Wikipedia - Benutzerbeiträge [de]

John Collier (Reformer)

2007-06-28T19:38:03Z

171.64.139.139: /* Commissioner of Indian Affairs (1933-1945) */

John Collier (1884-1968) was social reformer and [[Native Americans in the United States|Native American]] advocate.

==Early Life and Career==
John Collier was born on May 4, 1884 and grew up in [[Atlanta]] where his father was a prominent banker, businessman, and civic leader. He was educated at [[Columbia University]] and at the [[College de France]] in [[Paris]]. At Columbia, Collier began to develop a social philosophy that would shape his later work on behalf of [[American Indians]]. He was concerned with the adverse effects of the industrial age on mankind. He thought society was becoming too materialistic and individualistic and argued that American culture needed to reestablish a sense of community and responsibility. Collier centered his career on trying to realize the power of social institutions to make and modify personalities. In 1908 Collier made his first significant contribution to a national magazine when an article which described the [[Socialist]] municipal government in [[Milwaukee]], [[Wisconsin]] was published in [[Harper's Weekly]]. Collier moved to [[California]] in October 1919 where he worked for the California Housing and Immigration Commission organizing institutes to train people who would then teach [[Americanization]] to immigrants.

==Indian Advocate (1919-1933)==
In 1919 Collier experienced his first contact with [[American Indians]] while visiting a friend, artist [[Mabel Dodge]] at the [[Taos Pueblo]] in [[Taos, New Mexico]]. For much of the next two years he spent time at an art colony near Taos where he studied the history and current life of American Indians. When Collier left Taos in 1921 for a teaching job in [[San Francisco]] he believed that Indians and their culture should not be lost to the encroachment of the dominant white culture. He now rejected the forced [[assimilation]] and [[americanization]] policies that were prevalent at the time and demanded [[cultural pluralism]] be accepted when dealing with [[Native Americans in the United States|Native American]] tribes. Collier identified Indian survival with retention of their land base and expressed this by lobbying for the repeal of [[Indian General Allotment Act of 1887]]. Also known as the [[Dawes Act]], this legislation was an attempt at Indian assimilation by dividing up Indian reservation land into individual parcels of private property. In Collier's opinion, the general allotment of Indian reservation land was a complete failure leading to the increasing loss of Indian land. John Collier's emergence as a federal Indian policy reformer in 1922 marked a turning point in Indian affairs. As a proponent of [[cultural pluralism]] and repeal of the Dawes Act, Collier directly attacked the [[Bureau of Indian Affairs]]. Prior to Collier, criticism of the Bureau was directed at corrupt and incompetent officials and not the actual policies implemented. For the next decade Collier fought against legislation and policies that were detrimental to the well-being of Native Americans. Collier's efforts led to a monumental study in 1926-1927 of the overall condition of Indians in the United States. The results of the study became known as the [[Meriam Report]]. Published in 1928 as ''[[The Problem of Indian Administration]]'', the [[Meriam Report]] revealed failures of federal Indian policies and how they had contributed to severe problems with Indian education, health, and poverty.

==Commissioner of Indian Affairs (1933-1945)==
With the publishing of the [[Meriam Report]] in 1928 and with Collier's continuous effort, Indian affairs once again became a prominent issue for the federal government. As a result of the [[Wall Street Crash of 1929]], economic and social conditions worsened for most Americans including [[Native Americans in the United States|Native Americans]]. The Administration of [[Herbert Hoover]] did reorganize the [[Bureau of Indian Affairs]] and also provided it with major funding increases. However, lasting reform of federal Indian policy did not occur until the election of [[Franklin D. Roosevelt]] in 1932 and the introduction of his [[New Deal]] policies. As a reform-minded president, Roosevelt nominated John Collier as [[Commissioner of Indian Affairs]] in 1933. To alleviate the conditions brought on by the [[Great Depression]], Collier set up the [[Indian Civilian Conservation Corps]]. The Corps provided jobs to Native Americans in soil erosion control, forestation, range development, and other [[public works]] projects. Coinciding with Roosevelt's [[New Deal]], Collier introduced the [[Indian New Deal]] with the passing of the [[Indian Reorganization Act of 1934]] which became one of the most influential and lasting pieces of legislation relating to federal Indian policy. Also known as the [[Wheeler-Howard Act]], this legislation reversed fifty years of [[assimilation]] policies by emphasizing Indian [[self-determination]] and a return of communal Indian land which was in direct contrast with the objectives of the [[Indian General Allotment Act of 1887]]. Collier was also responsible for getting the [[Johnson-O'Malley Act]] passed which allowed the [[United States Secretary of the Interior]] to sign contracts with state governments in an effort to share responsibility for the social and economic well-being of [[American Indians]]. While Collier emphasized and vocally expressed support for Indian [[self-determination]], his [[Indian New Deal]] policies were often seen by [[American Indians]] as just another [[paternalistic]] program forced upon them by the federal government. Criticism aside, John Collier did more to protect Native American land and culture than any other Indian Affairs Commissioner. After serving the longest tenure in American history, John Collier resigned as [[Commissioner of Indian Affairs]] in 1945.

==Post-government career==
Collier remained active as the director of the National Indian Institute and as a sociology professor. John Collier died in [[Taos, New Mexico]] on May 8, 1968.

==References==

Parman, Donald L. (1994). ''Indians and the American West in the Twentieth Century''. Indiana University Press.

Prucha, Francis Paul. (1986). ''The Great Father''. University of Nebraska Press.

Schwartz, E. A. (1994). Red Atlantis Revisited: Community and Culture in the Writings of John Collier. ''American Indian Quarterly''. 18(4), 507-531.

Encyclopedia of World Biography on John Collier [http://www.bookrags.com/biography/john-collier/]

[[Category:Native American history]]
[[Category:Native American law]]
[[Category:New Deal agencies]]
[[Category:History of the United States (1918–1945)]]

Gary K. Wolf

2006-01-31T20:28:01Z

171.64.139.139:

'''Gary Wolf''' is the creater of the fictional [[Roger Rabbit]] universe in which "[[toons]]" and humans coexist. Roger Rabbit first appeard in Wolf's [[1982]] book ''[[Who Censored Roger Rabbit?]]'' (ISBN 0345303253).
The story continues in ''[[Who P-P-P Plugged Roger Rabbit?]]'' (ISBN 067940094X). Curiously, the movie ''[[Who Framed Roger Rabbit?]]'' is more consistent with the second book. He is a brother of the [[Alpha Chi Rho]] fraternity.

{{comics-creator-stub}}

[[Category:Science fiction writers|Wolf, Gary]]

Gary K. Wolf

2006-01-31T20:25:52Z

171.64.139.139:

'''Gary Wolf''' is the creater of the fictional [[Roger Rabbit]] universe in which "[[toons]]" and humans coexist. Roger Rabbit first appeard in Wolf's [[1982]] book ''[[Who Censored Roger Rabbit?]]'' (ISBN 0345303253).
The story continues in ''[[Who P-P-P Plugged Roger Rabbit?]]''. Curiously, the movie ''[[Who Framed Roger Rabbit?]]'' is more consistent with the second book. He is a brother of the [[Alpha Chi Rho]] fraternity.

{{comics-creator-stub}}

[[Category:Science fiction writers|Wolf, Gary]]

Antiochos IV. (Kommagene)

2005-10-28T16:47:05Z

171.64.139.139:

'''Antiochus IV''' was made king of [[Commagene]] by [[Caligula]], who even enlarged his territory but then deposed him almost immediately. Restored by [[Claudius]] in 41, he reigned until 72 as an ally of Rome against [[Parthia]]. That year he was deposed on suspicion of treason and retired to Rome. His sons Epiphanes and Callinicus fled to [[Parthia]] after a brief encounter with Roman troups.

Several of his coins are extant, and their die-marks prove he did rule large parts of [[Cappadocia]] and [[Cilicia]] as well as Commagene proper. The reasons for providing a client-king with such vast resources remain unclear; it was perhaps a stroke of Caligula's well-attested eccentricity. Antiochus IV called himself "Great King" on his coins, a testament to his political ambitions which no doubt played a part in his downfall. He was the last royal descendant of [[Seleucus I]].

{{Ancient-Rome-bio-stub}}
{{Euro-royal-stub}}

[[Category:Ancient Roman enemies and allies]]
[[Category:Syrian people]]

Richard Hathwaye

2005-10-07T18:55:01Z

171.64.139.139:

'''Richard Hathwaye''' (fl. [[1597]] - [[1603]]), was an [[England|English]] [[dramatist]]. Little is known about Hathwaye's life. There is no evidence that he was related to his namesake Richard Hathaway, the father of [[William Shakespeare|Shakespeare]]'s wife, [[Anne Hathaway (Shakespeare's wife)|Anne Hathaway]]. Hathwaye is not heard of after 1603.

Information on Hathwaye's dramatic career is derived mostly from the papers of [[Philip Henslowe]]. He wrote eighteen plays for Henslowe for production by the [[Admiral's Men]] and [[Worcester's Men]] at the [[Rose Theater]], both as sole author and in partnership with other playwrights who also produced copy for Henslowe. The first of these, ''King Arthur'' (1597), is the only play for which he received sole credit. He had likely already been writing for the stage for some time, however, since [[Francis Meres]] refers to him as if he was a veteran dramatist in 1598, including him among those "best for comedy."

Hathwaye also wrote commendatory verses for [[John Bodenham]]'s ''Belvedere'', published in 1600.

Aside from his ''Belvedere'' verses all of Hathwaye's works are lost except for the first part of the collaborative ''[[Sir John Oldcastle]]'', commissioned as a counterblast to the negative depiction of title character in the original versions of [[William Shakespeare]]'s plays ''[[Henry IV, part 1|Henry IV (Part 1)]]'' and ''[[Henry IV, part 2|Henry IV (Part 2)]]''. Objections from descendants of the historical [[John Oldcastle]], a [[Protestant]] martyr, appears to have been responsible both for the writing of the corrective ''Oldcastle'' play and the alteration of Oldcastle to [[Falstaff|Sir John Falstaff]] in later versions of the ''Henry IV'' plays.

Known plays by Hathwaye, either singly or in conjunction with others, include:

'''For the Admiral's Men, 1598-1602:'''
# ''King Arthur'', April 1598. 1597. Not printed.
# ''Valentine and Orson'', with [[Anthony Munday]], July 1598. Not printed.
# ''[[Sir John Oldcastle|Sir John Oldcastle, Part I]]'', with [[Michael Drayton]], Anthony Munday and [[Robert Wilson (dramatist)|Robert Wilson]], October-December 1599. Editions published in 1600 and 1619.
# ''Sir John Oldcastle, Part II'', with Michael Drayton, Anthony Munday and Robert Wilson, October-December 1599. Not printed.
# ''Owen Tudor'', with Michael Drayton, Anthony Munday, and Robert Wilson, January 1600. Not printed; possibly not finished.
# ''Fair Constance of Rome, Part I'', with [[Thomas Dekker]], Michael Drayton, Anthony Munday, and Robert Wilson, June 1600. Not printed.
# ''Fair Constance of Rome, Part II'', with Thomas Dekker, Michael Drayton, Anthony Munday, and Robert Wilson, June 1600. Not printed; possibly not finished.
# ''Hannibal and Scipio'', with [[William Rankins]], January 1601. Not printed.
# ''Scogan and Skelton'', with William Rankins, January-March 1601. Not printed.''
# ''The Conquest of Spain by John of Gaunt'', with William Rankins, March-April 1601. Never finished, at least for Henslowe, as the manuscript was returned to Hathwaye.
# ''The Six Clothiers, Part I'', with [[William Haughton]] and [[Wentworth Smith]], October-November 1601. Not printed.
# ''The Six Clothiers, Part II'', with William Haughton and Wentworth Smith, October-November 1601. Not printed; possibly not finished.
# ''Too Good to be True'', with Henry Chettle and Wentworth Smith, November 1601-January 1602. Not printed.
# ''Merry as May Be'', with [[John Day]] and Wentworth Smith, November 1602. Not printed.

'''For Worcester's Men, 1602-1603:'''
# ''The Black Dog of Newgate, Part I'', with John Day, Wentworth Smith, and an anonymous "other poet," November 1602-February 1603. Not printed.
# ''The Black Dog of Newgate, Part II'', with John Day, Wentworth Smith, and an anonymous "other poet," November 1602-February 1603.
# ''The Unfortunate General'', with John Day, Wentworth Smith, and a third author, January 1603. Not printed.

'''For the Admiral's Men, 1603:'''
# ''The Boss of Billingsgate'', with John Day and one or more others, March 1603. Not printed.

[[Category:Year of birth missing|Hathwaye, Richard]]
[[Category:English poets|Hathwaye, Richard]]
[[Category:English dramatists and playwrights|Hathwaye, Richard]]

Richard Hathwaye

2005-10-07T18:49:09Z

171.64.139.139:

'''Richard Hathwaye''' (fl. [[1597]] - [[1603]]), was an [[England|English]] [[dramatist]]. Little is known about Hathwaye's life. There is no evidence that he was related to [[William Shakespeare|Shakespeare]]'s wife, [[Anne Hathaway (Shakespeare's wife)|Anne Hathaway]].

Information on Hathwaye's dramatic career is derived mostly from the papers of [[Philip Henslowe]]. He wrote eighteen plays for Henslowe for production by the [[Admiral's Men]] and [[Worcester's Men]] at the [[Rose Theater]], both as sole author and in partnership with other playwrights who also produced copy for Henslowe. The first of these, ''King Arthur'' (1597), is the only play for which he received sole credit. He had likely already been writing for the stage for some time, however, since [[Francis Meres]] refers to him as if he was a veteran dramatist in 1598, including him among those "best for comedy."

Hathwaye also wrote commendatory verses for [[John Bodenham]]'s ''Belvedere'', published in 1600.

All of Hathwaye's works are lost except for the first part of the collaborative ''[[Sir John Oldcastle]]'', commissioned as a counterblast to the negative depiction of title character in the original versions of [[William Shakespeare]]'s plays ''[[Henry IV, part 1|Henry IV (Part 1)]]'' and ''[[Henry IV, part 2|Henry IV (Part 2)]]''. Objections from descendants of the historical [[John Oldcastle]], a [[Protestant]] martyr, appears to have been responsible both for the writing of the corrective ''Oldcastle'' play and the alteration of Oldcastle to [[Falstaff|Sir John Falstaff]] in later versions of the ''Henry IV'' plays.

Known plays by Hathwaye, either singly or in conjunction with others, include:

'''For the Admiral's Men, 1598-1602:'''
# ''King Arthur'', April 1598. 1597. Not printed.
# ''Valentine and Orson'', with [[Anthony Munday]], July 1598. Not printed.
# ''[[Sir John Oldcastle|Sir John Oldcastle, Part I]]'', with [[Michael Drayton]], Anthony Munday and [[Robert Wilson (dramatist)|Robert Wilson]], October-December 1599. Editions published in 1600 and 1619.
# ''Sir John Oldcastle, Part II'', with Michael Drayton, Anthony Munday and Robert Wilson, October-December 1599. Not printed.
# ''Owen Tudor'', with Michael Drayton, Anthony Munday, and Robert Wilson, January 1600. Not printed; possibly not finished.
# ''Fair Constance of Rome, Part I'', with [[Thomas Dekker]], Michael Drayton, Anthony Munday, and Robert Wilson, June 1600. Not printed.
# ''Fair Constance of Rome, Part II'', with Thomas Dekker, Michael Drayton, Anthony Munday, and Robert Wilson, June 1600. Not printed; possibly not finished.
# ''Hannibal and Scipio'', with [[William Rankins]], January 1601. Not printed.
# ''Scogan and Skelton'', with William Rankins, January-March 1601. Not printed.''
# ''The Conquest of Spain by John of Gaunt'', with William Rankins, March-April 1601. Never finished, at least for Henslowe, as the manuscript was returned to Hathwaye.
# ''The Six Clothiers, Part I'', with [[William Haughton]] and [[Wentworth Smith]], October-November 1601. Not printed.
# ''The Six Clothiers, Part II'', with William Haughton and Wentworth Smith, October-November 1601. Not printed; possibly not finished.
# ''Too Good to be True'', with Henry Chettle and Wentworth Smith, November 1601-January 1602. Not printed.
# ''Merry as May Be'', with [[John Day]] and Wentworth Smith, November 1602. Not printed.

'''For Worcester's Men, 1602-1603:'''
# ''The Black Dog of Newgate, Part I'', with John Day, Wentworth Smith, and an anonymous "other poet," November 1602-February 1603. Not printed.
# ''The Black Dog of Newgate, Part II'', with John Day, Wentworth Smith, and an anonymous "other poet," November 1602-February 1603.
# ''The Unfortunate General'', with John Day, Wentworth Smith, and a third author, January 1603. Not printed.

'''For the Admiral's Men, 1603:'''
# ''The Boss of Billingsgate'', with John Day and one or more others, March 1603. Not printed.

Hathwaye is not heard of after 1603.

[[Category:Year of birth missing|Hathwaye, Richard]]
[[Category:English poets|Hathwaye, Richard]]
[[Category:English dramatists and playwrights|Hathwaye, Richard]]

Robert Wilson (Dramatiker)

2005-09-16T18:00:58Z

171.64.139.139:

'''Robert Wilson''' (fl. [[1598]] - [[1600]]), was an [[Elizabethan]] [[dramatist]] who worked primarily in the [[1580s]] and [[1590s]]. He is also believed to have been an actor who specialized in clown roles.

He produced sixteen plays for [[Philip Henslowe]] for production at the [[Rose Theater]] in partnership with other playwrights who also produced copy for Henslowe. While mentioned as a dramatist by [[Francis Meres]] in 1598, most existing information on his dramatic career is derived from Henslowe's papers.

All of Wilson's works are lost except for the first part of the collaborative ''[[Sir John Oldcastle]]'', commissioned as a counterblast to the negative depiction of title character in the original versions of [[William Shakespeare]]'s plays ''[[Henry IV, part 1|Henry IV (Part 1)]]'' and ''[[Henry IV, part 2|Henry IV (Part 2)]]''. Objections from descendants of the historical [[John Oldcastle]], a [[Protestant]] martyr, appears to have been responsible both for the writing of the corrective ''Oldcastle'' play and the alteration of Oldcastle to [[Falstaff|Sir John Falstaff]] in later versions of the ''Henry IV'' plays.

Wilson's plays include ''The Three Ladies of London'', its sequel ''The Three Lords and Ladies of London'', and ''The Cobbler's Prophecy''. He may also be the author of ''Fair Em, the Miller's Daughter of Manchester''.

Other known plays in which Wilson had an authorial hand include:

# ''Earl Goodwin and his Three Sons'', Parts I and II, by [[Michael Drayton]], [[Henry Chettle]], [[Thomas Dekker]], and Robert Wilson, March 1598. Not printed.
# ''Piers of Exton'', by Michael Drayton, Henry Chettle, Thomas Dekker, and Robert Wilson, March 1598. Not printed.
# ''Black Batman of the North, Part II'', by Henry Chettle and Robert Wilson. April 1598. Not printed.
# ''The Funeral of Richard Cordelion'', by Robert Wilson, Henry Chettle, [[Anthony Munday]], and Michael Drayton. May 1598. Not printed.
# ''Catiline's Conspiracy'', by Robert Wilson and Henry Chettle. August 1598. Not printed.
# ''Chance Medley'', by Robert Wilson, Anthony Munday, Michael Drayton, and Thomas Dekker. August 1598. Not printed.
# ''Owen Tudor'', by Michael Drayton, [[Richard Hathwaye]], Anthony Munday, and Robert Wilson. 1599. Not printed.
# ''[[Sir John Oldcastle|The First Part of the Life of Sir John Oldcastle]]'', by Anthony Munday, Michael Drayton, Robert Wilson, and Richard Hathwaye. 1600. Editions published in 1600 and 1619.

{{UK-actor-stub}}
{{UK-writer-stub}}

[[Category:Year of birth missing|Wilson, Robert]]
[[Category:British actors|Wilson, Robert]]
[[Category:British writers|Wilson, Robert]]

Robert Wilson (Dramatiker)

2005-09-16T17:59:06Z

171.64.139.139:

'''Robert Wilson''' fl. [[1598]] - [[1600]]), was an [[Elizabethan]] [[dramatist]] who worked primarily in the [[1580s]] and [[1590s]]. He is also believed to have been an actor who specialized in clown roles.

He produced sixteen plays for [[Philip Henslowe]] for production at the [[Rose Theater]] in partnership with other playwrights who also produced copy for Henslowe. While mentioned as a dramatist by [[Francis Meres]] in 1598, most existing information on his dramatic career is derived from Henslowe's papers.

All of Wilson's works are lost except for the first part of the collaborative ''[[Sir John Oldcastle]]'', commissioned as a counterblast to the negative depiction of title character in the original versions of [[William Shakespeare]]'s plays ''[[Henry IV, part 1|Henry IV (Part 1)]]'' and ''[[Henry IV, part 2|Henry IV (Part 2)]]''. Objections from descendants of the historical [[John Oldcastle]], a [[Protestant]] martyr, appears to have been responsible both for the writing of the corrective ''Oldcastle'' play and the alteration of Oldcastle to [[Falstaff|Sir John Falstaff]] in later versions of the ''Henry IV'' plays.

Wilson's plays include ''The Three Ladies of London'', its sequel ''The Three Lords and Ladies of London'', and ''The Cobbler's Prophecy''. He may also be the author of ''Fair Em, the Miller's Daughter of Manchester''.

Other known plays in which Wilson had an authorial hand include:

# ''Earl Goodwin and his Three Sons'', Parts I and II, by [[Michael Drayton]], [[Henry Chettle]], [[Thomas Dekker]], and Robert Wilson, March 1598. Not printed.
# ''Piers of Exton'', by Michael Drayton, Henry Chettle, Thomas Dekker, and Robert Wilson, March 1598. Not printed.
# ''Black Batman of the North, Part II'', by Henry Chettle and Robert Wilson. April 1598. Not printed.
# ''The Funeral of Richard Cordelion'', by Robert Wilson, Henry Chettle, [[Anthony Munday]], and Michael Drayton. May 1598. Not printed.
# ''Catiline's Conspiracy'', by Robert Wilson and Henry Chettle. August 1598. Not printed.
# ''Chance Medley'', by Robert Wilson, Anthony Munday, Michael Drayton, and Thomas Dekker. August 1598. Not printed.
# ''Owen Tudor'', by Michael Drayton, [[Richard Hathwaye]], Anthony Munday, and Robert Wilson. 1599. Not printed.
# ''[[Sir John Oldcastle|The First Part of the Life of Sir John Oldcastle]]'', by Anthony Munday, Michael Drayton, Robert Wilson, and Richard Hathwaye. 1600. Editions published in 1600 and 1619.

{{UK-actor-stub}}
{{UK-writer-stub}}

[[Category:Year of birth missing|Wilson, Robert]]
[[Category:British actors|Wilson, Robert]]
[[Category:British writers|Wilson, Robert]]

Robert Wilson (Dramatiker)

2005-09-16T17:56:50Z

171.64.139.139:

'''Robert Wilson''' fl. [[1597]] - [[1603]]), was an [[Elizabethan]] [[dramatist]] who worked primarily in the [[1580s]] and [[1590s]]. He is also believed to have been an actor who specialized in clown roles.

He produced sixteen plays for [[Philip Henslowe]] for production at the [[Rose Theater]] in partnership with other playwrights who also produced copy for Henslowe. While mentioned as a dramatist by [[Francis Meres]] in 1598, most existing information on his dramatic career is derived from Henslowe's papers.

All of Wilson's works are lost except for the first part of the collaborative ''[[Sir John Oldcastle]]'', commissioned as a counterblast to the negative depiction of title character in the original versions of [[William Shakespeare]]'s plays ''[[Henry IV, part 1|Henry IV (Part 1)]]'' and ''[[Henry IV, part 2|Henry IV (Part 2)]]''. Objections from descendants of the historical [[John Oldcastle]], a [[Protestant]] martyr, appears to have been responsible both for the writing of the corrective ''Oldcastle'' play and the alteration of Oldcastle to [[Falstaff|Sir John Falstaff]] in later versions of the ''Henry IV'' plays.

Wilson's plays include ''The Three Ladies of London'', its sequel ''The Three Lords and Ladies of London'', and ''The Cobbler's Prophecy''. He may also be the author of ''Fair Em, the Miller's Daughter of Manchester''.

Other known plays in which Wilson had an authorial hand include:

# ''Earl Goodwin and his Three Sons'', Parts I and II, by [[Michael Drayton]], [[Henry Chettle]], [[Thomas Dekker]], and Robert Wilson, March 1598. Not printed.
# ''Piers of Exton'', by Michael Drayton, Henry Chettle, Thomas Dekker, and Robert Wilson, March 1598. Not printed.
# ''Black Batman of the North, Part II'', by Henry Chettle and Robert Wilson. April 1598. Not printed.
# ''The Funeral of Richard Cordelion'', by Robert Wilson, Henry Chettle, [[Anthony Munday]], and Michael Drayton. May 1598. Not printed.
# ''Catiline's Conspiracy'', by Robert Wilson and Henry Chettle. August 1598. Not printed.
# ''Chance Medley'', by Robert Wilson, Anthony Munday, Michael Drayton, and Thomas Dekker. August 1598. Not printed.
# ''Owen Tudor'', by Michael Drayton, [[Richard Hathwaye]], Anthony Munday, and Robert Wilson. 1599. Not printed.
# ''[[Sir John Oldcastle|The First Part of the Life of Sir John Oldcastle]]'', by Anthony Munday, Michael Drayton, Robert Wilson, and Richard Hathwaye. 1600. Editions published in 1600 and 1619.

{{UK-actor-stub}}
{{UK-writer-stub}}

[[Category:Year of birth missing|Wilson, Robert]]
[[Category:British actors|Wilson, Robert]]
[[Category:British writers|Wilson, Robert]]

Robert Wilson (Dramatiker)

2005-09-16T17:43:52Z

171.64.139.139:

'''Robert Wilson''' was an [[Elizabethan]] dramatist who worked primarily in the [[1580s]] and [[1590s]]. He wrote sixteen plays for [[Philip Henslowe]] for production at the [[Rose Theater]], in collaboration with others who also produced copy for Henslowe. He is also believed to have been an actor who specialized in clown roles.

Wilson's plays include ''The Three Ladies of London'', its sequel ''The Three Lords and Ladies of London'', and ''The Cobbler's Prophecy''. He may also be the author of ''Fair Em, the Miller's Daughter of Manchester''.

{{UK-actor-stub}}
{{UK-writer-stub}}

[[Category:Year of birth missing|Wilson, Robert]]
[[Category:British actors|Wilson, Robert]]
[[Category:British writers|Wilson, Robert]]

Richard Hathwaye

2005-09-16T16:51:10Z

171.64.139.139:

'''Richard Hathwaye''' (fl. [[1597]] - [[1603]]), was an [[England|English]] [[dramatist]].

He produced eighteen plays for [[Philip Henslowe]] for production at the [[Rose Theater]], both as sole author and in partnership with other playwrights who also produced copy for Henslowe. The first of these, ''King Arthur'' (1597), is the only play for which he received sole credit. He had likely already been writing for the stage for some time, however, since [[Francis Meres]] refers to him as if he was a veteran dramatist in 1598.

Most existing information on his dramatic career is derived from Henslowe's papers.

All of Hathwaye's works are lost except for the first part of the collaborative ''[[Sir John Oldcastle]]'', commissioned as a counterblast to the negative depiction of title character in the original versions of [[William Shakespeare]]'s plays ''[[Henry IV, part 1|Henry IV (Part 1)]]'' and ''[[Henry IV, part 2|Henry IV (Part 2)]]''. Objections from descendants of the historical [[John Oldcastle]], a [[Protestant]] martyr, appears to have been responsible both for the writing of the corrective ''Oldcastle'' play and the alteration of Oldcastle to [[Falstaff|Sir John Falstaff]] in later versions of the ''Henry IV'' plays.

Known plays by Hathwaye, either singly or in conjunction with others, include:

# ''King Arthur'', by Richard Hathwaye. 1597. Not printed.
# ''Valentine and Orson'', by Richard Hathwaye and [[Anthony Munday]]. July 1598. Not printed.
# ''Owen Tudor'', by [[Michael Drayton]], Richard Hathwaye, Anthony Munday, and [[Robert Wilson (dramatist)|Robert Wilson]]. January 1599-1600. Not printed.
# ''Fair Constance of Rome'', by Anthony Munday, Richard Hathwaye, Michael Drayton, and [[Thomas Dekker]]. June 1600. Not printed.
# ''Fair Constance of Rome'', Part II., by the same authors. June 1600. Not printed.
# ''[[Sir John Oldcastle|The First Part of the Life of Sir John Oldcastle]]'', by Anthony Munday, Michael Drayton, Robert Wilson, and Richard Hathwaye. 1600. Editions published in 1600 and 1619.
# ''Too Good to be True'', by Henry Chettle, Richard Hathwaye, and [[Wentworth Smith]], November 1601.

Hathwaye is not heard of after 1603.

{{UK-writer-stub}}

[[Category:Year of birth missing|Hathwaye, Richard]]
[[Category:English poets|Hathwaye, Richard]]
[[Category:English dramatists and playwrights|Hathwaye, Richard]]

Richard Hathwaye

2005-09-16T16:49:41Z

171.64.139.139:

'''Richard Hathwaye''' (fl. [[1597]] - [[1603]]), was an [[England|English]] [[dramatist]].

He produced eighteen plays for [[Philip Henslowe]] for production at the [[Rose Theater]], both as sole author and in partnership with other playwrights who also produced copy for Henslowe. The first of these, ''King Arthur'' (1597), is the only play for which he received sole credit. He had likely already been writing for the stage for some time, however, since [[Francis Meres]] refers to him as if he was a veteran dramatist in 1598.

Most existing information on his dramatic career is derived from Henslowe's papers.

All of Hathwaye's works are lost except for the first part of the collaborative ''[[Sir John Oldcastle]]'', commissioned as a counterblast to the negative depiction of title character in the original versions of [[William Shakespeare]]'s plays ''[[Henry IV, part 1|Henry IV (Part 1)]]'' and [[Henry IV, part 2|Henry IV (Part 2)]]. Objections from descendants of the historical [[John Oldcastle|Oldcastle]], a [[Protestant]] martyr, appears to have been responsible both for the writing of the corrective ''Oldcastle'' play and the alteration of Oldcastle to [[Falstaff|Sir John Falstaff]] in later versions of the ''Henry IV'' plays.

Known plays by Hathwaye, either singly or in conjunction with others, include:

# ''King Arthur'', by Richard Hathwaye. 1597. Not printed.
# ''Valentine and Orson'', by Richard Hathwaye and [[Anthony Munday]]. July 1598. Not printed.
# ''Owen Tudor'', by [[Michael Drayton]], Richard Hathwaye, Anthony Munday, and [[Robert Wilson (dramatist)|Robert Wilson]]. January 1599-1600. Not printed.
# ''Fair Constance of Rome'', by Anthony Munday, Richard Hathwaye, Michael Drayton, and [[Thomas Dekker]]. June 1600. Not printed.
# ''Fair Constance of Rome'', Part II., by the same authors. June 1600. Not printed.
# ''[[Sir John Oldcastle|The First Part of the Life of Sir John Oldcastle]]'', by Anthony Munday, Michael Drayton, Robert Wilson, and Richard Hathwaye. 1600. Editions published in 1600 and 1619.
# ''Too Good to be True'', by Henry Chettle, Richard Hathwaye, and [[Wentworth Smith]], November 1601.

Hathwaye is not heard of after 1603.

{{UK-writer-stub}}

[[Category:Year of birth missing|Hathwaye, Richard]]
[[Category:English poets|Hathwaye, Richard]]
[[Category:English dramatists and playwrights|Hathwaye, Richard]]

Richard Hathwaye

2005-09-16T16:44:43Z

171.64.139.139:

'''Richard Hathwaye''' (fl. [[1597]] - [[1603]]), was an [[England|English]] [[dramatist]].

He produced eighteen plays for [[Philip Henslowe]] for production at the [[Rose Theater]], both as sole author and in partnership with other playwrights who also produced copy for Henslowe. The first of these, ''King Arthur'' (1597), is the only play for which he received sole credit. He had likely already been writing for the stage for some time, however, since [[Francis Meres]] refers to him as if he was a veteran dramatist in 1598.

Most existing information on his dramatic career is derived from Henslowe's papers.

All of Hathwaye's works are lost except for the first part of the collaborative ''[[Sir John Oldcastle]]'', commissioned as a counterblast to the depiction of title character in the original versions of [[William Shakespeare]]'s ''[[Henry IV]]'' plays. The outrage of descendants of Oldcastle appears to have been responsible both for the writing of the corrective ''Oldcastle'' play and the alteration of Oldcastle to [[Falstaff]] in later versions of the ''Henry IV'' plays.

Known plays by Hathwaye, either singly or in conjunction with others, include:

# ''King Arthur'', by Richard Hathwaye. 1597. Not printed.
# ''Valentine and Orson'', by Richard Hathwaye and [[Anthony Munday]]. July 1598. Not printed.
# ''Owen Tudor'', by [[Michael Drayton]], Richard Hathwaye, Anthony Munday, and [[Robert Wilson (dramatist)|Robert Wilson]]. January 1599-1600. Not printed.
# ''Fair Constance of Rome'', by Anthony Munday, Richard Hathwaye, Michael Drayton, and [[Thomas Dekker]]. June 1600. Not printed.
# ''Fair Constance of Rome'', Part II., by the same authors. June 1600. Not printed.
# ''[[Sir John Oldcastle|The First Part of the Life of Sir John Oldcastle]]'', by Anthony Munday, Michael Drayton, Robert Wilson, and Richard Hathwaye. 1600. Editions published in 1600 and 1619.
# ''Too Good to be True'', by Henry Chettle, Richard Hathwaye, and [[Wentworth Smith]], November 1601.

Hathwaye is not heard of after 1603.

{{UK-writer-stub}}

[[Category:Year of birth missing|Hathwaye, Richard]]
[[Category:English poets|Hathwaye, Richard]]
[[Category:English dramatists and playwrights|Hathwaye, Richard]]

Richard Hathwaye

2005-09-16T16:30:55Z

171.64.139.139:

'''Richard Hathwaye''' (fl. [[1597]] - [[1603]]), was an [[England|English]] [[dramatist]].

He produced eighteen plays for [[Philip Henslowe]] for production at the [[Rose Theater]], both as sole author and in partnership with other playwrights who also produced copy for Henslowe. The first of these, ''King Arthur'' (1597), is the only play for which he received sole credit. He had likely already been writing for the stage for some time, however, since [[Francis Meres]] refers to him as if he was a veteran dramatist in 1598.

Most existing information on his dramatic career is derived from Henslowe's papers.

All of Hathwaye's works are lost except for the first part of the collaborative ''Sir John Oldcastle'', commissioned as a counterblast to [[William Shakespeare]]'s ''Henry IV'' plays.

Known plays by Hathwaye, either singly or in conjunction with others, include:

# ''King Arthur'', by Richard Hathwaye. 1597. Not printed.
# ''Valentine and Orson'', by Richard Hathwaye and [[Anthony Munday]]. July 1598. Not printed.
# ''Owen Tudor'', by [[Michael Drayton]], Richard Hathwaye, Anthony Munday, and [[Robert Wilson (dramatist)|Robert Wilson]]. January 1599-1600. Not printed.
# ''Fair Constance of Rome'', by Anthony Munday, Richard Hathwaye, Michael Drayton, and [[Thomas Dekker]]. June 1600. Not printed.
# ''Fair Constance of Rome'', Part II., by the same authors. June 1600. Not printed.
# ''The first part of the Life of Sir John Oldcastle'', by Anthony Munday, Michael Drayton, Robert Wilson, and Richard Hathwaye. 1600. Two editions published in 1600.
# ''Too Good to be True'', by Henry Chettle, Richard Hathwaye, and [[Wentworth Smith]], November 1601.

Hathwaye is not heard of after 1603.

{{UK-writer-stub}}

[[Category:Year of birth missing|Hathwaye, Richard]]
[[Category:English poets|Hathwaye, Richard]]
[[Category:English dramatists and playwrights|Hathwaye, Richard]]