Wikipedia - Benutzerbeiträge [de]

Da Hong Pao

2009-04-30T08:33:11Z

Testbed: removed silly link

{{Infobox_Tea |
Tea_name = Da Hong Pao |
Tea_type = [[Oolong tea|Oolong]] |
Tea_color = Wuyi |
Tea_image = [[Image:Da_Hong_Pao_Oolong_tea_leaf.jpg|215px]]
[[Image:Da Hong Pao Oolong tea leaf close.jpg|215px]]
|
Tea_origin = [[Mount Wuyi]], [[Fujian|Fujian Province]], [[China]] |
Tea_names = Large [[Red]] [[Robe]] (and [[synonym]]s), Ta Hong Pao, 大红袍|
Tea_quick = Most famous of the [[Mount Wuyi]] teas
}}
{{Tea map china province | Tea_province=Fujian}}
'''Dà Hóng Páo''' ([[wiktionary:大|大]][[wiktionary:红|红]][[wiktionary:袍|袍]]) is a very important [[Mount Wuyi|Wuyi]] [[Oolong]] tea. Legend has it that the mother of a [[Ming Dynasty]] emperor was cured of an illness by a certain tea, and that emperor sent great red robes to clothe the four bushes from which that tea originated. Three of these original bushes, growing on a rock on [[Mount Wuyi]] and reportedly dating to the [[Song Dynasty]], still survive today and are highly venerated. Less than one kilogram of tea is harvested from these plants each year, of which a portion is retained by the [[Chinese government]]. The remainder of this original and real Da Hong Pao is auctioned, with an initial asking price of 4000 RMB/100 g, but often reaching millions of dollars per kilogram<ref>[http://www.luxee.com/htmlNews/2005/4/18/1002437.html 茶中狀元----武夷大紅袍]</ref>. Cuttings taken from the original plants have been used to produce similar grades of tea from genetically identical plants. Taste variations produced by processing, differences in the soil, and location of these later generation plants is used to grade the quality of various Da Hong Pao teas.

Xiao Hong Pao, or ''Small Red Robe'' refers to Da Hong Pao grown from plants of fourth or greater generation, but the term is rarely used. In some cases Xiao Hong Pao is simply sold as Hong Pao, presumably for marketing purposes.

As it's of very high quality, the '''Da Hong Pao''' is usually reserved for honored guests.

==See also==

* [[Si Da Ming Cong tea|Si Da Ming Cong]]

==References==
<references />
* Babelcarp on [http://www.panix.com/~perin/babelcarp.cgi?phrase=Da%20Hong%20Bao Da Hong Pao].
* Master Lam Kam Cheun et al (2002). The way of tea. Gaia Books. ISBN 1-85675-143-0.
* Tea Hub on [http://teatalk101.blogspot.com/2006/05/da-hong-pao.html Da Hong Pao]

[[Category:Wuyi tea]]
[[Category:Oolong tea]]
[[Category:Chinese tea]]
[[Category:Chinese tea grown in Fujian]]
[[Category:China Famous Tea]]

[[zh:大红袍]]

*[http://youtube.com/watch?v=MoxLXQAun2E A Video of the Wuyi Mountains and the Red Robe Tea trees]

The Order (Gruppe)

2007-07-17T05:53:00Z

Testbed: /* References */ Added autobiography "The Brotherhood of Murder"

{{Cleanup|date=November 2006}}
''This is an article about the historical neo-nazi group; for information about the comicbook group, see [[The Order (comics)]]''.
{{POV}}

'''The Order''', also known as the '''''Brüder Schweigen''''' or '''Silent Brotherhood''', was a [[neo-Nazi]] organization active in the United States between 1983 and 1984.

The Order described themselves as a "[[white nationalism|white nationalist]] [[revolutionary]] group"'. The group was partly modeled on, and was named after, a fictional group in the novel ''[[The Turner Diaries]]'', which was written by [[William Luther Pierce]] under the pseudonym Andrew Macdonald. The Order's goals included the establishment of a homeland where [[Jew]]s and those of non-[[White people|white]] ancestry would be barred. They often refer to the [[Federal government of the United States|United States federal government]] as ''ZOG'', an [[acronym]] for [[Zionist Occupied Government]].

==History==
The Order was founded by [[Robert Jay Mathews]] in late September, 1983 at Mathews' farm near [[Metaline Falls, Washington|Metaline Falls]], [[Washington]]. A fundamental goal of The Order was revolution against the [[Government of the United States]], which was seen by the Order and other neo-Nazis as being controlled by a cabal of prominent Jews.

In order to fund these goals, the Mathews-led Order committed a series of [[violent crime]]s. Their first criminal effort was unspectacular: the robbery of a [[sex shop]], which netted them less than $400. Afterwards, the Order were much more effective, committing several lucrative [[bank robbery|bank robberies]], as well as [[bomb]]ing [[theater]]s and [[synagogue]]s. The Order ran a large [[counterfeiting]] operation, and executed a series of [[armored car]] robberies, including one in [[Ukiah, California|Ukiah]], [[California]] that netted $3.8 million.

After being arrested on counterfeiting charges, one member of the Order informed [[Federal Bureau of Investigation|FBI]] agents of the group's membership roll and its methods. Based on this information, authorities were able to track down Mathews in December, 1984. He was living in a cabin on [[Whidbey Island]] and he refused to surrender to the FBI. During a shootout, the cabin became engulfed in flames and Mathews perished.

Mathews is held in high esteem within the [[white nationalism|white nationalist]] subculture. One website declares that "Robert Matthews died a hero and a [[martyr]] to our Race. God rest his soul."[http://www.churchoftrueisrael.com/the-order/rjm-letter.html] A band named "Dresden" wrote a song called ''To Robert Mathews in Valhalla'' in 1995.[http://www.natall.com/national-vanguard/assorted/callblood.html].

Ultimately, ten members of The Order were tried and convicted under [[Racketeer Influenced and Corrupt Organizations Act|Racketeer Influenced and Corrupt Organizations Act (RICO)]] statutes. In a separate trial, three other members of The Order were tried and convicted of violating the civil rights of [[Alan Berg]], a [[American liberalism|liberal]], Jewish [[radio]] [[talk radio|talk show]] host in [[Denver, Colorado|Denver]], [[Colorado]] who was assassinated on the evening of June 18, 1984 in front of his home as he was exiting his car.

To date, no one has been charged in the actual shooting death of Berg. However, [[David Lane (white supremacist)|David Lane]], the getaway driver for Berg's assailants, served what amounted to a life sentence with no chance of parole -- 190 consecutive years on the charges of [[racketeering]], [[Conspiracy (crime)|conspiracy]], and violating Berg's [[civil rights]] -- and died in prison. Lane was regarded by many white supremacists as a hero and a [[political prisoner]]; his [[Fourteen Words]]: ''"We must secure the existence of our people and a future for white children"'', have become a prominent motto of many white racialists and white racialist organizations. Berg's murder and the subsequent trial form the basis of [[Steven Dietz]]'s 1988 play ''God's Country'', and also loosely inspired [[Eric Bogosian]]'s play ''Talk Radio'' (later adapted into [[Talk Radio (film)|a film]] by [[Oliver Stone]]). A fictional version of the Order story was also the subject of the movie ''Brotherhood of Murder''.

In another trial, fourteen men were charged with [[sedition]]. Thirteen of them were [[acquittal|acquitted]], and the judge dismissed the charges against the fourteenth for lack of evidence. In all, over seventy-five men and women were tried and convicted of various charges connected to The Order.

The Order's size and influence seems to have diminished in recent years. Their goals, which were similar to those described in detail in the book, ''[[The Turner Diaries]]'', have not come to fruition. However, the [[Oklahoma City bombing]] on April 19, 1995 is similar to the fictitious bombing of a federal building in [[Washington, D.C.]] described in the book. The "Free the Order" website describes a number of people as [[political prisoner]]s. [http://www.freetheorder.org]

==Oath and motto==
Like many neo-Nazi groups, the Order had a system of [[oath]]s and [[motto]]s which were reminiscent of [[fraternal organization]]s. The first members of the group were recruited from the [[Aryan Nations]] and the [[National Alliance (United States)|National Alliance]] organizations.

The nine founding members of the group swore an oath that began:
<blockquote>''"I, as a free [[Aryan]] man, hereby swear an unrelenting oath upon the green graves of our sires, upon the children in the wombs of our wives, upon the throne of God almighty, sacred is His name, to join together in holy union with those brothers in this circle and to declare forthright that from this moment on I have no fear of death, no fear of foe; that I have a sacred duty to do whatever is necessary to deliver our people from the Jew and bring total victory to the Aryan race..."''</blockquote>

A motto on the Order's crest reads "Brüder schweigen", which means "Brothers remain silent" in [[German language|German]]. It is sometimes erroneously translated as "Silent Brotherhood."

==References==
* Kevin Flynn, and Gary Gerhardt, ''The Silent Brotherhood'' ISBN 0-451-16786-4.

* Thomas Martinez, and John Guinther, ''The Brotherhood of Murder'' ISBN-13 978-1583485804.

==External links==
* [http://www.freetheorder.org Free the Order]
* [http://eyeonhate.com/pows/pows3.html 'Heroes' of The Order]
* [http://www.nizkor.org/hweb/orgs/american/adl/paranoia-as-patriotism/the-order.html/ Paranoia as Patriotism]

{{DEFAULTSORT:Order, The}}

[[Category:Clandestine groups]]
[[Category:Organized crime groups]]
[[Category:Neo-Nazi organizations]]
[[Category:White supremacist groups in the United States]]
[[Category:Religiously motivated violence in the United States]]

[[nl:The Order]]
[[pl:The Order]]
[[fi:The Order]]
[[sv:The Order]]

{{White supremist organizations}}

Richard Nixons Besuch in China 1972

2007-07-09T17:47:56Z

Testbed: Added Further Reading, inc. Prof. MacMillan's major 2007 work

{{Otheruses7|the opera by [[John Adams (composer)|John Coolidge Adams]]|Nixon in China (opera)|the political phrase|Nixon in China (phrase)}}

[[Image:Nixon Mao 1972-02-29.png|thumb|200px|Richard Nixon (right) meets with [[Mao Zedong]] in 1972.]]
[[Image:ZhouNixonBanquet.gif|thumb|200px|Richard Nixon and [[Zhou Enlai]] speaking at a banquet]]
[[Image: Mrs. Nixon in China.jpg|right|200px|thumb|[[Pat Nixon]] in the People's Republic of China]]

The '''1972 Nixon visit to China''' was the first step in formally normalizing relations between the [[United States]] and the [[People's Republic of China]]. It also marked the first time a [[President of the United States|U.S. president]] had visited the PRC, which considered the United States one of its biggest enemies. From [[February 21]] to [[February 28]], [[1972]], [[President of the United States|U.S. President]] [[Richard Nixon]] traveled to [[Beijing]], [[Hangzhou]] and [[Shanghai]].

In [[July]] [[1971]], Nixon's [[National Security Advisor (United States)|National Security Advisor]] [[Henry Kissinger]] had secretly visited Beijing during a trip to [[Pakistan]], and laid the groundwork for Nixon's visit to China. Almost as soon as the American president arrived in the Chinese capital he was summoned for a meeting with [[Mao Zedong]] who, unbeknown to the Americans, had almost died nine days earlier but was at that point feeling strong enough to meet Nixon. [[United States Secretary of State|Secretary of State]] [[William P. Rogers]] was excluded from this meeting and the only other American present was [[United States National Security Council|National Security Council]] staffer (and later [[United States Ambassador to China|U.S. Ambassador to China]]) [[Winston Lord]]. To avoid embarrassing Rogers, Lord was cropped out of all the official photographs of the meeting.<ref>Kissinger ''Years of Upheaval'' p. 65</ref>

== The meeting in media and culture ==
*Nixon's historic visit has been turned into [[Nixon in China (opera)|an opera]] and [[Nixon in China (phrase)|a popular quote]].
*[[Max Frankel]] of ''[[The New York Times]]'' received the [[Pulitzer Prize for International Reporting]] for his coverage of the event.
*In [[Star Trek VI: The Undiscovered Country]], Spock repeats a Vulcan proverb, "[[Only Nixon could go to China]]," as an allegory as an opportunity for [[James T. Kirk]] to open up relations with The [[Klingon Empire]].

== References ==
<div class="references-small">
<references/>
</div>

== Further Reading ==

Margaret MacMillan, ''Nixon & Mao: The Week that Changed the World'', Random House 2007 [http://www.nybooks.com/articles/20343]

''RN: The Memoirs of Richard Nixon'', Grosset & Dunlap 1978

William Burr, ''The Kissinger Transcripts'', New Press 1999

James Mann, ''About Face'', Knopf 1999

Patrick Tyler, ''A Great Wall'', Public Affairs 1999

== See also ==
*[[Ping Pong Diplomacy]]
*[[Sino-American relations]]
*[[Nixon in China (opera)]]
*[[Nixon in China (phrase)]]
*[http://chinadigitaltimes.net China Digital Times]

== External links ==
*[http://www.cfr.org/publication/12686/nixon_in_china_audio.html?breadcrumb=%2Fpublication%2Fby_type%2Faudio Webcast: Nixon in China] Council on Foreign Relations

{{Cold War}}

[[Category:1972|Nixon visit to China]]
[[Category:Richard Nixon]]
[[Category:Sino-American relations]]
[[Category:Diplomatic conferences|Nixon visit to China]]
[[ja:ニクソン大統領の中国訪問]]
[[tr:Nixon'ın Çin Ziyareti]]
[[zh:1972年尼克松访华]]

Stewart Home

2007-04-21T08:00:39Z

Testbed: /* Novels */ Added ISBN for "69 Things to do with a Dead Princess", "Cunt" and "Slow Death"

'''Stewart Home''' (born [[1962]]) is a writer, subcultural pamphleteer, underground art historian, and activist. His mother, [[Julia Callan-Thompson]], was a model and hostess who was associated with the radical arts scene in [[Notting Hill Gate]]. She knew such people as the writer and situationist [[Alexander Trocchi]]. Stewart was put up for adoption soon after his birth.

Home is probably best known for his parodistic [[pulp magazine|pulp]] fictions ''Pure Mania'', ''Red London'', ''No Pity'', ''[[Cunt (novel)|Cunt]]'', and ''Defiant Pose'' that [[pastiche]] the work of [[1970s]] British skinhead pulp novel writer [[James Moffat|Richard Allen]] and combine it with [[pornography]], political [[agit-prop]], and historical references to [[punk rock]] and [[avant-garde]] art. In the 1980s and 1990s, he also wrote a large number of non-fiction pamphlets, magazines, and books. They chiefly reflected the politics of the radical left, [[punk culture]], the occult, the history of [[Situationism]] - of which he is a severe critic - and other radical left-wing [[20th century]] anti-art [[avant-garde]] movements. Often at the focal point of these reflections was [[Neoism]], a subcultural network of which he had been a member, and from which he derived various splinter projects.
The constant characteristics of his activism in the 1980s and 1990s were:
* The use of group identities (such as [[Luther Blissett (nom de plume)|Luther Blissett]]) and collective monikers (e.g. "[[Karen Eliot]]").
* Overt and up-front employment of [[plagiarism]].
* Occasionally, pranks and publicity stunts.

==History of activities==
===1980s===
As a youth Home was drawn to [[anarchism]], and was part of the editorial team of ''[[Anarchy Magazine]]''. He later repudiated anarchism as reactionary, and professed [[Communism|communist]] political positions. From 1982 to 1983, Home operated as a one-person-movement "Generation Positive", founded a punk band called [[White Colours (band)|White Colours]] and published an art [[fanzine]] ''[[SMILE (magazine)|SMILE]]'', the name of which was a play on the Mail Art zines ''FILE'' and ''VILE'' (which in turn parodied the graphic design of LIFE magazine). The concept was that many other bands in the world should call themselves ''White Colours'', and many other underground periodicals should call themselves ''SMILE'', too. Home's early ''SMILE'' magazines mostly contained art manifestos for the "Generation Positive", which in their rhetoric resembled those of 1920s Berlin [[Dada]]ist manifestos.

In 1983, Home got in touch with the originally American subcultural artistic network of [[Neoism]], and participated in the eighth Neoist Apartment Festival in London. Since Neoism operated with multiple identities, too, and called upon all its participants to adopt the name [[Monty Cantsin]], Home decided to give up the "Generation Positive" in favor of Neoism, and make ''SMILE'' and White Colours part of Neoism as well. One year later, Home took a sleep-deprivation prank played with him at a Neoist Festival in Italy as the reason to declare his split from Neoism; shortly before, a conflict between him and Neoism founder [[Istvan Kantor]] had escalated and led to their alienation.

Home's ''SMILE'' no 8, which appeared in 1984, reflected the split with Neoism by proposing a "Praxis" movement to replace Neoism, with [[Karen Eliot]] as its new multiple name. This and the following three ''SMILE'' issues otherwise featured an eclectic mixture of manifesto-style writing, political reflections on radical left-wing anti-art movements from the [[Lettrist International]], Situationism, [[Fluxus]], [[Mail Art]], invididuals such as [[Gustav Metzger]] and [[Henry Flynt]], and short parodistic skinhead pulp prose in the style of his later novels. Many texts included in Home's ''SMILE'' issues plagiarised other, especially Situationist, writing, simply replacing terms like "spectacle" with "glamour".

Drawing from 1980s American [[appropriation art]], Home's concept of plagiarism soon developed into a proposed movement and a series of "Festivals of Plagiarism" in 1988 and 1989, which themselves plagiarised the Neoist apartment festivals and 1960s Fluxus festivals. Home combined the plagiarism campaign with a call for an [[Art Strike 1990-1993|Art Strike]] between 1990 and 1993. Unlike earlier art-strike proposal like that of Gustav Metzger in the 1960s, it was not only directed against art institutions, but called upon artists to give up entirely any artistic activity in the three years of the strike. Both the plagiarism and Art Strike campaigns had little or no resonance in the contemporary art world, and happened largely outside its debates and institutions. They were, however, strongly discussed in subcultural art networks, especially in [[Mail Art]]. Consequently, mail artists made up the participants of the Festivals of Plagiarism, and Mail Art publications disseminated the Art Strike campaign.

To what extent Home actually participated in the Art Strike remains disputed, since two of his books, completed allegedly before 1990, appeared during the period of the strike.

===1990s===
In 1994 Home officially resurfaced, having meanwhile gained an influence and reputation in European and American counter-culture comparable to writers like [[Hakim Bey]] and [[Kathy Acker]]. Aside from reassessments of his earlier engagement with Neoism, [[Situationist|Situationist International]], [[punk ideology|punk]], and the plagiarism and Art Strike campaigns, and, as his source of income, the continued parodistic pulp-novel writing, Home's style had undergone some significant changes. While his late 1980s pamphleteering could be viewed as an, albeit subtly humorous, project to collect and fuse radical energies from aesthetically uncompromising extreme left-wing fringes of art and politics, Home reinvented himself in the 1990s as a cynical satirist and jester. In the Art Strike years, he had for the first time occupied himself with [[hermeticism]] and the [[occult]]. The Neoist Alliance, his third one-person-movement after The Generation Positive and Praxis, served simultaneously as a tactical reappropriation of the Neoism label for self-promotional purposes, and as a corporate identity for pamphlets that satirically advocated a combination of artistic avant-garde, the occult, and politics into an "avant-bard".

===Books===
Home's first books, which appeared between 1988 and 1995, are essentially an outgrowth and elaboration of his earlier ''SMILE'' writings, though without their fragmentary-aphoristic character and eclectic mix of genres. ''The Assault on Culture'', originally written but rejected as a B.A. thesis, is an underground art history sketching Home's ultimately personal history of ideas and influences in post-[[World War II]] fringe radical art and political currents, and including – for the first time in a book – a tactically manipulated history of Neoism (including character assassinations of individual Neoist) that was continued in the later book ''Neoism, Plagiarism and Praxis''. Despite its highly personal perspective and agenda, ''The Assault on Culture: Utopian currents from Lettrisme to Class War'' (Aporia Press and Unpopular Books, London, 1988) is considered a useful art-history work, providing an introduction to a range of cultural currents which had, at that time at least, been under-documented. Like Home's other publications of that time, it played an influential part in renewing interest in the [[Situationist International]].

''Pure Mania'', Home's first novel from 1989, took the recipe of the Richard Allen parodies from ''SMILE'' and turned them into a recipe for his subsequent novel writing. The book ''Neoist Manifestos/The Art Strike Papers'' featured, on its first part, abridged versions of Home's manifesto-style writings from ''SMILE'', and a compilation of writings and reactions regarding the Art Strike from various authors and sources, mainly Mail Art publications.

His 1995 novel ''Slow Death'' fictionalises and ridicules this process of the historification of Neoism (including the planting of archives at the [[Victoria and Albert Museum]]; this recently became reality when Home sold the V&A his own archive on Neoism) as if to give his own game away but, typically with Home, as soon as one agenda has, apparently, been exposed, whether Home's own or one at large, the game moves on so that he constantly forces readers into a position of 'Should I believe any of this?'.

Although Home staged a number of pranks and publicity stunts, such as leading a "psychic attack" on the Brighton Pavilion during a [[Stockhausen]] concert, and occasionally also played punk rock and exhibited visual art work, he has been chiefly a writer, and a performer only to a lesser degree. His skinhead looks and attitude on official photographs are much more publicity poses than apt images of Home's rather soft-spoken and introverted personality. Home's influence on Western subcultures remains closely tied to his books and the authority of the printed word, and has decreased ever since counterculture has moved to the Internet as its primary medium.

With the publication of his novel ''69 Things to Do with a Dead Princess'' (Canongate, Edinburgh 2002), Home has finally got the British literary press sitting up and taking notice, ironically of a book which carries his most acidic condemnations of the literary and cultural establishment.

====Repression in Russia====
Alex Kervey of Tough Press, publishers of the [[Russia]]n edition of ''Come Before Christ and Murder Love'' has reported repression of the book as "pornography and insulting Christian values". Kervey says this is happening in the context of a campaign run by such far-right groups as the [[National Bolshevism|National Bolsheviks]] against Home, which has included arson attacks against Tough Press alongside state censorship.

==Bibliography==
===Novels===
* ''Pure Mania'' (Polygon, Edinburgh 1989. Finnish translation Like, Helsinki 1994. German translation Nautilus, Hamburg 1994).
* ''Defiant Pose'' (Peter Owen, London 1991. Finnish translation Like, Helsinki 1995. German translation, Nautilus, Hamburg 1995). Some of the action of this novel takes place on the [[Samuda Estate]]
* ''Red London'' ([[AK Press]], London & Edinburgh 1994; Finnish translation Like, Helsinki 1995).
* ''Slow Death'' (Serpent's Tail, London 1996. Finnish translation Like, Helsinki 1996) ISBN-13: 978-1852425197
* ''Blow Job'' (Serpent's Tail, London 1997. Finnish translation, Like, Helsinki 1996. Greek translation Oxys Publishing, Athens 1999. German translation, Nautilus, Hamburg, 2001).
* ''Come Before Christ and Murder Love'' (Serpent's Tail, London 1997).
* ''[[Cunt (novel)|Cunt]]'' (Do-Not Press, London 1999) ISBN-13: 978-1899344451
* ''Whips & Furs: My Life as a bon-vivant, gambler & love rat by Jesus H. Christ'' (Attack Books, London 2000).
* ''69 Things to Do with a Dead Princess'' (Canongate, Edinburgh, 2002) ISBN-13: 978-1841953533
* ''Down and Out in Shoreditch and Hoxton'' (Do-Not Press, London 2004).
* ''Tainted Love'' (Virgin Books, London 2005).
* ''Memphis Underground'' (Snowbooks, London 2007).

===Stories===
* ''No Pity'' (AK Press, London & Edinburgh 1993. Finnish translation Like, Helsinki 1997).

===Non-fiction===
* ''The Assault on Culture: Utopian currents from Lettrisme to Class War'' (Aporia Press and [[Unpopular Books]], London, 1988) ISBN 0-948518-88-X (New edition AK Press, Edinburgh 1991. Polish translation, Wydawnictwo Signum, Warsaw 1993. Italian translation AAA edizioni, Bertiolo 1996. Portuguese translation, Conrad Livros, Brazil 1999. Spanish translation, Virus Editorial, 2002).
* ''Neoist Manifestos'' (AK Press, Edinburgh 1991).
* ''Cranked up Really High'': Genre Theory And Punk Rock (Codex, Hove 1995, new edition 1997. Italian translation Castelvecchi, Rome 1996) (an 'inside account' of the history of [[punk rock]]).
*''Conspiracies, Cover-Ups and Diversions: A Collection of Lies, Hoaxes and Hidden Truths'' (Sabotage Editions, London 1995).
* ''Green Apocalypse'' (a critique of the magazine and organisation [[Green Anarchist]]) with [[Luther Blissett (nom de plume)|Luther Blissett]] (Unpopular Books, London 1995).
*''Analecta'' (Sabotage Editions, London 1996).
* ''Neoism, Plagiarism and Praxis'' (AK Press, London, Edinburgh 1995. Italian translation Costa & Nolan Genoa 1997).
* ''The House of Nine Squares: Letters On Neoism, Psychogeography And Epistemological Trepidation'', with [[Florian Cramer]] (Invisible Books London 1997).
*''Disputations on Art, Anarchy and Assholism'' (Sabotage Editions, London 1997).
*''Out-Takes'' (Sabotage Editions, London 1998).
* ''Confusion Incorporated: A Collection Of Lies, Hoaxes & Hidden Truths'' (Codex, Hove 1999).
*''Repetitions: A Collection of Proletarian Pleasures Ranging from Rodent Worship to Ethical Relativism Appended with a Critique of Unicursal Reason'' (Sabotage Editions, London 1999).
*''Anamorphosis: Stewart Home, Searchlight and the plot to destroy civilization'' (Sabotage Editions, London 2000).
*''Jean Baudrillard and the Psychogeography of Nudism'' (Sabotage Editions, London 2001).
*''Fasting on SPAM and Other Non-aligned Diets for Our Electronic Age'' (Sabotage Editions, London 2002).
*''The Intelligent Person's Guide to Changing a Lightbulb'' (Sabotage Editions, London 2005).
*''The Correct Way to Boil Water'' (Sabotage Editions, London 2005).
*''The Easy Way to Falsify Your Credit Rating'' (Sabotage Editions, London 2005).

===As editor===

*''Festival of Plagiarism'' Ed., (Sabotage Editions, London, 1989)
*''Art Strike Handbook'' Ed., (Sabotage Editions, London, 1989)
* ''What is Situationism? A Reader'' Ed., ([[AK Press]] Edinburgh and San Francisco, 1996) ISBN 978-1-873176-13-9 .
* ''Mind Invaders: A Reader in Psychic Warfare, Cultural Sabotage And Semiotic Terrorism'' Ed. (Serpent's Tail London, 1997).
* ''Suspect Device: Hard-Edged Fiction'' (Serpent's Tail, London 1998).

===Spoken word and music CDs===
* ''Comes in Your Face'' (Sabotage, London 1998).
* ''Cyber-Sadism Live!'' (Sabotage, London 1998).
* ''Pure Mania'' (King Mob, London 1998).
* ''Marx, Christ & Satan United in Struggle'' (Molotov Records 1999).

===Funded Internet projects===
*MONGREL (1998 organised by Graham Harwood & Matt Fuller, funded by the Arts Council).
*TORK RADIO (1998 organised by Cambridge Junction, funded with lottery money).

===One man art shows===
*HUMANITY IN RUINS, Central Space (London February/March 1988).
*VERMEER II, workfortheeyetodo (London July to September 1996).

===Short film and videos===
*''Ut Pictura Poesis'' (1997, 35 mm, part of project organised by Cambridge Junction with Arts Council funding).
*''The Eclipse and Re-Emergence of the Oedipus Complex'' (2004, video)
*Numerous videos including promos for books COME BEFORE CHRIST & MURDER LOVE (1997), RED LONDON (1994) & NO PITY (1993)

===Neoist Alliance===
Group moniker used by Stewart Home between 1994 and 1999 as a corporate identity for his mock-[[occult]] [[psychogeography|psychogeographical]] activities. According to [[Stewart Home|Home]], the '''Neoist Alliance''' was an occult order with himself as the magus and only member. The manifesto of the '''Neoist Alliance''' called for "debasement in the arts" and parodistically plagiarized a 1930s British fascist pamphlet on cultural politics.

Home's '''Neoist Alliance''' activities mainly consisted of the publication of a newsletter "Re-action" which appeared in ten issues between 1994 and 1999[http://www.stewarthomesociety.org/reaction/].

In 1993, the '''Neoist Alliance''' staged a prank against a concert of composer [[Karlheinz Stockhausen]] in [[Brighton]] by announcing [http://www.stewarthomesociety.org/stock.htm] its intention to levitate the concert hall by magical means during the concert[http://www.hi-beam.net/fw/fw30/1284.html]. This was a plagiarist homage to the 1965 [[anti-art]] picketing of a Stockhausen concert in New York through [[Fluxus]] members [[Henry Flynt]] and [[George Maciunas]] [http://www.artnotart.com/fluxus/hflynt-fightmusicaldecor.html].

The '''Neoist Alliance''' activities ran parallel and were closely related to those of the revived [[London Psychogeographical Association]] and the Italian-based [[Luther Blissett (nom de plume)|Luther Blissett]] project. In 1998, these projects founded - although more in fiction than in fact - a [[New Lettrist International]].

Despite its name, the '''Neoist Alliance''' had no affiliation to the [[Neoism|international Neoist network]] which had been active since 1980. Stewart Home had previously become a member and activist of that network in 1983, but renounced it one year later and subsequently worked under the collective monikers of "Praxis", later "plagiarism" and the [[Art Strike 1990-1993|Art Strike]] movement. Returning from the 1990-1993 Art Strike, he resumed referring to his own activities as Neoism, this time however using it for a play with the [[occult]] and [[hermeticism]] rather than with [[modern art]] [[avant-garde]] movements. The '''Neoist Alliance''' moniker thus was used to show that Neoism could be multiple unrelated movements at once, or even a practical [[philosophy]] detached from any particular network of people.

== See also==
* [[Neoism]]
* [[Art manifesto]]

==External links==
*[http://www.stewarthomesociety.org Stewart Home Society]
*[http://www.3ammagazine.com/litarchives/2002_jan/interview_stewart_home.html 3:AM Magazine interview (2002)]
*[http://www.uncarved.org/archive/arseface.html Face feature (2000)]
*[http://www.readysteadybook.com/Article.aspx?page=stewarthome Interview with ReadySteadyBook]
*[http://www.metamute.com/look/article.tpl?IdLanguage=1&IdPublication=1&NrIssue=24&NrSection=5&NrArticle=846&ST_max=0 Review of Luther Blissett's novel ''Q'']

[[Category:Transgressive artists|Home, Stewart]]
[[Category:Situationists|Home, Stewart]]
[[Category:Historians of anarchism|Home, Stewart]]
[[Category:1962 births|Home, Stewart]]
[[Category:Living people|Home, Stewart]]

[[sv:Neoist Alliance]]