macdowell
Eakins 78 1884? William H. Macdowell
Eakins 79 1884? William H. Macdowell
Eakins 80 1884 Unidentified sitter
Eakins 81 1884 Unidentified sitter
Eakins 82 1884 Unidentified sitter
Eakins 83 1884 Unidentified sitter
Eakins 84 1884 Unidentified sitter
Eakins 85 1884? Unidentified sitter
Eakins 86 1884? Unidentified sitter
Unknown 87 "August 27, 1884" Thomas Eakins in Marey Wheel photograph
Unknown 88 "August 27, 1884" Thomas Eakins in Marey Wheel photograph
Eakins 89 1884 Unidentified model
Eakins 90 1884 Marey wheel photograph of unidentified model
Eakins 91 1884 Marey wheel photograph of unidentified model
Eakins 92 1884 Marey wheel photograph of unidentified model
Eakins 93 1884 Marey wheel photograph of unidentified model
Eakins 94 1884 Marey wheel photograph of George Reynolds
Eakins 95 1884 Marey wheel photograph of George Reynolds
Eakins 96 1884 Marey wheel photograph of George Reynolds
Eakins 97 1884 Marey wheel photograph of George Reynolds
Eakins 98 "June 24?, 1884" Marey wheel photograph of George Reynolds
Eakins 99 1884 Marey wheel photograph of George Reynolds
Eakins 100 1884 Marey wheel photograph of George Reynolds
Eakins 101 "June 24, 1884" Marey wheel photograph of George Reynolds(?)
Eakins 102 1884 Marey wheel photograph of George Reynolds(?)
Eakins 103 "August 20?, 1884" Marey wheel photograph of Jesse Godley
Eakins 104 "July 17, 1884" Marey wheel photograph of Jesse Godley
Eakins 105 "July 17, 1884" Marey wheel photograph of Jesse Godley
Eakins 106 1884 Marey wheel photograph of Jesse Godley
Eakins 107 1884 Marey wheel photograph of Jesse Godley
Eakins 108 1884 Marey wheel photograph of Jesse Godley
Eakins 109 1884 Marey wheel photograph of unidentified model
Eakins 110 "June 9, 1884" Marey wheel photograph of unidentified model
Eakins 111 "August 27?, 1884" Marey wheel photograph of unidentified model
Eakins 112 1884 Marey wheel photograph of unidentified model
Eakins 113 "August 22, 1884" Marey wheel photograph of unidentified model
Eakins 114 "August 22, 1884" Marey wheel photograph of unidentified model
Eakins 115 "August 22 or 27, 1884" Marey wheel photograph of unidentified model
Eakins 116 1884 Marey wheel photograph of unidentified model
Eakins 117 1884 Marey wheel photograph of unidentified model
Eakins 118 1884 Marey wheel photograph of unidentified model (George Reynolds?)
Eakins 119 1884 "Two men, one holding a severed horse leg"
Eakins 120 1884 Man holding a severed horse leg
Eakins 121 1884 Man holding a severed horse leg
Eakins 122 1883? Instantaneous photo of nude unidentified students outdoors
Eakins 123 1883? Instantaneous photo of nude unidentified students outdoors
Eakins 124 1883? Instantaneous photo of nude unidentified students outdoors
Eakins 125 1883? Instantaneous photo of nude unidentified students outdoors
Eakins 126 1883? Instantaneous photo of nude unidentified students outdoors
Eakins 127 1884 Marey wheel photograph of J. Laurie Wallace(?)
Eakins 128 1884 "Marey wheel photograph of unidentified student, possibly J. Laurie Wallace"
Eakins 129 1883 Horse trotting
Eakins 130 1883 Horses walking
Eakins 131 1883 Horses walking and trotting
Eakins 132 1883 Horse running
Eakins 133 May 1883 Unidentified models
Eakins 134 Summer 1887 Cowboy
Eakins 135 Summer 1887 Unidentified man
Eakins 136 Summer 1887 Unidentified lady
Eakins 137 1885-1887 Ella or Margaret Crowell
Eakins 138 1887 Dog and pony
Eakins 139 1887? "Katie Crowell, Piero, and W.J. Crowell"
Eakins 140 1887? "Katie Crowell, Piero, and W.J. Crowell"
Eakins 141 1887? Katie Crowell
Eakins? 142 Circa 1887? Katie Crowell(?)
Eakins 143 1885-1890 "Ben Crowell(?), Will Crowell(?), Artie Crowell(?)"
Eakins 144 1885-1890 "Ben Crowell, Will Crowell, Artie or Tom Crowell"
Eakins 145 1885-1890 "Ben Crowell, Will Crowell, Artie or Tom Crowell"
Eakins 146 1885-1890 Two of Eakins' nephews
Eakins 147 1885-1890 An Eakins niece and nephew
Eakins 148 1885-1890 Ben Crowell (?)
Eakins 149 1885-1890 Frances Crowell and three of her children
Eakins 150 1885-1890 Walt Whitman
Eakins 151 1887? Walt Whitman
Eakins 152 1891? Walt Whitman
Eakins 153 1891? Walt Whitman
Eakins 154 1891? Walt Whitman
Eakins 155 1891? Walt Whitman
Eakins 156 1891? Walt Whitman
Eakins 157 1891? Walt Whitman
Eakins 158 1891? Walt Whitman
Eakins 159 1892? Walt Whitman
Eakins 160 1892? Walt Whitman
Eakins 161 1887-1888? Mrs. Mary Oakes Davis
Eakins 162 1890 Crowell family
Eakins 163 1890 "Katie Crowell, Jim Crowell, Frances Crowell, Fanny Crowell"
Eakins 164 Circa 1890 Samuel Murray with a bust of Franklin Schenck
Eakins 165 Circa 1890 Samuel Murray sculpting Franklin Schenck
Eakins 166 Circa 1890 Samuel Murray sculpting Franklin Schenck
Eakins or Murray 167 Circa 1890 Franklin Schenck with a bust of himself
Eakins 168 1890-1892 Samuel Murray with a bust of William H. Macdowell
Eakins 169 Circa 1890 Samuel Murray
Eakins 170 Circa 1890-1892 Samuel Murray
Eakins 171 Circa 1890-1892 Samuel Murray
Eakins 172 Circa 1890-1892 Samuel Murray
Eakins 173 Circa 1890-1892 Franklin Schenck
Eakins 174 Circa 1890-1892 Franklin Schenk with Eakins' horse Baldy
Eakins 175 Circa 1890-1892 Franklin Schenck
Eakins 176 Circa 1891? Amelia C. Van Buren
Eakins 177 Circa 1891? Amelia C. Van Buren
Eakins 178 Circa 1891? Amelia C. Van Buren
Eakins 179 Circa 1891? Amelia C. Van Buren
Eakins 180 Circa 1892 Samuel Murray riding Eakins' horse Billy
Eakins 181 Circa 1892? "Weda Cook, Katherine Cook, and Maud Cook"
Eakins 182 Circa 1892? Katherine Cook
Eakins 183 Circa 1892? Weda Cook
Eakins 184 Circa 1892? Weda Cook
Eakins or Allen Cook? 185 Circa 1892? Weda Cook
Eakins 186 Circa 1892? Unidentified sitter
Eakins? 187 1886-1892 "Charles Brinton Cox, John Wright, and Ella Crowell"
Eakins? 188 1886-1892 John Wright and Franklin Schenck
Eakins? 189 1886-1892 John Wright and unidentified person
Eakins 190 1886-1892? Unidentified model
Eakins 191 1886-1892? Unidentified model
Eakins or Samuel Murray? 192 1886-1892? Unidentified model
Eakins 193 1886-1892? Unidentified model
Eakins 194 1886-1892? Unidentified model
Eakins 195 1886-1892? Talcott Williams
Eakins 196 1886-1892? David Wilson Jordan
Eakins 197 1886-1892? George W. Holmes
Eakins 198 1886-1892 "Bill Duckett, nude"
Eakins 199 1880-1890 Benjamin Eakins
Eakins 200 1880-1890 Benjamin Eakins
Eakins 201 1880-1890 Eliza Cowperthwaite
Eakins 202 1880-1890 Eliza Cowperthwaite
Eakins 203 1880-1890 Eliza Cowperthwaite
Eakins 204 1880-1890 Eliza Cowperthwaite
Eakins 205 1880-1890 Unidentified setter with Harry Eakins
Eakins 206 1880-1890 Harry Eakins
Eakins 207 1880-1890 Unidentified lady and child
Eakins 208 1880-1890 """Old Margaret"""
Eakins 209 1880-1890 Bull
Eakins 210 1880-1890 Elizabeth Macdowell
Eakins 211 1880-1890 Cat
Eakins 212 1880-1890 Cats
Eakins 213 1880-1890 Cats
Eakins 214 1880-1890 Sailboats on the Delaware river
Eakins 215 1880-1890 Elizabeth Baldwin
Eakins 216 1880-1890? Unidentified girl
Eakins 217 1895 Franklin Hamilton Cushing
Eakins 218 1895 Franklin Hamilton Cushing
Eakins 219 1895 Franklin Hamilton Cushing
Eakins 220 1895? Samuel Murray
Eakins? 221 1895-1900 Franklin Hamilton Cushing
Eakins 222 1895-1899 Samuel Murray
Eakins 223 1895-1899 Benjamin Eakins and Samuel Murray
Eakins 224 1897? Jeanie Dean Kershaw
Eakins 225 Circa 1897? Jeanie Dean Kershaw
Eakins 226 Circa 1897? Jeanie Dean Kershaw
Eakins 227 Circa 1897? Jeanie Dean Kershaw
Eakins 228 Circa 1897? Jeanie Dean Kershaw
Eakins 229 1899? Wrestlers
Eakins 230 1899? Wrestlers
Eakins 231 1899? Wrestlers
Eakins? 232 1890-1900? Road with trees
Eakins 233 1890-1900 Mrs. Thomas Eakins
Eakins 234 1900 Samuel Murray sculpting Frank St. John
Eakins 235 1903? Ruth Harding
Eakins 236 1903? Mrs. Anna Kershaw
Eakins 237 1904? Frank A.B. Linton
Eakins 238 1904 Eakins' monkey on kennel
Eakins 239 Circa 1912? Mrs. Thomas Eakins
Unknown 240 Circa 1850 Eakins at about 6 years of age
Unknown 241 Circa 1854 Eakins at about 10 years of age
Unknown 242 December 1866 Eakins at 22 years of age
Unknown 243 Circa 1868 Eakins at about 24 years of age
Unknown 244 1876 1876 centennial exhibitor's pass depciting Eakins at about 32 years of age
Eakins? 245 1875-1876 Eakins and his students parodying The Gross Clinic
Eakins? 246 1875-1876 Eakins and his students parodying The Gross Clinic
Unknown 247 Circa 1879? Eakins at about 35 years of age
Unknown 248 Summer 1880 Eakins at about 36 years of age
Gutenkunst 249 1882 Eakins at about 38 years of age
Unknown 250 1879-1884 Eakins at between 35 and 40 years of age
Unknown 251 1879-1884 Eakins at between 35 and 40 years of age
Unknown 252 1879-1884 Eakins at between 35 and 40 years of age
Unknown 253 Circa 1883 Eakins at about 39 years of age
Unknown 254 Circa 1883 Eakins at about 39 years of age with J. Laurie Wallace
Unknown 255 1879-1884 Eakins at between 35 and 40 years of age
Unknown 256 May 1883 Eakinst at 39 years of age
Unknown 257 1884-1889 Eakins at 40 to 45 years of age
Unknown 258 1884-1889 Eakins at 40 to 45 years of age
Gutenkunst 259 1889-1894? Eakins at 45 to 50 years of age?
Unknown 260 "July 23, 1893" Eakins at 49 years of age
Unknown 261 1891-1895 Eakins at 47 to 51 years of age
Susan Macdowell Eakins? 262 1889-1894 Eakins at 50 to 55 years of age
Susan Macdowell Eakins? 263 1889-1894 Eakins at 50 to 55 years of age
Susan Macdowell Eakins? 264 1889-1894 Eakins at 50 to 55 years of age
Unknown 265 1894? "Eakins at about 50 years of age working with his horse, Billy"
Unknown 266 1889? "Eakins at about 50 years of age working with his horse, Billy"
Unknown 267 1891-1895 Eakins at 47 to 51 years of age riding Billy
Unknown 268 1891-1895 Eakins at 47 to 51 years of age riding Billy
Unknown 269 1891-1895 Eakins at 47 to 51 years of age riding Billy
Unknown 270 1891-1895 Eakins at 47 to 51 years of age riding Billy
Unknown 271 1891-1895 "Eakins at 47 to 51 years of age with Samuel Murray and William O'Donovan, and Harry Eakins"
Unknown 272 1891-1895 "Eakins at 47 to 51 years of age with Samuel Murray and William O'Donovan, and Harry Eakins"
Unknown 273 1894-1899? Eakins at 50 to 55 years of age
Unknown 274 1894-1899? Eakins at 50 to 55 years of age
Unknown 275 1894-1899? Eakins at 50 to 55 years of age
Unknown 276 1894-1899? Eakins at 50 to 55 years of age
Unknown 277 1900 Eakins at 56 years of age
Unknown 278 Circa 1900? Eakins at about 56 years of age?
Unknown 279 Circa 1900? Eakins at about 56 years of age?
Unknown 280 Circa 1904? Eakins at about 60 years of age?
Frederick J. Von Rapp 281 Circa 1909? Eakins at about 65 years of age?
Unknown 282 Circa 1909? Eakins at about 65 years of age?
Unknown 283 Circa 1909? Eakins at about 65 years of age?
Unknown 284 Circa 1909? Eakins at about 65 years of age? With Samuel Murray and unidentified man
Unknown 285 Circa 1909? Eakins at about 65 years of age? With Samuel Murray and unidentified man
Unknown 286 Circa 1909? Eakins at about 65 years of age? With Samuel Murray and unidentified man
Unknown 287 Circa 1909? Eakins at about 65 years of age?
Unknown 288 Circa 1914? Eakins at about 70 years of age
Samuel Murray? 289 Circa 1914 Eakins at about 70 years of age?
Unknown 290 Circa 1914 Eakins at about 70 years of age?
Unknown 291 Circa 1914 Eakins at about 70 years of age?

Notes

  1. ↑ Lloyd and Edith Havens Goodrich, Whitney Museum of American Art, Record of Works by Thomas Eakins: Series VII. Catalogue raisonné.
  2. ↑ Darrel, Artist, 6
  3. ↑ Head of a Warrior; and Seated Nude: A Double-sided Work. Christie's auction website.
  4. ↑ Hirshhorn, 53-54
  5. ↑ Hirshhorn, 53-54
  6. ↑ "Originally on reverse of Sketch for Portrait of Leslie W. Miller, Philadelphia Museum of Art, 1945-33-1" - Sketch of Harry. Philadelphia Museum of Art.
  7. ↑ Sidney Kirkpatrick. The Revenge of Thomas Eakins. Yale University Press, 2006, ISBN 0300108559. Page 475
  8. ↑ Hirshhorn, 211-212

References

  • Goodrich, Lloyd. Thomas Eakins: His Life and Works. William Edwin Rudge Printing House. New York, 1933. Catalogue of Works. Pages 161-209.
  • Hirshhorn Musuem and Sculpture Garden. Thomas Eakins Collection of the Hirshhorn Musuem and Sculpture Garden. Smithsonian Institution Press, Washington DC, 1977.
  • Sewell, Darrel; et al. Thomas Eakins. Yale University Press, 2001. ISBN 0-87633-143-6
  • Wilmerding, John. Thomas Eakins. Washington, DC: Smithsonian Institution Press, 1993. ISBN 1560983132
Abgerufen von „https://de.wikipedia.org/w/index.php?title=Apache_Kid&oldid=155679997“