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Red Cedar Chamber Music

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Red Cedar Chamber Music, Inc. is a self-presenting American nonprofit, tax-exempt corporation founded by flutist Jan Boland and guitarist John Dowdall in 1997 in Marion, Iowa. Its mission is to enrich the well-being of our community through innovative, educational, and collaborative chamber music programs of the highest caliber. The organization adopted the mantra "Chamber music should be just like this -- intimate, bonding and conversational," based on a 1998 review in the American Record Guide.[1]

Boland and Dowdall led the organization as its core ensemble and executive and artistic directors for 20 years until mid-2016. After a successful transition, violinist Miera Kim and cellist Carey Bostian assumed these roles.[2]

Red Cedar Chamber Music’s repertoire historically has spanned a wide range of repertoire, from early music performed on period instruments to contemporary commissioned works.

Components

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MainStage Concert Series:

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Red Cedar Chamber Music’s MainStage Concert Series presents three annual concert projects that draw guest artists of the highest quality from across the country to work in concert with Red Cedar Chamber Music’s core ensemble.

Educational Outreach Programs:

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Red Cedar Chamber Music brings chamber music to diverse audiences through nearly 100 events per season. These mostly free programs extend beyond the concert stage to rural audiences, school children, and senior citizens, when and where they normally congregate.[3]

1. Rural Outreach Concerts. Chamber music for rural Iowa communities, made possible by grant awards from National Endowment for the Arts.

2. Music for Kids. Classroom educational programs for students K-12.

3. Music for Seniors. Intimate and communicative chamber music performances for senior citizens, delivered directly to the places where they gather.

4. Chamber Music Now! A mentorship program that offers gifted high school and college instrumental students an opportunity to perform with Red Cedar's professional ensemble.

Red Cedar Chamber Music’s educational initiatives have received recognition and support from leading arts organizations.[4] The National Endowment for the Arts (NEA) has awarded grants nearly every year since 2003 to support Red Cedar’s partnerships with rural Iowa communities that bring chamber music to underserved rural communities.[5] In 2007, Chamber Music America (CMA) awarded a three-year $45,000 Residency Partnership Program grant, one of only four awarded nationwide, to support educational events in Eastern Iowa. [6][7]

Governance

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Red Cedar Chamber Music, Inc.is a self-presenting, organization that was officially incorporated in 1998. It received both its certificate of incorporation[8] and nonprofit-tax-exempt 501(c)(3) status[9] in the same year. The organization is governed by a Board of Directors which is responsible for hiring two full-time musicians who serve as administrators and core-ensemble performing artists.[10] Violinist Miera Kim and cellist Carey Bostian have served as Executive and Artistic Directors and core-ensemble since 2016.[11]

Laying the groundwork for Red Cedar Chamber Music

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This musical groundwork was laid decades prior to incorporation. In 1979, flutist Jan Boland and guitarist John Dowdall traveled to the Library of Congress in Washington D.C. to study musical scores and found a wealth of early nineteenth-century repertoire for flute and guitar. With this repertoire in hand, they acquired period instruments from the same era, learned to play them, and began incorporating historically informed performances into their concert tours.[12]

They joined the explosion in the compact disc market in 1988 with their debut CD, Giuliani Hummel et al, on Titanic Records, which was named “Disc of the Month” by Germany’s Alte Musick Aktuell.[13] This international recognition led to an invitation to perform at the Tage Alter Musik festival in Regensberg, Germany[14] where their performance was lauded as a ‘highpoint of the festival.”[15]

The music of Wenzel Matiegka, a nineteenth-century composer from Bohemia, inspired these two Iowa musicians to form a fourteen-year-long musical relationship with violist David Miller. All three musicians had previously been deeply involved with period instruments, and as a trio then joined others doing ground breaking work in historically informed early 19th-century performances. The trios of Bohemian composer Wenzel Matiegka were first performed by Boland, Dowdall and Miller at the newly opened National Czech & Slovak Museum & Library in Cedar Rapids, Iowa in 1996. The experience playing in the beautiful museum, framed by large windows overlooking the Red Cedar River, inspired the name of the new organization, Red Cedar Chamber Music.

In 1998, after nearly two decades of touring, Boland and Dowdall brought their music home to Eastern Iowa with a bold plan: to create a nonprofit organization dedicated to chamber music.[16] That same year, Red Cedar Chamber Music, Inc. was formally incorporated as a 501 (c) (3) nonprofit.[17] Soon after, Red Cedar Chamber Music was named one of 50 “Cultural Leadership Partners” by the Iowa Department of Cultural Affairs.[18]

As the organization’s first core ensemble, Boland and Dowdall brought to the organization two areas of musical expertise: performances of early 19th-century music on period instruments and the commissioning of contemporary works for modern instruments.[19] Between 1997-2016, Red Cedar Chamber Music commissioned and premiered 50 new chamber music works. The organization enjoyed formal collaborations with named composers-in-residence.[20]

Commissioning

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Red Cedar Chamber Music has established a robust, award-winning commissioning program.[21] Between 1997-2015, the organization commissioned 50 new works for flute, guitar, and other instruments. Since then, it has continued to commission numerous annual works, expanding the repertoire for violin, cello and other instruments.

The program has fostered collaborations with distinguished composers-in-residence resulting in award-winning scores.[22]

• Jerry M. Owen, 2002-2005

• Andrew Earle Simpson, 2005-2008

• Harvey Sollberger, 2008-2011

• Michael Gilbertson, 2011-2014

• Stephen Cohn, 2017-2019

• Michael Kimber, 2019-2023

Jan Boland served as arranger for Red Cedar Chamber Music during the first 20-year period: several arrangements, published by ALRY Publications[23] received newly-published music awards from the National Flute Association, including Oswald’s Airs for the Four Seasons for 2 flutes [violins] and cello[24] and 10 Pocket-Sized Trios for flute, guitar, and cello.[25][26]

Collaborations

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Collaborations are the cornerstone of the mission of Red Cedar Chamber Music, enriching the concert experience and building audiences for the art of chamber music. Below are two examples of collaborative projects.

1. Partnership with the Metropolitan Museum of Art

Red Cedar Chamber Music embarked on its first multi-organization collaboration in 1997-1998, partnering with New York's Metropolitan Museum of Art and Iowa's Cedar Rapids Museum of Art. This unique project featured a loan of four rare flutes (by Laurent, Tulou, and Firth Hall & Pond) and three guitars (by Mauchant, Martin, and Lacote) from the Met’s Musical Instrument Division collection. Red Cedar artists, flutist Jan Boland and guitarist John Dowdall, curated and rehearsed repertoire appropriate for these instruments.[27][28] Audiences came to the Cedar Rapids Museum and to the Metropolitan Museum of Art for the rare opportunity to hear these instruments in live performances.[29] The project culminated in the recording of a compact disc titled Crystal to Gold (released by Fleur de Son Classics). [30][31] The collaboration was inspired and largely funded by the coveted Solo Recitalist Fellowships awarded to Boland and Dowdall by the National Endowment for the Arts.[32][33][34]

2. International Collaboration: Celebrating Dvořák’s Legacy

An international collaboration designed by Red Cedar Chamber Music paired the National Museum in Prague (Czech Republic) with Iowa’s National Czech & Slovak Museum & Library to celebrate Czech Composer Antonin Dvořák’s 1893 residence in rural Spillville, Iowa. Dvořák composed his "American" String Quartet in F” during that summer in Spillville. Red Cedar Chamber Music commissioned 15 Iowa composers to write a one-minute variation on the opening theme of the Scherzo movement of Dvořák’s quartet. Led by composer-in-residence Jerry Owen, other composers heard in the work are: Jonathan Chenette, Peter Hamlin, Robert Lindsey Nassif, Michael Gilbertson, Lyle Dockendorff, Tracey Rush, Lucas Gullickson, Michael Daugherty, Donald Chamberlain, Peter Bloesch, Dan Knight, Harvey Sollberger, Pat Smith and Jan Boland. The resulting composition is titled Spillville Variations on a Theme by Dvořák.

Red Cedar Chamber Music musicians collaborated with members of the Czech-based Quartetto Telemann in 2004 to perform perform the work multiple times, including a rural Iowa concert in Spillville, the Embassy of the Czech Republic in Washington D.C., and the National Museum (Prague).[35][36]

The project culminated in a digital recording titled Czech Inspired by Red Cedar Chamber Music artists Jan Boland, David Miller and John Dowdall, released on the Fleur de Son Classics label.[37] In 2007, Czech Inspired was featured on National Public Radio’s Classical Guitar Alive on a program titled “Rising Stars.” A review of the disc in the United Kingdom’s Gramophone magazine called the project “almost dazzling in its simplicity.”[38]

The musical score, Spillville Variations on a Theme by Dvořák (for flute, viola and guitar), is published by ALRY Publications [39][40] and received an honorable mention in the National Flute Association’s Newly Published Music Competition.[41][42]

Discography

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In its first 20 years, Red Cedar Chamber Music core ensemble flutist Jan Boland and guitarist John Dowdall collaborated with guest artists to record 13 award-winning digital compact disc recordings, released to the commercial market on the Fleur de Son Classics, Titanic and Koch International labels. The catalogue is diverse: four discs of new commissioned works on modern instruments and nine discs of period instrument recordings.[43] Nineteenth-century period instrument recordings were beginning to attract the interest of serious classical listeners, and Red Cedar’s recordings of repertoire on early nineteenth-century flutes and guitars (later recordings added strings and forte piano), among the first in the commercial market, were favorably reviewed.[44]

• Giuliani, Hummel, et. al. Jan Boland, flute; John Dowdall, guitar. A potpourri of 19th-century salon music on period flutes and guitar. Titanic Records Ti-161. Named “Best Disc of the Month” by the German publication Alte Musik Aktuell, Regensburg, Germany.[45]

• Rossini, Mozart. Jan Boland, flute; John Dowdall, guitar. Serenades from the 19th-Century Salon on nineteenth-century period flute and guitar. Titanic Records Ti-182. Named “Best Disc of the Month” January, 1993 in Alte Musik Aktuell, Regensburg, Germany.[46]

• Home Sweet Home: Parlor Music from the Civil War. Jan Boland, flute; John Dowdall, guitar. Music from the American Civil War era on nineteenth-century period instruments. Koch International Classics, 1996.

• Czech Chamber Music. Jan Boland, flute; David Miller, viola; John Dowdall, guitar. The trios of Wenceslaus Matiegka on 19th-century period instruments. Fleur de Son Classics, FDS #57927. Named ‘Critic’s Choice’ by the American Record Guide (Nov./Dec. 1998) saying, “Chamber music should be just like this – intimate, bonding and conversational,” and named the disc “Critics’ Choice 1998”.[47][48]

• Crystal to Gold–Precious Flute and Guitars from the Metropolitan Museum of Art. Jan Boland, flutes; Amy Boland, flute; John Dowdall, guitars – on nineteenth-century period instruments housed in the collection of the Music Division of the Metropolitan Museum of Art. Fleur de Son Classics FDS #57932.[49]

• Vintage Viennese. Jan Boland, flute; David Miller, viola; John Dowdall, guitar. Trios of Beethoven and Matiegka on nineteenth-century period instruments. Fleur de Son Classics, FDS #57945

• The Red Cedar Collection. Jan Boland, flute; John Dowdall, guitar. American music for flute and guitar on modern instruments. Includes commissioned works by Jerry Owen, Jonathan Chenette, Katherine Hoover, Gary Schocker, John Thow, Robert Nassif, and David Leisner. Fleur de Son Classics FDS #57960

• 3 Guys Named Mo. Jan Boland, flute; David Miller, viola; John Dowdall, guitar. Trios of Molitor, Molino and Mozart on nineteenth-century period instruments. Fleur de Son Classics FDS #57969

• Czech-Inspired. Jan Boland, flute; David Miller, viola; John Dowdall, guitar. Commissioned works for flute, guitar and viola by Jerry Owen and Iowa composers. Fleur de Son Classics, FDS #57974

• Johann Nepomuk Hummel: Music at Schonbrunn. Jan Boland, flute; John Dowdall, guitar; Theresa Bogard, fortepiano, Timothy Shiu, violin, Loretta O’Sullivan, cello. The works of Hummel on period instruments. Fleur de Son Classics FDS #57983

• Fireflies. Chamber Music by Andrew Earle Simpson. Jan Boland, flute; David Miller, viola; John Dowdall, guitar. Works commissioned by Red Cedar Chamber Music. Fleur de Son Classics FDS #57985

• Gaspard Kummer. Jan Boland, flute; David Miller, viola; John Dowdall, guitar; Douglas Worthen, flute; Loretta O’Sullivan, cello. Chamber music for flute, guitar and strings by Kummer on nineteenth-century period instruments. Fleur de Son Classics FDS #58008

• Spillville & Gilead: Chamber Music by Harvey Sollberger, 2012. Jan Boland, flute; John Dowdall, guitar; Anthony Devroye, viola; Miera Kim, violin; Nancy McFarland Gaub, violin; Lisa Ponton, viola; Carey Bostian, cello. Features two commissions of composer-in-residence Harvey Sollberger. Fleur de Son Classics FDS #58016

• Backlash Bach. Miera Kim, flute; Carey Bostian and Isaac Pastor-Chermak, cello. Self-published.

Media - AV

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Red Cedar Chamber Music YouTube Channel: Live concerts since 2010 on YouTube.

Iowa PBS produced and aired an 8-minute documentary titled “Red Cedar Chamber Music – Our Story, featuring host Morgan Halgren. This special program provides an engaging overview of the organization.[50]

Successful transition - 2016

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A successful transition was achieved in 2016 when founders and core musicians retired. From the organization’s earliest days, the founders envisioned creating a sustainable arts organization that could be passed to successive ensembles that would continue to serve Eastern Iowa. Their vision focused not on themselves but on the organization’s long-term impact.[51] The board of directors hired the new core-ensemble to work part-time throughout the year preceding the transition, to work side-by-side with current core ensemble in the office, learning the executive and artistic director responsibilities. At the same time they were hired as guest artists on each concert throughout the season. The 12-month collaborative process allowed the public, funders, collaborating partners, and grant organizations to witness a seamless transition as all four musicians worked side-by-side in both administrative and artistic roles.

Notable

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1. On the recommendation of Iowa’s Senator Tom Harkin, Red Cedar Chamber Music was invited to perform one of the first live-streamed concerts on Millennium Stage of the Kennedy Center for the Performing Arts in Washington D.C. in July, 1999.[52]

2. For six consecutive years, Red Cedar Chamber Music was invited to be among artists-in-residence at Avaloch Farm Music Institute in Boscawen, New Hampshire. This residency provided a dedicated space for artistic development and to bring their music to the local community. Two signature multi-media projects, among others, took shape during this valuable opportunity that became of their programming during the organization’s leadership transition.

• The Brinton Silent Film Project – A project featuring live music composed for to rare silent films dating from the turn of the 20th century.[53] This silent film project is the subject the documentary titled “Saving Brinton,” and a two-disc DVD release. The second of the two-disc set, “Silent Films & Music Featurette,” tells the story of the creation of new music commissioned by Red Cedar Chamber Music from composer Harvey Sollberger for these silent films.[54]

• Music and Magic Lanterns – A series of commissioned works designed to accompany the viewing of magic lantern slides from the turn of the 20th century.[55]

Summer Festival

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Red Cedar Summer Festival for Flute and Guitar Duos was the longest running consecutive festival of its kind.[56] Held each summer flute from 2000-2014, professional duos and guitar duos from across the country gathered for a week of masterclasses, coachings, community concerts by faculty and participants and guest lectures on the how-tos of marketing, fundraising, commissioning new music and collaborating with arts organizations.[57]

Archives

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The sheet music, brochures, concert programs, photos, digital files and various correspondence pertaining to Red Cedar Chamber Music’s first 20 years are housed in the Special Collections and Archives at the University of Iowa under the heading “Red Cedar Chamber Music Collection” Identifier MsC1166.[58]

References

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  1. ^ Ritter, Steven. ‘Critic’s Choice,” American Record Guide. Nov./Dec. 1998
  2. ^ Weller, Dr. Janis. “The Musician’s Career Lifespan”. ISME International Society for Music Education: Proceedings of the 22nd International Seminar of the International Society for Music Education (ISME) Commission on the Education of the Professional Musician. (Kurmangazy Kazakh National Conservatory, Almaty Kazakhstan. July 11-13, 2018. Edited by Pamela D. Pike) p.32
  3. ^ “American Ensemble: Festival Built for Two.” Chamber Music, Vol. 19, no. 3, June 2002, p.8.]
  4. ^ “Red Cedar’s Music Outreach Recognized.” Cedar Rapids Gazette, August 19, 2007 p.182]
  5. ^ National Endowment for the Arts 2007 Annual Report. Feature article p.54.
  6. ^ Dadian, Susan. Chamber Music America award letter to Jan Boland, April, 27 2007.
  7. ^ “Red Cedar to preview national presentation.” Cedar Rapids Gazette, January 4, 2009, p.113.
  8. ^ Iowa Secretary of State. Certificate of Incorporation. Des Moines, Iowa, 1998.
  9. ^ Bullard, Ashley. Internal Revenue Service, Letter to Red Cedar Chamber Music, 10 July 1998.
  10. ^ Weller, Dr. Janis. “Interview for the International Society for Music Education.” Life-Long-Learning project by Dr. Weller. 2017.
  11. ^ “Red Cedar Chamber Music concert is mostly folk inspired” Cedar Rapids Gazette Sept 30, 2015, p 43.
  12. ^ Klinefus, Karen. “Making Music fulfills dream” Cedar Rapids Gazette, March 12, 2000 page 40.
  13. ^ Strobl, Robert. “Die Platte Des Monats,” Alte Musik Aktuell. September 1988, Nr.9.
  14. ^ Schmid, Stephan. Letter of invitation to Boland and Dowdall to Tage Alter Musik Regensburg. 25 June 1988.
  15. ^ Musica Sacra, September/Oktober 1989.
  16. ^ Halbloom, Jacqueline. “Iowa Arts Showcase”.” Interview with Red Cedar Chamber Music for Iowa Public Radio, broadcast September 5, 2015.]
  17. ^ Iowa Secretary of State. Certificate of Incorporation. Des Moines, Iowa, 1998.
  18. ^ Leslie, Thea. “Minutes from Site Visit by Iowa Department of Cultural Affairs” Red Cedar Chamber Music, a Cultural Leadership Partner, in review”. February 25, 2008.
  19. ^ “American Ensemble: Festival Built for Two.”
  20. ^ “Red Cedar Chamber Music; the first 20 years _ 1997-2016” https://bolanddowdall.org/430-2/ Retrieved 2025-02-25
  21. ^ “Red Cedar Chamber score wins award.” Cedar Rapids Gazette, Aug 12, 2001.
  22. ^ “Commissions” https://bolanddowdall.org/commissions/ Retrieved 2025-02-25
  23. ^ “Boland, Jan” United Music & Media Publishers. https://ummpstore.com/collections/boland-jan Retrieved 2025-02-25
  24. ^ “Newly Published Music Winners 2021” The Flutist Quarterly: Santa Clarita CA, Vol. 46, Iss. 4. (Summer 2021) p.52.
  25. ^ “Music Reviews” The Flutist Quarterly, Fall 2020. NFAONLINE.org, p.54. https://www.nfaonline.org/docs/default-source/fq-issues/fqfa20_v26e848bdb488c472a876235a9bf9ae4a9.pdf?sfvrsn=4a24454a_0
  26. ^ FOOTNOTE: “2020 Newly Published Music Competition Results” NFAOnline, May 21, 2020 https://www.nfaonline.org/about/about-the-nfa/nfa-news-updates/2020/05/21/2020-newly-published-music-competition-results Retrieved 2025-02-25
  27. ^ “Metropolitan Museum of Art Project” (https://bolanddowdall.org/metropolitan-museum-of-art/ Retrieved 2025-02-25
  28. ^ “Boland-Dowdall Duo playing, planning” The Gazette, February 1, 1998, p 171.
  29. ^ Concert Program from Patrons Lounge, Metropolitan Museum of Art, New York, NY, May, 1998.
  30. ^ “Crystal to Gold Precious Flutes and Guitars.” Fleur de Son Classics, Ltd. (FDS) catalog. https://www.fleurdeson.com/p13_crystal_to_gold_precious_flutes_and_guitars.html Retrieved 2025-02-25
  31. ^ “Libin Lectures.” The Cedar Rapids Gazette, March 9, 1999, p.187.
  32. ^ National Endowment for the Arts: 1992 Annual Report, p.154. https://www.arts.gov/about/publications/1992-annual-report Retrieved 2025-02-25
  33. ^ “In the News.” The Flutist Quarterly, Spring, 1993, p.10.
  34. ^ Schroeder, Lisa Marie. “The Flute and Guitar Duo: The Development of an Equal Partnership” DMA essay, University of Iowa, 2015), p.37.
  35. ^ Boland, Jan. “Dvořák in Iowa Project.” https://bolanddowdall.org/czech-international-project/ Retrieved 2025-02-25
  36. ^ Hagen, Nancy. Know the Score. Iowa Public Radio Interview. December. 19, 2004.
  37. ^ “Czech Inspired 21st Century Chamber Trios.” Fleur de Son Classics, Ltd. (FDS) Catalog. https://www.fleurdeson.com/p49_czech_inspired_21st_century_chamber_trios.html Retrieved 2025-02-25
  38. ^ Smith, Ken. ‘Czech Inspired,” Gramophone, London, September 2006, pA9, A10.
  39. ^ “Spillville Variations on a Theme by Dvořák” A musical score published by ALRY Publications (distributed by United Music Media Publishers). https://ummpstore.com/products/spillville-variations-on-a-theme-by-dvorak Retrieved 2025-02-25
  40. ^ Nelson, Lisa. “Reviews” Pan. November, 2017, p.63.
  41. ^ Music for Flute, Viola and Guitar” https://bolanddowdall.org/music-for-flute-guitar-viola/ Retrieved 2025-02-25
  42. ^ Clifford, Adam. “NFA 2018 Newly Published Flute Music Competition Winners.” Just Flutes. 24 August 2018. https://www.flutes.com/nfa-2018-newly-published-flute-music-competition-winners/ Retrieved 2025-02-25
  43. ^ Fleur de Son Classics, Ltd. –Catalog. https://www.fleurdeson.com/products.html
  44. ^ Schroeder, Lisa. The Flute and Guitar Duo: The Development of an Equal Partnership. An essay for the Doctor of Musical Arts Degree, University of Iowa, December 2015. p. 12.
  45. ^ Robert Strobl. “Die Platte Des Monats.” Alte Musik Aktuell, June, 1988, p.7.
  46. ^ Robert Strobl. “Die Platte Des Monats.” Alte Musik Aktuell, January, 1993.
  47. ^ Steve Ritter. “ Matiegka: Serenade; Nocturne.” American Record Guide November/December 1998, p170.
  48. ^ Steve Ritter. “Critics’ Choice 1998.” American Record Guide, January/February 1999.
  49. ^ Elaine Schmidt, Crystal to Gold,” American Record Guide, Mar/Apr 2004, Vol. 67, Issue, p 222.
  50. ^ Iowa PBS documentary https://www.youtube.com/watch?v=Nr0PwjYqvxA Retrieved 2025-02-25
  51. ^ Weller, Dr. Janis. “The Musician’s Career Lifespan”. ISME International Society for Music Education: Proceedings of the 22nd International Seminar of the International Society for Music Education (ISME) Commission on the Education of the Professional Musician. (Kurmangazy Kazakh National Conservatory, Almaty Kazakhstan. July 11-13, 2018. Edited by Pamela D. Pike) p.33.
  52. ^ Goldspiel, Eileen. The Kennedy Center. Letter to John Dowdall of Red Cedar Chamber Music, 9 June 1999.
  53. ^ “The Brinton Silent Film Project” https://bolanddowdall.org/music-with-silent-film/ Retrieved 2025-02-25
  54. ^ Haines, Tommy, John Richard and Andrew Sherburne. Saving Brinton: Silent Films & Music Featurette. 2018. Barn Owl Pictures, Iowa City, Iowa. 2-set DVD.
  55. ^ “Music and Magic Lanterns” https://bolanddowdall.org/music-magic/ Retrieved 2025-02-25
  56. ^ Schroeder, Lisa. The Flute and Guitar Duo: The Development of an Equal Partnership. An essay submitted for requirements of the Doctor of Musical Arts Degree, University of Iowa, Dec 2015, pp.38, 39.
  57. ^ “American Ensemble: A Festival Built for Two” Chamber Music. A Publication of Chamber Music America, June 2002, Vol. 19, No 3, p.8.
  58. ^ “Red Cedar Chamber Music Collection” ArchivesSpace at the University of Iowa. Iowa City, Iowa. https://aspace.lib.uiowa.edu/search?utf8=%E2%9C%93&op%5B%5D=&q%5B%5D=red%20cedar%20chamber%20music Retrieved 2025-02-25
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