Wikipedia - Benutzerbeiträge [de]

Tea bag

2010-02-05T13:18:35Z

69.68.125.6: Need citation for use in video games

{{Recentism|date=February 2010}}
{{About|teabagging in a sexual context|further information related to the political movement|Tea Party movement}}
'''Teabagging''' is a [[slang]] term for the act of a man placing his [[scrotum]] in the mouth<ref name="bedside">''The Bedside Orgasm Book: 365 Days of Sexual Ecstasy'', Cynthia W. Gentry, 2004. Page 293. ISBN 1-59233-101-7.</ref> or on or around the face (including the top of the head) of another person, often in a repeated in-and-out motion as in [[irrumatio]]. The practice resembles dipping a [[tea bag]] into a cup of [[tea]].<ref>{{cite web|url=http://www.sexdictionary.info/teabagging.html|title=SexDictionary.info: Tea bagging|accessdate=2007-05-20}}</ref><ref name="teen">{{cite web|url=http://www.teenwire.com/ask/2004/as-20040303p747-teabag.php|title=TeenWire: Ask the Experts - What is Teabagging?|accessdate=2007-05-20}}</ref>

The practice has also been mimicked in [[online video game]]s{{Citation needed|date=February 2010}}, and applied to the [[Tea Party protests|Tea Party protesters]] as a form of ridicule.

== The practice ==
Teabagging is an activity used within the context of [[BDSM]] and [[male dominance]], with a [[Sexual domination|dominant]] man teabagging his [[submissive]] partner as one variation of [[facesitting]] and/or as a means of inflicting [[erotic humiliation]].

Teabagging is not always carried out consensually as a sexual act. It has been used during [[hazing]] or [[bullying]] incidents.<ref>{{cite web|url=http://www.legalreader.com/archives/003197.html|title=Legal Reader: Definition of Teabagging|accessdate=2007-05-20}}</ref> Incidents have included reports of groups holding down victims while the perpetrator "shoves his testicles in [their] face"<ref name="Gay and Lesbian Times">{{cite news|url=http://www.gaylesbiantimes.com/?id=6927&issue=950|title=Is forcible ‘tea-bagging’ just hazing?|last=DeKoven|first=Robert|date=9 March 2006|work=[[Gay and Lesbian Times]]|accessdate=2009-11-02}}</ref> or puts their "crotch to his head."<ref name="Shacknews 2008-01-25">{{cite news|url=http://www.shacknews.com/onearticle.x/50966|title=Halo Inspires Schoolyard Bullies to Teabag Victims|last=Linde|first=Aaron|date=January 25, 2008|work=Shacknews.com (from Asbury Park Press)|accessdate=2009-10-12}}</ref>

Mimicking teabagging has become popular in [[online video game]]s. It is portrayed by the winning player positioning his character over the fallen character's face (while repeatedly crouching and standing) to imply domination or humiliation.<ref name="Shacknews 2008-01-25"/>

== Use as a political term ==
{{See|Tea Party protests}}
In 2009, Tea Party protests were formed to protest against [[United States]] government tax and spending policies.<ref>{{cite news |publisher=OregonLive.com |date="15 Apr 09" |url=http://www.oregonlive.com/politics/index.ssf/2009/04/two_thousand_crowd_capitol_tea.html}}</ref><ref>{{cite news |publisher=huffingtonpost.com |date="15 May 09" |url=http://www.huffingtonpost.com/2009/04/15/tea-party-origins-ron-pau_n_187184.html}}</ref> Owing to its sexual connotation, the term "Tea Bagger" has been used by several pundits and journalists to ridicule the protesters. [[Anderson Cooper]] apologized for using the term. <ref>{{cite news |first= |last= |authorlink= |title='The Rachel Maddow Show'for Monday, April 13 |url=http://www.msnbc.msn.com/id/30210708/ |newspaper= |publisher=MSNBC |date=13 April 2009 |accessdate=21 September 2009}}</ref><ref>{{cite news |first= |last= |authorlink= |title='The Rachel Maddow Show'for Tuesday, April 14 |url=http://www.msnbc.msn.com/id/30226660/ |newspaper= |publisher=MSNBC |date=14 April 2009 |accessdate=21 September 2009}}</ref><ref>{{cite web |title=Transcripts: Anderson Cooper 360 Degrees |url=http://transcripts.cnn.com/TRANSCRIPTS/0904/14/acd.02.html |date=April 14, 2009 |work= |publisher=CNN.com |accessdate=21 September 2009}}</ref><ref>{{cite web |title="It's Hard to Talk When You're Teabagging" |url=http://www.mediabistro.com/tvnewser/cnn/its_hard_to_talk_when_youre_teabagging_114121.asp |date=15 April 2009 |work=TV Newser |publisher=mediabistro.com |accessdate=21 September 2009}}</ref><ref>{{cite news|accessdate=June 18, 2009|url=http://www.mediabistro.com/tvnewser/cnn/anderson_cooper_says_teabagging_comment_was_stupid_silly_116894.asp|title=[[Anderson Cooper]] Says "Teabagging" Comment Was "Stupid, Silly"|publisher=[[TV Newser]]|date=May 19, 2009}}</ref> The term's growth in the political arena earned attention by the [[Oxford American Dictionary]], and the word "teabagger" achieved finalist status for the OAD Word of the Year.<ref>{{cite web |title="'Teabagger' Finalist For Oxford's 'Word Of The Year'" |url=http://www.huffingtonpost.com/2009/11/18/teabagger-added-to-oxford_n_362504.html |date=18 Nov 2009 |work=Huffington Post}}</ref>

==References==
{{Wiktionary|teabag|teabagging}}
{{reflist|2}}

[[Category:Oral eroticism]]
[[Category:Practical jokes]]
[[Category:Sexual fetishism]]
[[Category:Sexual slang]]
[[Category:Sexual acts]]

[[cs:Teabagging]]
[[da:Teabagging]]
[[pl:Teabagging]]
[[ru:Teabagging]]

The End (The-Doors-Lied)

2007-01-03T15:50:24Z

69.68.125.6: /* Influences */

{| id="toc" style="width:20em; margin:0 0 0.5em 1em; float:right;"
!align="center" bgcolor="#FFA500" colspan="3"|"The End"
|-
|align="center" colspan="3"|[[Image:TheDoorsTheDoorsalbumcover.jpg|200px|The Doors]]

|-
!align="center" bgcolor="orange" colspan="3"|Song by [[The Doors]]
|-
!align="center" colspan="3"|From the album ''[[The Doors (album)|The Doors]]''
|-
!align="left" valign="top"|Album released
|colspan="2" valign="top"|[[January 4]], [[1967]]
|-
!align="left" valign="top"|[[Musical genre|Genre]]
|colspan="2" valign="top"|[[Rock and Roll|Rock]]
|-
!align="left" valign="top"|Song Length
|colspan="2" valign="top"|11:40
|-
!align="left" valign="top"|[[Record label]]
|colspan="2" valign="top"|[[Elektra Records]]
|-
!align="left" valign="top"|[[Record producer|Producer]]
|colspan="2" valign="top"|The Doors, [[Paul A. Rothchild]]
|-
!align="left" valign="top"|Track Number
|colspan="2" valign="top"|Track 11
|-
|}

"'''The End'''" is a song by [[The Doors]] from their [[The Doors (album)|self-titled album]]. It was gestated through months of performances at [[Los Angeles]]' [[Whisky a Go Go]]. The band would perform the song to close their last set. It was first released in January 1967 on their [[self-titled]] debut album.

== Influences ==
The spoken-word section of the song includes the lines "Father/ Yes son?/ I want to kill you/ Mother, I want to...[[fuck]] you," (with the last two words screamed unintelligibly). This is often considered an homage to [[Sophocles]]' ''[[Oedipus the King]]'', a production of which [[Jim Morrison]] worked on while at [[Florida State University]].

Said Morrison in 1969, "Everytime I hear that song, it means something else to me. It could be goodbye to a kind of childhood." Morrison had also said that the song is an inside trip, and that "kill the father" means destroying everything hierarchical, controlling, and restrictive in one's psyche, while "fuck the mother" means embracing everything that is expansive, flowing, and alive in the psyche. This interpretation of his own lyrics recalls to us Morrison's lifelong passion for freedom. He may have been influenced by the [[Jungian]] concepts of [[individuation]] and [[archetype]]s, and was certainly influenced by [[Friedrich Nietzsche]]'s concept of going beyond the limited types of human beings that have so far existed by loving [[Dionysian]] vitality and life ("the mother") while rejecting [[Apollonian]] systems and traditions ("the father"). The lyrics' reference to "the Blue Bus" is almost certainly a reference to [[India]]n [[mysticism|mystic]] [[Meher Baba]]'s "[[Blue Bus]]" tours of the 1930s. However, it may also be a reference to [[Santa Monica]]'s [[Big Blue Bus]] public bus lines or Fetrow's blue bus which they took many trips in.

== Music ==
[[Robby Krieger]]'s slinky, haunting guitar lines over D drone in DADGAD tuning recall Indian [[drone (music)|drone]] and [[raga]]-based music, as has often been noted, and the vital, unpredictable rolling and dramatic crescendoes of [[John Densmore]]'s drums recall Indian [[tabla]] rhythms. The music as a whole, though, does not sound entirely or even particularly "Indian". The sharp, ringing edge of the [[guitar]] recalls the 50s [[rock and roll]] style, while the fingerpicking attack may derive equally from the [[flamenco]] guitar style Krieger had studied as a youth and from alternate-tuned [[folk music|folk]]. [[Ray Manzarek]]'s organ is used sparingly to provide the inconspicuous but essential bass line (I-V-VIII-V-I-V...) and fills. One may find a strong similarity to Chopin's "Funeral March" theme and also to Sandy Bull's guitar instrumental "Blend" - but this probably has more to do with the quality of the melodic minor scale than with influence.

Structurally, the song rises to three separate mini-crescendoes separated by slower sections of half-spoken, half-sung lyrics before building to an enormous [[psychedelic]] crescendo right after Jim Morrison sings the "meet me at the back of the blue bus" verse. Previously, the song had been weaving along on its melodies to an encounter with the ruling powers of the mind, the controlling "father" structure and the longed-for "mother", or freedom. The final crescendo represents an attempt to break through to that freedom. Just afterward, "The End" departs on a wistful, post-orgasmic note when Morrison sings, "It hurts to set you free, but you'll never follow me. The end of laughter and soft lies, the end of nights we tried to die." In the context of Morrison's first interpretation quoted above, this lyric and the associated music that softly reiterates themes from the opening may mean that the comfort of childhood will be sacrificed for freedom.

== In film ==
"The End" was famously used as a [[framing device]] for [[Francis Ford Coppola]]'s 1979 film ''[[Apocalypse Now]]'', in which its dark, poetic passage marked the film's descent into the [[Surrealism|surreal]]. The sound of helicopter rotors from the beginning of the film are often included in recordings of the song. However, this version of the song is also incomplete, and the sounds of a jungle replace most of the lyrics in the second half of the song.

This usage has led to other, often satirical usages, ranging from two sequences on ''[[The Simpsons]]'' television series in which the song plays while [[Homer Simpson|Homer]] contemplates suicide and another, [[Kiss Kiss Bang Bangalore]], in which, in an ''Apocalypse Now'' parody, he thinks he is a god, to a [[Saturday Night Live]] sketch in which [[John McCain]] is driven to madness while campaigning for [[George W. Bush]] as a parody of ''Apocalypse Now''.

It was used in the final episode of [http://en.wikipedia.org/wiki/Dennis_Miller#The_Dennis_Miller_Show= The Dennis Miller Show], during another Apocalypse Now parody sequence, in which Dennis was airlifted by (we are led to believe) a helicopter out of the set.

The song was also used in [[Oliver Stone]]'s 1991 film ''[[The Doors (film)|The Doors]]'', where it plays while the band explored drugs in the desert.

The song was referenced in a [[2006]] episode of ''[[The Venture Bros.]]'' entitled "[[Assassinanny 911]]", in a scene which also parodied the ''Apocalypse Now'' usage.

==References==

*[http://www.lyricsfreak.com/d/doors/the+end_20042686.html Lyrics]

[[Category:The Doors songs|End, The]]
[[Category:1967 songs]]

[[fr:The End (musique)]]
[[ja:ジ・エンド (ソング)]]
[[sv:The End (The Doors)]]

The End (The-Doors-Lied)

2007-01-03T15:37:28Z

69.68.125.6: /* Influences */

{| id="toc" style="width:20em; margin:0 0 0.5em 1em; float:right;"
!align="center" bgcolor="#FFA500" colspan="3"|"The End"
|-
|align="center" colspan="3"|[[Image:TheDoorsTheDoorsalbumcover.jpg|200px|The Doors]]

|-
!align="center" bgcolor="orange" colspan="3"|Song by [[The Doors]]
|-
!align="center" colspan="3"|From the album ''[[The Doors (album)|The Doors]]''
|-
!align="left" valign="top"|Album released
|colspan="2" valign="top"|[[January 4]], [[1967]]
|-
!align="left" valign="top"|[[Musical genre|Genre]]
|colspan="2" valign="top"|[[Rock and Roll|Rock]]
|-
!align="left" valign="top"|Song Length
|colspan="2" valign="top"|11:40
|-
!align="left" valign="top"|[[Record label]]
|colspan="2" valign="top"|[[Elektra Records]]
|-
!align="left" valign="top"|[[Record producer|Producer]]
|colspan="2" valign="top"|The Doors, [[Paul A. Rothchild]]
|-
!align="left" valign="top"|Track Number
|colspan="2" valign="top"|Track 11
|-
|}

"'''The End'''" is a song by [[The Doors]] from their [[The Doors (album)|self-titled album]]. It was gestated through months of performances at [[Los Angeles]]' [[Whisky a Go Go]]. The band would perform the song to close their last set. It was first released in January 1967 on their [[self-titled]] debut album.

== Influences ==
The spoken-word section of the song includes the lines "Father/ Yes son?/ I want to kill you/ Mother, I want to...[[fuck]] you," (with the last two words screamed unintelligibly). This is often considered an homage to [[Sophocles]]' ''[[Oedipus Rex]]'', a production of which [[Jim Morrison]] worked on while at [[Florida State University]].

Said Morrison in 1969, "Everytime I hear that song, it means something else to me. It could be goodbye to a kind of childhood." Morrison had also said that the song is an inside trip, and that "kill the father" means destroying everything hierarchical, controlling, and restrictive in one's psyche, while "fuck the mother" means embracing everything that is expansive, flowing, and alive in the psyche. This interpretation of his own lyrics recalls to us Morrison's lifelong passion for freedom. He may have been influenced by the [[Jungian]] concepts of [[individuation]] and [[archetype]]s, and was certainly influenced by [[Friedrich Nietzsche]]'s concept of going beyond the limited types of human beings that have so far existed by loving [[Dionysian]] vitality and life ("the mother") while rejecting [[Apollonian]] systems and traditions ("the father"). The lyrics' reference to "the Blue Bus" is almost certainly a reference to [[India]]n [[mysticism|mystic]] [[Meher Baba]]'s "[[Blue Bus]]" tours of the 1930s. However, it may also be a reference to [[Santa Monica]]'s [[Big Blue Bus]] public bus lines or Fetrow's blue bus which they took many trips in.

== Music ==
[[Robby Krieger]]'s slinky, haunting guitar lines over D drone in DADGAD tuning recall Indian [[drone (music)|drone]] and [[raga]]-based music, as has often been noted, and the vital, unpredictable rolling and dramatic crescendoes of [[John Densmore]]'s drums recall Indian [[tabla]] rhythms. The music as a whole, though, does not sound entirely or even particularly "Indian". The sharp, ringing edge of the [[guitar]] recalls the 50s [[rock and roll]] style, while the fingerpicking attack may derive equally from the [[flamenco]] guitar style Krieger had studied as a youth and from alternate-tuned [[folk music|folk]]. [[Ray Manzarek]]'s organ is used sparingly to provide the inconspicuous but essential bass line (I-V-VIII-V-I-V...) and fills. One may find a strong similarity to Chopin's "Funeral March" theme and also to Sandy Bull's guitar instrumental "Blend" - but this probably has more to do with the quality of the melodic minor scale than with influence.

Structurally, the song rises to three separate mini-crescendoes separated by slower sections of half-spoken, half-sung lyrics before building to an enormous [[psychedelic]] crescendo right after Jim Morrison sings the "meet me at the back of the blue bus" verse. Previously, the song had been weaving along on its melodies to an encounter with the ruling powers of the mind, the controlling "father" structure and the longed-for "mother", or freedom. The final crescendo represents an attempt to break through to that freedom. Just afterward, "The End" departs on a wistful, post-orgasmic note when Morrison sings, "It hurts to set you free, but you'll never follow me. The end of laughter and soft lies, the end of nights we tried to die." In the context of Morrison's first interpretation quoted above, this lyric and the associated music that softly reiterates themes from the opening may mean that the comfort of childhood will be sacrificed for freedom.

== In film ==
"The End" was famously used as a [[framing device]] for [[Francis Ford Coppola]]'s 1979 film ''[[Apocalypse Now]]'', in which its dark, poetic passage marked the film's descent into the [[Surrealism|surreal]]. The sound of helicopter rotors from the beginning of the film are often included in recordings of the song. However, this version of the song is also incomplete, and the sounds of a jungle replace most of the lyrics in the second half of the song.

This usage has led to other, often satirical usages, ranging from two sequences on ''[[The Simpsons]]'' television series in which the song plays while [[Homer Simpson|Homer]] contemplates suicide and another, [[Kiss Kiss Bang Bangalore]], in which, in an ''Apocalypse Now'' parody, he thinks he is a god, to a [[Saturday Night Live]] sketch in which [[John McCain]] is driven to madness while campaigning for [[George W. Bush]] as a parody of ''Apocalypse Now''.

It was used in the final episode of [http://en.wikipedia.org/wiki/Dennis_Miller#The_Dennis_Miller_Show= The Dennis Miller Show], during another Apocalypse Now parody sequence, in which Dennis was airlifted by (we are led to believe) a helicopter out of the set.

The song was also used in [[Oliver Stone]]'s 1991 film ''[[The Doors (film)|The Doors]]'', where it plays while the band explored drugs in the desert.

The song was referenced in a [[2006]] episode of ''[[The Venture Bros.]]'' entitled "[[Assassinanny 911]]", in a scene which also parodied the ''Apocalypse Now'' usage.

==References==

*[http://www.lyricsfreak.com/d/doors/the+end_20042686.html Lyrics]

[[Category:The Doors songs|End, The]]
[[Category:1967 songs]]

[[fr:The End (musique)]]
[[ja:ジ・エンド (ソング)]]
[[sv:The End (The Doors)]]

The End (The-Doors-Lied)

2007-01-03T15:35:49Z

69.68.125.6: Undo revision 98189357 by 69.68.125.6 (talk)

The End (The-Doors-Lied)

2007-01-03T15:33:08Z

69.68.125.6: /* Influences */

{| id="toc" style="width:20em; margin:0 0 0.5em 1em; float:right;"
!align="center" bgcolor="#FFA500" colspan="3"|"The End"
|-
|align="center" colspan="3"|[[Image:TheDoorsTheDoorsalbumcover.jpg|200px|The Doors]]

|-
!align="center" bgcolor="orange" colspan="3"|Song by [[The Doors]]
|-
!align="center" colspan="3"|From the album ''[[The Doors (album)|The Doors]]''
|-
!align="left" valign="top"|Album released
|colspan="2" valign="top"|[[January 4]], [[1967]]
|-
!align="left" valign="top"|[[Musical genre|Genre]]
|colspan="2" valign="top"|[[Rock and Roll|Rock]]
|-
!align="left" valign="top"|Song Length
|colspan="2" valign="top"|11:40
|-
!align="left" valign="top"|[[Record label]]
|colspan="2" valign="top"|[[Elektra Records]]
|-
!align="left" valign="top"|[[Record producer|Producer]]
|colspan="2" valign="top"|The Doors, [[Paul A. Rothchild]]
|-
!align="left" valign="top"|Track Number
|colspan="2" valign="top"|Track 11
|-
|}

"'''The End'''" is a song by [[The Doors]] from their [[The Doors (album)|self-titled album]]. It was gestated through months of performances at [[Los Angeles]]' [[Whisky a Go Go]]. The band would perform the song to close their last set. It was first released in January 1967 on their [[self-titled]] debut album.

== Influences ==
The spoken-word section of the song includes the lines "Father/ Yes son?/ I want to kill you/ Mother, I want to...[[fuck]] you," (with the last two words screamed unintelligibly). This is often considered an homage to [[Sophocles]]' ''[[Oedipus Rex]]'', a production of which [[Jim Morrison]] worked on while at [[Florida State University]].

Said Morrison in 1969, "Everytime I hear that song, it means something else to me. It could be goodbye to a kind of childhood." Morrison had also said that the song is an inside trip, and that "kill the father" means destroying everything hierarchical, controlling, and restrictive in one's psyche, while "fuck the mother" means embracing everything that is expansive, flowing, and alive in the psyche. This interpretation of his own lyrics recalls to us Morrison's lifelong passion for freedom. He may have been influenced by the [[Jungian]] concepts of [[individuation]] and [[archetype]]s, and was certainly influenced by [[Friedrich Nietzsche]]'s concept of going beyond the limited types of human beings that have so far existed by loving [[Dionysian]] vitality and life ("the mother") while rejecting [[Apollonian]] systems and traditions ("the father"). The lyrics' reference to "the Blue Bus" is almost certainly a reference to [[India]]n [[mysticism|mystic]] [[Meher Baba]]'s "[[Blue Bus]]" tours of the 1930s. However, it may also be a reference to [[Santa Monica]]'s [[Big Blue Bus]] public bus lines or Fetrow's blue bus which they took many trips in.

== Music ==
[[Robby Krieger]]'s slinky, haunting guitar lines over D drone in DADGAD tuning recall Indian [[drone (music)|drone]] and [[raga]]-based music, as has often been noted, and the vital, unpredictable rolling and dramatic crescendoes of [[John Densmore]]'s drums recall Indian [[tabla]] rhythms. The music as a whole, though, does not sound entirely or even particularly "Indian". The sharp, ringing edge of the [[guitar]] recalls the 50s [[rock and roll]] style, while the fingerpicking attack may derive equally from the [[flamenco]] guitar style Krieger had studied as a youth and from alternate-tuned [[folk music|folk]]. [[Ray Manzarek]]'s organ is used sparingly to provide the inconspicuous but essential bass line (I-V-VIII-V-I-V...) and fills. One may find a strong similarity to Chopin's "Funeral March" theme and also to Sandy Bull's guitar instrumental "Blend" - but this probably has more to do with the quality of the melodic minor scale than with influence.

Structurally, the song rises to three separate mini-crescendoes separated by slower sections of half-spoken, half-sung lyrics before building to an enormous [[psychedelic]] crescendo right after Jim Morrison sings the "meet me at the back of the blue bus" verse. Previously, the song had been weaving along on its melodies to an encounter with the ruling powers of the mind, the controlling "father" structure and the longed-for "mother", or freedom. The final crescendo represents an attempt to break through to that freedom. Just afterward, "The End" departs on a wistful, post-orgasmic note when Morrison sings, "It hurts to set you free, but you'll never follow me. The end of laughter and soft lies, the end of nights we tried to die." In the context of Morrison's first interpretation quoted above, this lyric and the associated music that softly reiterates themes from the opening may mean that the comfort of childhood will be sacrificed for freedom.

== In film ==
"The End" was famously used as a [[framing device]] for [[Francis Ford Coppola]]'s 1979 film ''[[Apocalypse Now]]'', in which its dark, poetic passage marked the film's descent into the [[Surrealism|surreal]]. The sound of helicopter rotors from the beginning of the film are often included in recordings of the song. However, this version of the song is also incomplete, and the sounds of a jungle replace most of the lyrics in the second half of the song.

This usage has led to other, often satirical usages, ranging from two sequences on ''[[The Simpsons]]'' television series in which the song plays while [[Homer Simpson|Homer]] contemplates suicide and another, [[Kiss Kiss Bang Bangalore]], in which, in an ''Apocalypse Now'' parody, he thinks he is a god, to a [[Saturday Night Live]] sketch in which [[John McCain]] is driven to madness while campaigning for [[George W. Bush]] as a parody of ''Apocalypse Now''.

It was used in the final episode of [http://en.wikipedia.org/wiki/Dennis_Miller#The_Dennis_Miller_Show= The Dennis Miller Show], during another Apocalypse Now parody sequence, in which Dennis was airlifted by (we are led to believe) a helicopter out of the set.

The song was also used in [[Oliver Stone]]'s 1991 film ''[[The Doors (film)|The Doors]]'', where it plays while the band explored drugs in the desert.

The song was referenced in a [[2006]] episode of ''[[The Venture Bros.]]'' entitled "[[Assassinanny 911]]", in a scene which also parodied the ''Apocalypse Now'' usage.

==References==

*[http://www.lyricsfreak.com/d/doors/the+end_20042686.html Lyrics]

[[Category:The Doors songs|End, The]]
[[Category:1967 songs]]

[[fr:The End (musique)]]
[[ja:ジ・エンド (ソング)]]
[[sv:The End (The Doors)]]