Lyme Park und Theodor Vetter: Unterschied zwischen den Seiten
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'''Theodor Vetter''', bekannt als „Tattoo Theo“ (* [[1932]] in [[Hamburg]]; † [[15. Juli]] [[2004]] ebenda<ref>[http://www.handelsblatt.com/archiv/tattoo-koenig-theo-im-alter-von-72-jahren-gestorbendpa-datum-2004-07-15-13-07-28/2360664.html handelsblatt.com: ''«Tattoo-König» Theo im Alter von 72 Jahren gestorben''] Abgerufen am 8. Juli 2012</ref>), war ein deutscher [[Tätowierer]]. |
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[[Image:Lyme Hall 01.jpg|thumb|300px|The south front of the mansion house, showing the south lawn and the pond]] |
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'''Lyme Park''' is a large [[Estate (house)|estate]] located south of [[Disley]], [[Cheshire]], England ({{gbmapping|SJ964823}}). It consists of a mansion house surrounded by formal gardens, in a [[Medieval deer park|deer park]] in the [[Peak District National Park]].<ref>''The Peak District: Dark Peak area. Outdoor Leisure map 1'', [[Ordnance Survey]]</ref> The house is the largest in Cheshire,<ref name=pev>{{cite book | last =Pevsner | first =Nikolaus | authorlink =Nikolaus Pevsner | coauthors =Edward Hubbard | title =The Buildings of England: Cheshire |edition= | publisher =[[Yale University Press]]| date =2003| origyear=1971| location =New Haven & London| pages = 259–263| url = | doi = | id = | isbn =0 300 09588 0 }}</ref><ref>It has been the largest house in Cheshire since [[Eaton Hall (Cheshire)|Eaton Hall]] was demolished in 1961 (Pevsner and Hubbard).</ref> and a Grade I [[listed building]].<ref name="images">{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=406869 |title=Images of England: Lyme Park Mansion |accessdaymonth=17 July |accessyear=2007 |publisher=[[English Heritage]] }}</ref> |
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The estate was granted to Sir Thomas Danyers in 1346 and passed to the [[Leghs of Lyme]] by marriage in 1388. It remained in the possession of the Legh family until 1946 when it was given to the [[National Trust for Places of Historic Interest or Natural Beauty|National Trust]]. The house dates from the latter part of the 16th century. Modifications were made to it in the 1720s by [[Giacomo Leoni]], who retained some of the [[Elizabethan architecture|Elizabethan]] features and added others, particularly the courtyard and the south range. It is difficult to classify Leoni's work at Lyme, as it contains elements of both [[Palladian architecture|Palladian]] and [[Baroque architecture|Baroque]] styles.<ref>The house is frequently described as being Palladian in style, but not all experts agree that it is truly Palladian. Referring to the south front, ''Images of England'' says "For a garden front it is magnificent but more Baroque than Palladian" and makes no other reference to Palladian style. Pevsner says "But his [Leoni's] great south front is not a Palladian front" (p.260) and "Leoni was more original at Lyme Park than one might have at first sight have realized" (p. 261). Waterson says "The dramatic use of giant pilasters on the South Front was far too close to the English Baroque tradition..." and "...he [Leoni] never subscribed to [[Richard Boyle, 3rd Earl of Burlington|Lord Burlington's]] highly selective and academic Palladianism". (p. 9.)</ref> Further modifications were made by [[Lewis Wyatt]] in the 19th century, especially to the interior. Formal gardens were created and developed in the late 19th and early 20th centuries. The house, gardens and park have been used as locations for filming and they are open to the public. |
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Theodor Vetter war nur gelegentlich als Tätowierer tätig. Er selbst verstand sich eher als lebendes Kunstwerk und Selbstdarsteller. Im Alter von 13 Jahren vollbrachte Vetter seine erste Tätowierung an sich selbst. Drei Jahre später ließ er sich von [[Christian Warlich]] seine erste professionelle Tätowierung fertigen. In den Folgejahren wurden es zirka 260 Tätowierungen<ref>[http://einestages.spiegel.de/static/entry/abschied_vom_arschgeweih/8393/alter_hase.html SPIEGEL ONLINE] Abgerufen am 10. Juli 2012</ref> von etwa 240 verschiedenen Tätowierern.<ref>Marcel Feige: ''Das Tattoo-und Piercing Lexikon.'' S. 312.</ref> Im Jahr 1975 veranstaltete Vetter in seiner Stammkneipe in Hamburg die vermutlich erste Tattooconvention auf deutschem Boden.<ref>[http://books.google.de/books?id=IeDFYm9RGmwC&pg=PA114&lpg=PA114&dq=tattoo+theo+vetter&source=bl&ots=umNPqfEbBG&sig=mpQ-Mcqvbe3Rm6Zip-dTzdRB2SU&hl=de&sa=X&ei=i_j5T7aJJpHOsgbl8MXRBQ&ved=0CEUQ6AEwATgK#v=onepage&q=tattoo%20theo%20vetter&f=false Tobias Löbstädt: ''Tätowierung, Narzissmus und Theatralität'', S. 114]</ref><ref>[http://books.google.de/books?id=_giY9uIwr2wC&pg=PA22&lpg=PA22&dq=theodor+vetter+tattoo&source=bl&ots=lv8DydJoW2&sig=ueaY0KEceF3MlH59stKaBPVHHRw&hl=de&sa=X&ei=wWb6T_6KKMXusgbX58XUBQ&ved=0CFEQ6AEwBDgU#v=onepage&q=theodor%20vetter%20tattoo&f=false Anne Fuest: Die Tätowierung- Geschichte und Bedeutung in Afrika und Deutschland, S. 22]</ref>Vetter war Gründungsmitglied der ersten deutschen Tätowierervereinigung, die [[Manfred Kohrs]] im Jahr 1977 in [[Hannover]] ins Leben rief, er trat in den Folgejahren in verschiedenen Fernsehsendungen auf, beispielsweise am 26. Mai 1991 in der Sendung [[Schmidteinander]] sowie bei [[Hans Meiser (Talkshow)|Hans Meiser]] und [[Jürgen Fliege]].<ref>[http://www.planet-wissen.de/alltag_gesundheit/mode/taetowierungen/tatto_theo.jsp [[Planet Wissen]]: ''Tattoo-Theo - Gesamtkunstwerk auf Lebenszeit''] Abgerufen am 9. Juli 2012</ref> |
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== Literatur == |
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* [[Marcel Feige]]: ''Tattoo-Theo: Der Tätowierte vom Kiez. Die Biographie der großen Hamburger Tattoo-Legende ''. Schwarzkopf & Schwarzkopf, 2001, ISBN 3-89602-355-1. |
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[[Image:Lyme Park from Jones' Views (1819) - north front.JPG|thumb|left|The north front of Lyme from Jones' ''Views of the Seats of Noblemen and Gentlemen'' (1819)]] |
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* Marcel Feige: ''Das Tattoo-und Piercing Lexikon.'' Berlin 2000, ISBN 3-89602-209-1. |
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* Tobias Löbstädt: ''Tätowierung, Narzissmus und Theatralität''. VS Verlag, 2011, ISBN 978-3-531-18148-6 |
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* Anne Fuest: ''Die Tätowierung- Geschichte und Bedeutung in Afrika und Deutschland: Eine kulturanthropologische Untersuchung''. GRIN Verlag, 2008, ISBN 978-3-640-21103-6. |
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== Weblinks == |
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The land now occupied by Lyme Park was granted to Sir Thomas Danyers in 1346 by [[Edward III of England|Edward III]], for his service to the [[Edward, the Black Prince|Black Prince]] in the [[Battle of Crécy]]. On Sir Thomas's death the estate passed to his daughter, Margaret, who in 1388 married the first Piers Legh (Piers Legh I). [[Richard II of England|Richard II]] [[favourite|favoured]] Piers and granted his family a [[coat of arms]] in 1397. However, Piers was executed two years later by Richard's rival for the throne, [[Henry IV of England|Henry Bolingbroke]].<ref>Waterson, p. 5.</ref> The first record of a house on the site is in a [[manuscript]] folio dated 1465, but that house was demolished when construction of the present building began during the life of Piers Legh VII, in the middle of the 16th century.<ref>Waterson, p. 9.</ref> This house, by an unknown designer, was L-shaped in plan with east and north ranges; piecemeal additions were made to it during the 17th century. In the 1720s [[Giacomo Leoni]], an architect from [[Venice]], added a south range to the house creating a [[courtyard]] plan, and made other changes.<ref name=images/> While he retained some of its [[Elizabethan architecture|Elizabethan]] features, many of his changes were in a mixture of [[Palladian architecture|Palladian]] and [[Baroque architecture|Baroque]] styles.<ref name=pev/> During the latter part of the 18th century Piers Legh XIII bought most of the furniture which is in the house today. However, the family fortunes declined and the house began to deteriorate. In the early 19th century the estate was owned by Thomas Legh, who commissioned [[Lewis Wyatt]] to restore the house between 1816 and 1822. Wyatt's alterations were mainly to the interior, where he remodelled every room.<ref name=trail>{{cite web |url= http://www.theheritagetrail.co.uk/stately%20homes/lyme%20park.htm |title= Lyme Park |accessdaymonth=30 October |accessyear=2008 |publisher= The Heritage Trail}}</ref> Leoni had intended to add a [[cupola]] to the south range but this never materialised.<ref name=w11>Waterson, p. 11.</ref> Instead, Wyatt added a tower-like structure (a hamper) to provide bedrooms for the servants. He also added a one-storey block to the east range, containing a dining-room.<ref name=pev/> Later in the century [[William Legh, 1st Baron Newton]], added stables and other buildings to the estate, and created the Dutch Garden.<ref name=trail/> Further alterations were made to the gardens by [[Thomas Legh, 2nd Baron Newton]] and his wife during the early 20th century.<ref name=groves/> The estate was inherited in 1942 by Richard Legh, 3rd Baron Newton.<ref name=trail/> In 1946 he gave Lyme Park to the [[National Trust for Places of Historic Interest or Natural Beauty|National Trust]].<ref name=treasures>{{cite book | last = Bilsborough | first = Norman | authorlink = | coauthors = | title = The Treasures of Cheshire |edition= | publisher = North West Civic Trust| year = 1983 | location = Manchester | pages = 123–124 | url = | doi = | id = | isbn = 0 901347 35 3}}</ref> |
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* {{IMDb Name|4524347|Theo Vetter}} |
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*{{Internetquelle | url=http://www.rund-magazin.de/news/988/29/Wie-ich-einmal-Uli-Hoeness-war/ | titel=rund-magazin.de | zugriff=2012-07-08}} |
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* [http://www.tattoo-spirit.de/ts/?p=3060 tattoo-spirit.de: ''Tattoo Theo''], abgerufen am 25. juli 2014 |
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== Einzelnachweise == |
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<references /> |
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{{SORTIERUNG:Vetter, Theodor}} |
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===Exterior=== |
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[[Image:Lyme Hall 04.jpg|thumb|Courtyard showing the main entrance]] |
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The house is the largest in Cheshire, measuring overall {{convert|190|ft|m|0}} by {{convert|130|ft|m|0}}. The older part is built in coursed, squared buff [[sandstone]] [[rubble]] with sandstone dressings; the later work is in [[ashlar]] sandstone. The whole house has a Welsh slate roof and its plan is that of a courtyard. The north face is symmetrical in 15 bays and three storeys; its central bay consists of a slightly protruding gateway. The arched doorway in this bay has [[Doric order|Doric]] columns with a [[niche (architecture)|niche]] on each side. Above the doorway are three more Doric columns with a [[pediment]], and above this are three further columns. Over all this are four further columns with an open pediment bearing an image of [[Minerva]]. [[Nikolaus Pevsner|Pevsner]] refers to this gateway as "the craziest Elizabethan frontispiece".<ref name=pev/> The lateral three bays on each side project slightly forwards. The ground floors of the three outer bays on each side are [[Rustication (architecture)|rusticated]], and their upper storeys are divided by large [[Corinthian order|Corinthian]] [[pilaster]]s.<ref name=images/> The west front is also in three storeys, with nine bays, the outer two bays on each side projecting forward. The ground floor is rusticated and the upper floors are smooth.<ref name=pev/> |
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[[Kategorie:Deutscher]] |
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The symmetrical 15-bay three-storey south front overlooking the pond is the work of Leoni.<ref name=pev/> Although Leoni had been influenced by the works and principles of [[Andrea Palladio|Palladio]],<ref>T. P. Connor, "Leoni, Giacomo (c.1686–1746)", ''[[Oxford Dictionary of National Biography]]'', [[Oxford University Press]], September 2004, online edn, Oct 2007 [http://www.oxforddnb.com/view/article/16474]. Retrieved on 1 November 2008.</ref> both Pevsner and ''[[Images of England]]'' agree that the design of this front is more [[Baroque architecture|Baroque]] than [[Palladian architecture|Palladian]].<ref name=pev/><ref name=images/> The bottom storey is rusticated with arched windows, and the other storeys are smooth with rectangular windows. The middle three bays consist of a [[portico]] of which the lowest storey has three arches. Above this arise four giant fluted [[Ionic order|Ionic]] columns supporting a triangular pediment.<ref name=pev/><ref name=images/> Standing on the pediment are three lead statues which depict [[Neptune (mythology)|Neptune]], [[Venus (mythology)|Venus]] and [[Pan (mythology)|Pan]].<ref>Waterson, p. 10.</ref> The pediment partly hides Wyatt's square hamper. The other bays are separated by plain Ionic [[pilaster]]s and the end three bays on each side protrude slightly.<ref name=pev/><ref name=images/> The nine-bay three-storey east front is mostly [[Elizabethan architecture|Elizabethan]] in style and has Wyatt's single storey extension protruding from its centre.<ref name=images/> The courtyard was remodelled by Leoni who gave it a rusticated [[cloister]] on all sides. Above the cloister the architecture differs on the four sides although all the windows on the first ([[piano nobile]]) floor have pediments. On the west side is a one-bay centrepiece with a window between two [[Doric order|Doric]] pilasters; on the south and north are three windows with four similar pilasters; and on the east front is the grand entrance with a portal in a [[Tuscan order|Tuscan]] [[aedicule]].<ref name=pev/> This entrance is between the first and second storeys and is approached by symmetrical pairs of stairs with iron [[baluster]]s,<ref name=images/> which were made by John Gardom from [[Derbyshire]] in 1734. In the centre of the courtyard is an Italian [[Renaissance]] [[Puteal|well-head]], surrounded by chequered pink and white stone, simulating [[marble]].<ref name=w11/> |
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[[Kategorie:Geboren 1932]] |
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[[Kategorie:Gestorben 2004]] |
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[[Kategorie:Mann]] |
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[[Kategorie:Tätowierer]] |
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{{Personendaten |
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===Interior=== |
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|NAME=Vetter, Theodor |
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|ALTERNATIVNAMEN=Tattoo Theo |
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The Entrance Hall, which is in the east range, was remodelled by Leoni. It is asymmetrical and contains giant pilasters and a screen of three fluted Ionic columns. The doorway to the courtyard has an open pediment.<ref name=pev/> Portraits of [[Edward III of England|Edward III]] and the Black Prince decorate the hall. The Black Prince's portrait can be swung out from the wall to reveal a [[Hagioscope|squint]] into the former Elizabethan Great Chamber, which is now the Drawing Room.<ref name=micro/> Also in the Entrance Hall are [[Tapestry|tapestries]] which were woven at [[Mortlake]] between 1623 and 1636. They were originally in the Legh's London home and were moved to Lyme in 1903. In order to accommodate them, the interior decorator, Amadée Joubert, had to make alterations, including the removal of a [[Church tabernacle|tabernacle]] and cutting out four of the pilasters.<ref>Waterson, pp. 12–13.</ref> To the south of the entrance hall is the Library. The centrepiece of its ceiling depicts the Legh's [[Heraldry|heraldic]] device which consists of a [[Mail (armour)|mailed]] arm holding a banner against a background of stars. In the Library is a collection of ancient sculpture which was brought to Lyme by Thomas Legh.<ref name=micro/> To the east of the Entrance Hall is Wyatt's Dining Room, which has a [[stucco]] ceiling and a carved [[Overdoor|overmantel]] both in a late 17th-century style, as well as a [[frieze]]. The decoration of this room is considered to be a rare early example of the [[Edwardian Baroque architecture|Wrenaissance]] style.<ref name=pev/> |
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|KURZBESCHREIBUNG=deutscher Tätowierer |
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|GEBURTSDATUM=1932 |
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To the north of the Entrance Hall, on the first floor, are the two principal Elizabethan rooms, the Drawing Room and the Stag Parlour. The Drawing Room is panelled with intersecting arches above which is a [[marquetry]] frieze. The ceiling has studded bands, [[strapwork]] [[cartouche]]s and a broad frieze. Over the fireplace is a large stone overmantel which is decorated with pairs of [[Atlas (architecture)|atlantes]] and [[caryatid]]s framing the [[Coat of arms of England|arms]] of [[Elizabeth I of England|Elizabeth I]].<ref name=pev/> The stained glass in this room includes medieval glass which was moved from the original Lyme Hall to [[St Mary's Church, Disley|Disley Church]] and returned to Lyme in 1835.<ref name=images/> The Stag Parlour has a chimneypiece depicting an Elizabethan house and hunting scenes, and it includes the arms of [[James I of England|James I]]. The other Elizabethan rooms in the house are the Stone Parlour on the ground floor, and the Long Gallery, which is on the top floor of the east range. The Long Gallery also has a chimneypiece with the arms of Elizabeth I. The Grand Staircase dates from the remodelling by Leoni and it has a Baroque ceiling.<ref name=pev/> The Saloon is on the first floor of the south range, behind the portico.<ref>Waterson, p. 4.</ref> Its ceiling is decorated in [[Rococo]] style,<ref>Waterson, p. 17.</ref> and the room contains wooden carvings which have been attributed to [[Grinling Gibbons]].<ref name=images/> The Chapel, in the northeast corner of the ground floor, also contains detailed carvings.<ref name=pev/> |
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|GEBURTSORT=[[Hamburg]] |
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|STERBEDATUM=15. Juli 2004 |
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|STERBEORT=Hamburg |
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}} |
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The house is surrounded by formal gardens of {{convert|6|ha|acre|0}} in a deer park of about {{convert|550|ha|acre|0}} which are listed at Grade II* in the [[National Register of Historic Parks and Gardens]].<ref name=ukb>{{cite web |url=http://www.york.ac.uk/depts/arch/landscapes/ukpg/sites/lymepark.htm |title=U.K. Database of Historic Parks and Gardens: Lyme Park |accessdaymonth=30 October |accessyear=2008 |publisher=[[University of York]] }}</ref> In the gardens and deer park are a number of notable structures. |
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===Gardens=== |
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[[Image:Lyme Park garden.jpg|thumb|right|Dutch Garden]] |
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To the west of the house is the former [[mill pond]]. From the south of the house a lawn slopes down to another pond beyond which is a small [[ravine]] with a stone bridge, this area being known as ''Killtime''. To the west of the lawn is the sunken Dutch Garden, which was created by William Legh. It consists of formal flower beds with a central fountain. To the west, south and east of the orangery are further formal flower gardens, including rose gardens.<ref name=groves/> |
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===Deer park=== |
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The park was enclosed in the 14th century by Piers Legh I. In the 17th century Richard Legh planted avenues of [[Acer pseudoplatanus|sycamore]] and [[Tilia|lime]] trees. Richard's son, Peter Legh XII carried out more extensive tree-planting in the park, giving it its current appearance.<ref name=groves>{{cite book | last = Groves | first = Linden | title = Historic Parks & Gardens of Cheshire |edition= | publisher = Landmark | year = 2004| location = Ashbourne | pages = 50–57| url = | doi = | id = | isbn = 1 84306 124 4}}</ref> [[Red deer]] descended from the original deer present when the park was enclosed graze in the grounds, as do [[Highland cattle]]. Formerly an unusual breed of wild white cattle with red ears grazed in the park but they became extinct in 1884.<ref name=micro>{{cite web |url= http://www.ukheritage.net/houses/lyme.htm |title= Lyme Park - Disley, Cheshire (NT) |accessdaymonth=30 October |accessyear=2008 |publisher= MicroArts }}</ref> [[Fallow deer]] and sheep also graze in the park.<ref name=treasures/> |
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===Structures=== |
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[[Image:TheCageLymePark.JPG|thumb|Part of the deer park showing the Cage]] |
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The most obvious structure in the park is a tower called the Cage which stands on a hill to the east of the approach road to the house ({{coord|53.34453|-2.05189}}). It was originally a hunting lodge and was later used as a park-keeper's cottage and as a lock-up for prisoners. The first structure on the site was built about 1580; this was taken down and rebuilt in 1737, possibly to a design by Leoni for Peter Legh X. The tower is built in buff sandstone [[rubble]] with [[ashlar]] sandstone dressings. It is square in plan, in three storeys, with attached small square towers surmounted by [[cupola]]s at the corners. The Cage is a Grade II* listed building.<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=407227 |title=Images of England: The Cage |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> Also in the park is the Paddock Cottage which was erected by Peter Legh IX and restored in the early 21st century. To the east of this are the remains of the Stag House ({{coord|53.32211|-2.05374}}).<ref name=groves/> To the left of the house in Lantern Wood is a [[Belvedere (structure)|belvedere]] known as the Lantern ({{coord|53.33842|-2.04333}}). It is built in sandstone and has three storeys and a spire; the lowest storey is square in plan while the other storeys and the spire are octagonal. The top storey and spire date from about 1580 and originally formed a [[bellcote]] on the north gatehouse. This was removed during the restoration of the house by Wyatt and rebuilt on the present site. It is a Grade II* listed building.<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=407224 |title=Images of England: The Lantern |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> |
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[[Image:Lyme Hall 02.jpg|thumb|left|North front of the house seen through the gateway]] |
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Immediately to the northeast of the house is the [[Orangery]] which was designed in 1862 by Alfred Darbyshire.<ref name=pev/> The Orangery is joined to the house by a covered passage known as the Dark Passage. This was designed by Wyatt for Sir Thomas Legh in 1815 and is a Grade II listed building.<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=407199 |title=Images of England: The Dark Passage |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> Further from the house, to the northeast of the orangery, are the stables ({{coord|53.33912|-2.05283}}). These are dated 1863 and were also designed by Darbyshire. They are built in sandstone on a courtyard plan and are listed Grade II.<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=407212 |title=Images of England: The Stables at Lyme Park |acessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> Other structures in the grounds listed Grade II are the Pheasant House dating from about 1870,<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=407216 |title=Images of England: The Pheasant House |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> an Italian white [[marble]] [[Puteal|wellhead]] in the centre of the courtyard of the house dating from the 18th century and probably brought to the house from Venice in about 1900,<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=406870 |title=Images of England: Wellhead at centre of Lyme Park's courtyard |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> sandstone kennels in an H-plan dating from around 1870,<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=407215 |title=Images of England: The Kennels in Lyme Park |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> a pair of gardener's cottages dated 1871,<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=407213 |title=Images of England: Pair of Gardener's Cottages at Lyme Park |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> terrace [[revetment]] walls to the west of the house containing some 17th-century masonry with later repairs,<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=407218 |title=Images of England: Terrace revetment walls |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> the lodge, gate piers and gates on Lyme Park Drive,<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=406479 |title=Images of England: Lodge and Gatepiers and Gates on Lyme Park Drive |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> the forward gatepiers to Lyme Park Drive, dating from the late 17th century and moved to their present position about 1860,<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=406477 |title=Images of England: Forward gate piers to Lyme Park Drive |accessdaymonmth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> the gate piers in Red Lane,<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=406854 |title=Images of England: Gate piers, Red Lane |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> and the gate piers, gates and railings to the north of the north front of the house.<ref>{{cite web |url=http://www.imagesofengland.org.uk/search/details.aspx?pid=1&id=406871 |title=Images of England: Gate piers, gates and railings |accessdaymonth=30 October |accessyear=2008 |publisher=[[English Heritage]] }}</ref> |
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==Present day== |
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Lyme Park is owned and administered by the National Trust with financial support from [[Stockport Metropolitan Borough Council]]. The house, garden and park are open to the public at advertised hours. An entrance fee to the house and garden is payable by non-members of the National Trust.<ref name=nt>{{cite web |url= http://www.nationaltrust.org.uk/main/w-vh/w-visits/w-findaplace/w-lymepark.htm |title= Lyme Park |accessdaymonth=30 October |accessyear=2008 |publisher= [[National Trust for Places of Historic Interest or Natural Beauty|National Trust]]}}</ref> An additional fee is charged for parking. In the grounds are shops, a refreshment kiosk, a coffee shop and a licensed restaurant.<ref>{{cite web |url= http://www.nationaltrust.org.uk/main/w-vh/w-visits/w-findaplace/w-lymepark/w-lymepark-facilities.htm |title= Facilities |accessdaymonth=30 October |accessyear=2008 |publisher= [[National Trust for Places of Historic Interest or Natural Beauty|National Trust]]}}</ref> Events are held in the park and guided tours are arranged.<ref>{{cite web |url= http://www.nationaltrust.org.uk/main/w-vh/w-visits/w-findaplace/w-lymepark/w-lymepark-seeanddo.htm |title= What to see and do |accessdaymonth=30 October |accessyear=2008 |publisher= [[National Trust for Places of Historic Interest or Natural Beauty|National Trust]] }}</ref> |
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Lyme Park and its hall have been used in a number of films and TV programmes. It was the location of ''[[Pemberley]]'', the home of [[Fitzwilliam Darcy|Mr. Darcy]], in the 1995 [[BBC]] adaptation of [[Jane Austen]]'s novel ''[[Pride and Prejudice (1995 TV serial)|Pride and Prejudice]]''.<ref name=groves/> It was also used as a location for the [[Red Dwarf]] episode "[[Timeslides]]".<ref>{{cite web |url= http://www.ukonscreen.com/films.php?gegfkbb |title= Red Dwarf (TV) (1998) |accessdaymonth=3 November |accessyear=2008 |publisher= UK Onscreen}}</ref> The Bowmen of Lyme use the park for [[archery]].<ref>{{cite web |url= http://www.bowmenoflyme.com/About/Default.aspx |title= Who are we? |accessdaymonth=4 November |accessyear=2008 |publisher= The Bowmen of Lyme }} </ref> In 2000 the Mastiff Association organised an event in the park to commemorate the long connection between the owners of the hall and the [[English Mastiff]] breed.<ref>{{cite web |url= http://www.mastiffassociation.com/Events/limehall2000.htm |title= Mastiffs at Lyme Hall |accessdaymonth=4 November |accessyear=2008 |publisher= Mastiff Association }}</ref> |
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== References == |
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===Notes=== |
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{{reflist|2}} |
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===Bibliography=== |
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{{refbegin}} |
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*{{cite book | last = Waterson | first = Merlin | authorlink = | coauthors = | title = Lyme Park |edition= | publisher = [[National Trust for Places of Historic Interest or Natural Beauty|National Trust]] | year = 1975 | location = | pages = | url = | doi = | id = | isbn = }} |
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{{refend}} |
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== Further reading== |
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*{{cite book | last = Newton | first = Lady | authorlink = | coauthors = | title = The House of Lyme: From Its Foundation to the End of the Eighteenth Century |edition= | publisher = [[G. P. Putnam's Sons]] | year = 1917 | location = New York | pages = | url = | doi = | id = | isbn = }} |
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*{{cite book | last = Newton | first = Lady | authorlink = | coauthors = | title = Lyme Letters 1660-1760 |edition= | publisher = [[Heinemann (book publisher)|William Heinemann]] | year = 1925 | location = London | pages = | url = | doi = | id = | isbn = }} |
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* Rothwell, James (1998), ''Lyme Park''. National Trust. |
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== External links == |
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{{commonscat|Lyme Park}} |
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* [http://www.gardenvisit.com/g/lym.htm Lyme Park — a Gardens Guide review] |
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* [http://www.360spin.co.uk/portfolio/lymepark.htm 360° view of the south front of the hall] |
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* [http://www.digicam69.co.uk/lyme_park.htm Photographs by digicam69] |
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{{coord|53.338|-2.055|display=title}} |
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[[Category:Gardens in Cheshire]] |
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[[Category:Houses in Cheshire]] |
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[[Category:Visitor attractions in Cheshire]] |
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[[Category:Country parks in England]] |
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[[Category:National Trust properties in Cheshire]] |
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[[Category:Grade I listed houses]] |
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[[Category:Grade I listed buildings in Cheshire]] |
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[[es:Lyme Park]] |
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[[pt:Lyme Hall]] |
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Version vom 28. April 2015, 23:56 Uhr
Theodor Vetter, bekannt als „Tattoo Theo“ (* 1932 in Hamburg; † 15. Juli 2004 ebenda[1]), war ein deutscher Tätowierer.
Leben
Theodor Vetter war nur gelegentlich als Tätowierer tätig. Er selbst verstand sich eher als lebendes Kunstwerk und Selbstdarsteller. Im Alter von 13 Jahren vollbrachte Vetter seine erste Tätowierung an sich selbst. Drei Jahre später ließ er sich von Christian Warlich seine erste professionelle Tätowierung fertigen. In den Folgejahren wurden es zirka 260 Tätowierungen[2] von etwa 240 verschiedenen Tätowierern.[3] Im Jahr 1975 veranstaltete Vetter in seiner Stammkneipe in Hamburg die vermutlich erste Tattooconvention auf deutschem Boden.[4][5]Vetter war Gründungsmitglied der ersten deutschen Tätowierervereinigung, die Manfred Kohrs im Jahr 1977 in Hannover ins Leben rief, er trat in den Folgejahren in verschiedenen Fernsehsendungen auf, beispielsweise am 26. Mai 1991 in der Sendung Schmidteinander sowie bei Hans Meiser und Jürgen Fliege.[6]
Literatur
- Marcel Feige: Tattoo-Theo: Der Tätowierte vom Kiez. Die Biographie der großen Hamburger Tattoo-Legende . Schwarzkopf & Schwarzkopf, 2001, ISBN 3-89602-355-1.
- Marcel Feige: Das Tattoo-und Piercing Lexikon. Berlin 2000, ISBN 3-89602-209-1.
- Tobias Löbstädt: Tätowierung, Narzissmus und Theatralität. VS Verlag, 2011, ISBN 978-3-531-18148-6
- Anne Fuest: Die Tätowierung- Geschichte und Bedeutung in Afrika und Deutschland: Eine kulturanthropologische Untersuchung. GRIN Verlag, 2008, ISBN 978-3-640-21103-6.
Weblinks
- Vorlage:IMDb Name
- rund-magazin.de. Abgerufen am 8. Juli 2012.
- tattoo-spirit.de: Tattoo Theo, abgerufen am 25. juli 2014
Einzelnachweise
- ↑ handelsblatt.com: «Tattoo-König» Theo im Alter von 72 Jahren gestorben Abgerufen am 8. Juli 2012
- ↑ SPIEGEL ONLINE Abgerufen am 10. Juli 2012
- ↑ Marcel Feige: Das Tattoo-und Piercing Lexikon. S. 312.
- ↑ Tobias Löbstädt: Tätowierung, Narzissmus und Theatralität, S. 114
- ↑ Anne Fuest: Die Tätowierung- Geschichte und Bedeutung in Afrika und Deutschland, S. 22
- ↑ Planet Wissen: Tattoo-Theo - Gesamtkunstwerk auf Lebenszeit Abgerufen am 9. Juli 2012
| Personendaten | |
|---|---|
| NAME | Vetter, Theodor |
| ALTERNATIVNAMEN | Tattoo Theo |
| KURZBESCHREIBUNG | deutscher Tätowierer |
| GEBURTSDATUM | 1932 |
| GEBURTSORT | Hamburg |
| STERBEDATUM | 15. Juli 2004 |
| STERBEORT | Hamburg |